Submit your work, meet writers and drop the ads. Become a member
 
Explain to me why
In my dreams you kiss my lips
But in life leave me
 Oct 2014 Harly Coward
Tristan W
Shrapnel leaves a scar.
My wounds heal like molasses.
Slower than syrup.
Random stuff
the sea at night is beautiful with the stars above

the moon it shines so high with its light of love.

a night for perfect romance holding hand in hand

a perfect night for love as you  walk along the sand.



a gentle blowing breeze to fill your heart with bliss

you feel warm inside as you begin to kiss

such a night for love. romantic as can be.

the moon and stars above with a love so free.
Where was I two years ago?
Nuzzling your hair?
Kissing your cheek?
Or was I numb with pain by now?
Every word choked out like pulling teeth.

Did we take a shower together that day?
Where I swore your body
Begged me to stay?
Did I ask you yet your reasons why?
Did you tell me nothing in reply?
Did I ask you yet if this was just a break?
Did I go to bed, praying I’d never wake?
If you are uncomfortable when you look in the mirror,
keep in mind:
We spent thousands of years
trying to convince the earth
she was flat.

We wrote her maps as evidence of the things we saw;
and she believed them.
She cried tsunamis, and had earthquake breakdowns.

Keep in mind: the Sun never gave up hope.
The earth will keep spinning and breathing
the star-dusty space void of encouragement.

Next time you look in the mirror
and second-guess your potential divinity,
remember you will keep shining and living.

Because the Sun is out there
believing in you,
compensating for lack of the human capacity
to treat each other empathically.

You don’t need proof or approval
to be exactly what you are;
Eventually everyone will see
your infinite beauty.
I want to fall into your gravitational field,
Feel you grab me until
I sink into your essence
And our flesh becomes one
From his balcony above a man watches down on a little town in Missouri,  
he pinpoints a bleak silver container as it slingshots into the darkening shadows above.

It yells to him,
"help, get me out of this awful place."
A trial of slate grey smoke follows the container as if it were it's overly attached mother and within a second pulls it back down into the atmosphere.
After descending the container skids across a schoolyard, rolls off the sidewalk and crakes into minuscule pieces.
From the cracks tear gas spills out in all directions covering the once quiet little down in terror, relinquishing it of any tranquility that remained.

The man on the balcony sits and observes the events that have unfolded.
From his perch he can not tell black from white.
He can not tell man from women.
Turban from top hat,
child from elder.
he can not see if interlocked hands declaring their love and denouncing death that blares from police megaphones, are hetero
or ****.
He can not see who's pride is enflamed by blue uniforms
or who's mouth's are covered by dew rags to prevent themselves from speaking a death sentence.

The gas covers it all.

He can only hear footsteps running away,
guns shots following the footsteps,
and unfinished prayers as bodies stain the side walk.

In this moment,
the chess game of life becomes not black versus white
but human versus human.
And the man wonders, from his balcony above,
why it must take weapons that destroy equality,
to make us see each other as equal.
https://twitter.com/alex_mcdaniel40

— The End —