Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

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Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

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IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

emerald, olive, viridian
oh how you perplex me
forest, jade, chartreuse
why do you tease me so
cyan, verdigris, moss
such excitement arises
to be a word
to be a meaning
is there such a thing,
to have a feeling
to see a vision,
phthalo, pine, teal
are you the same
mint, myrtle, laurel
you make me envious
to be blooming, to be healthy
to be young, to be clumsy
are you callow, how about credulous?
but such a conservationist
unquestioning, so trustful,
tenderfoot and common
the tree, the lawn, the willow
though ecological and crude
a sage in all but name
apple, spinach, pea
aren't you scrumptious,
lime, kelly, bice
are you nature, how about luck
you're pungently rotten
though with such dark beauty and hope,
love and lust ensues
you're the jolliness of balance
and the creative intelligence;
of evil, and decay of money and safety,
will you resurrect me, are you immortality?
such jealousy arises
high goals and honor
so so allusive
healing and vitality
you're calming though fast
lush spring stability,
abundant generosity,
vert vegetation; witchcraft
an aphrodisiac I hear,
are you youth or fading youth?
sunrise and life, growth and fertility
sacred ideology,
eroticized though shameful
so romantic and humble
I see the third ray
or is the the fifth ray, the third eye
are you truth, are you vision
it's becoming a science,
so much compassion
the fourth chakra, the heart,
the centre of us all
a higher consciousness
such a harmonious aura
a hunter, a nurse, a solider, an outdoorsman
villains and superstition
misfortune and prosperity
with toxicity, sickness and death,
recycle and reuse
oh so powerful
you exude auspiciousness
just a holiday
mystical fairies and spirits
though also devilish,
cancer in the stars
a renewal of paradise,
biliously tranquil
are you refreshingly soothing,
peacefully restful,
a naive novice,
very understanding,
is there truly a term for you?
what do you really convey,
countless representations
a definition of name,
or do you signify the feeling, the specimen
the aspect?
though some have no locution for you

here I am,
stepping around the issue
you are you, in any word
yet with a different meaning

to me? Real with a certified S.King filtered -ly mod,
by god,
as the oh myers say. On Writing sans Shining.
Needful fiction,
Liars prosper. Okeh. Thus,
the poor we have with us, always.

Truth t' tell.

Entshallah allathat, OMG samesame
good mastah willin' creeks don't rise

Do the work. Come Sunday, someday,
we, all us, say.

You ever finish your own work one day and jest

sit back lax - lacks a daisy, taken easy,
laxative action,
gut synapse
synch-up, cinch that saddle on my wildest
old Nightmare, beat my plow
back to a oil drum,

set some feats t'dancin' in some ol'lady minds.

old man's angels seen t'be jiggin' on
the head o' some pen
in the hand

worth two in the bush.

Who know what ever mean, okeh.

period. point made signal.
that was said and it's writ.

set it aside, let it dry

crumble to dust and be scattered to the five great gyres
to settle
as sands
ifiable quant, to mortal mind, weighable
any worth assigned as
sought or ought,
a grain,
a mote,
as seen with five gee augmented
lenses
prestandards beeing raised in the buzz
from Utah

as an erranded boy's sail bike lifts into if
from the saline shore.
Bike tires adhered to passive-ly

by molecular
memories of being
in truth, as if
once and ever,
salt of the earth, see in the distance,
Lot's wife

as tiny as can be

Na and CL, for ever,
deja wuwuish it were possible… dream… or die…

no don't. There is a reason. I for get it can not right now but these
keys can be

used right by the sober one in the batch.
God, I love this process. This is the work. Living.
You can do it as long as you can pay attention…

selah

then it, the algorithm, I'll go rhythm, pauses,
Spelchkovian spells masters seem sorry we ever agreed she'd
leave me leavened as dust
lying around
on white linen
in the streets of Laredo, as cold as the clay,

back in the day,
we sang that song in school. We sang
in movie theaters, along with a
bouncing ball and other people,

big bio jump here. My step-brother was murdered,
and it never seemed relative…

my father married a wombed man with one leg,
whose family sang along with Mitch,

and played Spit in the Ocean.

