Submit your work, meet writers and drop the ads. Become a member
Mekael Shane  Apr 2017
Nigger Run
Mekael Shane Apr 2017
First came the German Shepherd dogs

Next came the water hose

Bodies lynched, then set ablaze 

Flesh singed, then meshed with clothes

Innocent black lives lost, on a blood stained Poplar tree 

Even now, I hear the Slave Overseer's words 

Echo inside me - echoing epigenetically

"****** run, ****** die, ****** free"

I am he whose antecedents

Suffered and survived the Middle Passage's arduous trip

I am the progeny who sprang forth from their chained ***** 

As human chattel, my antecedents suffered the sting of the whip

Their humanity, dignity and pride

Was debased and denied

Deracinated, their bodies were beaten black and blue

But it was the bruises inside, they tried, but could not hide 

Innocent black lives lost, victims of the lynching rope

Even now, I hear the Slave Overseer's words

Echo inside me - echoing epigenetically 

"****** run, ****** die, ****** hope"

I say again, I am he whose antecedents 

Suffered and survived the Middle Passage's arduous trip 

I am the progeny who sprang forth from their shackled *****

As human chattel, my antecedents suffered the cabotage of a slave ship

In 1964, they were granted civil rights, but denied civility

A denial rooted in the flowering bloom of racial hate 

And the verdant lushness of white supremacy's wicked fertility

So many innocent black lives lost 

Because of "Negative Eugenic's" lies and untruths

Even now, I hear the Slave Overseer's words

Echo inside me - echoing epigenetically

"****** run, ****** die, ****** choose"
Excerpt from:
'The Genesis: A Collection of Poems by Mekael'
© Mekael Shane, 2007
Marshal Gebbie Aug 2011
Could it be that locked in memory
Ancient thoughts are held in store,
Passed on by Neanderthal man
Who's origins we may recall.....

Ape like in physique and frame,
Prominent prognathus jaw,
Burning eyes intense and sharp,
Intelligence to seek for more.

Telepathic thought transference
Little need for guttural grunt,
Massive strength in hand and thigh
Stinking pelt to back and front.

Rushing through the reed and long grass
Casting lance with lunging throw,
Mastodon with roaring bellow
Thrashing trunk with thunderous blow.

Darkness in the smoky cavern
Clustered at the flinted flame,
Family and others warming
Squat encircled, chewing game.

Listening in the chill of moonlight
Listening to the wolf pack howl,
Out across the snow clad forest
Out beyond the hooting owl.

Chewing pelts to soften leather
Massive teeth in massive jaw,
Wary eyes observe the weather
Southern winds may bring the thaw.

Luscious she with scent ascending,
Luscious she with hairy maw,
Bent to me in sweet surrender
Downy hip and coaxing paw.

Roar in rage and beat the earth
Blazing eyes and heaving chest,
Invasion from the **** Sapiens
Seeking females for their nest.

Skies descend with fire and brimstone
Rock cascades and burns the earth,
Mountain God has vent his fury
Scamper hard to cave’s safe berth.

Cold, so cold this bleak snow weather
No retreat from Winter’s ire
Brother, sisters, sons are huddled
Frozen dead in blue ice byre.

Few, so few now to migration
Trek to southern food and heat,
Starving, wet and hypothermic
Staggeringly trudge the weak.

Few, so few to intermingle
With the **** Sapiens here,
Serfs in *******, low and squalid
BUT SURVIVORS..STRONG AND CLEAR!


