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Sandra Jun 2014
Why is it
When I see your face
All I could think of, is how much I miss you?
How much I want to keep laughing
And hugging
And cuddling you.
How much I want to keep you safe inside my arms
While your voice kept on mumbling about her.

I just can't help myself
From loving you
Even though you still don't understand it.

Why am I trying so hard to give you as much lights as I can
When I don't even have a small gleam to keep myself awaken
And alive?

All you're doing, is break me and hide the scars
Putting on as many band-aids as you can
And making my skin joins up together again
But you never take the time
To look inside my flesh
And see how much veins, and thews you have tore.

You flip my world upside-down
You break my bones all the time
You kissed my hopes away
Can you at least fix me once again?
it looks like you have my heart again.
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
'The storm is in the air,' she said, and held
Her soft palm to the breeze; and looking up,
Swift sunbeams brush'd the crystal of her eyes,
As swallows leave the skies to skim the brown,
Bright woodland lakes. 'The rain is in the air.
'O Prophet Wind, what hast thou told the rose,
'That suddenly she loosens her red heart,
'And sends long, perfum'd sighs about the place?
'O Prophet Wind, what hast thou told the Swift,
'That from the airy eave, she, shadow-grey,
'Smites the blue pond, and speeds her glancing wing
'Close to the daffodils? What hast thou told small bells,
'And tender buds, that--all unlike the rose--
'They draw green leaves close, close about their *******
'And shrink to sudden slumber? The sycamores
'In ev'ry leaf are eloquent with thee;
'The poplars busy all their silver tongues
'With answ'ring thee, and the round chestnut stirs
'Vastly but softly, at thy prophecies.
'The vines grow dusky with a deeper green--
'And with their tendrils ****** thy passing harp,
'And keep it by brief seconds in their leaves.
'O Prophet Wind, thou tellest of the rain,
'While, jacinth blue, the broad sky folds calm palms,
'Unwitting of all storm, high o'er the land!
'The little grasses and the ruddy heath
'Know of the coming rain; but towards the sun
'The eagle lifts his eyes, and with his wings
'Beats on a sunlight that is never marr'd
'By cloud or mist, shrieks his fierce joy to air
'Ne'er stir'd by stormy pulse.'
'The eagle mine,' I said: 'O I would ride
'His wings like Ganymede, nor ever care
'To drop upon the stormy earth again,--
'But circle star-ward, narrowing my gyres,
'To some great planet of eternal peace.'.
'Nay,' said my wise, young love, 'the eagle falls
'Back to his cliff, swift as a thunder-bolt;
'For there his mate and naked eaglets dwell,
'And there he rends the dove, and joys in all
'The fierce delights of his tempestuous home.
'And tho' the stormy Earth throbs thro' her poles--
'With tempests rocks upon her circling path--
'And bleak, black clouds ****** at her purple hills--
'While mate and eaglets shriek upon the rock--
'The eagle leaves the hylas to its calm,
'Beats the wild storm apart that rings the earth,
'And seeks his eyrie on the wind-dash'd cliff.
'O Prophet Wind! close, close the storm and rain!'

Long sway'd the grasses like a rolling wave
Above an undertow--the mastiff cried;
Low swept the poplars, groaning in their hearts;
And iron-footed stood the gnarl'd oaks,
And brac'd their woody thews against the storm.
Lash'd from the pond, the iv'ry cygnets sought
The carven steps that plung'd into the pool;
The peacocks scream'd and dragg'd forgotten plumes.
On the sheer turf--all shadows subtly died,
In one large shadow sweeping o'er the land;
Bright windows in the ivy blush'd no more;
The ripe, red walls grew pale--the tall vane dim;
Like a swift off'ring to an angry God,
O'erweighted vines shook plum and apricot,
From trembling trellis, and the rose trees pour'd
A red libation of sweet, ripen'd leaves,
On the trim walks. To the high dove-cote set
A stream of silver wings and violet *******,
The hawk-like storm swooping on their track.
'Go,' said my love, 'the storm would whirl me off
'As thistle-down. I'll shelter here--but you--
'You love no storms!' 'Where thou art,' I said,
'Is all the calm I know--wert thou enthron'd
'On the pivot of the winds--or in the maelstrom,
'Thou holdest in thy hand my palm of peace;
'And, like the eagle, I would break the belts
'Of shouting tempests to return to thee,
'Were I above the storm on broad wings.
'Yet no she-eagle thou! a small, white, lily girl
'I clasp and lift and carry from the rain,
'Across the windy lawn.'
With this I wove
Her floating lace about her floating hair,
And crush'd her snowy raiment to my breast,
And while she thought of frowns, but smil'd instead,
And wrote her heart in crimson on her cheeks,
I bounded with her up the breezy slopes,
The storm about us with such airy din,
As of a thousand bugles, that my heart
Took courage in the clamor, and I laid
My lips upon the flow'r of her pink ear,
And said: 'I love thee; give me love again!'
And here she pal'd, love has its dread, and then
She clasp'd its joy and redden'd in its light,
Till all the daffodils I trod were pale
Beside the small flow'r red upon my breast.
And ere the dial on the ***** was pass'd,
Between the last loud bugle of the Wind
And the first silver coinage of the Rain,
Upon my flying hair, there came her kiss,
Gentle and pure upon my face--and thus
Were we betroth'd between the Wind and Rain.
616

