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I WANDER by the edge
Of this desolate lake
Where wind cries in the sedge:
Until the axle break
That keeps the stars in their round,
And hands hurl in the deep
The banners of East and West,
And the girdle of light is unhound,
Your breast will not lie by the breast
Of your beloved in sleep.
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What mystery pervades a well!
That water lives so far—
A neighbor from another world
Residing in a jar

Whose limit none have ever seen,
But just his lid of glass—
Like looking every time you please
In an abyss’s face!

The grass does not appear afraid,
I often wonder he
Can stand so close and look so bold
At what is awe to me.

Related somehow they may be,
The sedge stands next the sea—
Where he is floorless
And does no timidity betray

But nature is a stranger yet;
The ones that cite her most
Have never passed her haunted house,
Nor simplified her ghost.

To pity those that know her not
Is helped by the regret
That those who know her, know her less
The nearer her they get.
Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.
Joe Wilson Mar 2014
Oh to wander down country lanes
Where ‘shank’s pony’ is the mode
By which one travels from end to end
Beating off the open road.

Willow-herb and cow parsley
Grow tall against the hedge
Where dandelions behave like kings
Growing wild among the sedge.

A toad pops out and then pops back
To long grass where he’s hidden
Where birds will sing a merry song
And ducklings scurry when bidden.

For these few hours you forget the world
And you feel at peace with yourself
But the lure back to your reality
Gets this dream returned to the shelf.

