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Steve D'Beard Nov 2012
Govan bar banter:

Awa' with ye fankle eejits
that blether to naw whit they dinnae naw
crabbit, drookit
moanin, drouthy
yer Havers-yins!
each unto their ane
an' aye bin.

Tell markers scoured
an' crowned with glee
"alas nae blessing naw
bolt of wisdom
will er'e to
strike thee -
tis poor soil
an' loads o toil
an' broken backs"
Ach awa with ye!

Fir me the skies
an' tracks o wilds
an' winds that curl yer lugs
Hielan mountains glory
summers toty story
an' bonny lassies dancing -
a gallus stoater!
that’s fir me.

Party racket
in Da’s laden jaiket
jangle change
fir a dram
an' enough tae get the Clockwork Orange hame -
times hae changed a wee bit no?

Seldom ventured
tis seldom gained
an' aw the while
the wee bairns wail
Still, life is yin
what yin makes of that
which drives the world
that breaks yer back

Remember love!
ma banters free to give
an' thats all the mare important when
it costs so much tae live.
Govan is a community unto itself in Glasgow, site of the shipyards on the Clyde where you'll meet
salt-of-the-earth people with stories to tell, like this one
Sarah Jystad Sep 2010
we become one
rolling down sandy hills,
smoking cigarettes,
tearing giant palm leaves from their roots
running through grassy fields
climbing thorny trees
hopping tall green fences
singing with open hearts and exuberant souls
the balance of heat and cold
yins and yangs around our mouths
oh our lifeguard tower adventures
lifeguard tower adventures
all we have is love for each other
there is no fear, there is no doubt
there is no jealousy, there is no comparison
we're simply two beautiful people frolicking in our freedom
and the black void of ocean night loves us
august 2010
Nik Bland Jan 2013
Hearts wrapped up in hope, eyes glazed with fear
Minds entangled in the thought of how did we get here
World so... ****, can't find the word... world so... well, you know
That word so big and so complex, the word that won't let you go
Captured by beauty and sorrow, both always and never guaranteed
Lovely kisses stand the "yin" and the "yang" our own selfish deeds
Who's to say that both must exist? Have we made it so hard
To heal ourselves and clear the book of chapters that leave generations scarred
Or are we too far gone in a world where tomorrow is a letdown
Trying to grow in a once in a while when the rain annually touches the ground
We are here and we are now, so now is the time to see
Arise from what you're wrapped up in and create a memory
Fear is a state of mind and hope is rising to aspiration
Both are here and fluctuate, byproducts of man's creations
So here we stand on the precipice of tomorrow, in a world of an absent word,  in love or strife
Glazed eyes looking for clarity in the yins and yangs of life
zebra Aug 2016
sauntered down
to the
very private
hurt me hurt you club
the waft of perfume
fragrant in the air
***** music
in the distance

the club
a place for hard players
lovers of
voluptuous ****** cruelties

as i approach
the dark glitter lights
of hidden casbah's
dark blood dens
i apprehend
laughing shrieks and tender coos

i hear an old refrain

let me entertain you
let me make you mine
and if your real good
ill make you feel good
and we will have a real good time

trawling hungry masochists
soft furniture girls and boys
holding impossible posses
down side up
embraced by moon skulled sadists
bending bending
oh snap,
blood plumes
again and again and again

popped by
big cocked poppers
arms and legs piled high
soaked in drool
and **** *** yum
silky flesh
habanero hot blood kisses
scurred like a fat lizard
slow cooked
fall off the bone
melt in your mouth
tastes just like chicken

stamina unimaginable
oh the blade sir
as her sweet ****
convulsed in endless waves
of crimson plush shimmers

she faked death sweetly
made believe she couldn't breath
eyes mute
mouth gapping careless
hungry for silky flesh
goes down like a
butter scotch float fizz

posed on the slab
legs wide
like a bridge exposing
tender flanks inner thighs
                  and
pinkish slave feet scorched
tremulous from adorations flames
catharsis
all rocky horror picture show
wrapped in each other like spools

she writhed and cried
another one across
the mouth please
hard harder harder
i need it sir
her yins edge a yang
bottoming the top
almost homicide
her hearts desire
she groans
like a wind through a canyon

blood mouth saliva
gives way to grateful release
and dreadful tears
that vanquish
like rocks through a window
as she bled and ******
a creel of *****
butter butter butter
her mouth a tongue of heaven
hot house girl in a blaze
dancing hell *****
gorgeous !

have you been
To the hurt me hurt you club
a twisted snarl of desire
a trundle of lust
in Satan's back room party
while a tarnished
dark glitter sign glows forth
in bold grotesque
welcome
if you hunger
for kisses that drown
oh so wrong
the sign it self
a neon headless ******* fire
swaying her hips gently
at the arched entrance

a golden voice sings

let me entertain you
let me make you mine
and if your real good
ill make you feel good
and we will have a real good time
My poems remain explorations of the subconscious ******
If i where a film maker or a novelist  you  would see me telling a story, not judge me, although i admit to my paraphilias  
These poems  are lunar anamorphic streams of consciousness from the deep chaotic subterranean glitz of transgressive  impulses we all share
Read them if you dare...You might find that part of yourself that you don't want you to know about and then again  you may feel more complete some how if you do....I always loved that dark thing that sleeps with in me
Sailing Night Queen

