A is for Adam the Aardvark and his band the African Ants
B is for Broderick the bumble bee who thinks they are pants

C is for a cynical cat named Crusoe
While D is for Darwin the delightful deer
E is for Eric the elephant who always drinks my beer
F is for Fernando the Fox but in Spain he known as  Zorro
He lost his wife Matilda last week and is now brimming with sorrow
G is for Gerald and yes he is a Giraffe
He wore odd socks last Tuesday and made Heinrich the Hyena laugh
Imelda is an Iguana and she is quite immense, though she is really old but has unstoppable sense.
Jack the Jackal has a regular name but he is an assassin and has a pretty good aim
K is for Kimberly who happens to be a kangaroo but she doesn't live in the outback anymore because she lives in London Zoo

Laramie the Llama lives south of the United states , he loves hiking in the mountains but one thing he hates, is being mixed up with Arnie the Alpaca.

Monty the Moose loves drinking maple syrup and playing ice hockey,
yes he is a stereotype but I am his Jockey
Nero the Narwhal is the unicorn of the deep, he loves scaring sailors and loves to sleep
Olive the Orangutan is a neighbour of Kimberly the kangaroo
but they have a plan to escape from London Zoo.

Pug is a Pig , just a regular pig, but he wishes to be ferocious and really big
Quentin is a quail and buddies with Pug, he likes eating sunflower seeds but never a slug
Ramon the Rhinoceros also dwells in the Zoo and is part of the escape plan with The red ape and kangaroo , he'll actually be the one to bust them out,
but to get his attention you really must shout.

Sylvia slithers, Sylvia is sleek if you were a mouse and saw her, you'd go EEK!
Terence T. Tiger is terrified, because he was asked to escape from the Zoo,
yes with the Red ape , Rhino and Kangaroo.

Ulysses is a horse who super glued a horn to his fore-head , he wanted to be the last known Unicorn because he heard that they were all dead. Vincent is a Bat, just a Vampire Bat,
he doesn't really like blood but is enemies with Crusoe the Cat.

Warren the wolf has many female fans but spends half the day with Eric the Elephant drinking my cans .Xenops is not an alien , it's just a rain forest bird, I'll give you more info as soon as I've heard
Y is for Yul and I don't mean the bald actor , this Yul is a yak but does watch the X factor
Z is for a Zebra named Zak and yes he does know the Yul the Yak , they were introduced by a certain kangaroo, and now it's their job to visit London Zoo

I roll and smoke tobacco like a seventies Hollywood cowboy
remembering Yul Brynner who died of lung cancer and made a small advert advising people to not smoke, but its all too late for most smokers. And I just do not get how one of The Magnificent Seven could die except in a gun fight, surely he should have gone out in a hail of bullets, defending some innocent folk from the evil greed of outlaws.

And so, there I was in the dark again
What was going to happen now I wondered ?
A moment ago, there had been a nightmare dangerous and threatening
It was like the film "The Magnificent Seven" from the Sixties I thought, the Western
(The one with Yul Brynner, Steve McQueen, Eli Wallach et al, I had always loved that one)
The nightmare was like the bandits descending upon the innocent little village
Looking to terrorise and plunder and pillage
Leaving the people all despairing, the little children and their mothers crying
But this time... this time things they would be different
This time there'd be a welcoming committee (the Seven)
"Ha! Ha!" the Bandit leader had laughed, "I see you've built new walls, you try to keep us out"
"No!" came back the reply, "those walls are there to keep you in...we deal in lead friend"
Now suddenly the tables were turned
It was their turn to feel afraid (the nightmare)
You could see it in them, see their faces drop/fall
All their bravado and bluster suddenly drained out
Yea! we'd called their bluff
And then, just like magic, like a puff of smoke
They were gone, just dissolved into nothing, into the darkness,
And so here I was, all alone again in the dark
What was going to happen now I wondered ?

Suddenly a little light appeared in the very top left hand corner
As I watched it I could see that it was growing larger
Pretty soon I could see what it was
It was a snake, a black headed thing like no snake you'd ever seen before
It was like it was moving at a tremendous speed
It looked agitated, enraged even
It was hissing, it's head going from side to side, its fangs showing,
It brought to my mind a fish we once found in a rock pool as kids after a high tide
A strange fish, it scuttered madly around its pool as if looking for a way out
It had these teeth and this fierce wicked look
So wet and slippery looking, it had an energy that was uncanny
It looked like it might jump out of its pool at any moment
It scared me just watching it.