©JRW2014
Of Man’s first disobedience, and the fruit
Of that forbidden tree whose mortal taste
Brought death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing, Heavenly Muse, that, on the secret top
Of Oreb, or of Sinai, didst inspire
That shepherd who first taught the chosen seed
In the beginning how the heavens and earth
Rose out of Chaos: or, if Sion hill
Delight thee more, and Siloa’s brook that flowed
Fast by the oracle of God, I thence
Invoke thy aid to my adventurous song,
That with no middle flight intends to soar
Above th’ Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
And chiefly thou, O Spirit, that dost prefer
Before all temples th’ upright heart and pure,
Instruct me, for thou know’st; thou from the first
Wast present, and, with mighty wings outspread,
Dove-like sat’st brooding on the vast Abyss,
And mad’st it pregnant: what in me is dark
Illumine, what is low raise and support;
That, to the height of this great argument,
I may assert Eternal Providence,
And justify the ways of God to men.
  Say first—for Heaven hides nothing from thy view,
Nor the deep tract of Hell—say first what cause
Moved our grand parents, in that happy state,
Favoured of Heaven so highly, to fall off
From their Creator, and transgress his will
For one restraint, lords of the World besides.
Who first seduced them to that foul revolt?
  Th’ infernal Serpent; he it was whose guile,
Stirred up with envy and revenge, deceived
The mother of mankind, what time his pride
Had cast him out from Heaven, with all his host
Of rebel Angels, by whose aid, aspiring
To set himself in glory above his peers,
He trusted to have equalled the Most High,
If he opposed, and with ambitious aim
Against the throne and monarchy of God,
Raised impious war in Heaven and battle proud,
With vain attempt. Him the Almighty Power
Hurled headlong flaming from th’ ethereal sky,
With hideous ruin and combustion, down
To bottomless perdition, there to dwell
In adamantine chains and penal fire,
Who durst defy th’ Omnipotent to arms.
  Nine times the space that measures day and night
To mortal men, he, with his horrid crew,
Lay vanquished, rolling in the fiery gulf,
Confounded, though immortal. But his doom
Reserved him to more wrath; for now the thought
Both of lost happiness and lasting pain
Torments him: round he throws his baleful eyes,
That witnessed huge affliction and dismay,
Mixed with obdurate pride and steadfast hate.
At once, as far as Angels ken, he views
The dismal situation waste and wild.
A dungeon horrible, on all sides round,
As one great furnace flamed; yet from those flames
No light; but rather darkness visible
Served only to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all, but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulphur unconsumed.
Such place Eternal Justice has prepared
For those rebellious; here their prison ordained
In utter darkness, and their portion set,
As far removed from God and light of Heaven
As from the centre thrice to th’ utmost pole.
Oh how unlike the place from whence they fell!
There the companions of his fall, o’erwhelmed
With floods and whirlwinds of tempestuous fire,
He soon discerns; and, weltering by his side,
One next himself in power, and next in crime,
Long after known in Palestine, and named
Beelzebub. To whom th’ Arch-Enemy,
And thence in Heaven called Satan, with bold words
Breaking the horrid silence, thus began:—
  “If thou beest he—but O how fallen! how changed
From him who, in the happy realms of light
Clothed with transcendent brightness, didst outshine
Myriads, though bright!—if he whom mutual league,
United thoughts and counsels, equal hope
And hazard in the glorious enterprise
Joined with me once, now misery hath joined
In equal ruin; into what pit thou seest
From what height fallen: so much the stronger proved
He with his thunder; and till then who knew
The force of those dire arms? Yet not for those,
Nor what the potent Victor in his rage
Can else inflict, do I repent, or change,
Though changed in outward lustre, that fixed mind,
And high disdain from sense of injured merit,
That with the Mightiest raised me to contend,
And to the fierce contentions brought along
Innumerable force of Spirits armed,
That durst dislike his reign, and, me preferring,
His utmost power with adverse power opposed
In dubious battle on the plains of Heaven,
And shook his throne. What though the field be lost?
All is not lost—the unconquerable will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what is else not to be overcome?
That glory never shall his wrath or might
Extort from me. To bow and sue for grace
With suppliant knee, and deify his power
Who, from the terror of this arm, so late
Doubted his empire—that were low indeed;
That were an ignominy and shame beneath
This downfall; since, by fate, the strength of Gods,
And this empyreal sybstance, cannot fail;
Since, through experience of this great event,
In arms not worse, in foresight much advanced,
We may with more successful hope resolve
To wage by force or guile eternal war,
Irreconcilable to our grand Foe,
Who now triumphs, and in th’ excess of joy
Sole reigning holds the tyranny of Heaven.”
  So spake th’ apostate Angel, though in pain,
Vaunting aloud, but racked with deep despair;
And him thus answered soon his bold compeer:—
  “O Prince, O Chief of many throned Powers
That led th’ embattled Seraphim to war
Under thy conduct, and, in dreadful deeds
Fearless, endangered Heaven’s perpetual King,
And put to proof his high supremacy,
Whether upheld by strength, or chance, or fate,
Too well I see and rue the dire event
That, with sad overthrow and foul defeat,
Hath lost us Heaven, and all this mighty host
In horrible destruction laid thus low,
As far as Gods and heavenly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our glory extinct, and happy state
Here swallowed up in endless misery.
But what if he our Conqueror (whom I now
Of force believe almighty, since no less
Than such could have o’erpowered such force as ours)
Have left us this our spirit and strength entire,
Strongly to suffer and support our pains,
That we may so suffice his vengeful ire,
Or do him mightier service as his thralls
By right of war, whate’er his business be,
Here in the heart of Hell to work in fire,
Or do his errands in the gloomy Deep?
What can it the avail though yet we feel
Strength undiminished, or eternal being
To undergo eternal punishment?”
  Whereto with speedy words th’ Arch-Fiend replied:—
“Fallen Cherub, to be weak is miserable,
Doing or suffering: but of this be sure—
To do aught good never will be our task,
But ever to do ill our sole delight,
As being the contrary to his high will
Whom we resist. If then his providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil;
Which ofttimes may succeed so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from their destined aim.
But see! the angry Victor hath recalled
His ministers of vengeance and pursuit
Back to the gates of Heaven: the sulphurous hail,
Shot after us in storm, o’erblown hath laid
The fiery surge that from the precipice
Of Heaven received us falling; and the thunder,
Winged with red lightning and impetuous rage,
Perhaps hath spent his shafts, and ceases now
To bellow through the vast and boundless Deep.
Let us not slip th’ occasion, whether scorn
Or satiate fury yield it from our Foe.
Seest thou yon dreary plain, forlorn and wild,
The seat of desolation, void of light,
Save what the glimmering of these livid flames
Casts pale and dreadful? Thither let us tend
From off the tossing of these fiery waves;
There rest, if any rest can harbour there;
And, re-assembling our afflicted powers,
Consult how we may henceforth most offend
Our enemy, our own loss how repair,
How overcome this dire calamity,
What reinforcement we may gain from hope,
If not, what resolution from despair.”
  Thus Satan, talking to his nearest mate,
With head uplift above the wave, and eyes
That sparkling blazed; his other parts besides
Prone on the flood, extended long and large,
Lay floating many a rood, in bulk as huge
As whom the fables name of monstrous size,
Titanian or Earth-born, that warred on Jove,
Briareos or Typhon, whom the den
By ancient Tarsus held, or that sea-beast
Leviathan, which God of all his works
Created hugest that swim th’ ocean-stream.
Him, haply slumbering on the Norway foam,
The pilot of some small night-foundered skiff,
Deeming some island, oft, as ****** tell,
With fixed anchor in his scaly rind,
Moors by his side under the lee, while night
Invests the sea, and wished morn delays.
So stretched out huge in length the Arch-fiend lay,
Chained on the burning lake; nor ever thence
Had risen, or heaved his head, but that the will
And high permission of all-ruling Heaven
Left him at large to his own dark designs,
That with reiterated crimes he might
Heap on himself damnation, while he sought
Evil to others, and enraged might see
How all his malice served but to bring forth
Infinite goodness, grace, and mercy, shewn
On Man by him seduced, but on himself
Treble confusion, wrath, and vengeance poured.
  Forthwith upright he rears from off the pool
His mighty stature; on each hand the flames
Driven backward ***** their pointing spires, and,rolled
In billows, leave i’ th’ midst a horrid vale.
Then with expanded wings he steers his flight
Aloft, incumbent on the dusky air,
That felt unusual weight; till on dry land
He lights—if it were land that ever burned
With solid, as the lake with liquid fire,
And such appeared in hue as when the force
Of subterranean wind transprots a hill
Torn from Pelorus, or the shattered side
Of thundering Etna, whose combustible
And fuelled entrails, thence conceiving fire,
Sublimed with mineral fury, aid the winds,
And leave a singed bottom all involved
With stench and smoke. Such resting found the sole
Of unblest feet. Him followed his next mate;
Both glorying to have scaped the Stygian flood
As gods, and by their own recovered strength,
Not by the sufferance of supernal Power.
  “Is this the region, this the soil, the clime,”
Said then the lost Archangel, “this the seat
That we must change for Heaven?—this mournful gloom
For that celestial light? Be it so, since he
Who now is sovereign can dispose and bid
What shall be right: farthest from him is best
Whom reason hath equalled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy for ever dwells! Hail, horrors! hail,
Infernal world! and thou, profoundest Hell,
Receive thy new possessor—one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; th’ Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reigh secure; and, in my choice,
To reign is worth ambition, though in Hell:
Better to reign in Hell than serve in Heaven.
But wherefore let we then our faithful friends,
Th’ associates and co-partners of our loss,
Lie thus astonished on th’ oblivious pool,
And call them not to share with us their part
In this unhappy mansion, or once more
With rallied arms to try what may be yet
Regained in Heaven, or what more lost in Hell?”
  So Satan spake; and him Beelzebub
Thus answered:—”Leader of those armies bright
Which, but th’ Omnipotent, none could have foiled!
If once they hear that voice, their liveliest pledge
Of hope in fears and dangers—heard so oft
In worst extremes, and on the perilous edge
Of battle, when it raged, in all assaults
Their surest signal—they will soon resume
New courage and revive, though now they lie
Grovelling and prostrate on yon lake of fire,
As we erewhile, astounded and amazed;
No wonder, fallen such a pernicious height!”
  He scare had ceased when the superior Fiend
Was moving toward the shore; his ponderous shield,
Ethereal temper, massy, large, and round,
Behind him cast. The broad circumference
Hung on his shoulders like the moon, whose orb
Through optic glass the Tuscan artist views
At evening, from the top of Fesole,
Or in Valdarno, to descry new lands,
Rivers, or mountains, in her spotty globe.
His spear—to equal which the tallest pine
Hewn on Norwegian hills, to be the mast
Of some great ammiral, were but a wand—
He walked with, to support uneasy steps
Over the burning marl, not like those steps
On Heaven’s azure; and the torrid clime
Smote on him sore besides, vaulted with fire.
Nathless he so endured, till on the beach
Of that inflamed sea he stood, and called
His legions—Angel Forms, who lay entranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where th’ Etrurian shades
High over-arched embower; or scattered sedge
Afloat, when with fierce winds Orion armed
Hath vexed the Red-Sea coast, whose waves o’erthrew
Busiris and his Memphian chivalry,
While with perfidious hatred they pursued
The sojourners of Goshen, who beheld
From the safe shore their floating carcases
And broken chariot-wheels. So thick bestrown,
Abject and lost, lay these, covering the flood,
Under amazement of their hideous change.
He called so loud that all the hollow deep
Of Hell resounded:—”Princes, Potentates,
Warriors, the Flower of Heaven—once yours; now lost,
If such astonishment as this can seize
Eternal Spirits! Or have ye chosen this place
After the toil of battle to repose
Your wearied virtue, for the ease you find
To slumber here, as in the vales of Heaven?
Or in this abject posture have ye sworn
To adore the Conqueror, who now beholds
Cherub and Seraph rolling in the flood
With scattered arms and ensigns, till anon
His swift pursuers from Heaven-gates discern
Th’ advantage, and, descending, tread us down
Thus drooping, or with linked thunderbolts
Transfix us to the bottom of this gulf?
Awake, arise, or be for ever fallen!”
  They heard, and were abashed, and up they sprung
Upon the wing, as when men wont to watch
On duty, sleeping found by whom they dread,
Rouse and bestir themselves ere well awake.
Nor did they not perceive the evil plight
In which they were, or the fierce pains not feel;
Yet to their General’s voice they soon obeyed
Innumerable. As when the potent rod
Of Amram’s son, in Egypt’s evil day,
Waved round the coast, up-called a pitchy cloud
Of locusts, warping on the eastern wind,
That o’er the realm of impious Pharaoh hung
Like Night, and darkened all the land of Nile;
So numberless were those bad Angels seen
Hovering on wing under the cope of Hell,
‘Twixt upper, nether, and surrounding fires;
Till, as a signal given, th’ uplifted spear
Of their great Sultan waving to direct
Their course, in even balance down they light
On the firm brimstone, and fill all the plain:
A multitude like which the populous North
Poured never from her frozen ***** to pass
Rhene or the Danaw, when her barbarous sons
Came like a deluge on the South, and spread
Beneath Gibraltar to the Libyan sands.
Forthwith, form every squadron and each band,
The heads and leaders thither haste where stood
Their great Commander—godlike Shapes, and Forms
Excelling human; princely Dignities;
And Powers that erst in Heaven sat on thrones,
Though on their names in Heavenly records now
Be no memorial, blotted out and rased
By their rebellion from the Books of Life.
Nor had they yet among the sons of Eve
Got them new names, till, wandering o’er the earth,
Through God’s high sufferance for the trial of man,
By falsities and lies the greatest part
Of mankind they corrupted to forsake
God their Creator, and th’ invisible
Glory of him that made them to transform
Oft to the image of a brute, adorned
With gay religions full of pomp and gold,
And devils to adore for deities:
Then were they known to men by various names,
And various idols through the heathen world.
  Say, Muse, their names then known, who first, who last,
Roused fr
Darkly Sep 2016
There are some who may prefer a cloudless sky and the touch of a warm sun. These hearts are similar climates, and you may find them at no great distance from the equator.

Not mine.

My love is for the sedge and moss covered upland of frozen lakes, where the cold white blanket covers the steppes. Peace is found here, among the ice and whispered within the biting gale as it travels over her skin.

Her chill breath touches me, and I am not driven away.
For within my chest beats a fire as black as space between the stars.

