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Zywa Apr 7
In the private club,

the hostesses are blind, eyes --


painted on the lids.
Novel "Midnight's Children" (1981, Salman Rushdie), chapter 3-7 "Abracadabra"

Collection "Low gear"
Question: What has Bitcoin done for Humanity?
Answer: Bitcoin has helped millions of people to:

Move money safely
Across country borders
Or keep money private
Through seizure orders

Avoid the debasement
Of all of their savings
As inflation abounds
Amidst Keynesian ravings

Transfer remittances
To countries abroad
Without the high fees
That border on fraud

Own their own money
For millions the “first time”
Generations unbanked
This is truly a crime

Trade with anyone
Across land or ‘cross sea
With no “middle man”
Who might disagree

Enjoy some privacy
A basic human right
As foundational freedoms
Tyrants try to rewrite

So here you go Jim
This is just a small list
Of what Bitcoin’s done
And you simply dismissed
You can see this poem on a background here - https://www.bitcoinpoems.pro/delivery089BitcoinForHumanity.html.  Question comes from Jim Cramer - an investor.
Zywa Jan 9
Knowing someone well,

wanting to believe it, that --


it is possible.
Novel "jl." ("recently" - the title also refers to Juno Linnaarts, 2016, Anjet Daanje), chapter July 21st, 1969

Collection "Inmost [1]"
The camera is rolling, incessantly capturing every moment of our lives, leaving us with a world that never stops recording, where privacy becomes a luxury unbeknownst to us. In these private matters, we find ourselves stripped of any semblance of secrecy, exposed to the prying eyes of an ever-watchful audience.

As we gaze upon Mother Earth, we see her through an unsettling lens, viewing her as a captivating entity, akin to a seductive **** who has birthed and nurtured countless lives. Yet, contrasting our admiration, there persists an underlying desire to possess and consume her in a primal, carnal manner. It is as if we hold a fetishistic fascination with her, using fiery words to address her before we even think to disrobe ourselves from the layers of convenience and comfort, leaving her vulnerable and exposed.

This portrayal begs the question of how mankind perceives themselves amidst this intimate performance. Are we mere objects to be stripped down and devoured for the amusement of an unfeeling audience? Stripped of our dignity and possessions, we are left bare, vulnerable, and at the mercy of those who derive pleasure from exploiting our vulnerability. It is akin to a mesmerizing striptease, a tantalizing display that leaves us yearning for something greater.

In the face of such exposure, we find ourselves humbled and powerless, compelled to seek solace and redemption from a higher power. Constantly begging to be bathed in the love and mercy of a divine entity, we yearn for a respite from the unyielding gaze of the world. It appears that the world derives pleasure from witnessing us in a state of vulnerability, reducing us to our weakest form, our knees bent in submission.

In this revelatory expansion of the original sentence, we delve deeper into the implications of a world that ceaselessly records our actions. We explore the complex dynamics between humanity and the environment, finding parallels in our treatment of Mother Earth and our own susceptibility to exploitation. The expanded content retains the core meaning and context, while elaborating on the themes of vulnerability, power dynamics, and the search for solace and redemption.
Jeremy Betts Dec 2023
What you get is not always what you're gonna see
There's a me I choose to let no one see
If you see that me let me be the first to offer up an apology
That's my B side, that's the stranger I gave a ride and once inside it destroyed my family
And quickly
I find myself beyond a solitary sorry
The fix is never near as easy as you plea for it to be
Always aware that my grip on reality was secured by the same guy who's loosing it mentally, the workmanship is shotty
I do know the motions to take though and I go through them awkwardly
Robotically emote what I think is expected, a real time commentary
Going live is scary, that's just reality
I've rehearsed my lines so when I do I blend in seamlessly
Neither are an ability I use to be a mystery, well, not completely
I'd rather no one see behind the privacy shrubbery
It's private property but I never enforced it properly
Good 'ol hindsight, always 20/20
No control on this disorder, examples are aplenty, it'll eventually break free then consume what's left of me
No one believes when I say this is not me
Honestly, I don't put up much proof of the contrary
I do try, but these copy/paste repairs are undone too easily
Woe is me

©2023
White Shadow Dec 2023
In the echo chambers of a digital age,
Love adorned in a public stage.
Snapshots shared, a fleeting art,
Yet, whispers of real love set apart.

A symphony drowned in the social gaze,
Gleaming displays, love's public phase.
But beneath the glare, a truth unfolds,
Real love in subtlety, a story untold.

Not in grand gestures, or in fame,
But in care's whisper, a silent claim.
Respect, the currency of hearts entwined,
A dance unseen, yet profoundly defined.

Humility, the canvas where love is drawn,
Beyond the spotlight, a connection spawned.
Privacy, the garden where intimacy grows,
Real love blooms where authenticity flows.

In the quiet acts, in shadows cast,
True love thrives, a moment to last.
Away from the stage, a sanctuary found,
In genuine love, in silence profound.
Today's generation don't know what true love is, they're in a dilemm of digital space and showing off and think it as love.
Zywa May 2023
Eavesdropping always

changes something, except when --


it's done secretly.
"Trois couleurs: Rouge" - Fraternité ("Three Colours: Red" - Fraternity, 1993, Krzysztof Kieślowski)

Collection "Mastress"
Zywa Mar 2023
You snooped on my phone
but didn't discover any shame
no naked confessions
you searched in vain

for a double life
exciting intimacies
a corps in a wardrobe, secrets
between the lines

I have breathed in those
old statuses, for you
they are empty, boring rooms
dusty and cobwebbed

Keep them as memories
It doesn't touch me that you were
where you shouldn't be
I'm already somewhere else
"Sonnet VI" (1917, Edna St. Vincent Millay)

Collection "Ifless"
Zywa Feb 2023
You only need to

understand yourself, really --


no one needs to know.
Story "Edith Wengler" (2020, Jens Christian Grøndahl)

Collection "Home sea"
Jamesb Jan 2023
I am an onion,
Layer upon layer there
Is of me,
And none of these
So readily revealed
To casual scrutiny,

Oh  no you must work
And work hard to
Learn each layer,
Reveal every closely guarded
Aspect of my being
Or my soul

But dig hard enough,
Dig deep enough
And with a sharp enough blade,
And with dedication
You may just see
That which I may choose you to
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