From only being something tiny, now it had grown into something big, rearing up in front of you
You could see the black scales and the deep dark furrows about its face
The huge yellow eyes, the great fangs and the slithering tongue
It was like a jet black steam engine bearing down on you...hurtling toward you
Now it was nearly taking up the full field of my vision
It had grown huge and towering, threatening to overwhelm
I grew afraid, this was something different I'd never seen anything like this before
I decided it was time to go, I wasn't going to hang around
So I pulled out of the dream and awoke with a start
I thought for a few moments, what had I been through, what had I just seen ?
Then I started to castigate myself, why did you run, why didn't you face it, face it down
They were all bluffs, the whole lot of them
You would have seen what was behind it
I was afraid, was afraid I wouldn't get back, that I wouldn't be able to come back...
"Come back!!" I berated myself "come back to what exactly !!!
This world of pains and slow decay, of anxieties and humiliations...of faint joys...ever decreasing circles
There wasn't a whole lot to come back to, now was there
(Y'know I bet their all just waiting... just expecting to hear
"O! He passed away did he, well he was a strange bloke, wasn't he". That'll be my epitaph)".

Then I remembered... I remembered the wonderful old Irish myth/ legend "The Salmon of Knowledge"
(I don't know why that came into my head),
A magical fish, the Salmon of Knowledge lives in a sacred river,
It's said if anyone catches this fish and eats of its flesh the wisdom of the whole world will be theirs
A wise old poet/sage spends his life looking for the fish
Finally he catches it, he has a servant boy Fionn and has him cook the fish
He warns Fionn, under no circumstances eat of the flesh of this fish
But as the fish cooks on its spit over the fire
A blister forms on the fish and then suddenly bursts
Some oil from the fish spurts out and lands on his hand and burns him
He puts his finger in his mouth to ease the pain
And suddenly his eyes are opened to all the Wisdom of the World
When the wise poet sage returns, he sees straightaway the change in Fionn
The transformation that has occurred, the way Life seems to shine in him... (Fionn goes on to become one of the greatest of warriors
And to have many great adventures).

"Next time" I thought to myself, "next time I'll know what to expect, next time it'll be different".  Next time I'll be ready. Next time....

Blasts in the past
Remember when the passenger train use to stop the people would be all hustling grabbing their suitcases all making a mad dash
For the train station they looked so awkward in their efforts but there was an excitement travelers and their mode of travel will
Do that each and every time but the greatest show is the greyhound station in Frisco every month I would take my three days and go
To the city by the bay go eat wild sea food at Fisherman’s Warf. But in the station the circus had the greatest show on earth Barnum
And Bailey but this was small and crazy and never dull the acts would just be frenetic a guy would stand up and just twirl in the floor
And then the next would stand up and give an Impromptu speech then one would pull out a giant bowie knife not harmless just
Antics after the floor show then the business acts guy would open his coat revealing a hairy chest with supposedly gold chains
Enough to make Mr. T. envious then up comes the sleeves ten watches up both arms selling was the game and stupid was the
Ongoing theme wild eyed stringy headed unclean down and ***** just what a big city should be move out on the street a different
Sell the panhandle supreme I thought that was stupid until ten years later listening to the radio a street radio crew was doing that
scene they proceeded to say these guys could take in twenty thousand a year but these two were just for laughs one was maimed
Or appeared to be but it is the land of movies and they say California is like a bowl of cereal it’s full of fruits nuts and flakes but what a
Place here one stands as the other approaches with sun glasses a cane when they are side by side the glasses are pushed up how you
Doing Frank they shoot the breeze a little then its back to work striking the side walk and fooling the folks that work for their money.
In the city those building are truly like great canyons a hippie approaches he is wearing a ***** over coat and when you walk in the
Shadows your teeth will actually chatter from the breeze blowing off of the bay then you look down and you really get a chill he is
Barefooted thats one way to say good morning world and wake up in hurry and anything can happen especially if you come from
Here you are strolling down Market Street you look up at the show Marquee you see Hells angels and then you hear this roar from the
Street you look and their they are all on choppers with their babes on the back the combination of everything that’s happing then the
Collision of reality brought up close and personnel is thrilling and the show the night before even getting there this is 1967 the first
Show looks like the rialto in Joliet marble walls and marble columns men in evening wear women in gowns enter you look at the price
In today price it would be equal to thirty bucks that made me winch on my army pay then I get to the show it looks like a flea bag
The magnificent Seven is playing Yul Brenner is starring there has to be thirty bald guys at the time Reagan was governor but in a
Preview he slaps a woman a voice in the dark roars out way to go governor all in all weird and wild and one time the hotel had
An agent right on the landing from E Harmony a guy walked by he said what do you like red heads what a town lonely no problem
You can even pick the color of hair better than Tijuana the word was if you get in that crooked jail your best bet is write
Your name on a tortilla shell throw it out the window and hope an American finds it no matter what color their hair is or you could
Be doing the donkey pokey routine for a long time sorry I jumped cities maybe I should have called it wild travels