Marshalg
Victoria Park Tunnel
13 August 2011
A hand springs forth
from the dredges of the pit.
A hand failing to knowledge its worth
with a will to deny it.
The blinding light of things to come
bright in its possibility
Chemical baths render sludge undone
clearing the way for eyes to see.
The weight of the land has tipped the scales
orbiting in its gravity
Quickening the mind that hails
and objects the dark's depravity.
Realize the void is important
yet small in its relevance
A calmness to lay dormant
for freedom is the recompense.  
The stranglehold on the soul
will be released only when
you forgive yourself
for not being able to fill the hole.
Jim Kleinhenz Apr 2010
Another ‘hello’ from Hollow Head Island!
Yesterday we took the ‘Journey to
the Center of the Earth’ tour. Down, down
into a deep crevasse, two miles to see
the Rorschach Sandstones! I shall have
to write to you about panpsychism,
about the ‘antecedents problematic’.
It was like being inside a volcano.
The tremors remain inside of me. How can
I even think at all? Remind me. Was it
Protagoras or Pythagoras who jumped
into the volcano? The antecedents thing
suggests ‘he jumped’ sufficient, precedent
enough, enough to be a god.
©Jim Kleinhenz
JP Goss May 2014
A nectar lingers in the midnight,
Empty is the forum for all thought akin
Confused, reflected, or bade to come in
Or to come out.
With loose time the moonlight was bought
Playing with the chatter I hear desiring me:
To write a love poem with all its proper irony.
A thing of gold, I fantasy it
Though blurred and warm as lighted wick
Midst the darkness tall, timbers thick
The lenses, its vital antecedents
Are cracked or compelled by the acts of man.
Yet, so good the tools, these fragments of
Ears, eyes, and nose,
They produce all the power behind poetry
And find all I need, like a handless compass
Forcing me to follow the moss
That warns two strangers must first meet their paths
Before they may cross.
Julian Jul 2020
Philosophy 6/13/2020: A New Model of Time (The Original Document Was Expurgated Because it was Too Genius so I am trying to reinvent the argument) EXPECT FUTURE EDITS WHEN I AM NOT INEBRIATED
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the pioneering basis of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context that consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously and both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny that by very definition could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor (I will edit this philosophy at an opportune time but the basic ingredients are provided)
Nico Bee Aug 2012
For I to cherish soaked in sunbathe dream of freckles on cream and strawberries
For you to see and sigh and fill with warm fizzy pink water too sweet to contemplate 
For you to see and sigh and long for long sleeved sheathed in jealousy spilling out in bright red syrup

For I to paint faces with my utterances fanciful making ugly alluring curious mysterious attractive

I can take my nose to be strength clever seducting wicked men and women to listen to my describes or look upon papyrus sheets

I can make my jaw a naive child stricken with blue veins translucent skin clinging papery like wings to brittle bones under eaves ready to snap

I can write my eyes wide innocent in first time headlights first time frosted firsts filled with empty antecedents of unclasped things and fifty fifty longings

I can make the ugly striking like a stinging snake cruel contemplating lashing smarts or make it sad sorrowful quiet longing new to life love mature but still a child

I can add grace poise to my stretched out neck make it stand tall of pride training because it's ladylike to do so and so I must and say my prayers every night too as I powder over my faintly drawn freckles

Boyish humour uncaring to my generous brows a baseball mitt bubblegum cards and a fetish for goths forever unrecognised as spit flies and at home haircuts compose a flyaway life

Embellish the hollows collarbones and detract the too-broad shoulders make the frailty proud and small shrink it down to fit in a girl big brothers to gentle and lovers to rough pinned wrists that near snap

With my words I reap the benefits of my own mindly kindling I wander through half made times in history and finished times two seconds right now 

I can create myself and so I do my thirst to be is insatiably insatisfied like my attraction to bad grammar and lilts when you talk so I do I become each and every one 

I create myself and it's addicting
Which came first; A.D.D./A.D.H.D.,
or a subconscious unwillingness or perhaps even inability
to give half a genuine **** about anything going on?

I believe social, media, technological, and habitual programming
are at least some of the antecedents to these Modern chemical scapegoats:

Bureaupharmipseudocures, baby!
Causing more problems
justifying more Pharms
making some people rich
depriving and inuring the rest
almost as if depicted in
BRAVE NEW WORLD

Beloved, distracting, ubiquitous Handheld Devices
with cameras, speakers, headphone jacks and microphones
which, at any given moment,
can just as easily be used by you
as be used by Big Brother to keep tabs on you
through GPS, recorded sound and video, transferred and stored data, and company records
almost as if depicted in
1984

"HOLY ******* ****!"
I practically hope you're saying
(ideally, this is old news)

"FOLLOW THE MONEY."
I hope you're realizing.

IT ISN'T THAT HARD, FOR NOW,
THANKS TO THE INTERNET.

Without the internet being a public, secular (in terms of politics) entity,
it would be neigh impossible to follow the money
without extensive efforts made by very brave and hopefully cunning *******.
I just made up the word Bureaupharmipseudocures as I was going along. I like it.
Bureau, as in "business" as well as "inefficiency";
pharmi, as in "business of getting rich off others' sicknesses";
pseudo, as in "not really whatever word comes next";
cures, as in "what you would expect from a medical institution which claims to have the answers for us."
52 Weeks: Whitman

The spotted hawk swoops by and accuses me, he complains of my gab and my loitering.

I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.