I rose—because He sank—
I thought it would be opposite—
But when his power dropped—
My Soul grew straight.

I cheered my fainting Prince—
I sang firm—even—Chants—
I helped his Film—with Hymn—

And when the Dews drew off
That held his Forehead stiff—
I met him—
Balm to Balm—

I told him Best—must pass
Through this low Arch of Flesh—
No Casque so brave
It spurn the Grave—

I told him Worlds I knew
Where Emperors grew—
Who recollected us
If we were true—

And so with Thews of Hymn—
And Sinew from within—
And ways I knew not that I knew—till then—
I lifted Him—
When I meet the morning beam,
Or lay me down at night to dream,
I hear my bones within me say,
"Another night, another day.

"When shall this slough of sense be cast,
This dust of thoughts be laid at last,
The man of flesh and soul be slain
And the man of bone remain?

"This tongue that talks, these lungs that shout,
These thews that hustle us about,
This brain that fills the skull with schemes,
And its humming hive of dreams,--

"These to-day are proud in power
And lord it in their little hour:
The immortal bones obey control
Of dying flesh and dying soul.

"'Tis long till eve and morn are gone:
Slow the endless night comes on,
And late to fulness grows the birth
That shall last as long as earth.

"Wanderers eastward, wanderers west,
Know you why you cannot rest?
'Tis that every mother's son
Travails with a skeleton.

"Lie down in the bed of dust;
Bear the fruit that bear you must;
Bring the eternal seed to light,
And morn is all the same as night.

"Rest you so from trouble sore,
Fear the heat o' the sun no more,
Nor the snowing winter wild,
Now you labour not with child.

"Empty vessel, garment cast,
We that wore you long shall last.
--Another night, another day."
So my bones within me say.

Therefore they shall do my will
To-day while I am master still,
And flesh and soul, now both are strong,
Shall hale the sullen slaves along,

Before this fire of sense decay,
This smoke of thought blow clean away,
And leave with ancient night alone
The stedfast and enduring bone.
Wake: the silver dusk returning
    Up the beach of darkness brims,
And the ship of sunrise burning
    Strands upon the eastern rims.

Wake: the vaulted shadow shatters,
    Trampled to the floor it spanned,
And the tent of night in tatters
    Straws the sky-pavilioned land.

Up, lad, up, 'tis late for lying:
    Hear the drums of morning play;
Hark, the empty highways crying
    "Who'll beyond the hills away?"

Towns and countries woo together,
    Forelands beacon, belfries call;
Never lad that trod on leather
    Lived to feast his heart with all.

Up, lad: thews that lie and cumber
    Sunlit pallets never thrive;
Morns abed and daylight slumber
    Were not meant for man alive.

Clay lies still, but blood's a rover;
    Breath's a ware that will not keep.
Up, lad: when the journey's over
    There'll be time enough to sleep.
LD Goodwin May 2013
Awake! Ye ancient brittle bones,
Unfold yourselves to me.
For I am sick at heart
And an unprevailing cause mocks my sleep.
Our time is upon us.
We must gather together now as one
While the squeak and gibber
Of these impious spirits haunt our very purpose.

Awake! Ye sleeping minions,
Ye true warriors of love,
With hearts and souls at well deserved rest.
Though our duty hath been done 'tis true,
And deserv'd the slumber of all eternity,
The devil's fray is ashore
And 'tis time we take on flesh and finish the closing battle.

As it is unwritten on our souls in heaven
We, the last moral servants,
True at heart and conscience,
Are to become one in the flesh for the last clash.
Aye, but here's the rub,
There'll be no battlefield for to drive our staves into.
No streams to run red with the blood of gentle kin and death mongers.
No blackened sky from pyers ablaze.
This, the last battle shall be fought
Not with blades of contempt and disdain,
But with the sacred sword of Love,
A sword that God Himself shall forge.
He shall gather all our souls
And cast them into His sacred furnace, to make His sacred whirling mace from heaven.
For no man hath made a weapon that can ever thwart the madness of war.