Such experiences ificate possibilities few knew
some survive.
There could be a contributory flow…

This ever lasting book of life.
See, a shore, sand bar
snag a thought rainbowing true to you

hang-ups from way back

Any boomer bubble popped too soon. Manifest at will.
P-pickup from scratch and
make a point
to infect the next pun unknoticing kid,

old -time slow hand-eye coordination special ed, Big Ern,
kicking chalk dust in far right field, noticing
patterns
in the leftmost vector straight home--

grand children, for the joy of knowing they happened,
caused,
to all outward appearance,
by my survival of several unbelievable

periences ex nihilo only
if "It don't mean nothing".

link link link something has broken, what do we con tribute tributary flow
too dammed salty, got to puddle around

waiting. waiting. waiting for one point
to be made
edged on all angles, to each mea culpa assured
quantifiability of reason,

inquizical sequence surpast
glistering

whetted and furbished for ever,

the keenness
the cut, precision decision

and how swiftly forms the scab,
a touch,

capillary seals, the grain, at HD,
one pixelish crystallin charge

change that,
by taking thought. It does nothing to your stature,

think allusive butterflies of lifenshit

it gets tiresome. A body wants some rest from ever
meaning ever and never was known
or heard
a dis cora zone age word, like

troglodyte or luddite Denisovan bracelet breaker,
ropemaker union with certain silky
threads
to which a little leaven always sticks
as would caterpillar spit.

Meandering, right, it's the play. My role.
I manifest the dance
as seen on the surface, from Jim's POV,

then my own POV,
then my own rivers of no return,
tribute

'ary a day goes by I don't re call that feeling,

flow is moving paster and paster the walls are
higher
shade deeper
colder'n'hell fersher, rapids.
Ah,

Kern River, I remember this.
Almond trees, Columbus clouds…
Hey, readerman, paperbackwriter wannabe,

we survived. What'sa-hell, right's right.

clap. there is a - an  STD joke there.
But those aren't funny

right,
standup guy says right's right, does a
Johnny Unitas stiff arm
and gets a case of
clap from the left, worse than meaningless

neo **** non clapping on the right.
Repent or perish.
****** if it don't feel good to say that.
It's true, once you know,

Gertrude Stein, I got it from her. Lesbian Jewish leaven
in passover brownies dipped in Mogen David,
she made me stand and say a rosary.

By any other name,

a rose is a rose and so on

It was like camp
But I spent the first night
On a thin plastic mattress with ****** sheets freezing
Instead of encircling a campfire
Singing cowboy songs of the West
And little dogs

My first activity was not making a bow and arrow or a target but instead I was
sitting after breakfast
on a concrete bench
in the Sun
Trying to fill myself with that allusive happiness.
That was my plan.

On the next occasion in the open
I did not get a compass
nor a map
but I sat with a table of girls
And spoke up without being asked
They started to show off their pale pinkish arms
I was at the cutters’ table
Smoker’s edition
Layers upon layers of
Rippling Scar tissue
at the elbows in particular
It is thick.
Bleeding and healing
To be sliced open again
For crusting over.
They were cheerful
Despite hallucinations and panic attacks,
Lost children or tomorrow
Scuttling along a murky seabed that did not want them but
Here’s a cigarette

I did not make a sundial or find my canoe
Or make shoes out of leaves
but let the morning sun stick around
while the smoke issuing from their chatty mouths pinched my nose
I would take their smoking breaks with them.
I claimed two for myself and once lit,
slyly handed them over
As I listened to the chatter and laughed
I feel a faint yellow heat
From up over there.

We didn’t at first hover around each other
Talking about nothing like high school
Girls with braces and dorky pajamas
Or bend over from the top bunk to say
one more thing before lights out
At first I never added more than a informed observation about lipgloss or
a roll over the eyes over the next dumbbell talking about nothing that existed
But I was tolerated
And as their numbers diminished
only to be refreshed again
my comfort grew
I made “friends”
We laughed and co-conspired
Over pills, soda and what’s that on your tray?

There were movies on the tv
But no westerns
With horses trekking through the tall grasses
Nor
Smoke arising in the distance
Imitating a life that we were imitating as well
Yes we were!
Just a slightly different tale about
Endless treks and wandering

On the weekends
The rules relaxed and the counselors,
Had there been any,
Would have been preoccupied with private intrigues and how to make pineapple cocktails
And we, left to our own devises,
Would saunter in and around each other
Braiding hair and reading magazines.

There was a telephone.