Blasts in the past
Remember when the passenger train use to stop the people would be all hustling grabbing their suitcases all making a mad dash
For the train station they looked so awkward in their efforts but there was an excitement travelers and their mode of travel will
Do that each and every time but the greatest show is the greyhound station in Frisco every month I would take my three days and go
To the city by the bay go eat wild sea food at Fisherman’s Warf. But in the station the circus had the greatest show on earth Barnum
And Bailey but this was small and crazy and never dull the acts would just be frenetic a guy would stand up and just twirl in the floor
And then the next would stand up and give an Impromptu speech then one would pull out a giant bowie knife not harmless just
Antics after the floor show then the business acts guy would open his coat revealing a hairy chest with supposedly gold chains
Enough to make Mr. T. envious then up comes the sleeves ten watches up both arms selling was the game and stupid was the
Ongoing theme wild eyed stringy headed unclean down and ***** just what a big city should be move out on the street a different
Sell the panhandle supreme I thought that was stupid until ten years later listening to the radio a street radio crew was doing that
scene they proceeded to say these guys could take in twenty thousand a year but these two were just for laughs one was maimed
Or appeared to be but it is the land of movies and they say California is like a bowl of cereal it’s full of fruits nuts and flakes but what a
Place here one stands as the other approaches with sun glasses a cane when they are side by side the glasses are pushed up how you
Doing Frank they shoot the breeze a little then its back to work striking the side walk and fooling the folks that work for their money.
In the city those building are truly like great canyons a hippie approaches he is wearing a ***** over coat and when you walk in the
Shadows your teeth will actually chatter from the breeze blowing off of the bay then you look down and you really get a chill he is
Barefooted thats one way to say good morning world and wake up in hurry and anything can happen especially if you come from
Here you are strolling down Market Street you look up at the show Marquee you see Hells angels and then you hear this roar from the
Street you look and their they are all on choppers with their babes on the back the combination of everything that’s happing then the
Collision of reality brought up close and personnel is thrilling and the show the night before even getting there this is 1967 the first
Show looks like the rialto in Joliet marble walls and marble columns men in evening wear women in gowns enter you look at the price
In today price it would be equal to thirty bucks that made me winch on my army pay then I get to the show it looks like a flea bag
The magnificent Seven is playing Yul Brenner is starring there has to be thirty bald guys at the time Reagan was governor but in a
Preview he slaps a woman a voice in the dark roars out way to go governor all in all weird and wild and one time the hotel had
An agent right on the landing from E Harmony a guy walked by he said what do you like red heads what a town lonely no problem
You can even pick the color of hair better than Tijuana the word was if you get in that crooked jail your best bet is write
Your name on a tortilla shell throw it out the window and hope an American finds it no matter what color their hair is or you could
Be doing the donkey pokey routine for a long time sorry I jumped cities maybe I should have called it wild travels

