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When I die
I wish to be
recycled

Cut up into pieces
of useful and useless
parts
and distributed
where I'm needed
most

To serve the world
one
final
time


When I die
I don't want a coffin
Or to be dressed up and posed
as if I am sleeping
For we all know I am not sleeping

I do not want to be burned
Or preserved by chemicals that only
delay
the inevitable

I want to be a part of nature's
cycle
To be eaten by my arthropod friends
and torn apart by wild things and scavengers
To assist proudly in medicine, science, and nutrition
for all the world's species

When I die
Do not bury my body
For I no longer inhabit it

Cast that rotting sack of flesh aside
and use it for good

When I die
do not mourn me
Do not say
"rest in peace"
for I am not resting
Do not say
"gone but not forgotten"
For I am not gone, and will soon be forgotten here

When I die
Celebrate all of the memories
The good and the bad
Tell all my secrets
Read all my poems and letters
Perhaps you will finally understand me
I've always found funerals and cemetaries beautiful, but a bit silly. After all, we all have the same fate: the beautiful process of decomposition
Vianne Lior Feb 24
Wind-carved
spine twisted—feral, gnarled.
A body bent,
splintered—never severed.

Salt licked wounds raw. Brine sutured marrow.
Bark flayed to ribbons, limbs ink-blurred—
curling, unwritten. A thing undone, a thing refusing.

Roots plunged—teeth to brittle earth,
ribs against collapse.
Cliff crumbling, gravity unspooling—
but it held.

White-knuckled in ruin.
Fingers clawing the wind.
Wreckage. Crooked. Unnatural.

An old man exhaled— Survival isn’t always beautiful.

But what is beauty, if not this—
a body unmade, carved by violence,
and still, somehow, bloom?

Vianne Lior Feb 24
Wilt clots in the folds,
petal-blush drips bruised and sweet,
beauty—too full, spills.

  Feb 24 Vianne Lior
Stephan
.

*If I were a poem
I’d ask you to fold me up
and put me in your pocket,
then at the end of the week,
toss me in the wash
with the rest of the clothes

And when you find me later,
smudged and smeared,
ripped and tattered into
little unrecognizable pieces,
don’t worry about it,
I was already like that
I have been notified that this poem was plagiarized and posted on Poetfreak by someone using the name Blurry Face. I can assure you, this is my poem.
  Feb 23 Vianne Lior
Malia
the flower has eyes
and she watches
as her pale petals curl and
turn brown on the edges, she
watches as she wilts, as her leaves
start to dry, she watches
as the parts of her she used
to admire start to fall, piece by
piece, and she watches as she
disintegrates,
becoming the dirt and she watches as
the housekeeper sees her and frowns and
then throws her away into the
trash.
she watches as she becomes
trash.
and she cannot save herself.
not having the best day
  Feb 23 Vianne Lior
Carlo C Gomez
Tar-dark world. The defining color is black, the inky night of her nocturnal hunts and the deep, bottomless dark of her alien retreat.

A watcher of men, she is everything and nothing. She might be too much of something, or too little of something else. Time will sort out the particulars.

There are no simple entry points – she demands engagement, and to be taken as a whole. Her discomfort is over her own allure, her undisturbed surface. It’s more about intuition and gesture than dialogue. They remain as echoes. They’ve made her beautiful in a real way, with hips and blemishes and dimples in her skin.

The imprint of the lives she begins to grapple with as her time on Earth extends, leads her to stop seeing herself as a mere conduit for her mission, and to start developing a sense of subjectivity.

Her life force is overlapping, shaping itself into a pattern of rings that simultaneously suggests a birth canal dilating, the stages of a rocket separating, and a lunar eclipse as seen through a telescope’s lens.

She's a life-form you can’t quite understand, but it’s carrying on relentlessly, like a beehive, moving backward through the constellations at first approach.
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