When it was time to get into the car to go back home by way of the freeway
I didn’t have a hat that I had painted myself with only three colors
Nor feathers
or a blue ribbon for starting fires
We all said our good-byes
Even the mean one called me by my name
And we shot off like the explosive plumes of fireworks
into a dimming sky.

Part I. When the Saguaro Cactus Blooms

“All mountains everywhere are being worn down by frost, snow and ice.”

“In the brief arctic summer grasses thrive, but too little energy reaches the ground for trees to grow.”

“When Nubian Ibex dual with their horns, the tussles can last up to an hour if the opponents are evenly matched.”

“Rainforest covers only three percent of the Earth, but contains more than half its plants and animals”

“The Shark is faster on a straight course, but can’t turn as sharply as a seal.”

“Throughout much of nature, life is built on decay.”

“Earth’s journey round the sun creates the four seasons, in most places. In the tropics, the sun strikes the earth head- on year round, temperatures barely change.”

“The Great Island of New Guinea harbors forty-two species of birds of paradise, each more bizarre than the last.”  

“As always, where life thrives, trouble follows.”

“Each year a single tree can **** up hundreds of tons of water through the roots, but the trees can’t use all this water so much of it returns to the air as vapor from the leaves on the branches”

“Every year three-million caribou migrate across the frozen Canadian Tundra. Some herds travel over two-thousand miles a year in search of fresh pastures. This is the longest over-land migration of any animal.”

Part II. And Your Bird Can Sing

From my position as being something
Other than what I am now, I saw
the planet Earth which is too impossible to be true.

I saw that land never stands above water.
Water simply allows the tired earth to rest upon its shoulders.

I see places where nothing is alive, save the maggots that feed off themselves,
amongst the cathedral of stalactites and stalagmites and lakes of acid.
No one ever said Hell wouldn’t be beautiful.

I see what was once mountains, now little more than slender, awkward
pillars into the sky. Withered away by an unwavering wind
That blew rigid rock as easy as it might blow
a leaf on the streets of city.

I see that spring even touches the most arctic of locals.
and that you can freeze in a desert that you can fry in.

I see for the first time, the tree as the inverse of itself;
branches into sky, roots into earth.
And I suddenly question paper and hard-wood floors.

And animals,
which we so often chose to deny as our neighbors and brethren.

I met with the Amur Leopard, rare as jewel,
Never before seen,
Destined to lose his home or his fur coat
To the likes of a Russian czarina.

I laugh at the penguin, the sausage of the bird family
and marvel at its audacity to survive
in places its unthreatening, unimpressive body should not.

And in the shark’s eye I saw, as it leaped out of the water
finally engulfing the once allusive seal,
the grace of god, the face of ******
at 1/50th of  the normal speed.

I came across baboons wading through flooded plains
walking upright through the shallow waters,
holding their young above the depths,
predecessors to a two-legged, less noble cousin.

I witnessed nearly every animal fight each other for supremacy,
with the same savagery we do,
but with less discrimination as to who they combat with.

I noticed that countless animals disguise themselves.
Frogs as rocks of exotic hues. Foxes as bushes seemingly on fire.
Bugs as flowers not yet in bloom.
I think I’ll hide myself as a whale
with a harpoon in his side.


I watch male birds of paradise attempt to sing, yell, peck and dance
themselves into a lady bird’s heart;
their Pavarotti, their Don Juanian exploits, their best Baryshnikov
yield them no love, yet my undying admiration is theirs.

I long to be a part of a flock of birds or school of fish,
who seem seamlessly connected by one mind(interwoven by the urge to move)


I see the flower and the fungi bloom, the latter off the former,
in stop-motion photography
I wish to see myself grow in stop-motion.

I swam next to two whales;
a large one whose eyes said to the smaller one,
“I’ll starve for you.”
a small one whose eyes said,
“I will lose my mother when the water is warm.”

I walked with caribou, transient as I am.
Just searching for a place to call home,
both of us knowing that the only stable thing in
life is continuous change.

Part III. Rivers Do Run Dry (See Grand Canyon)

Years later it would be discovered that “HD TV” did not in fact stand for High Definition Television, but rather Hoaxed Depiction Television. Indeed nothing we saw in “HD” was in actually real; rather it was highly doctored images created by the media powers that be. This would explain seemingly implausible animals, landscapes and natural phenomenon seen in the BBC series Planet Earth. Cryptic statements made by the narrator of the documentary (who turned out to not actually be British or a man) such as, “This is the first and last time this spectacle has ever been documented on film.” Ironically, these claims by the narrator are the only truths the entire project has to offer. The images never will be seen again in nature due to the fact that they were fabricated in a Hollywood warehouse.