And I go unclothed, as the caribou carry me across the frozen land.

I am the horned god.
Like I said. Frayed hair dipped in barbecue sauce. I can't even.
Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i
Nigel Morgan Oct 2012
She had hung it up from the mantelpiece in her bedroom, so when he entered the room there it was. It was suddenly lovely and he immediately imagined her body flowing into it, flowing from it. Standing close to the dress he brought his fingers to the fabric, touched gently, stroking then, as though it already held her form and substance.
 
Stepping past thoughts of her that so stirred his body he entered the pattern of the dress. It was a meadow in southern Ontario. July, when already the sun had bleached the profusion of grasses: water chestnut and papyrus sedge. He had stepped from the untidy veranda, past the pond, and down the rough track between the fields unmown, uncut, left fallow. As he entered the breaks of woodland between these swathes of grassland, deciduous leaves, dry and brittle from the summer's heat, were strewn on the path, and between the trees clumps of bramble bushes with berries of red and blue, black and purple.
 
There was no wind. The only sounds an underlay of crickets, his footfall, and the sharp mournful cries of geese on the now distant pond.
 
He saw her like an apparition standing motionless at the woodland’s  boundary; her dress at one with all that surrounded her. When he came close and placed his hand on her shoulder he could smell the sweet dry earth mingling with her body's sweat, a hint of her *** as he placed his cheek against the shower of printed pollen amongst the leaves on her back.
 
Back in the late afternoon bedroom he heard her move about in the kitchen, and the spell broken, he turned away and went downstairs.
 
Several days later, as they prepared for bed, she slipped the dress on. As she stood in the lamplight smoothing it against her flanks, adjusting its fall across her *******, he felt himself faint that such a thing of beauty could be a joy forever . . . and beyond.
A further piece from my collection of prose poems 37 Minutes.
Ah, what can ail thee, wretched wight,
    Alone and palely loitering;
The sedge is wither'd from the lake,
    And no birds sing.

Ah, what can ail thee, wretched wight,
    So haggard and so woe-begone?
The squirrel's granary is full,
    And the harvest's done.

I see a lily on thy brow,
    With anguish moist and fever dew;
And on thy cheek a fading rose
    Fast withereth too.

I met a lady in the meads
    Full beautiful, a faery's child;
Her hair was long, her foot was light,
    And her eyes were wild.

I set her on my pacing steed,
    And nothing else saw all day long;
For sideways would she lean, and sing
    A faery's song.

I made a garland for her head,
    And bracelets too, and fragrant zone;
She look'd at me as she did love,
    And made sweet moan.

She found me roots of relish sweet,
    And honey wild, and manna dew;
And sure in language strange she said,
    I love thee true.

She took me to her elfin grot,
    And there she gaz'd and sighed deep,
And there I shut her wild sad eyes--
    So kiss'd to sleep.

And there we slumber'd on the moss,
    And there I dream'd, ah woe betide,
The latest dream I ever dream'd
    On the cold hill side.

I saw pale kings, and princes too,
    Pale warriors, death-pale were they all;
Who cry'd--"La belle Dame sans merci
    Hath thee in thrall!"

I saw their starv'd lips in the gloam
    With horrid warning gaped wide,
And I awoke, and found me here
    On the cold hill side.

And this is why I sojourn here
    Alone and palely loitering,
Though the sedge is wither'd from the lake,
    And no birds sing.
Where the slow river
meets the tide,
a red swan lifts red wings
and darker beak,
and underneath the purple down
of his soft breast
uncurls his coral feet.

Through the deep purple
of the dying heat
of sun and mist,
the level ray of sun-beam
has caressed
the lily with dark breast,
and flecked with richer gold
its golden crest.

Where the slow lifting
of the tide,
floats into the river
and slowly drifts
among the reeds,
and lifts the yellow flags,
he floats
where tide and river meet.

Ah kingly kiss --
no more regret
nor old deep memories
to mar the bliss;
where the low sedge is thick,
the gold day-lily
outspreads and rests
beneath soft fluttering
of red swan wings
and the warm quivering
of the red swan's breast.
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
Ay, this is freedom!--these pure skies
  Were never stained with village smoke:
The fragrant wind, that through them flies,
  Is breathed from wastes by plough unbroke.
Here, with my rifle and my steed,
  And her who left the world for me,
I plant me, where the red deer feed
  In the green desert--and am free.

For here the fair savannas know
  No barriers in the bloomy grass;
Wherever breeze of heaven may blow,
  Or beam of heaven may glance, I pass.
In pastures, measureless as air,
  The bison is my noble game;
The bounding elk, whose antlers tear
  The branches, falls before my aim.

Mine are the river-fowl that scream
  From the long stripe of waving sedge;
The bear that marks my weapon's gleam,
  Hides vainly in the forest's edge;
In vain the she-wolf stands at bay;
  The brinded catamount, that lies
High in the boughs to watch his prey,
  Even in the act of springing, dies.

With what free growth the elm and plane
  Fling their huge arms across my way,
Gray, old, and cumbered with a train
  Of vines, as huge, and old, and gray!
Free stray the lucid streams, and find
  No taint in these fresh lawns and shades;
Free spring the flowers that scent the wind
  Where never scythe has swept the glades.

Alone the Fire, when frost-winds sere
  The heavy herbage of the ground,
Gathers his annual harvest here,
  With roaring like the battle's sound,
And hurrying flames that sweep the plain,
  And smoke-streams gushing up the sky:
I meet the flames with flames again,
  And at my door they cower and die.

Here, from dim woods, the aged past
  Speaks solemnly; and I behold
The boundless future in the vast
  And lonely river, seaward rolled.
Who feeds its founts with rain and dew;
  Who moves, I ask, its gliding mass,
And trains the bordering vines, whose blue
  Bright clusters tempt me as I pass?

Broad are these streams--my steed obeys,
  Plunges, and bears me through the tide.
Wide are these woods--I thread the maze
  Of giant stems, nor ask a guide.
I hunt till day's last glimmer dies
  O'er woody vale and grassy height;
And kind the voice and glad the eyes
  That welcome my return at night.
Jordan Chacon Apr 2014
The Anglo-Saxon Rune Poem

Each line consists of two half-stanzas, following the alliterative verse form of Fornyrðislag, or Old Meter.

Feoh byþ frofur fira gehwylcum;
sceal ðeah manna gehwylc miclun hyt dælan
gif he wile for drihtne domes hleotan.

Ur byþ anmod ond oferhyrned,
felafrecne deor, feohteþ mid hornum
mære morstapa; þæt is modig wuht.

Ðorn byþ ðearle scearp; ðegna gehwylcum
anfeng ys yfyl, ungemetum reþe
manna gehwelcum, ðe him mid resteð.

Os byþ ordfruma ælere spræce,
wisdomes wraþu ond witena frofur
and eorla gehwam eadnys ond tohiht.

Rad byþ on recyde rinca gehwylcum
sefte ond swiþhwæt, ðamðe sitteþ on ufan
meare mægenheardum ofer milpaþas.

Cen byþ cwicera gehwam, cuþ on fyre
blac ond beorhtlic, byrneþ oftust
ðær hi æþelingas inne restaþ.

Gyfu gumena byþ gleng and herenys,
wraþu and wyrþscype and wræcna gehwam
ar and ætwist, ðe byþ oþra leas.

Wenne bruceþ, ðe can weana lyt
sares and sorge and him sylfa hæfþ
blæd and blysse and eac byrga geniht.

Hægl byþ hwitust corna; hwyrft hit of heofones lyfte,
wealcaþ hit windes scura; weorþeþ hit to wætere syððan.

Nyd byþ nearu on breostan; weorþeþ hi þeah oft niþa bearnum
to helpe and to hæle gehwæþre, gif hi his hlystaþ æror.

Is byþ ofereald, ungemetum slidor,
glisnaþ glæshluttur gimmum gelicust,
flor forste geworuht, fæger ansyne.

Ger byÞ gumena hiht, ðonne God læteþ,
halig heofones cyning, hrusan syllan
beorhte bleda beornum ond ðearfum.

