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 Sep 2019 Enya Fitton
Torin
It was perfect before I had a name
I knew she was my wing-ridden angel the very moment my eyes were blessed
she laughs when she wants to cry
and her smile
it only gets deeper
she still holds the pieces of her broken halo...

once again I talk about wolves
because everyone has their problems
yes I do
and I've seen them circling fangs out
when I closed my eyes and made my peace with god
that moment
that moment lasted forever
and ever since I left it I am only trying to get back

yes i do remember when darkness was so constant I forgot about light
yes, I know how it changed me
she was the only beautiful thing I've ever known

Heaven sent me an angel
that's the only way
I wish I was holding her now
I wish I could tell her I love her
maybe I can
once again we talk about wolves
outside its raining
I love the rain
ok
I love it when she’s blue,
I love it when she’s gold,
I love it when she’s silver,
I love it when she’s cold,
I love it when she’s quiet,
I love it when she’s bold,
I love it when she’s calm,
I love it when she folds
I love her for her secrets,
I love her for her songs,
I love her for her rights,
I love her for her wrongs,
I love it when she moves me,
When she pulls me,
When she soothes me,
I love it when she’s red,
I love it when she’s gray,
I love it when she’s mine,
I love it when she strays,
I love her for her warmth,
I love her for her stare,
I love her for her depths,
I love her for her care.
I’m in love with ocean. Her beauty, her grace. The secrets she harbors, the life she gives to all creatures. I love the way she holds me & makes me feel free. I am euphoric, I can see her now. No caps because I am truly meek in her presence.
 Sep 2019 Enya Fitton
Torin
she moves to me
whether in a picture or sat against the sea
as a cloud she floats gently above me
the currents and the streams
her neck where sections sit
the way her necklace rests ever so delicately
her soft brown skin
through all this land
she moves to me

she is
gold
sunshine on a crystal morning
and pearls
silk
nothing
everything

she moves to me
whether its a mirror or stood against the sky
as the music the cosmos makes in our silence
the stars and the planets
her neck where moons beam
the way her necklace follows her collorbone
through all this space
she moves to me
whether its gravity or we as entangled particles
and we are in every moment as we are together
our quantum dancing
her neck where time begins
the way her necklace falls so gracefully into place
through all this time
she moves to me

I kiss her just below her right ear
and I know now is everywhere
and everytime is now
the sun and the moon
the spiral galaxy
the walls that hold in time
I kiss her just below her right ear

she moves to me
whether its the wind or impossible odds
as the dreams we hold dear and our hope that keeps us strong
our faith and love
her neck which i caress gently
the way her necklace seems to retire when she does
I kiss her on the eyelids
she moves to me
 Sep 2019 Enya Fitton
Carina
Lying embedded in velvet gloom and night,
You and I are gazing up the northern hemisphere.
Within the sea of darkness is the stars' stained light.

Hidden inside the fabric of interstellar space,
Might be a kind of universal truth
That answers all the questions of human race.

Sensing the pull of the universe
I feel like we're lost between the infinite vastness
That none of us could ever dream to traverse.

Suddenly you get up on your knees -
Head in the sky and feet on the ground.
“Perhaps the stars only made us feel lost,
because we both wanted to be found.”
Maybe we all are just waiting to be found:)
Anything can
look like a poem
and sound philosophical
simply by moving
the words on
different lines.

Am I doing it right?
Is this
really
talent?
Art?
Effort?

I think I am trying.
Really, I am
I go back and change the order
and I break lines
where it sounds right
But it does not take me long.
Not at all.

I try to be
intentional
and call it natural rhythm.
Instinct and style taking over
I alternate between
agonizing every detail
like When to Capitalize
and publishing free form poems without looking over them twice.

How is writing supposed to feel?
Should I labor?
or should it flow?
Or do I get to decide?

I think the things I talk of
mean something
at least.

But am I just
pretentious?

fooling myself into thinking that
using common poetry formats
somehow makes my work worthwhile?
Problems only We True Artists face.

— The End —