The last scud of day holds back for me,
It flings my likeness after the rest and true as any on the shadow’d wilds,
It coaxes me to the vapor and the dusk.

I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.

I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.

You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.

52 Weeks: Mullein**

The Red-Tailed hawk swoops by and catches just a glimpse, he tilts his head Dionysian style mouth slightly agape.

I too am a wild thing, I too am untethered,
And I sound animalistic in the dining halls of the tamed.

The final missile thud holds me in a sweet caress,
My likeness rockets earthward … tried and true and tired and truer,
I am coaxed into existence once again.

I maintain my aetheric ties as I know this is the roadmap back to you,
It’s nice to be enmeshed in the living once again even though they drain,
To drain is to live, one gives eternity to be mortal - it’s the only thing that ever made sense.

I won’t depart, I dig in my heels,
And I turn my back on the organized.

I am of the earth because I understand my antecedents … my mother’s mother’s mother …
And because of this knowledge of ante’s I can set prece’s, hopefully precisely.

I hardly know who I am or what I mean (on a good day),
But I am good for you none the less,
As our tastes and sounds and smells and touches intermingle.

And always I wait patiently,
for me for you,
for us.
An adaptation of Whitman's final stanza in Song of Myself
Nat Lipstadt Jul 2019
all my poems are unique general principles

~for Helene Mendelsohn~

“A general principle never comes to life in my mind except by exhibiting itself in various special forms and in
crowds of instances for each form":  
R.G. Collingwood

each a construct - an arch-i-texture,
each a crowd of a single instance
special forum, a dialogue differentiation,
a conjugate particle,
forming up, in marching order,
a singular troop, a base case singular,
a soldier especially demanding,
“Of Me, Write, Write”

for within my insight,
a one-off sighting,
one glinting wave reflecting,
its one millisecond exactitude of existence,
reforming unseemly, a new but not!

a seemingly similar shifted shape,
but no wave is a precision repetition,
perhaps a passing familiarity
of its precedents, antecedents,
at best

an instance borrowed and paid back
to the generosity of time
for a fully developed statement of a
general principle,
even a primary secondary textual emendation,
requires a unique naming definition

being born and dead dying while you are blinking,
does not understate absolute value,
a principle exists to give absolution,
so the moments resets,
perpetually,
but its own resolution is n’err forgotten

do you see the crowd of inferences
herein contained?

the principal unique,
poem plucked from passing sun ray,
a tickling hair of a brazen breeze,
one wave, one wave reconstituting a
millennium of preceding lives,
deriving its abbreviated genealogy
of droplets of prior principles
forever reinterpreted

so I gave you back
words you knew
but in a new combination
establishing this poem,
its constituents,
as a unique general principle

there is a prior poem, new, unique
in everything
7/21/19 10:00 am S.I.
I am running through the Milky Way,
with love and hope perches into the soul,
dancing cloud flash the glee,
the peacock biding, rain could be

me for love
love for mine

Souls are jocund company while triumph of birds
twilight on face antecedents shine of love,
vitreous luster of a crystal as diamond,
the dark of the darkness beget the diamond,

dark defuses and alchemize,
the black grinned -
caliginous to illumine as a small table lamp
glimmer glee with the end of darkness.
I can hear babies are cackling in the next room.

@ Musfiq us shaleheen
end of darkness: a poem of love, hope and beauty
Shofar  Ashera
Once set, they begin to direct their destination to the heart of the nativity area, where their origins and areas of the omnipresent West Bank belt were. They entered with strong winds clinging to their bristling camelids, everything had the atmosphere of a city as if it had never been inhabited. The fringes in floods of sun were distinguished orange-reddish weakened before the stormy gradients of the Red and Mediterranean Sea appeasing the Hexagonal primogeniture. Although they were seen squalling and with agile movements on the local atmosphere, several layers crossed with the inheritance of Persian cloths in colorful bluish and orange tints from the Red Sea and the quarrelsome storms of Aserá "The mother of all gods", and The one who was the "father of the gods." Known among the Babylonians as Ishtar, originally called Athirat (or Afdirad). She is the great Semitic goddess of fertility. In the Bible it is called Astoret, a distorted pronunciation of the original 'Astart, through the inclusion of the vowels of the Hebrew word boset (shame) according to the custom of the rabbis, to discredit the pagan deities. Bronze Age Ashera (before 1200 BC) the Greek form is Astarte. Astarte was considered the "goddess of the Sidonians". In the Amarna Letters, it is Ashirtu and Ashratu. The Ras Shamra texts identify Ashera ('atrt = atirat) with the goddess wife of El; They call her "Lady Ashera of the Sea" and "progenitor of the goddesses", here she would be the mother of Baal.