Eoh byþ utan unsmeþe treow,
heard hrusan fæst, hyrde fyres,
wyrtrumun underwreþyd, wyn on eþle.

Peorð byþ symble plega and hlehter
wlancum [on middum], ðar wigan sittaþ
on beorsele bliþe ætsomne.

Eolh-secg eard hæfþ oftust on fenne
wexeð on wature, wundaþ grimme,
blode breneð beorna gehwylcne
ðe him ænigne onfeng gedeþ.

Sigel semannum symble biþ on hihte,
ðonne hi hine feriaþ ofer fisces beþ,
oþ hi brimhengest bringeþ to lande.

Tir biþ tacna sum, healdeð trywa wel
wiþ æþelingas; a biþ on færylde
ofer nihta genipu, næfre swiceþ.

Beorc byþ bleda leas, bereþ efne swa ðeah
tanas butan tudder, biþ on telgum wlitig,
heah on helme hrysted fægere,
geloden leafum, lyfte getenge.

Eh byþ for eorlum æþelinga wyn,
hors hofum wlanc, ðær him hæleþ ymb[e]
welege on wicgum wrixlaþ spræce
and biþ unstyllum æfre frofur.

Man byþ on myrgþe his magan leof:
sceal þeah anra gehwylc oðrum swican,
forðum drihten wyle dome sine
þæt earme flæsc eorþan betæcan.

Lagu byþ leodum langsum geþuht,
gif hi sculun neþan on nacan tealtum
and hi sæyþa swyþe bregaþ
and se brimhengest bridles ne gym[eð].

Ing wæs ærest mid East-Denum
gesewen secgun, oþ he siððan est
ofer wæg gewat; wæn æfter ran;
ðus Heardingas ðone hæle nemdun.

Eþel byþ oferleof æghwylcum men,
gif he mot ðær rihtes and gerysena on
brucan on bolde bleadum oftast.

Dæg byþ drihtnes sond, deore mannum,
mære metodes leoht, myrgþ and tohiht
eadgum and earmum, eallum brice.

Ac byþ on eorþan elda bearnum
flæsces fodor, fereþ gelome
ofer ganotes bæþ; garsecg fandaþ
hwæþer ac hæbbe æþele treowe.

Æsc biþ oferheah, eldum dyre
stiþ on staþule, stede rihte hylt,
ðeah him feohtan on firas monige.

Yr byþ æþelinga and eorla gehwæs
wyn and wyrþmynd, byþ on wicge fæger,
fæstlic on færelde, fyrdgeatewa sum.

Iar byþ eafix and ðeah a bruceþ
fodres on foldan, hafaþ fægerne eard
wætre beworpen, ðær he wynnum leofaþ.

Ear byþ egle eorla gehwylcun,
ðonn[e] fæstlice flæsc onginneþ,
hraw colian, hrusan ceosan
blac to gebeddan; bleda gedreosaþ,
wynna gewitaþ, wera geswicaþ

Modern English Translation

Wealth is a comfort to all men;
yet must every man bestow it freely,
if he wish to gain honour in the sight of the Lord.

The aurochs is proud and has great horns;
it is a very savage beast and fights with its horns;
a great ranger of the moors, it is a creature of mettle.

The thorn is exceedingly sharp,
an evil thing for any knight to touch,
uncommonly severe on all who sit among them.

The mouth is the source of all language,
a pillar of wisdom and a comfort to wise men,
a blessing and a joy to every knight.

Riding seems easy to every warrior while he is indoors
and very courageous to him who traverses the high-roads
on the back of a stout horse.

The torch is known to every living man by its pale, bright flame;
it always burns where princes sit within.

Generosity brings credit and honour, which support one's dignity;
it furnishes help and subsistence
to all broken men who are devoid of aught else.

Bliss he enjoys who knows not suffering, sorrow nor anxiety,
and has prosperity and happiness and a good enough house.

Hail is the whitest of grain;
it is whirled from the vault of heaven
and is tossed about by gusts of wind
and then it melts into water.

Trouble is oppressive to the heart;
yet often it proves a source of help and salvation
to the children of men, to everyone who heeds it betimes.

Ice is very cold and immeasurably slippery;
it glistens as clear as glass and most like to gems;
it is a floor wrought by the frost, fair to look upon.

Summer is a joy to men, when God, the holy King of Heaven,
suffers the earth to bring forth shining fruits
for rich and poor alike.

The yew is a tree with rough bark,
hard and fast in the earth, supported by its roots,
a guardian of flame and a joy upon an estate.

Peorth is a source of recreation and amusement to the great,
where warriors sit blithely together in the banqueting-hall.

The Eolh-sedge is mostly to be found in a marsh;
it grows in the water and makes a ghastly wound,
covering with blood every warrior who touches it.

The sun is ever a joy in the hopes of seafarers
when they journey away over the fishes' bath,
until the courser of the deep bears them to land.

Tiw is a guiding star; well does it keep faith with princes;
it is ever on its course over the mists of night and never fails.

The poplar bears no fruit; yet without seed it brings forth suckers,
for it is generated from its leaves.
Splendid are its branches and gloriously adorned
its lofty crown which reaches to the skies.

The horse is a joy to princes in the presence of warriors.
A steed in the pride of its hoofs,
when rich men on horseback bandy words about it;
and it is ever a source of comfort to the restless.

The joyous man is dear to his kinsmen;
yet every man is doomed to fail his fellow,
since the Lord by his decree will commit the vile carrion to the earth.

The ocean seems interminable to men,
if they venture on the rolling bark
and the waves of the sea terrify them
and the courser of the deep heed not its bridle.

Ing was first seen by men among the East-Danes,
till, followed by his chariot,
he departed eastwards over the waves.
So the Heardingas named the hero.

An estate is very dear to every man,
if he can enjoy there in his house
whatever is right and proper in constant prosperity.

Day, the glorious light of the Creator, is sent by the Lord;
it is beloved of men, a source of hope and happiness to rich and poor,
and of service to all.

The oak fattens the flesh of pigs for the children of men.
Often it traverses the gannet's bath,
and the ocean proves whether the oak keeps faith
in honourable fashion.

The ash is exceedingly high and precious to men.
With its sturdy trunk it offers a stubborn resistance,
though attacked by many a man.

Yr is a source of joy and honour to every prince and knight;
it looks well on a horse and is a reliable equipment for a journey.

Iar is a river fish and yet it always feeds on land;
it has a fair abode encompassed by water, where it lives in happiness.

The grave is horrible to every knight,
when the corpse quickly begins to cool
and is laid in the ***** of the dark earth.
Prosperity declines, happiness passes away
and covenants are broken.
Terry Collett Apr 2013
Saturday afternoon
cycling up a 1in 6 hill
then along the road
toward the farmhouse

you dismounted
and laid your bike
against the fence
and waited

to get your breath back
the farmhouse door opened
and Mrs Putt came out
and said

Jim and Pete are out I’m afraid
her daughter Monica
appeared by her side
they’ve gone out

with their older brother
Monica said
ok
you said

tell them I called
sure I will
Mrs Putt said
I can go on a bike ride

with you if you like
Monica said
Benedict won’t want to have you
to drag along with him

Mrs Putt said
Monica pulled a face
and pouted her lips
I don’t mind

you said
better than riding alone
well if you don’t mind
Mrs Putt said

mind you behave
yourself young lady
she said
and went indoors

and closed the door
just get my bike
Monica said
and went back behind

the farmhouse
you looked around
the farmhouse
and the surrounding fields

and trees and waited
after a few moments
she was back
riding her bike toward you

where we going?
she asked
lets go see the peacocks
along Sedge lane

you said
and so you got on your bike
and off you both rode
she beside you

in her summery dress
and sandals with her
brown hair tied
in bunches

you in jeans
and open neck
white shirt
the sun bright

and hot above you
the birds flying
and calling
the clouds puffy

and white
I’ve always wanted to go
bike riding with you
Monica said

but the boys don’t let me
but I am now
you nodded and smiled
wondering Jim and Pete

would say if they knew
she’d got to go
bike riding with you
she chatted on about Elvis

and the film in town
and how she’d like to go
but no one would take her
and how her brothers

teased her
and her mother
nagged her
after a while

you came to the peacocks
in a wire cage
by a large house
just off the lane

aren’t they beautiful?
she said
peering through the wire
her fingers holding on to

the cage
standing beside you
yes they are
you said

but of course
the **** bird
has the beauty
the hen

is just dull
and ordinary
odd that
she said

wonder why?
don’t know
you said
I’m not dull

and ordinary am I?
she asked
looking at you
sideways on

no
you said
you have
your own beauty

do I?
yes you do
and she blushed
and looked away

and the peacock
called out
and moved off
opening its colourfulness

and Monica did a twirl
making the patterns
move
on her twirling dress.
I dreamed that, as I wandered by the way,
Bare Winter suddenly was changed to Spring,
And gentle odours led my steps astray,
Mixed with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the ***** of the stream,
But kissed it and then fled, as thou mightest in dream.