Without God we cannot and without us God will not, Sister Bonaventure, the Italian  said, in R.E  at the school, where Fay sat looking at the nun's plump features and a second chin that lay on the nun's wimple. Cannot what? a girl said from beside Fay, a thin girl whose hand was raised above her head. Others stared in Fay's direction as did the nun. What do you think it means, Gloria? the nun asked, her dark eyes peering at the girl. The girl shrugged her shoulders. Salvezza, the nun said, salvation. Fay took the word and tongued it in her mouth like a boiled sweet. Salvezza. The other girls in the class sat mute; some looked at each and smiled either out of indifference or bewilderment, but Fay sat straight-faced, the words in her mouth, both Italian and English. Salvation? A girl asked, pushing her luck, seeing the nun's features harden like cement on a hot day. To be saved, the nun said, saved from damnation. The girls all Catholic and bought up from the cradle knew this, but it was a hot day and they had lost interest as soon as Sister Bonaventure had entered the class with the ease of a hippo into a muddy swamp. But Fay took the words and packed them away inside her head to **** upon in her nightly hours when she failed to sleep. After school, walking along St George's Road, she saw Benedict standing by the subway waiting for her. He stood with hands in his pockets, his school tie untied, hanging loose, his shirt collar unbuttoned. She smiled when she saw him; her stomach did a somersault; her eyes moved over him like hawks seeking prey. He smiled like Elvis, which he had mastered by studying the photograph in the paper and had cut it out and sellotaped it to his wall. Didn't know you were going to meet me, Fay said, thought you said you were busy. Benedict smiled. Wanted to surprise you, he said. Did you run home from school to get here by this time? No, got the bus, he said. She touched his arm with her thin fingers, felt the cloth of his school blazer. He looked at her; took in her fair hair, straight, but pinned at the sides with hair slides; at her eyes that were as pure as silk; at her features that he wanted to capture in his mind so he could conjure up in bed at night when he found it hard to dream about her. She looked past him, making sure her father-who didn't like Benedict- wasn't around; making sure that her father wasn't amongst the crowd across the way or in a passing bus. They walked back towards the flats together, side by side, hands not touching, but close, near touching. She told him of her day at school, about the Italian nun and the words that she had captured that day in R.E lesson. Salvation? he said, taking the word and moving it around his head and mouth like a puzzle to be solved. Sounds like something you put on if you've got a sore spot, he said. She smiled. It means saving our souls from sin and the consequences of sin, she said. They walked down the subway side by side, the words echoing along the walls. He looked at her as they walked, his hand near touching hers. Sins? What are they when they're at home? he asked, probably knowing the answer, but wanting her to say. Violation of God's will, she said. Violating our relationship with God, she added. He allowed his knuckles to brush against hers gently, letting her words float about his ears. Violate God's will? He said. She nodded. Defy, God's will, she said. Mm-mm, Benedict said, got you. Whether he had or not, Fay had no idea, she sensed his knuckles brush against hers, gentle, soft, skin on skin. They came out into the late afternoon sunlight, on to the New Kent Road, passed the Trocadero cinema, their hands brushing close. Changing the subject, before Fay could venture further into the words, he said, do you anything about periods? She stopped by the entrance to the cinema and gazed at him. Periods of what? History? Geographical times of changes? She said. No idea, a boy at school was talking about it, said his big sister was having her periods and was a dragon when she was, Benedict said, gazing past, Fay, at the photographs in the framed areas inside the cinema walls. She blushed, looked at the photographs, too. How old are you, Benny? She said. Same as you, twelve, he replied, taking in the photo of a cowboy, at how the cowboy had his guns set in his holster. And you don't know? she said, shyly, looking at him, blushing. He tried to copy the cowboy's stance ready to draw his imaginary gun from imaginary holster. No idea, he said, looking at her briefly before gazing at another photo. What do you learn in biology? she asked. O usual ******* about plants and sunlight and butterflies and bees and so on, he said. About butterflies or birds, then? he said, taking in the cowboy's stance again. Yes, she said quickly, not wanting to elaborate further.  They walked on passed the cinema and the used car area and walked over the bomb site towards Meadow Row. So what's the connection between this kid's sister and ****** birds or butterflies and periods? Benedict asked. She shrugged and smiled. Ask your mum, she said, she might know. He smiled, leaned down, picked up a few stones from the bomb site for ammunition for his catapult later, guess so, he added, taking in her blushing features. They paused half way across the bomb site and stared at the the coal wharf where a few stragglers of coal men loaded up the lorries and wagons again for last bit of business. He wanted to kiss her, but didn't want to take the liberty of just plunging his lips on her cheek as he'd seen them do in the cowboy films. She watched the coal men at work. She sensed him beside her, his closeness, his hand brushing against hers, skin on skin, flesh touching flesh, but she didn't want her father to see her touching Benedict's hand, because he'd go mad at her. I  want you to focus on your school work and what the nuns tell you about matters, not gallivanting with the likes of him, he said last time he saw her with Benedict, even though they lived in the same blocks of flats, he downstairs and she upstairs. Likes of him? What did that mean? She mused, looking away from the coal men and taking in Benedict beside her. God knows what her father would say if she kissed Benedict and he saw them. A few years ago he would have spanked her, but nowadays he just threatens her with it. Benedict turned and looked at her. Are you coming to the cinema for Saturday's matinee? Don't know; depends, she said. Depends on what? he asked. My dad and what he's up to and if he'll let me, she said. She paused, looked past Benedict to see if her father might be around. What's wrong with Saturday matinee? Benedict asked. She looked at him. Daddy thinks it's sinful to stare at those kind of films, although he did take us to see the Ten Commandments with Yul Bryner and Charlton Heston  a few years ago, she said. But you've been with me before, Benedict said. I know but only if Daddy's away on business or is away on religious retreat. Benedict raised his eyebrows and pulled a face and pouted his lips. She smiled. See what I can do, she said, looking over at Meadow Row making sure her father wasn't in sight. He wanted to kiss her, but didn't want just to plunge at her as he'd seen them do at the cinema, but what to do? She gazed at him, her body tingling for reasons she couldn't fathom. Best get home I suppose, she said, in case Daddy's there wondering where I've got to. They walked on across the bomb site slowly. Could I? He asked, pausing by the wall of  bombed out house. Could you what? Fay asked. Benedict looked at her. Kiss your cheek? She blushed and looked around her then back at Benedict. Why would you want to kiss my cheek? She asked. I've seen cowboys do it to women in films I just wondered what it was like, he said. Is that all? she said. All what? He said. That reason? She said. No, he said, looking past at the coal wharf, I like you a lot, wanted to show you how by kissing you. She felt out on a limb, beyond her comfort zone, yet something about it seemed satisfying, the gesture, the idea, the reason he wanted to kiss at all. She knew she was blushing, knew that her body was reacting in away unknown to her before. She looked across at Meadow Row, at the people passing over the way. Do I dare? She asked herself. What if Daddy sees? Not here, she said, maybe on the staircase of the flats if no one is around. He nodded, looked at her, touched her right hand, warm, silky soft. He wasn't sure of himself as he usually was; felt as if he were in bandit country and bad cowboys were at large. They walked on down Meadow Row, passed the public house with doors open and the smell of beer and a piano playing out of tune, passed houses and the crossed over by the corner leading into Rockingham Street. Their hands were apart from each other just in case. Her father in her case and other boys seeing, in his case, thinking he was breaking the schoolboy code into cissiness. They walked up the ***** and into the Square and walked towards the block of flats where they lived. She talked about Sister Bonaventure and sin and he talked about the boy's sister's period problem whatever it was. Half way up the second staircase landing they paused. Now? He asked. She looked up the stairs then down. Ok, she said softly. He kissed her cheek, damp, soft. She looked at him, then for reasons she didn't know she drew him to her and kissed his lips, then let him go. What happened to her or him they didn't understand just felt the inner glow.

