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Dear reader,


Reno doesn't smoke and it's a relief because I'd rather my smile stop her heart than a Malboro. I told her that and she considered never talking to me again because of how corny I was being. If anything, I'm glad she doesn't smoke because her teeth are as white as the snow suffocating the landscape. She asked me if I ever smoked a cigarette and I said no, because my hands would start to tremble at the idea of picking up another of one my father's habits.

We walked in the snow and, three steps and two breaths in, she asked me to stop. Reno bleeds other's blood, and it showed when she dug her hands into the snow to reveal a dog's frozen carcass.

"I saw the tip of his tail sticking out of the snow." She studied the dog's body and brushed some snow off of it's side. There was a wound, the size of a child's fist. Frozen blood stained matted fur, as the front and back legs seemed miles part. "He must have been so cold."

"Someone shot him," I looked at her, as a strand of blond hair cut her face in half when she turned to me.

"He doesn't have a collar...  I know what it's like to not have a home, too," she whispered to him.

I watched her, with her knees in the snow, cry. The tears slid down her cheek when she asked me if I thought that the dog's owner killed him.

"I don't know, Reno. I hope not."

She took off her left glove and wiped her face with a pinkish hand.  She turned to me,"Do you think my dad would **** me, if he could?"



The tree branches hung over the blanketed path, as clumps would fall off and plop frostbitten kisses on the bright, eggshell ground. Eventually we reached the grave of Hilary.

Hilary Natasha Drake
Born October 12, 2001
Died December 8, 2007
May God grant you access into his kingdom
as easily as he granted you access into our hearts.


"She was beautiful," Reno smiled, before she looked away. "My mother would always say, 'Hilary, don't you know how pretty you'll be?' ...She had these lily green eyes that lit up a room-I could have swore that she stole them from the garden of Eden. She was sweet, too. Too sweet. Too kind-hearted."

I felt my hand tighten, as I looked down to see Reno's fingers wrapped around me. Her eyes were holding hostage a flood, as her lip quivered as much as her voice.

"In nine minutes, it will be the anniversary of when we lost her. It was just too much for her and I understand, Hilary. I do.

"It ate her body and wouldn't stop. Every day she seemed thinner and thinner. I remember when she lost her hair. Hilary didn't want to wear a bandana or a cap. I asked her why and she said, 'There's nothing wrong with not having hair, pappy does it all the time.'

"She was so strong, Josh. Stronger than me. Stronger than my dad. When she died, the hospital bills and funeral expenses were too much. We lost everything. My dad lost himself.

"Then, my mother left when his drinking got bad... It was the night before Valentine's day. I remember because I was given so many flowers. I didn't understand why because flowers die, too.

"My mother didn't even say goodbye. She left the photo albums. I never got to say goodbye to her or Hilary and it's not fair because I love them so much. I love them more than anything."

Reno couldn't erupt into tears like they could in the movies. This was the scene where she was supposed to cry uncontrollably or have an epiphany that could alleviate the loss, but neither occurred.

"There's one thing I want you to know, Josh: You can't save me. Don't try, okay? Please, do not try to fix the broken pieces because you'll only cut yourself.

"But there's also another thing I want you to know: You can be there, as I fix myself. I want you to be there."

I looked at her and told her I wanted to be there too.

I think I understand why Reno doesn't smoke, now. The idea of possibly giving herself cancer, when it already has taken away everyone she loves, would take something away from Hilary's fight and only add to Reno's loss.

"I can cry over a dog, but not my sister," she whispered. Reno wiped her nose, looked at me and said, "Am I too much yet?"

"Of course not."



Sincerely,

Joshua Haines
 Dec 2014 Graced Lightning
r
19
 Dec 2014 Graced Lightning
r
19
when my son was younger
he asked -

how old are the mountains
from where did the First People come
why does the sun sleep in the ocean
what is the color of rain

now that my son is older
stronger, wiser and bolder
he asks -

how old are the mountains...
...what is the color of rain


some things don't change.
r ~ 11/30/14

Hey, Son. :)
 Dec 2014 Graced Lightning
abby
i write poetry in fifty seconds or less
sometimes the words taste like salt
and sometimes like maraschino cherries

i wonder if my blood is red or if it's purple
because pain no longer feels like the color red,
it feels like numbness, cold unsaturated color.
red is diamond and fire and volcano
and it doesn't seem fair to call myself eruption.
it would be more accurate to say that i'm sand dune
and flood
and hurricane,
something that doesn't burn painfully
but slowly sinks into your skin
like water
until you breathe in what you thought was air,
but really it's not oxygen anymore,
it's me.

this one tasted like salt.

*(a.m.c.)
She was the home-cooked apple pie I never grew up eating
The drug I never got to favorite
She was the tears I cried confusingly
The oxygen I felt I lacked

She was the poltergeist I saw down my hallway
The illness that manifested into my mental state
She was someone I haven't met but loved, like my father
The magnetic pull I could never reach
Any song can sound sweet,
if you tune your tone appropriately,
and add a lyric,
with a melody
and I have seen where there is a life,
there is a song
but some songs are not only a love song
that notion was a loop, intense, black and blue passionate song
was not romantic

She was a sad song
and I thought I would know how to make it better
like if I could be the only to love her again,
I believed that everything would fall into a melodious love song
but  I lost a few lines of lyrics
and there was bit melody missing that I couldn't find
and I saw too many scratches on the disc
I couldn't let myself be made no longer
trying to fix her entirety.
.
@Musfiq us shaleheen
scratches on the disc
Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan
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