When words are not enough,
and the world won’t get off her back,
she dances the Devils way,
She’s a princess,
wait she’s a queen,
wait she’s an angel,
wait she’s everything,
a Goddess,
the hottest performing artist I’ve ever seen,

and she’s dancing,
dancing is her therapy,

I mean,
I’m not James Brown,
but it’s a man’s world,
even if Rihanna runs this town,

See,
she’s been suppressed all her life,
and I’m not just talking about Rihanna,
I’m talking about every girl that was ever forced to be a wife,
just to survive in this life,

she was touched by her father,
or brother or cousin,
when she was just a little girl,
I know we all wish it wasn’t,
but it is true,
so what’s a girl to do,
when she’s a clean 13 messing with The ***** Dozen,

this isn’t battle of the sexes,
this is war of the worlds,
wants to be a woman but she’s just a girl,
no No Doubt just burnt out nerves taken turns,

she never asked to be born,
with the burden of being beautiful,
but she refuses to conform,
she is attractable irrational and radical,
so when it’s all too much,
the stares and the catcalls,
the aggressive forceful touch,
the nails across her back like a blackboard,
and the moans become just white noise,
she takes it all in,
she forgives the man because he’s just a boy,
he is an angel even if he has fallen,
she takes it all in,
and she uses all of those abuses,
as the fuel with the tools which induces,
an allusive state of truth which,
allows her to move with intuitive smoothness,
and lose herself in the music morphing into what a centrifuge is,
separating fluids transforming what was otherwise useless abuses,
into a truth that cruises and confuses the stupid stooges,

she dances,
in a statement of glorious refusal to submit to their ideals,
she is more than a princess queen angel goddess,
she is fire burning up all preconceived notions of *** appeal,
the real deal,
dancing sweating cleansing her soul and her pores,
moving faster in progression refuting repression,
overcoming an obsession of oppression and knocking down all doors,
she is not a possession,
though she is possessed when,
she’s a dancing expression of how we all feel and more,

no words are enough,
she shows what we all feel,
she reveals what,
was before thinly concealed,

she is the perfect expression,
of imperfect circumstances,
she is poetic stanzas,
she is the paint on the canvas,
there is no question that she is the answer,
and all of this is made clear when she takes it all in,
let’s go of everything and dances…

∆aron L∆ Lux ∆

#strength #metoo #dancer #ballet #blackswan

the doom puke treacle of our dim sum sundays, asunderous.
the bluff of our taurus. the trim thumb, green on the terrace
of our epiphanies; wondrous.
the crease in the pleat of our borealis. the allusive chalice
of our majesty. the dead kingdoms we relinquish to the roiling unjoy.
the thunder of our feet to the heel of a shadow. our peter pan in the fire.
our kettles black.
the opposable lovelies. the lovelies that preen jewels. the extreme youth of our gods
now at the hour of our foolishness. our funny bone. and the fracture.
the actual damage to our heaven. and the near after.
the gross bloom of our anguish
and parade.

and the bells. and the comma. and the laughter.

Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”

Every minute spent with you is blissful and filled with peace
your eyes lock me into a paradise that no ones knows about but us
your smile makes all my worries blend into the rest of the problems of the world
you hold me tight enough to make up for all the lost hugs I never got that I needed
you hold my hand with a tight grip that reminds me of your reassured love
our drive home is quiet because we both know we will have to go our separate ways
you obey the speed limits and make complete stops
allowing each car in sight go before us as an excuse to spend a little more time together
our day started carefree and cheerful but we both know its a race against time
my paradise is allusive because it all goes away with one word and a last kiss
silence allows just enough time for thoughts to start building up in our heads
But for me, the only thought that crosses my mind is when will I see you again
and why must I go back to a place that I call home that doesn't feel like it
I get out of the car and look at you wishing I could reverse the clock just to be able to have just one more hour with you
the irony of it all is that I have to leave my home to go to my house
I kiss you and say the one word that creates my paradise allusive

my winter eyes are epic
emptied of the seduction
of never dying days
for now
but
still looking for an incantation:
this field this wave this sway
this maze this daze
the soul's substance
untranslatable
allusive
perfumed

some find it in the dark recesses
some insist it doesnt't exist
I contemplate blankness inside
my skin
my mind just a dream catcher
for illusions
a suspended note
an erasable tape
a network for the delicate architecture of moss
or was it mold?
some words have no heart at all
and we need canyons of tenderness, paths of joy
is it time that is dripping its imagination
in this turmoil?