Take a day, call it
typical,
fit to a pattern, a type
Dear reader,
this is raw material, you know now,
my left brain, my emmissary
who kens these qwerty key patternings,

as earlier my kind kenned a wedge,

as a side seen point, we ken the twist,
as we see it wind done, watching
calling what are you called?
whspinnliss-t-en-d
I am
called ken, I think I know that means
knowing meaning is amean thing to be
alone, I mean
nothing.

In the wind, I mean every thing.

I can show you, use my vision.
Plain to see how all things wind
around a point in time, when
a possibly fruitful branch.
bends as all the seeds could be,
wannabe, oughtabes,
join the puppy dance, we smile
we feel we know, the metaphor,
a version as real as any
ever
we see, the point protruding from
the xylemphylum flow,
feels just, as just yoostabe commonly
said, just wrong, not evil, only
not wholly right,
yesees, yesers, yesterday, we all may

recall to the point, intended, as this
never ending typical day
beyond the dammed walls and rivers,
mnemonic, goad, to gitchergoat,
rile the little devil
into a rage, and blame the dame,
eee, e-qual e-quit
I-ran-I, ih?
see he run, we made peace, like
pouring cold water to
the wicked witches in the west,
all formed on the pattern projected,
read it, in the letters, Persians and Medes,
Law, these scriptures once in stone,
in stone it lives,
ever after.

So it is written so it is done, Yul Brenner,
macho-man, side-trac static, filter with a flick
my man, virtual reality is vwi-rrrorreee

I for got. Oops, Oriented Pe'pl'ish. Spir't.

These types of interupts during the holiest
times, when stars all form point to patterns
you heard imagined in stories no one told you,
you made it all up, you, right, dear reader,
a amusement, silliness, as it was, at first,
Silli me, I see, I was made for this,
the left ignores the messy room,
and delights in challenging Spelchek in many
guises, all jinn enginearering as we sort
things out, sift the silt to find
flecks,
wee tiny webits, ambits and qubits measuring
up.
Look

was there an imaginary war, and
the good guys got their butts kicked?  
Either there or their, eh,

Lefty, is holding me to the line,
met in the median, we parllevous
us a pallaver, and verily
as a man of the first kind, we're you.
Virtue flows, from and to, alternating
currency, wi-ro i-
Tesla's reply to a memo posted
in this bubble, ah
rhet, rhetoric, rhea-tric, slap clap
to the brow, {that's one, too}
wow, since Teddy Ruxpin,
Worlds of Wonder, dare me, make it
darker.

Coen, Cohen, Koan - here I am. heneni
I am Sam,
from Green Eggs and Ham,
the gurgle in the gut is the greeting
Activa colonies use,
a salute, preparatory to a fibroushite
is real light, to spark
a thought,
ought that matter? thinks the thorn
to the tree.

