We ****.

I brushed her hair just
the other day
and left stinging
handprints on her
eager flesh like she
loves.

Loved her in an
undertow of
blankets and throes,
fullness and
folds

until the drums
pounded in my
ears and
the adrenaline
burned.

On altars,
in tombs,
the sabbats,
esbats and
moons.

We slap
each other
     for fun;
     she listens
when I tell
her to
.

I'm sure you and
your mate do just
fine,
but

we **** better
than all of you
combined.

The error is
   somewhere between
                  the keyboard
                           and the chair

Educate our hearts before we speak our minds.
For it is we who keep our shadow company,
not our shadow ours.
I try to catch the latest news,
Lest otherwise,
I become rolled over by it.

And I heard the hiss
Of venomous spinners,
“We must arm ourselves to the teeth...
**** them all! Bomb them all!”
Such comely pundits,
coated in makeup and gloss,
to read incendiary scripts from teleprompters,
to incite and heap bricks of lead
to tip their side of the scales of Justice.

Smoke speaks before fire,
then soon after comes the flame,
and then the wind of sentiment
to fan the inferno.

But who will speak low and soft of love?
Where are the healing eyes
and empathetic ears of poets past
who dipped their feather pens in compassion
and caressed messages, as
balms for our wounds?

Why do we taint the inherent scripture of mankind
with rhetoric and reaction
by those who seek to study the chaff
and not the wheat of a communal harvest?

Our great leaders have gone softly
into their nights…
battle weary
and brittle by war.

So if a bomb explodes at the Café I plan to visit today –
who will avenge my death
and who to see to the seeds I'd sewn
for compassion and peace?

Pray not these men and women on prime media payroll
and those of privileged wealth
and inherited power
who climb the backs of soft singing nightingales
to cackle the message of crows.
I’m none of these.

I was born of the womb,
and crawled to a walk, and thereon
through forests, and mountains, and shores,
shared with all things visible.

My heart rises and falls and races with beauty
and aches with darkness.
I fade, feeling the color run from my hair
and the suppleness of my skin
to dry and wither.

I watch my children quiver
like green leaves on the lithe limbs of youth –
fearing their fall,
but adoring their verdant energy.

All man is by nature equal
before the rise of knowledge –
and as the kingdom rises within each human being,
who will he take for a sage
and who for a fool?

Lo' we must focus the light in our hearts
before we speak from our darkening minds.
For it is we who keep our shadow company,
not our shadow ours.

Okay, okay,
Enough scribbling
About old flames,
Old friends,
All the analogies to death,
E.R. runs, hospices,
Palliatives, Vision Nursing Homes,
Black gloves and lilies,
Suicides and terrorists.
Enough of that
Already.
Now,
What's left to theme about?
Just love.

I wouldn't call them scars. Our bodies are ancient calendars marked with times and places. Tonight, you are not real. You are the desperate ocean lapping at the shoreline trying to take back the secrets in the bottles cast off by lovers, and children, letters to the dead sometimes. They are not your secrets, but they came to you first. They are full of feelings you have once felt or will feel. The bottles glisten in the sand mockingly, beautifully, painfully, like window shopping for jewelry you'll never be able to afford. You never expect to want the glass back after it has been pulled out of you. But the stories inside are your stories now too. You cast them off in the same manner hoping somone better than the sea will find them. The story about your cancer, your mother, the love you feel right now, the love returned, the time you thought of the beauty of a flower, the flower you killed to show someone how beautiful it was, the realization of the importance of stillness. All those stories like broken bottles in your skin. Like jewels encrusted on a big brass door leading to a room you live in. But tonight, you are the ocean at high tide, finally getting your bottles back.

America the Beautiful is broken
into variations, reassembled
at fifteen, while your friends played ball, tumbled
after grounders.  Met her, vows were spoken,
children came, a job to feed and shelter.
Insurance, managed risk made up your days
while music filled your nights and underlaid
a counterpoint of art and home.  She felt your
dualistic muse; the age-old tale
of starving artist held no taste for you.
Forty years of working every breath
until the night your muse's heart would fail.
You lived for years with your worst fear come true,
for you had starved your artist to his death.

The boy ran through the fields,
His kite blazing like a comet
In the hot summer of yesterday.
Flying through the tall grass,
An open mouth, a smile held fast,
He danced, and leaped, and span away;
Safe in youth and come what may.

The day moves on.

The wind swept hard across the fields,
The kite bucking against the strain,
A twist and tear in the summer day.
The boy turned, distraught,
To watch his youth fall in thought.
He frowned, and wept, and turned away;
The kite lay broken amongst the hay.

The day moves on.

He turned to home, a sad retreat,
Replacing his steps along the path
He carved across the summer day.
A bird flies across the run,
Feathers flirting in the sun.
He turns and runs, a smile again,
And doesn’t see the hidden pain.

The day moves on.

A flying foot is sliced and pierced,
A scream of pain splits the fields
And the bird flies so fast away.
The discarded wire, the ill placed thought,
With no care for what it’s caught,
Leaves years of scars for a man to pay
And dream the loss of yesterday.