There grew pied wind-flowers and violets,
Daisies, those pearled Arcturi of the earth,
The constellated flower that never sets;
Faint oxlips; tender bluebells, at whose birth
The sod scarce heaved; and that tall flower that wets—
Like a child, half in tenderness and mirth—
Its mother’s face with Heaven’s collected tears,
When the low wind, its playmate’s voice, it hears.

And in the warm hedge grew lush eglantine,
Green cowbind and the moonlight-coloured may,
And cherry-blossoms, and white cups, whose wine
Was the bright dew, yet drained not by the day;
And wild roses, and ivy serpentine,
With its dark buds and leaves, wandering astray;
And flowers azure, black, and streaked with gold,
Fairer than any wakened eyes behold.

And nearer to the river’s trembling edge
There grew broad flag-flowers, purple pranked with white,
And starry river buds among the sedge,
And floating water-lilies, broad and bright,
Which lit the oak that overhung the hedge
With moonlight beams of their own watery light;
And bulrushes, and reeds of such deep green
As soothed the dazzled eye with sober sheen.

Methought that of these visionary flowers
I made a nosegay, bound in such a way
That the same hues, which in their natural bowers
Were mingled or opposed, the like array
Kept these imprisoned children of the Hours
Within my hand,—and then, elate and gay,
I hastened to the spot whence I had come,
That I might there present it!—Oh! to whom?
Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

                   I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

                              A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred.  We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones.  Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep:  the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge:  with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
                     'Be not over-bold,
But fly while still you may.'
                              And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like.  For a sign
I burst the chain:  still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content:  we held our way
And stood within:  clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him:  he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

                              We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed:  I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

                         Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear.  I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And ****** the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty.  When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little mnnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there:  far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn.  He slowly turned:
A demon's leisure:  eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking.  We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

                    Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics ****** song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever:  ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S.  Patrick.        Be still:  the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The ****** horses; atmour torn asunder;
Laughter and cries.  The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing ****** horn!

We feasted for three days.  On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue:  an endless feast,
An endless war.

                The hundred years had ceased;
I stood upon the stair:  the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

                And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

                         'And which of these
Is the Island of Content?'

                           'None know,' she said;
And on my ***** laid her weeping head.
Decolor, obscuris, vilis, non ille repexam
  Cesariem regum, non candida virginis ornat
  Colla, nec insigni splendet per cingula morsu.
  Sed nova si nigri videas miracula saxi,
  Tunc superat pulchros cultus et quicquid Eois
  Indus litoribus rubra scrutatur in alga.
  CLAUDIAN.


I sat beside the glowing grate, fresh heaped
  With Newport coal, and as the flame grew bright
--The many-coloured flame--and played and leaped,
  I thought of rainbows and the northern light,
Moore's Lalla Rookh, the Treasury Report,
And other brilliant matters of the sort.

And last I thought of that fair isle which sent
  The mineral fuel; on a summer day
I saw it once, with heat and travel spent,
  And scratched by dwarf-oaks in the hollow way;
Now dragged through sand, now jolted over stone--
A rugged road through rugged Tiverton.

And hotter grew the air, and hollower grew
  The deep-worn path, and horror-struck, I thought,
Where will this dreary passage lead me to?
  This long dull road, so narrow, deep, and hot?
I looked to see it dive in earth outright;
I looked--but saw a far more welcome sight.

Like a soft mist upon the evening shore,
  At once a lovely isle before me lay,
Smooth and with tender verdure covered o'er,
  As if just risen from its calm inland bay;
Sloped each way gently to the grassy edge,
And the small waves that dallied with the sedge.

The barley was just reaped--its heavy sheaves
  Lay on the stubble field--the tall maize stood
Dark in its summer growth, and shook its leaves--
  And bright the sunlight played on the young wood--
For fifty years ago, the old men say,
The Briton hewed their ancient groves away.

I saw where fountains freshened the green land,
  And where the pleasant road, from door to door,
With rows of cherry-trees on either hand,
  Went wandering all that fertile region o'er--
Rogue's Island once--but when the rogues were dead,
Rhode Island was the name it took instead.

Beautiful island! then it only seemed
  A lovely stranger--it has grown a friend.
I gazed on its smooth slopes, but never dreamed
  How soon that bright magnificent isle would send
The treasures of its womb across the sea,
To warm a poet's room and boil his tea.

Dark anthracite! that reddenest on my hearth,
  Thou in those island mines didst slumber long;
But now thou art come forth to move the earth,
  And put to shame the men that mean thee wrong.
Thou shalt be coals of fire to those that hate thee,
And warm the shins of all that underrate thee.

Yea, they did wrong thee foully--they who mocked
  Thy honest face, and said thou wouldst not burn;
Of hewing thee to chimney-pieces talked,
  And grew profane--and swore, in bitter scorn,
That men might to thy inner caves retire,
And there, unsinged, abide the day of fire.

Yet is thy greatness nigh. I pause to state,
  That I too have seen greatness--even I--
Shook hands with Adams--stared at La Fayette,
  When, barehead, in the hot noon of July,
He would not let the umbrella be held o'er him,
For which three cheers burst from the mob before him.

And I have seen--not many months ago--
  An eastern Governor in chapeau bras
And military coat, a glorious show!
  Ride forth to visit the reviews, and ah!
How oft he smiled and bowed to Jonathan!
How many hands were shook and votes were won!

'Twas a great Governor--thou too shalt be
  Great in thy turn--and wide shall spread thy fame,
And swiftly; farthest Maine shall hear of thee,
  And cold New Brunswick gladden at thy name,
And, faintly through its sleets, the weeping isle
That sends the Boston folks their cod shall smile.

For thou shalt forge vast railways, and shalt heat
  The hissing rivers into steam, and drive
Huge masses from thy mines, on iron feet,
  Walking their steady way, as if alive,
Northward, till everlasting ice besets thee,
And south as far as the grim Spaniard lets thee.

Thou shalt make mighty engines swim the sea,
  Like its own monsters--boats that for a guinea
Will take a man to Havre--and shalt be
  The moving soul of many a spinning-jenny,
And ply thy shuttles, till a bard can wear
As good a suit of broadcloth as the mayor.

Then we will laugh at winter when we hear
  The grim old churl about our dwellings rave:
Thou, from that "ruler of the inverted year,"
  Shalt pluck the knotty sceptre Cowper gave,
And pull him from his sledge, and drag him in,
And melt the icicles from off his chin.
Martin Narrod Apr 2014
The minutia of cotton fledglings, I play them over and over
In my head, the most enjoyable, a layer of dynasty added to
The mallard kingdom. And a rocking horse swims across
Each pond too, its head heaves and nags creating massive, huge,
Undulating circles around circles. One more coat of gesso and then
Even I, in my speckled red paint Commune jeans, and holy holy Protestant tee shirt, I can travel the world; maybe even brush up on my
Cuyp.

Whipping through the sedge-brook grass, busting out, shooting Through the other mucilaginous nimbuses rolling
Outward first, then fled upward into the beacons of the heavens-
Shouting, whistling, oozing albicant heraldic pillars and shields.