Might I not reach as far as
any ever was, and be there,
waiting for you
to ***** up from down there,

and try to patent authority
to the door path,
set in stones no known system can maintain
prior to the reconnection,
soul to spirit,
with a joint venture equal supported,
merest of attention, tiny qua qual quant
ant-tenae, getitgotit ping ping ping

A whistlee scree ee eee on a ship,
a grey-you-see battleship grey,
signal to attend, hearken, listen up,

***** ups, we got a box of SAE nuts
Just one.
{superflous questions are
spir'ts of nonsense, that peacemakers
hold in utter *******, the real deal
gimped out and shut up, sick
and tired of being awake.

Sleeping dogs and lions and dragons,
all are allowed to lie.
Peplish, in a word. we nullify the effect}

We make it up, then we enter-spir'ts entra
tainment contain a casting forth
of flavors and char-acting traits.
as when cheffing jeffe's greasy spags,
gentle reverse stir, see,
like a drain in the floor of a sportsclub
in Alice Springs,
{Mar 75}

reverse stir, let us catch the first loose
noodle, using the spoon you done
the gentle spin reversal move with,
see, the noodles in the boiling, slightly
briny bubbling water, all little clusters
of three, two alike and one way bigger,

"let it go" Y'load 16 tons, and what do you get?"

You learn, to sing songs your grandpa
had reasons to sing,
not rational reasons, irrational design
reasons to believe,
this can't be all there is, it was 1965.

Dead center set for highschool angst
with blobs and werewolves and vampires
all sets set to then as now,
as if,
these are those same good old days,-
frankly means nada to me, clearly
you see means
what I seem to say as you gulp entire
lines as reasons to let the letters be
see
if we do agree, is more fun, I shall explain fun,
later, be-ware, accept the token crumb,
cookie related allusion, not path taken

tread lightly, when walking the edge
that did the dividing, soul from spirit, I
dare say, no doubt, the first
tool users, were superfluous, once.

Spir'ts of such as survived in story,
those are with us to this day, yes,
we get these clear everybody knows signals,
circa Eisenhauer, beginning frame, true, man
show us where we were warned, and knew
things are complex indust-try try war no more,
there
is a null set now, and in the reasoning
acknowledging KJV Is-ai-aha, filled with jokes.

E.G. Golden Emarauds
AI ai, Big us, Gus, the Dodge Ram,
competition orange,
transforms into Uncle Richard, the telecom guy
who refused to fly,
Gus got us where we went, after those
runnin' and gunnin' days,
with the Barbie Doll, in her prime,
I saw her the other day,
time's been kind, I'll say, this story has sets
of sets peplishared winds of wonder then…

we were, and I was Ok and you were Okeh,
and we agreed, really agreed on the word,
Okay means that.
O'que, you can, you may as well,
just
say what you mean I am not alienable from.
Now, what?

Four times a week
Matinee Evening or Night.
A trip to the movies .
Was a guarantee
As I call to mind.
A bijou of a place
Standing in queue
Counting the heads ahead.
Fervently praying for a seat
Looking at the marquee.
Stars name Starring in.
Ticket in hand
Was Disneyland.
Next stop was the poster
Mammoth in size
In awe would analyze.
Eyes sharp as laser.
Focus on the credits
Memorizing the artists.
Row didn't matter
Insistent but on an aisle seat.
The view seemed better
A quirk I never got over.
Always early and looking at the watch
Eagerly waiting for the curtains to part.
Commercials and Government Propaganda.
Enduring the two was hard.
Trailer was theaters choice.
If shown there was no greater joy.
Censor certificate would flash.
Number of reels had to be scrutinized.
The length of the film it indicated.
All I learnt ,I learned from the movies.
Escapism it wasn't.
It reflected reality.
In the darkness surrounding the walls.
Existence outside seemed like a dream.
Rays from the projector
Made life look brighter.
Certain things leave.
Others Stay.
Ellicits an emotional response
Feeling being the outcome.
Inscribed seldom witherd.
Thinking and Feeling paradoxical.
Contradiction within the hall.
70 s the greatest era since existence.
Movies made were no exception.
Never came out disappointed
Magicians were the makers.
Collaboration amongst masters
Craft at its zenith
Skill never scarce
Epitome of brilliance
Audience addiction but natural

Charles Bronson Death Wish.
Audience manipulation at its zenith
Body count lost count
Bronson being cheered and worshipped
Everytime shot a man dead.

Clint Eastwood ***** Harry.
Iconoclastic cop full of Fury.
Crowds swelling
Superstar by defenition
4 more sequels held our attention.

Sean & Roger.
Nobody did it better
Bond and Beyond
License to ****
Gadgets and Puns
Q & M
Made it fun
Gun Barrel and theme.
Made the audience scream.
Entertainment only motive
All 13 adorable.

