your mouth is a door,
and someday you are going to be told that it's just better left closed.

your eyes are the windows to your soul,
and someday people are going to tell you to draw the curtains.

your heart has been unpacked from the basement,
and someday someone is going to tell you to put it away.

and your optimism is a candle in your windows, and someday everyone's going to try and blow it out.

i'm telling you this,
because when that someday comes i want you to know what to say.

you say,

"my mouth is a door, and i hold the key."
"my eyes are the windows to my soul and i'll wash them regularly."
"my heart will not be put away, it goes with everything."
"my optimism is a candle, and it keeps me warm."

when that someday comes,
i want you to know what to say...

you say,
"this is my house, and it's not for sale."

i will never know the black mother’s ache,
but i imagine that if the phrase “adding insult to injury” had a feeling,
that would be it.

i will never know the black mother’s ache,
but i imagine that it sounds like “hands up, don’t shoot,” like “i can’t breathe,”
like blood hitting a pavement that seems as though it was built
to catch those droplets.

i will never know the black mother’s ache,
but i imagine that it tastes like skittles and arizona tea,
four years old but still carrying the fresh sting of a wound just opened.
i imagine that it tastes 
like history repeating itself,
like seeing your son or daughter recycled each week
on every news report, on every tv station.
each time it is a different body, 
but it is always the same hand pulling the trigger,
the same black blood being spilled,
the same cries left unheard;
we shout “black lives matter”
and yet, still,
they cut them too short.

i will never know the black mother’s ache,
but i imagine that it looks like a web of lies too thick to cut through — 
every strand another weapon that he did or did not have,
another order that he did or did not follow,
another sin that he did or did not commit;
the only black they care about
is the color of the ink they use
to draw your angel-headed boy
a set of horns.
i imagine that it looks like evidence hidden,
like sparknotes-type skim-throughs labeled “thorough investigations,”
like another unindicted officer walking freely atop the cries of those 
who charged into a battle they knew they would, but hoped they would not, lose.
a battle they have fought too many times before.
i imagine that it looks
like an empty chair at the dinner table,
like cold-blooded ****** disguised as justice
with the help of a blue hat and a badge.

i will never know the black mother’s ache,
but if you listen closely enough,
you can hear it
in every cautious goodbye she says to her children whenever they leave the house,
or in the silence that those goodbyes used to fill.

can you hear it?
you will have to push past the shouts
of the big bold letters that they want you to believe.

somewhere,
somewhere in there,
a black mother’s heart is crying.
it is a gentle, hushed cry 
that the world does not want to hear.

but the tears are still just as wet.

(a.m.)

maybe you put too much faith in me

i'm agnostic, apathetic, aromantic
and too much of an antagonist to never let you down

you could drown me,
make me suffer for my attitude;
but i'll not atone for my sins

remorse is for the empathetic
and i am just

empathetic minus the em

i am not one to glamorize smoking,
but there is something recklessly beautiful about new york
and the way each cloud of smoke on every city street rolls
with a detached aggression
from cherry onwards —
like a demon knowingly conjured.

it is a slow suicide so defiant it is almost admirable.

almost.

but like most things called admirable at first glance
and detestable
at second,
there is an ugly side.

new york, though,
doesn’t know ugly — never has, never will —
and even when it does it is a
“between the lines” kind of ugly:
the spitting up of blood bright and red —
cherry —
at home, behind closed doors,
not cool and casual on the city streets.

new york doesn’t know ugly.
and so slow suicides become
park bench pastimes and
throats filled with smokes become synonymous with:
“living life to the fullest in the heart of new york city”
and the way each cloud of smoke on every city street rolls
with a detached aggression
from cherry onwards becomes
almost admirable.

almost.

(a.m.)