Twenty more colours to mix.
Together, the mallards and ewes and rocking horse, and I;
prancing, little dots, filing into order. Where nursing
Against the sunken pillows of grain, I enter each round of
This papyrus jungle. Neatly folding my hands around each
Milky white shade, rushing out  into the aurulent sunglow. .
*Aelbert Cuyp: 17th Century Dutch Impressionist Painter
albicant: white; becoming white
aurulent: gold
Oh fair Milly Brandon, a young maid, a fair maid!
  All her curls are yellow and her eyes are blue,
And her cheeks were rosy red till a secret care made
  Hollow whiteness of their brightness as a care will do.

Still she tends her flowers, but not as in the old days,
  Still she sings her songs, but not the songs of old:
If now it be high Summer her days seem brief and cold days,
  If now it be high Summer her nights are long and cold.

If you have a secret keep it, pure maid Milly;
  Life is filled with troubles and the world with scorn;
And pity without love is at best times hard and chilly,
  Chilling sore and stinging sore a heart forlorn.

Walter Brandon, do you guess Milly Brandon's secret?
  Many things you know, but not everything,
With your locks like raven's plumage, and eyes like an egret,
  And a laugh that is music, and such a voice to sing.

Nelly Knollys, she is fair, but she is not fairer
  Than fairest Milly Brandon was before she turned so pale:
Oh, but Nelly's dearer if she be not rarer,
  She need not keep a secret or blush behind a veil.

Beyond the first green hills, beyond the nearest valleys,
  Nelly dwells at home beneath her mother's eyes:
Her home is neat and homely, not a cot and not a palace,
  Just the home where love sets up his happiest memories.

Milly has no mother; and sad beyond another
  Is she whose blessed mother is vanished out of call:
Truly comfort beyond comfort is stored up in a mother
  Who bears with all, and hopes through all, and loves us all.

Where peacocks nod and flaunt up and down the terrace,
  Furling and unfurling their scores of sightless eyes,
To and fro among the leaves and buds and flowers and berries
  Maiden Milly strolls and pauses, smiles and sighs.

On the hedged-in terrace of her father's palace
  She may stroll and muse alone, may smile or sigh alone,
Letting thoughts and eyes go wandering over hills and valleys
  To-day her father's, and one day to be all her own.

If her thoughts go coursing down lowlands and up highlands,
  It is because the startled game are leaping from their lair;
If her thoughts dart homeward to the reedy river islands,
  It is because the waterfowl rise startled here or there.

At length a footfall on the steps: she turns, composed and steady,
  All the long-descended greatness of her father's house
Lifting up her head; and there stands Walter keen and ready
  For hunting or for hawking, a flush upon his brows.

"Good-morrow, fair cousin." "Good-morrow, fairest cousin:
  The sun has started on his course, and I must start to-day.
If you have done me one good turn you've done me many a dozen,
  And I shall often think of you, think of you away."

"Over hill and hollow what quarry will you follow,
  Or what fish will you angle for beside the river's edge?
There's cloud upon the hill-top and there 's mist deep down the hollow,
  And fog among the rushes and the rustling sedge."

"I shall speed well enough be it hunting or hawking,
  Or casting a bait towards the shyest daintiest fin.
But I kiss your hands, my cousin; I must not loiter talking,
  For nothing comes of nothing, and I'm fain to seek and win."

"Here's a thorny rose: will you wear it an hour,
  Till the petals drop apart still fresh and pink and sweet?
Till the petals drop from the drooping perished flower,
  And only the graceless thorns are left of it."

"Nay, I have another rose sprung in another garden,
  Another rose which sweetens all the world for me.
Be you a tenderer mistress and be you a warier warden
  Of your rose, as sweet as mine, and full as fair to see."

"Nay, a bud once plucked there is no reviving,
  Nor is it worth your wearing now, nor worth indeed my own;
The dead to the dead, and the living to the living.
  It's time I go within, for it's time now you were gone."

"Good-bye, Milly Brandon, I shall not forget you,
  Though it be good-bye between us for ever from to-day;
I could almost wish to-day that I had never met you,
  And I'm true to you in this one word that I say."

"Good-bye, Walter. I can guess which thornless rose you covet;
  Long may it bloom and prolong its sunny morn:
Yet as for my one thorny rose, I do not cease to love it,
  And if it is no more a flower I love it as a thorn."
Nigel Morgan Dec 2012
I

Tired
the long road ends
by a sea wall
The engine dies
to cries of estuary birds
to halyards’ **** and tinge
A lake of light set in night’s cloudscape
brims over the western marshland
to seaward a dense darkness
On the ferry’s step
ear close to the brown water
a part-song sings the ebb tide’s flow

II

Threading into the marshland
a braid of cloud-reflected water
of oval sedge and common reed
In amongst the brown canes perspective vanishes
only by mind’s foreshortening or body’s levitation
is there sight beyond the creeping rootstock
By the river path a leaf
pearled with glazed dew glistening
dew grabbing the photographic eye
Standing backs to the horizon
a sculpted triad of bronzed ancestors
watch over the summer rites of music

III

This ****** field
moves clamorously under the feet
waiting waiting for the sea’s kiss
Proud-coloured the boats here
resting poised on railway sleepers
beside their tractored guardians
How to know which way to turn
which view to hold for memory’s stamp
this patient sky this slow exhaling sea
This foreground flow of white-grey-brown pebbles
each sensibly-sized for the hand in the pocket
yet substantially-singular on the window’s sill
2013 marks the centenary of the birth of the composer Benjamin Britten. In 2011 I made a pilgrimage to the part of the Suffolk coast where he made his home and established the Aldeburgh Festival.
martin challis Sep 2014
Sedge
Rush
Cereal
Turf

Blade
network
Insect
canopy

Viral
fibre
­Pattern
weaver

Earth
fabric
Meadow
aquifer

Wind
dancer
Tribal
m­ind
Alaina Moore Oct 2011
I will see the day victorious
But the day is never done.
Regardless of their numbers
No mighty sedge will-ever I run.
Never would I waste my time
Pity none the lesser
I will center my emotions
Let the anger manifester
Until it radiates from my skin
Like the fire from suns
Many moons of restless rouges
Informalities and salacious puns.
Go from me, summer friends, and tarry not:
I am no summer friend, but wintry cold,
A silly sheep benighted from the fold,
A sluggard with a thorn-choked garden plot.
Take counsel, sever from my lot your lot,
Dwell in your pleasant places, hoard your gold;
Lest you with me should shiver on the wold,
Athirst and hungering on a barren spot.
For I have hedged me with a thorny hedge,
I live alone, I look to die alone:
Yet sometimes, when a wind sighs through the sedge,
Ghosts of my buried years, and friends come back,
My heart goes sighing after swallows flown
On sometime summer's unreturning track.
Stanley Wilkin Nov 2015
I grieve for you in the cold quiet of winter
My absent child, my long lost son
Warming my hands over dying flames, frost covered smouldering clinker,
By the wood where icy streams run
Through the shrunken sedge, and barren fields
Stretching for miles, empty of meaning.
The landscape like a worn photograph yields
Your tremulous smile, then nothing.

Here, you ran with startled steps
Through the yielding sheaves, yelling with surprise,
Chasing indifferent spiders, and discomfited birds
With hatred in their pebble pool-dark eyes.
Querying awkwardly spoken words, small
Tenacious fingers that caress and clutch
Every passing object, loudly chuckling, wisely playing me for a fool
A silly father who loved too much.

On the anniversary of your leaving I required solitude
Partnered only by memory
Away from familiar crowds, the booming, barking fusillade
Of the present day commonplace urban itinerary,
Where only the crackle of snow
And the fleeting trajectory of birds
Distracts my slow
Marshalling of comforting thoughts.

The cottage where we lived haunts the shallow glade,
A shrouded ghost swaddled by the half-light,
Positioned squarely like an old man, its cladding beginning to fade,
White branches like dead-fingers that gleam in the night.
In the closet are your dust-sprinkled toys, a yellow plastic duck,
A cheap skateboard, ancient video games,
A guitar you never learnt to pluck
A chess board on which you pulverised my endgames.