These discredited Babylonian forms caused discomfort and discomfort, in the face of a living past and present in the intangibility of the inheritances that greet others that could supplant them. This caused soil heating in the legs of the animals with abnormality of Greek-Babylonian wormwood prostrate on the feet of Ashera, leaving an odorous wormwood atmosphere in the land of two native Kings of this jurisdiction. Attracting dissipation from the roofs of some neighboring houses to the precise place where the Messiah saw the light of the lights and of those who waited for them cabi-together lighting it with candlesticks. This sacred wind caressed everyone's hands, insinuating them to take hold of the new Bethlehem, an event that was being reborn with the Apostle's illustrious visit. Their consolations expanded, like any caravan that increased its predictive volume, equalizing the pressures of the air that surrounded the streets, where no one appeared and was seen generic. This centrifugal force rotated their earthly spirits, originating a thick source of the orange gases that populated the roofs of the village. Creating greater weight and highlighting the freshness of the essences that were torn from the soils with the aroma of grazing.   Explaining to themselves the presence of sub-zones in the West Bank, insolating redemption of the arrival towards a protocol merit contrasted by the permission to be hosted next to this at night.  Varying many times to bring them the blessed condensed sacred water, deregulating the thermal sensation.

The density and buoyancy of the animals' legs made it difficult for them to select the right moment to stop and dismount. The aerial relief that rose and fell rose on the walls of the few rooms linked to the stable of nativity, pressing on them the adjacent words that joined from the ground to soon arrive in an upward spiral, turned into light and wind on the seventh horseman ; King David, appearing to them right there…, right there before Him, his Abigail, the third wife who gave him an early re-conception, presenting him with an altar, which he will endow with Eucharistic missions during his admission to Bethlehem. An unexpected phenomenon swirls on the gradient that led to the hill of the stable, affecting their vision and consequences, rotating them all to the rear of the original access to the stable. Converging the winds on the ground and upper external part of the stable, originating an anticipated effulgence of space that would prolong them to understand that they had already arrived, but they were still seven hundred meters from the main access and that the city was not Bethlehem, but another that It seemed to emerge from the arid soil, next to the stable, dividing itself into inter-zones that rubbed against the original and current ones, in such a way as to generate a great development of the sub-soil on the vertical that sounded stentorian and vibratory, as in a long stay, on the distributed assistants in this supra-abnormal regimen. They arrive exempt from grievances but dismounting gentiles ..., they leave the twelve camels in a friendly and predisposed circle, so as not to expose them to the strong winds that raged from the Canaanite gods that prevailed in personalized and ceremonial theocratic.

David speaks: “when I approached where Moab I requested asylum in protection of my parents…, thus I myself would burst the eardrums of the Philistines for each mountainous network of links that join me to the refuge of my advance counterattack towards their dominions. In its unknown enemy territories, a noble and friendly joy appears before me; Abigail, who fills the history of my land with beauty, before a very cruel Canaanite son; Nabal. She enriches my lands more than the entire multiplied population of animals, every time I count the units, I look into her eyes and I forget the greater amount that moves her heart towards me, because of that I did not shed blood on Nabal's house . Being Abigail the one who replaces my union with the Faith that moves my passion. "

Then Abigail kneels and touches the ground where he was, crossing himself after assigning a cross that kissed his hands, on his forehead and his chest. Thus from somewhere her parents rearranged the garments to enchant Vernarth for her bi-related purge with that of David and the Messiah-Vernarth. As in the Jericho story, Alikanto, Raeder, and Petrobus galloped around the periphery of the citadel. With all the strength of the steed's Golden hooves, they kicked liquid dust from the Bethlehem's fleeces. Alikanto did not carry a mount on his back ... he carried an Aspis koilé from Hoplite Vernarth. It was useful to re-sediment the sand covers sifted by the ergonometric forces of the shield, thus causing everyone to retreat and take the reins of the animals, to resume their advances in buttresses to build the walls that they had to mediate, to weaken Ashera's insinuations to disagree with the edges of the citadel. The Apostle, Etréstles and Vernarth blew the shofars, the times they surrounded the perimeter of the city, and they believed that there would be more turns ..., on the couch was the Shofar that could sound more times and louder, it was intact ..., but it ran to blow it Vernarth not leaving a drop of air looking at the sky that would appear with three bright stars filling the anxiety and love to break Easter bread for everyone. But it was not that effect; it was the astral echo of Betelgeuse of King David, which emanated with his blowing also helping to raise the walls that would protect him from the staunch invasions of the lackeys of Ashera. In such a way, the partitions were raised until reaching the governorships of the words of the watchdog angel who coordinated everyone saying:

