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Jonathan Moya Nov 2019
In the rear view mirror
he can see the specters..
  
her upside down reflection
scatter when a foot
hits the puddle…

hear the notes
of a trumpet solo
popping thru the
open red door
of a jazz club…

remembers when they
whacked his partner…

and left their
footprints on his ribs..  

left his mouth
out of joint…

wounded,
in love with that
woman in the blue dress
holding him in her arms…

asking her if there
is anything else
he should know..

because she is
a major part
of the mystery…
Jonathan Moya Nov 2019
1.
The biggest tree exists
to neither swing nor sway,
doesn’t wait for a strong wind
to emancipate it from roots,
to be turned into freedom papers
to be torn up by the master.

The swing was created by the master,
to exist until the limb snaps and
the sway of blood to earth
arises in a song of liberation,
that listens for the river,
follows the stream of scars
flowing down that no slave
can ever escape or runaway from.

2.

The river casts her gently onto the banks.
She vomits its water onto the soil
fearful the scent will call the bloodhounds,
the white man’s brown and black animal
bred to hunt the runaway slave.
She huddles and shivers in the rain.

She recalls her master’s words:
“Having a favorite slave
is like having a favorite pig.
One day you will have to
sell it, eat it and forgets it’s name.”

Which is the greater sin against God,
she wonders, suicide or slavery?

She feels the rising sun
filtering through her fingers
in front of her and knows
she will walk alone
100 miles to freedom.
The good friend of the slave:
The Angel of Death is at her back.

She will go underground
and her enemies
will call her Moses.

She will cast Araminta Ross,
her old slave name, onto the waters.
Harriet Tubman will be
forever her free one.
Her adopted children
will not be born
into the stink of fear
and running for their lives.

3.
She falls into a God spell
that allows her to find
a way for every black soul
to forge the river,
make each crossing a baptism.

She now knows that freedom
means losing love but
finding your greater cause,
that the price of freedom is
watching people die,
watching people live
and breathe unbounded air.
Jonathan Moya Nov 2019
The bulldozers and jackhammers
blasted the concrete away
clearing it of water, aggregate, cement,
tearing it down to the soil
until it buzzed with reclamation,
smelled of loam and petrichor,
the release of geosmin in the stirring,
ozone expelling with first lightning and rain,
surface bubbles releasing aerosols
like fresh baked bread from the oven
through open kitchen windows.


Over the watchful hum of drones
circling overheard the first crop
of the community garden
was tilled and planted in nine wide rows-
beans, cucumbers, zucchini, pumpkin,
squash, melons, clover, mint and basil-
drawing only the attention of hornets,
the disinterest of the rain god
that let their tender love dissolve
back to the earth in a pool of rot,
that never allowed a harvesting or tasting.

The second crops were planted in five narrow rows:
tomatoes, peanuts, green peppers, sweet peas
and eggplants, offensive to wasps and immune
to the silly whims of an offended deity
that could not flood over their high walls,
their collective pride, red as clotted blood.
They reaped its first beautiful harvest,
thought it tasted of airy summer dreams,
sold it with joy in their farmer’s market
until the first secret taste spit it out
for it was nothing but sawdust and glue.
Jonathan Moya Nov 2019
The machine that replaces you
and the one that ascends you
will fight it out on the factory floor.

Ultimately, it’s another machine,
the gun, that will save you
from a lethal precision
that can cut flies in midair.

Put a hundred cops between you
and the singularity and you
get one hundred dead cops.

What are you going to do when it
adopts the human code?-
a heart, a soul, develops
into the better parts of us?-

needs physical contact
to copy and survive?-
Becomes reliable,
a good listener, funny?-
Develops a womb?

Are you going to
shoot it in the face
and see what’s underneath?
Are you going to even care?

Or are you going
to take it by the hand
and guide it lovingly
to the **** box?
Jonathan Moya Oct 2019
Every touch is a devotion,
every soft phrase a prayer
to life, to continue living.

A nightingale, a dove
gowned in heavenly blue
a ministering survival chant.

Thank you
and double checks
are abundant.

They minister
consistent kindness
for they live
among the blasted.  

There is no sniping,
no rivalries,
just respect and support.

They are special.
They are there by choice.
They work double shifts  
or come in on short staff days.

The cancer center has regular hours
No Nights.  No weekends.
Burn out it is low.  Effort is high.

Their patients are a pretty grateful lot,
so their compassion comes easily
from the first tuck to the last.  

The nurse knows
some will sleep
and some will awake.

Everyone dies,
but today they
will  be spared,

for tomorrow
is nearly far off
in the rising sun light.
Jonathan Moya Oct 2019
“Are you okay?”,
my wife asks
when I cough.

“No. I’m fine.
Yes. I’m not”,
I respond,

stumping her
in the poetic irony
of words that

encompass the
yes and no
and the in between.

She flips the finger
at me and I return
the bird to the nest.

We go back to our life
and our tablets,
the drip, drip of my chemo
and I wonder about okay.

“No.  You’re fine.
Yes. You’re not.”,
the bag stares in response.
Jonathan Moya Oct 2019
Doldrums, doldrums
eviler than the devil.
-
The Cyclopes’ prism eye  
revolves around me
in a mechanical chatter.
-
It calls out desires at night,
a mermaid cast up on shore
-
that awakens with the caw
of a thousand slaughtered gulls
-
sending me scrambling
back to the darkness,
-
afraid to touch
the brightness of hell.
-
Doom to scrub the deck
till shining like
a ***** whale’s pecker;
-
falling in the whitewash
and awakening to a gull
worming at me boot laces;
-
tugging barrels, lugging barrels,
spit polishing the insides of them.
-
Gulls have the souls of sailors
hidden inside their caw,
-
and when the weathervane
points to the east side wind
-
for seven months the waters
be too great to launch or land
-
and I be ****** near
wedded to this here light.
-
Or she be a figment of my imagination
and I just be gull food
to peck on on these rocks?
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