In the preserved furnishings of your bedroom
Your school work gathered into stacks
Barely visible in the gloom,
Our life together in disorganised packs
Denoting year and level
Development and academic achievement,
If any, (but I mustn’t once again cavil)
Indicating, even in your earliest years, a specific bent.

Standing on the mantelpiece, propped up against the wall,
Are brightly coloured, polished pictures
Of you. Plump, blonde, agreeably small
Dancing, standing, jumping, grinning, absurdly wistful mixtures.
A bitter echo resonating from the shadows
A cold thought darkening into memory
The spectre of your voice disappearing in the meadows
Having left all of us! Having left me!
Devin Weaver Feb 2013
Little boy Cain finds daddy’s old straightedge
Cracked leather band, wipes the blade on his thigh
Little boy stalks ‘round, slingshot in the sedge
Soft stinging cheeks, striped where bloodlines dry

Little boy breaks ice, cold winter this year
Big brother chops ash with numb hands out back
Little cat hunts mice while the dogs chase deer
One last hammer lash, then leave duties slack

Little boys grow up too soon, mother knows
Brother lain face down by the cutting wedge
Little white-furred pup, matted crimson nose
On the icy ground left in need of sledge

Little too late now for the morning chores
Cries upon his knee, curled by reddened bed
Little boy, head bowed, listens from the floor
Brother, bury me where the raven treads

Brother, forgive me, curse the wanton gods
Now, I walk alone through this land of Nod
betterdays May 2014
i eat the wind and sky,
as i walk along the shifting sands.
the waves roar,
profane curses,
in my left ear.
and at my feet
leave, monuments and epitaphs
of their destructive fury.
to my right the sand
sails, from the dunes
in bereft drifts
leaving the long sedge grasses sighing
heartfelt goodbyes.
i head toward the
rusted hulk,
that howls and sings
a furious duet,
with the wind.
i stand with my hands
over my ears and lean backwards,
so my spine makes contact with the derelict ship's hull. my body vibrates,
with the power
of this angry world.
and i rejoice,
in it's soulful serenade.
Austin Mosher Apr 2013
The winding ravine
Untouched and pristine
Empties over the earth’s edge
Leaving behind golden sedge

At the stony shores
Stood a lonely boar
Bouquet of wilted rose's
Peddles falling to his toes

Dam up the ravine
Quench the fading green
***** onyx monuments
From ashes of the black pits
If life was a bed of roses, then
My neighbour would fit the bill,
He’d built him a twelve room mansion
Next to me, on top of the hill,
It made my cottage look down at heel
Til I grew a hawthorn hedge,
So nobody could look down on me
Though he did, from up on a ledge.

His name was Jeremy Harmon, and
His wife was Amanda Cale,
I’d played with him in the schoolyard, though
He’d won him a place at Yale,
He’d spent his life in America
Though he’d come back home to wed,
And stole the only woman I loved
From our own pre-bridal bed.

She’d fallen hard for his Ivy League
And his Yves St. Laurent suits,
His rented Aston Martin, and
His R.M. Williams boots.
He’d made a pile and he flaunted it
Before heading back to the States,
Taking Amanda Cale with him,
I got her note too late.

‘I’m sorry John, and I know it’s wrong
But he swept me off my feet,
We’re going to live in Chicago, where
He said that life’s a treat.
We’ll live in a condominium
And he promised me a maid,
Oh don’t be sad, for I’m rather glad,
Just think of the love we made.’

And that was the last I heard of them
For almost twenty years,
The name of Jeremy Harmon passed
My lips, as a sort of curse,
I just got on with my life, but brought
No woman to my bed,
My head was full of Amanda Cale
And her betrayal, instead.

They turned up totally unexpected,
Rang my front doorbell,
‘We’re going to be your neighbour, Hey!
It’s good to see you, pal.’
He seemed to be totally unaware
Of the grief he’d caused, back when,
I held my tongue and I kept my peace,
‘Okay, I’ll see you then.’

A year went by and the house went up
And I grew my hawthorn hedge,
Amanda worked in the garden planting
Seeds and lawn and sedge,
I did my best to avoid her, though
She tried to keep things light,
But chuckled things like, ‘Remember when…’
And I’d say, ‘That’s not right!’

‘You made your bed when you left with him,
There are no memories,
I saw you last in his Aston Martin
Waving through the trees.’
‘That was a mistake, I know,’ she said,
‘But things could turn out right,
He goes away on his business trips
And I’m all alone at night.’

I’m sure I said that it wasn’t on,
I’m sure I told her to go,
But she was given to plots and schemes
About things I didn’t know.
She asked me once for a bag of lime
To use on her roses bed,
And like a fool, I gave her the tool
To let her back in my bed.

Jeremy went on a business trip
And didn’t come home at all,
She said he’d gone to America,
Their marriage had gone to the wall.
She came to cry on my shoulder then
Each day, for almost a year,
And in the end, I had given in,
She seemed in a deep despair.

Her garden then was magnificent
For her roses were in bloom,
‘I’ve never seen such a great display,’
I said, one afternoon.
‘You can thank my husband, Jeremy,
He’s been working, all this time,
You’re tied to me for eternity
For you supplied the lime!’

David Lewis Paget
Dawn King Apr 2015
It was dark in your house
It felt dark, and it was dark
You scuttled about everywhere
No one could hear
No one would wake
There is a common walkway
There is a light
It is dim yet lively like fireflies
You ease up to the light
Ever so wistfully
You stand with a confident posture
Once satisfied with the distance
A sedge of paper cranes
Fly out from the light
And dissolve into the night
Connor Reid Dec 2014
I find myself far gone, drifting alongside the beach
of some nubian kingdom
A sharp inhale of starlight and cutting holes
of awe,
she's there for me.

but,
Not in presence,
Red clouds limping through my comfort,
keeping me safe
far far off, in its tempered perfection.

Writing my fiction, one word at time,
biting into my rotten ear,
cracked surfaces of
sugar lined castle spires
pointing downwards,
In the paradox named perception.

Release!
Stretched out in our isolation.
yet I'm alone, becoming longer,
wandering,
raiding into an artificial night
Where no time appears to pass.

Encroaching on the expectation.
for food,
be it wanted or difficult,
for lips, ink nor illness.
The coast brings in
an ease that I drink from,
when dilly-dallying,
along the mad irreverence
of a random bed that you dream of
each time you wake,
each time you sleep,
There is no content in your bed sheets.

Spiralling in and out of information infection,
Oh how? Oh how can I sleep,
when I stand with my back to space?
Splaying limbs as they exert
the last beams of recklessness
- reverting to old habits,
obsession with erratics,
no form and no care.
Riddled with a chaotic mop head of stringed stupid.

How cute.
Juiced from his tender prospects,
intent on separation
entering use
****, bored and loose
Frothy white moaning flow,
tenderly crushing
Contingency.

I avoid moving inland,
for fear of peace of mind
Combing the canal with the brisk
jaunt of my limping legs,
unsure of themselves
in amidst,
the warmest blanket on the coldest day.

An old kingdom,
founded on consumption,
tradition and extraction.
We keep our distance,
I keep my distance.
Cold water minces around my feet.

Pith/Medulla.
Falling to earth,
beneath the sedge.
Robert Ronnow Aug 2015
I woke up Saturday joyful at my body's triumph
over virus, breathing again without pain and enjoying
winter and the cold that keeps us sane and sober.
But by Sunday my mortality had returned.

If I pass away now, how to assess my days.
Is balancing income and expenditure reports enough?
Our marriage and our piece of land. Dependent
on economy. For food delivery and machine repair.

In my youth, I imagined crossing mountains
to the sea, living off the land. Enduring weather patiently.
It's impossible except three days or three weeks,
with a load of supermarket food on your back.

So I accept home gratefully. And a niche in society.
We could explore these hollows and hills on foot
but my wife is weak and I am lazy. We use the library
to travel inner space. We found this place.