the irrationality of mornings of violins of drums
strikes a chord inside
what is the basis of harmony?
so many shapes of wonder
on bridges, shores, sidewalks and hills
and valleys of the unknown
full of space atoms

a spirit of a shaman sits beside me
she calls me soul surfer
perhaps
god is
part violence
part beauty
part wonder
and I fall for it
when I find it
in the flesh
of the heart
only

Ref Jerry, promoted again this year
to the Mighty Kinder Teams.
Raises the growing Kinder Spirits
to achieve even higher dreams.

The Kinders play their very best
So unaware, they don't even know it.
Week after week, excelling, growing
in the Upward Game they show it.

A slam dunk thrill is even possible
with a lively, uplifting Ref Jerry assist
Lifted high to the rim of the lofty basket
It was hard to have missed.

When the hoops were allusive
high fives did still abound
For the valiant effort of each play
Mighty applause did resound.

As in the Big Kinder Game
The Ref of the Universe is there
To lift us up when short of the goal
To help us, our burdens to bear.

He picks us up in times of need
holds us high for the goal to reach.
He keeps us safe with rules of life
Covers our Sins with a lesson to teach.

Upward! Upward! Upward still!
The goal is in sight as Upward we go.
In His love. In His hands.
It is all we need to know.

Now go and play the Kinder way
Do your best with all the rest.
Keep your eyes on the ball...
There may be a TEST.

If a thousand voices cried out in the middle of the night
to befriend those who suffer injustice and invented freedom
with a comfort that lasts only for a passing moment
would we hear or even care?

If a thousand voices demanded one single sentence
to bestow on all races a life of confined liberty and equality
for the sake of motives hidden behind a deceptive tongue
would we fear or even dare?

If a thousand voices sang tribute to the glory of One
to give hope and promise to the lost souls
yet mock the saved from other religious convictions
would we fare or just swear?

If a thousand voices drunk from the bottle of pride
staggered blindly in the alley of darkness illuminated by a dim light
in search of a truth shrouded and veiled with human nature
would we abstain or just remain?

If a thousand voices laughed at the sense of truth
so plain, so simple, yet allusive to those living a life
concerned with the social norms or being rebels with a cause
would we die or just survive?

If a thousand voices screamed in agony from torments
so inconceivable to the meek, the humane, the charitable
but devised by the minds, then enacted by the deeds of mankind
would we change course or just feel remorse?

If a thousand voices asked, or how about just one
to contemplate, to perceive, to discover the meaning
of selves, others, surroundings, without bias
would you question and be better than?

The combing of the hair
the brushing
the hand holding the strands
brushing her hair

Coco wishes
it was her hair
wants to feel more
than hair

wanting to feel full stop
to enter in
to hold
to kiss

to take
each inch of skin
and lick
and o gods of wherever

is this love?
such overwhelmingness
such empting
and the hair held

the fingers
letting run through
the sensation
the breath held

the breathing paused
love o love o love
and then
there is this

that wanting
to be with
wanting
to have and kiss

and the brushing of hair
and eyes taking in
each aspect
from each angle

and she is speaking
and Coco hears
but doesn’t
listens but the words

are slippery as eels
and are gone
but there
allusive

just out of reach
and the neck
and the skin
and that space

her eyes settle on
and that bath time
that watching
as one does

that drying of another
as one is paid to do
but more
o love wants more

not once
not twice or thrice
but forever
if such there is

for this young miss
for Coco
to have and hold
and deeply kiss.

Architectured backs hide secrets in their bends,
rising up from foundations built on brown tanline sands
secured with concrete cloth, tied to posts either side
of lengths and widths.

Ask the professor, he’ll know how to demolish a building:
he’s a degree in unfolding the unnatural
and his last paper was in firming up the dunes;
with wooden poles his tests were conclusive
almost allusive as he marched on at night,
but we saw him, with others under car park, notorious, car rocking
lightly in the light, light.

