I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful --
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

I can tell you about the girl.

Her freckles were beige constellations,
and her voice was husky and rasped
like birds before the churning of a storm.

She was weird and laughed at everything I said -
which made her even weirder,
because I'm only funny in certain photos
and in certain clothes.

Her left arm was covered in scars and burns.
"As you can tell, I'm right handed," she said.
Arthritis surrounded her wrists and other joints,
and all I could think about were my
grandmother's arthritis crippled hands,
and if the girl would thank the arthritis, one day,
for no longer allowing her to self-harm.

One of her feet were bigger than the other
and, when she walked, she would lose balance.
"I'm not sure if the world is too fast
or if I'm too slow. Then again," she winked,
"it's probably because of my feet."
I liked her because she treated me like a person,
but didn't take me as seriously
as I took myself.

I struggled with self-respect
and she struggled with a drug addiction.
Her arm was needle park
and sometimes she missed ******
more than she missed me.

She wasn't the type of girl to shake
without her drugs -
she'd, instead, talk about them
like they were old friends.
She understood them
more than she understood herself.

After a few months of ***
and, "I'll be sad when you leave,"s,
I called her my girlfriend
and she smiled.
Flecks of speckled angles, bright,
I saw her, first, she accepted
my night.

Five days later,
she overdosed on morphine.
I picked her up.

Her eyes were glazed over.
I said, "I love you,
but this is *******."
She cried and said,
"Forgive me."

I lain in bed, next to her -
next to the avoidance of death.
She asked how I was
and I said, "Everything I write is ****,
but I'm glad I can write ****** poetry
about how we'll be okay."

She asked, "We will be okay, right?"

I hope.

We've become a generation where-
suicide is glamorous-
self harm becomes a game of hide and seek
and eating disorders become a competition.
But nobody talks about the friends, and lovers who get left behind-
when things go too far.
The people who shudder at gun shots in movies,
and the people who can't walk past rope in a hardware store;
without choking up.
The people left with nothing more than memories.
Stuck remembering birthdays- and death days of people who left us too soon.
Friends and lovers, who were helpless in their efforts to change the situation for the better.
Those who are left behind, look for someone to blame-
ourselves, the world, society-
but in reality we will never know who to blame-
or if we could have even made a **** difference.
Our generation romanticizes pain and suffering-
"where it's all fun and games until someone gets hurt."

What if sound was robbed,
Held at gunpoint
And smuggled away
From me
Into a duffel of contraband.

What if songs became nothing?
What would I
Do? As the bus
Bounces up and down,
When the sun hasn't
Yet stolen it's kiss.
The window yields
Bland scene
And I would recognize
The silence
In the detestful
Way I do
When I forget the wires.

What if his voice
Was gone?
Could I remember it?
Could I fill in sound as his
Lips moved,
God
All I'd ever see
Would be lips.
And I don't like mouths as it is.
But maybe
They'd be my new wires
And my eyes would follow
Their parted
Movements, enamored.

What if instructions were silenced
And I was left to guess at
What to do?
Emergency situation
Stealing my life away
Because I couldn't hear
Anything about
The oxygen supply
Above my head.

I'd perish in silence.

Would I speak?
Or only write?
Would I feel heard
If I could barely fathom listening?

But the truth is,
My dear,
You could break my heart
A million times  
In a million little pieces
And I would pick them all up
Just to put them back
Into your hands.

during my worst times
on the park benches
in the jails
or living with
******
I always had this certain
contentment-
I wouldn't call it
happiness-
it was more of an inner
balance
that settled for
whatever was occuring
and it helped in the
factories
and when relationships
went wrong
with the
girls.
it helped
through the
wars and the
hangovers
the backalley fights
the
hospitals.
to awaken in a cheap room
in a strange city and
pull up the shade-
this was the craziest kind of
contentment

and to walk across the floor
to an old dresser with a
cracked mirror-
see myself, ugly,
grinning at it all.
what matters most is
how well you
walk through the
fire.