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She can walk
          between
             night and day
               never letting either
                  get in her way.
She learned this trick
                     many moons ago
                                by
                     going deep within
           and never letting it show.
Her soul is innocent
her heart is pure
she’s gone through more
than most could endure.
            She’s an angel of light
                 an angel of dark
                 you never know
              what you will spark.
                      You want to hurt her?
                         Please, go ahead and try
                           she’ll be the one to show you
                                  just how well she can
                                                              f
­                                                                l­
                                                                ­  y.
                                  Her soul innocent
                    her heart pure
      but never think for one minute
that she’s not secure.
                                Say what you will
                          please, do what you must
                       but your jealousy and hatred
                             won’t waver her trust!
~
Even Those Angels Out There Have Their Limits…..
 Oct 2020 Sydney
Emily Miller
My father walked me down the aisle,
But my mother held my arm.
He went with me,
But we went not towards the altar,
But towards the door.

My father walked me down the aisle,
And the ***** rang through the church,
Humming through the elaborate crown molding,
Carved by my ancestors.

He went,
Not beside me,
But before me,
And I watched,
As he was illuminated by the bright,
Overbearing,
Texas sun.

My father walked me down the aisle,
But I did not wear white.
My father walked me in silence,
And I shed tears not for a man standing at the altar,
But for the one I would never see again.

My father walked me down the aisle,
And no veil obscured my face.
All eyes were upon me, but not for my pristine beauty,
Instead for my clenched jaw and furrowed brow,
Severe and fierce to distract from my glassy eyes.

My father did not leave me at the end of our walk to sit beside my mother.
She clung to me for support and sobbed breathlessly,
Loudly,
Unavoidably,
And I carried her with one hand,
My sister the other,
And walked towards my future.
A future family,
Not one person more,
But one person less.
I walked,
One final time,
With him.

My father walked me down the aisle,
And I will never forget it.
Hundreds of eyes isolating my family from the crowd,
Slow and muffled sounds drowning in the deafening beat of my heart,
Blurred faces staring,
Black heels clacking against the cobbled path from the church,
The anguished wails of my mother,
The whimpering of my sister,
And the wooden box that glided before us,
Pulling,
A string tied to our patriarch,
The pin key of our family,
Pulled taut and then snipped with the slam of the hearse doors.

My father walked me down the aisle,
Before I had a chance to grow up.
He walked me,
Out of the church,
Away from the altar,
Never to be walked again.
 Oct 2020 Sydney
Edgar Allan Poe
I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.
 Oct 2020 Sydney
Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping—rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
        Only this and nothing more.”

Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
        Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
    This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping—tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door:—
      Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering,
  fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”
      Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping, somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment, and this mystery explore;—
    ’Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he: not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
    Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no
  craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
      Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
      With such name as “Nevermore.”

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered, “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
      Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope the melancholy burden bore
    Of ‘Never—nevermore.’”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and
  door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
    Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my *****’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
      She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath
  sent thee
Respite—respite aad nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!”
      Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
    Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
      Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked,
  upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
    Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
    Shall be lifted—nevermore!
 Oct 2020 Sydney
Jen
I charted stars to study you
The orbs of the heavens mirror your eyes
the song of stars was you
And the milky way caramels in your tongue

You have the rings of saturn as a halo
And the wrath of mars

You have the spirit of the sun
Too close, i burn.
But at a safe distance, you make my flowers

In my sky continually,  jupiter
But like pluto,  you are rogue

I charted stars to study  you
To find the universe is profound
And I found to count our love in light years

We journey  in the speed of light
On opposite perspectives
I just have seen the brightest gleam
But for you ,  no more
The world is an aquarium

We all have a tank

With a paragraph of information about us next to our tank

When people see you they notice your looks and move on

If you are a tall skinny blond boy with blue eyes the girls will stop and get to know you

If you are a shorter boy with brown hair who has acne and is wider people might just move onto the next exhibit

The people in the tanks can't tell what they people on the outside are saying

But they don't care

They are all unique and they know that

People will always judge but they are not the ones you should try and impress

You are the only one who can truly judge you
 Oct 2020 Sydney
John Destalo
my lips are

scissors or
swords or
scythes

whatever is
needed to

cut through
all the crap

spreading
through the

electric waves

thinking for
yourself is

the lost art

this is not
what they

meant when
they taught

us to share
 Oct 2020 Sydney
Commuter Poet
One
 Oct 2020 Sydney
Commuter Poet
One
I am gripping the sand with my toes
Experiencing the cold wind on my skin
Watching the grey undulations of the swell
As I leave my clothes behind

I am at the water’s edge
Striding boldly through the water
Diving under the surface
Kicking my legs hard

Gasping as the water hits me
Pushing forwards into the deep
Breathing hard to survive
Thinking of nothing but the moment

I am out of my depth
Going deeper
My skin burning with the cold
Fully awake
No more confusion
One with this experience
5th October 2020
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