We move through the night,
though the streets seem empty,
we look left and right,
electric vehicles are stealthy.

As we exercise stepwise, sunrise happens.
and black night fades its cover.
Like phoresy, painted, pieces of heaven,
the day opens with primary colors—
reds that delight, oranges that tease
and peacocking yellows that leaven.

As the counterfeit rainbow enchants and rouses,
streetlights waver and douse,
lights flicker on in houses,
and the earth blossoms active in borrowed hues.

Morning twinkles with its particular, angular light,
as we enter the still still lobby.
They’ve already set out the coffee!
With a sip, I feel the morning's started right.
.
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Songs for this:
Day Tripper by MonaLisa Twins
Our Day Will Come by Amy Winehouse

Driven by red
riding hood,
wheels of eternity run
hot and cold
along the tracks
in her arm.

Around the bend
there are jigsaw
pieces of a puzzle,
scattered as destinations
once towns and villages,
now fodder for
the migrant beginner.

According to fable,
there's a wolf at the door,
home is no longer
a worthwhile rendezvous,
but a trap of origin.

Misery is a train ride,
a stray fantasy,
lingering in the wilderness
of her fractured mind.

She sells her gold bracelets,
for she needs
the dark coal,
she seeks
its deep freeze.

She can then
be many things
along the journey,
just never
a connection,
never a permanent signal.

I tilt the base back and forth
Watching the same grains of sand
become suspended in time

Your open arms were my harbor to my shipwrecked dreams

Your beach my bed where I lay my head

My nights were the stars in your eyes

Your kisses the comets I craved

The tides of change , tropical depression and hurricanes . . . as I curl my toes in wet sand

The grains in glass I seek
to balance out the spatial

I have that space now nothing more

No , nothing more .

That little red dress
I don it for you
Not to impress
To dazzle the room

I float and I dance
Pulling you in
Unsteady in your stance
The lights shine dim

The way I move
Like liquid sin
Our bodies speak truth
As it’s always been

That little red dress
You’re nervous to touch
I yearn for the feel
Of your body so much

The silk dances with me
Higher and higher
Your eyes flash with hunger
Tragic and dire

My lips painted red
Eyes blue like the sea
I’m willing to bet
You’re picturing me

That little red dress
Discarded on the floor
A mess of sin and silk
We’re touching core to core

Deep and desperate
We’re burning bright
Prayed and manifested
For this summer night

“When Clay Weeps”
A poetic tribute to Gilgamesh and Enkidu

Beneath a sky of burning stars,
Uruk's high walls gleamed like scars
cut into time—immense, precise—
where kings were gods, and men were dice.

Gilgamesh, carved out of storm and sun,
two-thirds divine, yet wholly undone,
bored with power, drunk on might,
wrestled shadows in the heat of night.

Then came Enkidu, beast-born and bold,
with eyes like flint and hair like mold
of forest boughs, of untouched place—
the wilderness written on his face.

They met like meteors—fierce and fast—
and fought until their rage was past.
Then, laughing, stood where blood had pooled,
and in that moment, gods were fooled.

They crossed into cedar-scented gloom,
to fell a giant, shape their doom.
And when the gods struck back with grief,
they cleaved the world with disbelief.

Enkidu’s breath fled in the dark,
his voice a ghost, his limbs grown stark.
And Gilgamesh—stone turned to skin—
sought death’s edge to pull him in.

He wandered roads where no man goes,
spoke with alewives, fought with crows,
and found the flood that washed the land,
held time’s seed in his trembling hand.

But life, a serpent, sly and thin,
stole the fruit he held within.
So he returned, not with the key,
but with the tale of what can’t be.

He carved in stone his city’s face,
a wall, a name, a time, a place.
For though we die and dust returns,
a soul may live if someone learns.