He cast and she luffed, her trestles ablaze gently caressed on a breath of summer’s breeze,
Held spell bound she shimmered and shuddered in moons gaze
Her crown seized diamonds above in endless cosmic miles sprinkled with translucent dusts,
Across the scattered velvet horizon, as above so below diamonds flowed,
And emerald Aurora’s feasted upon a distant lonely night rise

Brilliant white decks and curvaceous bow, lovingly slicing glass voids below
Mysterious and silent, her hull embraced yins cool labyrinths
Her keel a perfect balance, dancing deeply down in sweet sea juices
Stainless rails glittered around her frame, dressings for a queens’ gown
Sheeting tight, he watched his love sail on smoothly, entranced by the endless sparkling void,

His body still,

── immortality is, love bound

© Arnay Rumens / AN T2014
Liam Jul 2017
rooted in a summer beat
transcendent in a teal glow
music flowing to every chakra
seeking a level all her own

fueled by half moon and zydeco
senses ignite and expand
fulfilling the mystic spaces
with binding energy of dance

auspicious light yins to shadow
frosted hues of herbal mist
retreating to a café of secrets
revealing subtly just who she is
Anais Vionet Oct 2020
Yin
I see them in reflections - the orange juice glass at breakfast or my iPhone where they can pop, like notifications - I keep my phone face down.

They usually want to tell you something - how it was for them - their history. I discount these emotional messages - they come with the jester's assumption that I care - that I need the performance and will get involved.

“What are you doing?” My mom asks, as I’m taking all the shiny, mirror-like ornaments off the Christmas tree.
“The glare gives me a headache” I say, without stopping.
“Your Grandma does that too”, she says, wiping her hands on a Santa-themed dish-towel.
“Really?” I say, but I know that and I know why.

I started having nightmares, when I was in first grade. My mom thought I had an overactive imagination but when she described it to my grandma, she soon showed up for a visit.

Over the next few weeks my Grandma told me about our “gift”. About how we were both born on the same day, under a waning third moon, in Autumn. That we're both “Yins,” doxies (sweethearts) of the dead and that we could, at times, see and hear people who were between stops on their way to their after-lives.

That’s why the dead parachute into my unused moments from reflective surfaces. They can be anxious or in despair - when their death is cruel or sudden but I'm an adolescent - I'm in school - what can I do??

The presence of water discourages them - which is perfect - can you imagine seeing spirits in the reflections of your bath? EEUUUWWW!  You’ll hardly ever see me without a water bottle or polarized sunglasses - which seem to break-up the images. I'll not be smothered in other people's afterlives.
Growing up, I lived in China, my Huàn gōng (au pair) would entertain us with tales from Chinese folklore like wandering ghosts (You *** ye gui) and the Yins who could communicate with them.
Harrison Buloke Dec 2017
Swooping through space,
My vision is filled with yins yanging through gaps in time

The first falls
Trying to catch himself
He is bound to stride for eternity
Sprinting into the void

The next shaman
Looses consciousness
Awake in his own dream
He does not compute

The third elder falls to his face
****** into the black hole sun
Madness clawing its way
Toward me
Relentless

I grind my teeth
To a fine powder
Eyes bulging
From my skull
I resist
My body disappears
Connor Johnson May 2020
A yins tootal libra las knodge sur
Y dracki din las knodge-long sur refles?
Y gobbledin a moor im et y knodgeur,
Im a gobble dur im din demi-gobbledygookle motts.

Is sect val déa sur igrés,
Et y déoni yo igré et y déoni las igrén mich.
Cho sums yo igré augre déoni, fo und langie commun.
Cho sums yo igré déoni spickle.
Mit eeder ad cruvlumbs dé gagne sur und skeer.
Yo igré vannabi et quen déoni fabro didinut.
Igrés dé und gob strun; Yo croy yo din igré fo bookip déoni fo yo cru.
Cho sums yo igré mich far de loseh.

Gobblo sur déni yo yoove dé may avani.
Yo yoove fabrina bonai et gobblo im demi-gobbledygookle motts.
Yo yoove y plisho yo ackume queen yo dé sur und lend et su-gobble bookip sur aveni et knodgen im und flew sur solni.
Yo yoove mit krelsh et y nibookip laces yo ment envir.
Yo yoove froid schlusch y salve sun cho solni.
Yo yoove cho fishes sun froid sonlni.
Yo yoove mit bati et crickie batigulo.
Cho sums yo yoove much far de loseh.

— The End —