Guardian Angel: "For us the partitions, for you the rooftops, on the heights mediate the limits and on their Shofar they will end Aserá, without any city to come and go" Such exordium is fulfilled and Bethlehem is surrounded by golden barred partitions, Walls were hoisted at remarkable heights to appease the winds and roars of the Canaanites, as in Jericho, but the other way around, here they succumbed by divine command, to allow them to settle in that millenary town hall.

Finally they withdraw the twelve camelids from the front circle that did not allow them to settle in the settlement, and they manage to settle to revive the bi-natality and double reign of whose splendor he will only speak with the luminances of the Messiah and King David embracing them. From the continents outside of the walls left desolate, revive Abigail's pristine and angelic countenance by bringing dinner and an amulet Shofar to each of the components of the Hexagonal Birthright that began to continue the seven weeks in Judah.

Magraner's ministers "Punica granatum", were bushes that appeared to him in the focus of the micro center of the fire, they entered with some tenuous and sinuous branched thorns becoming muddy as they descended from the tassels of the Shofar, feeding the curiosity of all who were camped, surrounding a campfire full of sounds with new positions, of devout sounds of pupils from high Jewish principalities, cordoning off the objects of the Apostle, who shared it with Etréstles ..., who gave sonorous instrumentalizations to the rams that approached around them ..., looking for the crows that were missing from their heads. Due to the cracked set of the shofar, in the opposing works of the luminosities of the bonfires, the wise ministers hung on the same faces, who displayed them with their young branches, glossy sheaths before the yellowish-greenish under-exposed with their obtuse apices. Leaving in its marginalized exceptions, polygons of pre-flowering  shofar-form, on the valves that escaped from the ashes of the valves that were released from the last fleeting flame of each minute run to the right. Everyone collected the nectars that the ministers poured into goblets, drinking them lying down to swallow them reclining and being able to look at the stars that emerged from their albiceleste flavors, rinsing each one's arms by touching them with the shofar, like petioles stalks on the seven rams that they sought to recover those that made themselves sound heavenly.

Etréstles says: “When the shofar speaks, their past pastorals speak inside and outside the community; the most outlined thing has been to understand it as a trumpet; of a bony projection, that is to say, formed by a bone and pointed material that arises from the frontal bone, sealed by a layer of keratin that forms an aerophone horn cover. The horns of Moses come from a translation of the original biblical text by Saint Jerome. When Moses descends from Mount Sinai, where he has interviewed God, "the skin of his face had become radiant," says the Bible (Ex 34: 29-30). In the original Hebrew the verb "to radiate", "to emit rays", is from the same root as the noun "horns", so Saint Jerome did not think twice and translated: "cornuta esset facies sua", that is, "His face was horned. Taking into account its timbre and sound quality here with you, it is not difficult to associate it with the sounding with the golden patina, simulating with my Messolonghi fingers ..., which three by three piston their bony reaches, linking of some forms of beauty, goodness, clarity, brightness and stories that will accompany us in this bonfire between these raised walls to pave the vaults of the Messiah's nativity cries.  Calibrations and catechesis on the real moment of his symbolic Lineage in the awake dawn and alive. With waves of graces voices with goat hosts rearranging the urban matrix of the erected town ..., everything will be at the expense of surrounding us and pouring out the voices shuffled with the shofar to protect us from Ashera, in their desire to get away from the fundamental site. "

Vernarth intervenes: “In this passage it is clear the capacity of the shofar…, and the sound produced by it and our similar voices being amalgamated with it, shouting and modifying the environment, to a multipurpose physical dimension. Now we are a herald of goodness, beauty and reconstruction, part of a noticeable dialectic to the neighboring Canaanite cultures as a sudden reconversion between what is built and what is to be built, even if something in it itself had to disappear. The wall was actually rebuilt surrounding everyone, beyond the golden glow of the shofar. Producing today creation and not devastation, encapsulating kingdoms in wisdom and learning ..., this is where we have all come from the return of the didactics of cultural forms, independently to attract us to its teachings in an anonymous world converted with a purpose of reconverting itself, in solemn alert in the one that precedes us, before unilateral events of antecedents of an apocalyptic shofar period”.
Shofar  Ashera

— The End —