Next spring, a garden. Dig depleted soil behind
garage and fertilize it from our compost pile.
Learn the names and ways of cultivars, their relations
to wild plants and the edge. Finally know the fern and sedge.

Lazy one, life is short. You have never fought, to yourself
you remain unknown. You go the way of an unknown
soldier. Unable to assess the purpose of the battle.
Nameless, hungry, same as the neighbor's cow.

Be happy, slap happy. Within your generation, surrounded
by history. Seeking mastery through practice.
Rewarded with the sunrise, sunset. Yet to have delivered
on the promise expected by the parents of the baby.
www.ronnowpoetry.com
Back in the tiny town of Hamm
In a province best unknown,
Is an ancient sandstone prison tower
Where the grounds are overgrown.
The locals still in the town are few
Were wary of us at first,
But ventured out when they heard me shout
To tell me the tower was cursed.

‘Don’t venture there if you fear despair,’
They said in a foreign tongue,
Then slunk back, each to his rundown lair,
But we were too smart, and young.
‘They’re peasants, what would they know,’ said Kym,
‘They’re superstitious and fools,
We’ll test their funny old tower now.’
We should have played by their rules.

It was built in a grim and Gothic style
But had sadly been run down,
Hundreds of years of standing there
Put a torpor over the town.
The rusty railings, falling apart
Had never been breached by them,
The peasants whispered and looked away
In the manner of Holy men.

We made our way through the bushes, sedge
And weeds that grew in the grounds,
But then up close to the building saw
Some features that astound.
The walls had flying buttresses,
A door with a pointed arch,
And a gargoyle leering from above
Next to soldiers on the march.

We didn’t go in the first time there
But wandered around the site,
It was Kym who had the bright idea
We should go and explore by night.
I wish that we’d known its history
For that might have broken its spell,
I wouldn’t have sought its mystery,
And Kym would still be well.

We noticed an old Teutonic sign
Engraved, and above the door,
We couldn’t translate it at the time
It should have been done before;
Before we entered that cursèd place
And risking our sanity,
For I came out with a twisted face
Though Kym was worse than me.

The moon was casting a yellow glow
As we stood before that door,
Directly under the gargoyle that
Let out a fearful roar,
Then a stream of ectoplasm flowed
From its jaws, and down on Kym,
Covered her in this bluish light
And then, it dragged her in.

I followed, not that I had a choice
I was quite beyond control,
My legs did whatever they wanted to,
I had no choice at all.
Inside was a vaulted ceiling over
An old and blood-stained block,
And Kym was struggling, screaming,
As she was stretched across its top.

She glowed and glowed in this bluish light
Her neck was placed on the block,
And then a shimmering man appeared
I think I went into shock.
He held a shining scimitar sword
And he raised it up to strike,
And still I live that terrible scene,
Each and every night.

I saw it clearly pass right through
The base of Kym’s long neck,
And watched as this bluish head fell off
Went rolling along the deck.
But her head was there, was still in place
As I dragged her screaming out,
It was then I noticed my twisted face
That I can do nothing about.

They say that it’s called Bell’s Palsy, that
I must have suffered a shock,
The right hand side of my face is numb,
My eye and my mouth have dropped,
But Kym just utters the weirdest moans
As if blood was starved from her brain,
Her eyes astare at the horror there
I think she must be insane.

The last I saw of that evil tower
The gargoyle seemed to grin,
As if to say there is hell to pay
For those who might come right in.
And the screed engraved above the door
The letters were filled with lead,
‘You’ve come to the Tower of Grimm von Gore,
Enter, and lose your head!’

David Lewis Paget
Rustle McBride Jun 2016
i know about an unknown town
that has with some its own renown
such legends hold
since days of old
of a tale that’s told about this town

the tale is of the oral style
passed along through green and guile
he that hears it
ever fears it
yet adheres its cruel revile

around this town, there is a wood
so dark, and deep and long it stood
and there inside
the dark does hide
but from outside all seems as should

tormented by this telling tale
this tortured town within the vale
was soon to fall
unto its call
when one and all it would travail

not far away at forests edge
a sorry son breaks through the hedge
running gasping
sore throat rasping
but collapsing upon the sedge

as shameful tears begin to fall
the knowing winds begin their call
night brings dreary
wet with weary
earthly eerie set to enthrall

at night these woods protect the dark
awash with pitch both leaf and bark
and all he fears
it reappears
and yet his tears provide a spark

the secret moon provides the light
and then the smell of wood alight
a distant fire
he must inquire
if to retire but for the night

now moving on between the trees
perhaps a moment to be seized
dismissing chance
and circumstance
and so advance as fate decrees
part of a larger piece
Pete Badertscher Oct 2020
The geese
Form a procession
in their northern formal dress.
Single file they march down
The hill
Coming from deep out of
the tree line and through
A courtyard of grass and sedge,
Their solemn walk
An act of unison metered by
webbed feet.
And an overdone elegance.

At shore of the pond
They prostrate themselves,
Head bowed to the water.
As if encountering an old
priestess among the
church pews.
Solemnly they shake their
Necks like human hands-
A time honored ritual.
Then, an unknown cue,
Their heads
turn up to the blue sky
launching themselves Into
the water
splash-less, like
Floating clouds blown on
The breeze.
Now moving independently,
leaving ripple paths
across the pond.
The ritual has ended.
A vision of fairy life along a rural woods with a pond.
Old lame Bridget doesn't hear
Fairy music in the grass
When the gloaming's on the mere
And the shadow people pass:
Never hears their slow grey feet
Coming from the village street
Just beyond the parson's wall,
Where the clover globes are sweet
And the mushroom's parasol
Opens in the moonlit rain.
Every night I hear them call
From their long and merry train.
Old lame Bridget says to me,
"It is just your fancy, child."
She cannot believe I see
Laughing faces in the wild,
Hands that twinkle in the sedge
Bowing at the water's edge
Where the finny minnows quiver,
Shaping on a blue wave's ledge
Bubble foam to sail the river.
And the sunny hands to me
Beckon ever, beckon ever.
Oh! I would be wild and free,
And with the shadow people be.
FRANCIS LEDWIDGE
Jamie L Cantore Feb 2017
I was there within a lil tropic dale,
Marrow of one lil 'ol stealthy vale,
I hearkened of a grand titanic tale
'Midst two Midnighters loud speil.
The spat was pitiless & oh! strong;
Faint 1st was their spoken old song,
Then harsh as each bird had swelled,
To rage the strife away which dwelled.

The warbler led the great speech,
Easeful in a nook of a wide beech;
Perched on a pulchritudinous bough,
About her were burgeons florid now,
Utterly in a downy, substantial hedge,
Intertwisted with buds and new sedge.
Happier she was for having the sprays,
Sing she did for gladness in many ways.

Yet was there an old prong lying beside,
Wherefrom an old owl came and cried;
The branch w/ climbing vine overgrown,
And here this owl sojourned quite alone.
The warbler did after not so long  espied,
And looked upon her w/ confuted pride.
Many were her scoffings 2 the jejune owl,
For to the warbler was she loath'd & fowl.

The owl stayed in her place till eventide,
Not a moment more did she there abide,
So thrived her ***** with flowing wrath
That she could hardly even regain breath;
Say that I grasped thee in my sharp claw,-
Would that I may do so here in this shaw!
And thou wert torn from off your spray,
Then we shall see who sings a nights lay.

And with that... the warbler stole away.
To hang her shingle and head in shame.
Sam Temple Nov 2015
this morning
I felt it in a damaged knee
smelled it on the air
watched the clouds with
knowing atici…………pation
winter was coming
and its brutishness
would not easily go unnoticed  --
the steady preparatory ant
the fattened bear
thick with salmon grease
and sedge grass
ole man Barkley
splittin’ cord wood
dark brown chew spit
trickling from the corner of his
downturned mouth…
and the migrating geese –
my skin prickles at the air
and the visions of the season to come
holiday meals and family gatherings
cooking and sharing
little rolling hills for sledding
trimming a tree
in the cozy warmth
of our country home –

— The End —