Steve McQueen,The Thomas Crown Affair.
The King of Cool
Monet missing .
McQueen present.
Played Chess with Faye
Held the crowds in sway

Burt Reynolds
Smokey and the Bandit
Chased across the South ,Sally in tow
Taxied on the freeway
In a Pontiac Trans am
Surround sound.
Made ears drown
Train wrecks ,Car chases , Sheriff's Department and the FBI
Know you're in for a Reynolds fare.

Yul Brynner stylish and bald.
Unique walk idolised by all.
Leader of the Seven.
Oscar for King and I
Ramses to Moses
Endearingly Popular
Baritone voice
People s Choice.





Lee Marvin headed The ***** Dozen.
Nunnally Johnson had it written.
Every time it had a run
Fans enjoyed the fun.

Paul Newman The Macintosh Man
Most famous blue eyes
Directed by Huston
Enjoyed a good run
Butch and Sundance
The Sting
Made a great pair with Redford
Male Bonding never looked more stylish




Gene Hackman  The French Connection
Pedal to the metal.
Pontiac Le Mans.
Chasing an El train
Greatest chase sequence ever filmed
Hackman Actor and Superstar
Twice won the Oscar.

Warren  Beatty **** Tracy
Appeared on screen scarcely.
Multifaceted and handsome.
More Oscars than films acted
Is an old Hollywood joke which hasn't dated.

Jack Nicholson Chinatown.
Mentored by Roger Corman.
Some are Stars .
Some are Actors.
Star and Actor
A rare Combination,
He achieved by dedication.
Multifaceted man
Everybody is a fan
Oscar for every decade
Inmate ,Astronaut ,Writer
Whatever the character
The Academy did honour.
Also watched him play Joker, drifter murderer
Turned down The Godfather
Independent Republic of Jack Nicholson
Is the name of the abode for his fans.
Given by none other than Mike Nichols.


Amitabh Bachchan and Dharamendra.
Two greatest superstars of India.
3 films together
Outcome couldn't be bigger.
Chupke Chupke a comedy classic.
Sholay praised even by Satyajit Ray.
Ram Balram with Vijay Anand
You can't go wrong.
Sold out for weeks in advance.
Black Market was the only chance.
Inflated prices ,they built houses
The legend goes.
Sea of humanity
A regular sight
Where their movies played .
Cash registers ringing
Never missed the opening screening.

Marlon Brando The Godfather
You can't refuse the offer
Refused the Oscar.
Method Acting mentor
Generations of Actors, will always remember.

George Scott ,Patton
Sagebrush portrayal
Of the 4 Star General
Opening monologue
Inspiration to all
Great Actor who went beneath the skin of the character.

Al Pacino Scarface
Portrayal in your face
Theater , Television and Movies.
Performed with equal intensity.
Tony ,Emmy and Oscar
Would be proud to be in his roster.

Robert De Niro Godfather 2
He portrayed Vito too
Created history
Won the Oscar for Supporting Actor
To Brando a worthy successor.

Robert Redford Brubaker
A name given to every reformer
Adored by Women
Imitated by Men.
Superstar of the decade
Turned director
Won the Oscar
Sundance Festival
Platform provided
Filmmakers flocked
Many talents unlocked.




If I'm told I have only a few hours to live.
Can we go and watch a movie

Then say together to me,
Of you a boy but you to need.
Then to square that a to boy,
Sink to my break what you the need.

Six months again, fair to go.
That what a need, my mather friend.
Six a a go, go motherland.
Nine teen a go, you understand.

Tall me to boy, go mather ****,
That my begin, your understand.
Then to my ****, ******* the need,
Then to my break, i love you girl.

Then to my break, you of to me,
Six motherland, its old begin.
Then to you go, nine a sixteen,
Theemy begin.

What you the need, nine off cos,
That way because, then to the rate.
I love to break, go motherland,
Six months again, what you the need.

You cos to go, six Indian,
Then a you need, it so to good.
Then people cos, you understand,
Then to my break, needed for you.

That go to boy, my Nederland,
I'm you a know, sen to my break.
Then for being, its all alright,
Sen to you screen, my Indastan.

That way begin, i love to you,
Sen my you bread, fan to you go.
Then then to me, oy to my break,
Ahhh o to you, then to go need.

Its you okay? Then call to me,
Six months again, that what to you.
Cool to you skull, sen to you need,
Then in my break, going to go.

Six months again, you to the screen,
Then go my book, its you okay.
Then by again, to you my friend,
Then to you go, to the a spring.