Due to administration cut backs his papers were never reposted to sender
and now I’m bound by glue
that leaked from their spines and lines
of the book
to you:
we’ll never not be apart
but shall remain forever not together.

Blood has one color.
No face. Was always ******.
Has no other name.

*

I cannot find any
nativity of violence in
breaking novice heart.

*

You in disarray,
will not find the path of
death's spin. Truth will pay.

in thousands of aborted silences
of never found again words
in the nakedness of our failures
in the savage desire to be more than
the sight can bear
in the simple recognition
that you know little
from outside
we can listen to the allusive warmness
carving new bodies
for the days to come
for the healing of memory

we opened circles
minds
lungs
to embrace the new symmetry
of laughter:
I laugh when you cry
she cries when they laugh

and they pray:
no more
I won’t be your prey
your substitute
for the undiscovered
truth
take me as air on your palms
as dust in your wrinkles
smile with my tears

when silence is lighter than us
we only want to feel each other
in the mirror echoes
of a patient heart

Midnight Confession to Stingray  III  

And suddenly awake. i think i heard the phone ring, but long ago that no stingray called me; it would be absurd. who call a forgotten man, yearny of themselves?. And suddenly awake and crying i wonder what i have done to live this. why i can not die? what's stopping me? god kills for pleasure, i would do it out of necessity. i end with my life and the importance of being earnest.
    
Outside roars the sea. the waves claim my life, my life claim it and head on a silver platter the almighty, responsible to no justice. ha! justice. Consign it everything to god is to add an extra shadow existence. whenever i get depressed i confirmed the existence of nowhere. already said my old friend Andrei, "the soul craves harmony, while the world, reality, life, are full of dissonance".
    god! i do not want any harm to feed my humor. and i tell you because i know that fate is but the unilateral decision of a supreme being, without the intervention of the creature that falls. you and your **** decisions!
  
I must then settle the illusory permanence of my bad steps taken. after all, the man has not been done to exemplify rebelliousness.
Insert - cans carrier some catching film and rolls a finger cuts / , looking at his finger and begins to move circularly, leaving his palace versailles topic decorated, full of blood stigma. then  an arm and his shadow the succor envelops faucet cracked.

insert final -
you always give back things to their original order, no matter what man does or does not do. when the world ends, will only continue the deserted streets where consummating the drama of solitude, loneliness of man. solitude, that awe you feel your son, more powerful even than the fear of death. loneliness, ontophanicus element of childhood fears and unrecognized face of the adult human animal.


Insert - Snifp    opens window, moist your hands with rain, seals his hands, making a drinking vessel of your hands. someone you back then close was noting his eyelids his old love visiting him - Snifp shudders take turns and trafficking in their eyes hands that image. followed gets humming a ditty ... continuing with your thought the song of your song - only the first two lines sing, the rest is with musical pacing phraseology showing on time images:

  "  maybe everything is reduced to ideas. the great wars and the huge advances in the history of mankind are due to them... what is most important for the soul to believe in change? the flowering of ideas! proclaim them the wind and see how they are trampled, but when they die, they will be remembered by them.
    yes, i know, when my turn comes, or not taking into account what you have said, i must kneel before you. "

Insert - Snifp - in your room like versailles, kneeling before the accompanying idol behind his cabin. it was a huge torrent cans with film rolls. some were leaving your movies its packaging. on the upper part of torrent was an eye that turn that also glinted colors and eye on pared scenes showed pictures romance film and expressionist cinema.

  " something happened with spring and winter, only took one night to erase my life. everything i've done, everything i am has been solely because of my insecurity even look at my letter, is confused, irregular, insecure, unfinished, unfinished, ugly to my way of translating the letters on paper it is unsafe. That's why i am where i am. it may not be the best, but it's comfortable. i should not deal with anyone but my ghosts. "

Composition: the whole song - this song in passive voice - before each pause they call Snipf, her father, her mother, she the same calling it self doing choir with letter of the song telling you enter is late and that not early to work everyday continuing - voice feels off, but the darkness appears immensity of arms in clothes ragged and *****, treating him to speak. every aspect of song be supported by allusive as a documentary imagine.