Come back to need, i love again,
All be be back , all to you go.
Then my in sleep, you consperate,
Then my begin, i love you screen.

Call of me boy, my dear land,
Its break again, old you are dog.
Vaf-vaf, vaf-vaf, in the the dogs,
In you o six, months off you need.

Then to my break, old you are screen,
That way begin, to my to much.
Old your screen, that way begin ,
Kinder you boys, its you okay?

That way begin, to the my much,
Six months to you, of you the need.
Then To my break, i don't to square,
Then i begin, go motherland.

My father song, all be be back,
Go Indastan, in to the break.
I dint to go, my miss of Jew,
Its my to go, then to you speak.

Of you again, need to you go,
Then my i yes, old to the boys.
Go matherland, my kiss miss ***,
Succed *******.

Then old you screen, that my begin, go Nederland, all to you go.

Give up now!
Give up now!
*** full you to go,
Mather **** to go.

Inda yalgytyp,
Men turam Turgan.
Men bulam sezge,
Men bet Tamerlan.

This is cool be back,
You a need to boy.
That's alright begin,
Indian the goy.

Tegerman vakyt,
Ul kelgan monda.
Its Tatar language,
Mill that's old you skill .

Then to go my friend ,
Its  alright to boy.
Then you people need,
In forever goy.

Thank you very much,
Thits o you to go.
Came me back to you,
Its okay my boy.

Go my Indastan,
I'm you  so long .
That my President,
Its  of you my don't .

Get way to my much,
Then to you my screen.
Second you so good,
That i du you  need .

When i President,
Second victory.
On the understand,
You a need for you.

Are go my child,
Then to you my soul.
Sent to you go ****,
That to you so lone.

Kiss my dear to me,
Go the need for you.
Kiss me bebe come,
That alright a go.

I'm Spyder man,
Bakuganga come.
Aha ha its lol,
You my friend its joke.

I you need its lol,
Vaha-ha ha-ha.
Its alright its good,
Marvel o so long.

That's of needed ****,
Its a go to need.
Its you crazy man,
I'm its old to man.

Yes i go my break,
I'm to you my screen.
That okay to you,
My to fatherland.

Its alright begin,
To Go mather break.
What you song my kiss,
In the breaking for.

You my much to boy,
Bakuganga ga-ga.
Ha-ha-ha its go,
Mather ******* soul.

Then to boy my pip,
Theni screen fax you.
So to much begin ,
Its my break again.

Fatherland to go,
iIndastan to break.
At attack to much,
That way go to you .

You under attack ,
That for you so much.
Cool be back to you,
That forever go.

Indastan to break,
Its alright a joke.
Its melee its right,
Z to go my pip.

People fon to you,
Then my President.
Its so much begin,
Altogether you.

Sen to yul bulsyn,
Allah saklasyn.
That Way go in you,
Second President .

Its forever you,
The a needed soul.
You can back to me,
Its my Nederland.

Then you go to the land,
Then to you understand.
That way go to the boy,
Its alright to forever.

Alda yul tuzelgan,
Its you need for to go.
What you screen my begin,
Its okay my darling.

That a way to you soul.

Think to my break-in, you need forever to you, think to go motherland.

Tegar tuga tyga
Can the people of cos
Song you diya to more
You of picture cos

You of milk to yugal
Tayger olg to of mi
Global ops you can dead
Cosme ofs you can mi

Global opzis you dead
Cool mi coseng to you
Kiss mi bebe oyo
There ayel turgan yul

Thes is saya tatar
Long to mather to mi
Set you gone tu yaly
Oldinda burgany

Com you bebe alga
To yaly burga tur
Aly yaly turgan
Zamany Tamerlan

GOTUDERAT

HOW TO COUNT TO OVER FOUR...HUNDRED BILLION!
( for Maureen )


she makes
a nest
in my lap


with Teddy,
her blue blanket
a twig and a stone she adopts

the twig is
her newest
bestest friend


she watches
THE KING AND I
from this eyrie


thumb in mouth
she
soaks it all up


the world
decanted
into music


later
as I kiss her
goodnight


stars cluster
about her
bedroom window


"How many
stars are there?"
she enquires


"Oh, I don't know...over
400 billion I
...suppose!"

she starts to count
what she can see
reaches ten and then


begins again
ten is all
she can count


then sleepy she
whispers
"etc., etc., etc.!"  


*

So my little one watches THE KING AND I..and who does she want to be? Why Yul of course. She goes around with her bathing cap on to mimic his baldness and with her hands disdainfully on her hips saying "etc., etc., etc.!" She also is under the belief that "etc., etc., etc.!" is some form of number and can be used when you can only count to ten and you need to count countless stars.