[insert images]: Mr Snifp. this in a paramo isolated, everything smells rancid stink and essence with her mouth glottis churned a finger as mayor, the three items that were deposited in calderon reddened by flare. Their beards 90 cm, crisscrossed end of pointed shape. mr. Snipf it took out glottis your hands together his cross to remove the book and the lenses pipe. While he continued impetuously making this movement of his arms, lashed out on the top step your home room your nearest death, and if it was confused casket 60 cm or a 2 mts. such was the fan accession that uttering which carried from the limbo of house untouchable pantheon, but it was not, all the servants threw it out of doors sliding down the cobblestones, while Snifp kicking as if to take revenge until the last priest perpetuity oblation gave to your existence non tyranny.Still getting off cobblestones, planters keep falling, cornices. carnations falling on follow your body wood caged.

Removing Snifp appears in Calderon lenses, pipe and the book, but this time he has in his hand left the book, and pipe right. but when child, walk the avenue where would buy tidbits, seeing through the showcase  the owner of the commercial always had in his right hand a book and left a pipe.

Snifp lying on his altar Calderon churned with thousands of books, lenses and pipes, falling to tiring and suddenly the ground with his right hand possessing a book of phrenology and left a pipe smoky reddish. it was so faint Snipf and only with boiling essences smelly around.

[insert end].

Zooantropomorphic Basic Kinetic Theory:

In the room, three and a hommo sapiens stingrays. Located facing each other. how to illustrate and in between them appearance with animals, and acting daily activities.

Every stingray, is an object and subject to time, the eyes of Snifp, but more remarkable is that each of them can auto refer, as having instincts and feelings, which alternately men intimidate and used in a extended range of possessions and physical, and electromagnetic powers psychic. "

Snipf in the room seemed feeling redeemed, because they came to help him, came to the town of his abode. A hold a escape. but to think and think and read what rugs you wrote on the wall concerning this theory, he reminded inescapably on fatigue years of thinking, to nearly multiply your ideas on every beat of your heart as an avalanche in your own heart

And they continued typing:

... Thousands of years sail the seas for fixing without ours where our dreams console conditions. we have seen many events, births islands, shipwrecks _ at that time Snifp, he takes the head and can not believe what you tell manta rays, being very shock and sorrow.

He told ...: as you, enjoyed the freedom to grow and believe in my labors happiness. up next to toasted you hiding the sun my skin. trying to follow them confine of the seas as well wishing one day be as you but i saw growing up and that my gaps growth . interrupts writing one of them on the wall:

... Birds and we seem confused in the sky and the sea. its movement is a great similar  infinitely ours. by instance. for reproduce places and we are in very favorable temperatures. Our food to go for a  tractile  movements resort in places, where our hunger and thirst unite to hunt our prey. There are certain movements, seemed birds river near the sea; with love that in a small ball enjoying our offspring thousands of kilometers from hunting place chosen.

My father strand a day in the pacific sea rivera, seeing some odd birds in groups, moving choreography of side to side, changing their appearance or disordering composition, rare birds when they reached another species, but enough with birds are you were visiting for them with their move to, they give the spectator the camouflage invisibility, violated them to be your space.

Snifp: but the move with air allays tour and return either in any direction. and when i feel abandoned by my wishes of faith or of love, which will be the right move?. One of them says: the movement may not porte nothing, or also something ruined, importantly possessing energy for all be alive call the highest levels rising to pay for that move your body energy; something like love for fuel survive, perhaps not frustrating not to have to turn disoriented when we storms at sea with boats and we want trap, without relying on a moment to pray, to save our destinations. Snifp, think that as you suffer, it happens to us. the blankets impassive, floating on the piece and brought them to Snifp the miles genealogies and exhausted by origins of existence.The cornerstone of movement, time division yours and mine, separated by both affected synchronicity things for immense currents.

Snifp replY: if, if you !!. but both to animals we  vanished others because you have eyes for men only see your interests. Snifp as if you are thinking _ ourselves the told, what confusion ... not !!.

Then  in men, animals are invisible visible and motion forms. But yes, each generation of movements different article, since each margin regarding your drive specific functions  changing the man, what you plenty of activity what to generate be blinded  no recalling the advancement finally  to not to repeat their mistakes. Snipf words in good men living in a house of fears caused by collective and not totally bad habits subjugations evolved animals. An animal, a being who owned and self contained and do nothing  not self  supply materiality.

We do not pray to  God, just keep your policy creation and preservation, just keep your commands as a whole to vibrate, knowing and ignoring sometimes. This is our Creator. Stingrays sailing in my Mind  and in  the spreading architectural dreaming.

imagine she is as thin as a doe
glassy eyes like a dead bird
it is not here that you will kiss her,
but here, tomorrow
what is a place but a time?
do not glower at me, my lord,
i have given my soul to you.
it is quiet, even when we make allowances for
pain.
imagine she is as thin as a doe
glassy eyes like a dead bird
skin not pallid, but pallor;
pink veins and lips full to taste your sinew
an embrace allusive of sublime ruptures
sallow eyes and face,
she growls at you, a low tremor

We drove past it every Thursday;
blank, bleach white walls.
Clean, block rectangular.

There was a garage
and sometimes a black car
in the driveway.

It stood out crowded by cluttered
town houses smothered in ivy,
with long grass, red brick or pebble-dashed.

Glass on the street and supermarket
bags on the path, traffic,
conventionality, routine, and teletext.

But his house stood out.
The closest vision of showbiz style
I could see with all I knew being

he grew up near here,
like me, and that must be it,
the very house where

he would live if still in this city.
Creating a myth to myself
that he was allusive but he was inside.

I’d wind down the car window
listening out for the sound of
his songs in the air,

or watch to see if anybody
opened the door, lights of cameras
in the seconds we pass the junction.

Of course, never saw him
on the Thursdays our car passed by
but knew he was very busy.

I cannot swim in these heavy shoes!
I cannot climb in these platform boots!
It is time to leave behind these dilapidated houses
It is time to let die these dreams of faithful spouses
I need to be freed from the blue hand of emotion
That feigns comfort but
Holds me back with leaden fingers on my shoulder
It is time to break the forms of familiarity
And do something of rarity
Remain allusive and let spirits care for me

I'm am utterly abashed
I so badly want to be filled with fury
but I cannot
as you always
and forever
will be my sweet evanescent orange
not yellow
even though some may think
because yellow is simple
easy some might even say
orange is rough and allusive
it is filled with a desire so pure
hidden between many layers of said skin
passionate
intense
stubborn
but also soft
and dulcet
not pliable in any way shape or form

Orange queries
she asks
"why"
why?
because I fell in love with you
and then I fell in love with life
before it was dull
to mask the bitter
but citrus is not bitter,
even out of season
it is bittersweet.

So I pray you won't break your promise a second time
because this time
I cannot follow you
because now I find myself relishing the bittersweet of life that rests on my tongue.

With, or without your grace.

It is a night like any other.
The room is semi-crowded,
the lights are cool, ambient and allusive.
The music glides and shimmies,
reflectance of electronic symphonies,
with a sinuous pulse to
provoke and tease.
Still, you sense a creeping unease.
You are on your second drink...yet,
somehow, even the 12-year old
Macallan is getting a little too familiar;
its usual savor of spiced plum, dry sherry and
salted caramel dies a slow death
by a cold-water corruption -- its once
robust quaff is reduced to a faint, forgettable flavor.
The dreary day, too, has been flat, predictable,
diffuse in focus and devoid of passion.
Life has been set adrift, on trepid tides.
The dissonance of these thoughts
unsettle your soul and mind.
You feel some kind of reckoning  
approaches and is unavoidable.  
Under your breath,
you ask in fraught confusion,
"What time is it? Why am I still here?"
The Bartender sees the lingering trouble
in your face and he provides
a moment of empathy, of quiet
understanding.
He reaches for the bottle in response but
suddenly stops and looks past you,
over your shoulder.
A subtle smile forms where
a sober shade once stayed.
He sees something that has changed
the energy in the room,
pivoting as if on a dime,
to a sweeter wave,
a smoother flow.
Someone approaches…
You realize you must turn to look, but
slowly, friend; get your bearings...
Settle your thoughts for a beat or two.
You stand and turn, adjusting focus...there she is.
"....wait. Whoa...
Breathe, brother. Steady, soul!"
Then it hits you:
You realize the sensation you feel,
that unstoppable, sharp, sweet,
seductive suffering,
is the longest and strongest
Of long, lost friends.
You remember
why you are here.
You know the time,
this moment you've waited for,
for so long.
Your heart speaks and  
your eyes lock in,
to capture hers:
"Hello..."

I scream to have *** with time,
A morning brings a contradiction in terms,
In between the other and all forces of allusive virtues,
The style awaits for an arrogance to bloom!