The power of Love has come to fruition
And we mortal warriors shall wield Its might.
For hate is the true enemy here,
Not zealous underlings
Eager to serve their dispirited hearts.
Hate is what burns in their eyes,
Hate is also what blinds them.
And now, like a handful of bees,
They torment the earth with their misguided mission.
Hate is the tinder
And lies are the winds that fan their unholy flames.
With the patience of a weaver
They loom their imperfect prayer rug,
That the god in their mind may think them humble.
Yea, even now as the pestilence kneels and prays
And bows its head in gesture,
It is in gesture only.
His ancient prayers, though once righteous and profound,
Now come from lips tight with blind hatred
And God strains to hear his worshipping.
For the God his forefathers bowed to was a loving merciful God
Who's auspicious whispers kissed the words of love, hope and forgiveness.
Nay, death was not upon His lips.
Though they wave the ****** banner of their unportentous god,
With misread writ their disjointed false prophets blindly lead them on.
Like scornfilled women whose wrath is tainted with the blood of a thousand censorious years
And can not wipe their memories clean.
Their ceaseless thoughts of revenge eat at them,
Like brain-sick harpies madly gnawing off their own limbs.
Bid you make haste,
For he is at the door.
He has been here, settled in and quiet.
He wears the hats of peasant folk and hides.
Fie, fie!
To skinny among the masses and plant seeds of terror
Like impish gnomes.

Rise up bones! You rusted mantle clad mercenaries of the dark
I do beseech you
Walk into the light, into the light of omega
The reckoning
On to fight on no battleground!
On to fight for no faith nor religion!
On to fight for no flag nor country!
On to fight for all mankind!
On into the battle to end all battles!
For the **** crew and the earth has begun its retrograde.
Already have our thews began to form,
Soon, once dusty, moldy hands will take up the truncheon's length of Hope
And do the deed for which we were born,
And for which we gave our breath.
Heaven hath made us one,
And our single beating heart of love is the sword with which the dragon shall be slain.
Fuse skeletons of passion's might,
Our virtuous calling awaits.
No more will the earth tremble in fear,
No more will there be this god and that god,
No more will man be blinded by his mind.
For his pure and loving heart will be his home,
And his long awaited soul will be his peace.

*Peace       Salam      Shalom
Harrogate, TN May 2013
On that last night before we went
  From out the doors where I was bred,
  I dream'd a vision of the dead,
Which left my after-morn content.

Methought I dwelt within a hall,
  And maidens with me: distant hills
  From hidden summits fed with rills
A river sliding by the wall.

The hall with harp and carol rang.
  They sang of what is wise and good
  And graceful. In the centre stood
A statue veil'd, to which they sang;

And which, tho' veil'd, was known to me,
  The shape of him I loved, and love
  For ever: then flew in a dove
And brought a summons from the sea:

And when they learnt that I must go
  They wept and wail'd, but led the way
  To where a little shallop lay
At anchor in the flood below;

And on by many a level mead,
  And shadowing bluff that made the banks,
  We glided winding under ranks
Of iris, and the golden reed;

And still as vaster grew the shore
  And roll'd the floods in grander space,
  The maidens gather'd strength and grace
And presence, lordlier than before;

And I myself, who sat apart
  And watch'd them, wax'd in every limb;
  I felt the thews of Anakim,
The pulses of a Titan's heart;

As one would sing the death of war,
  And one would chant the history
  Of that great race, which is to be,
And one the shaping of a star;

Until the forward-creeping tides
  Began to foam, and we to draw
  From deep to deep, to where we saw
A great ship lift her shining sides.

The man we loved was there on deck,
  But thrice as large as man he bent
  To greet us. Up the side I went,
And fell in silence on his neck:

Whereat those maidens with one mind
  Bewail'd their lot; I did them wrong:
  'We served thee here' they said, 'so long,
And wilt thou leave us now behind?'

So rapt I was, they could not win
  An answer from my lips, but he
  Replying, 'Enter likewise ye
And go with us:' they enter'd in.

And while the wind began to sweep
  A music out of sheet and shroud,
  We steer'd her toward a crimson cloud
That landlike slept along the deep.
Poets with whom I learned my trade.
Companions of the Cheshire Cheese,
Here's an old story I've remade,
Imagining 'twould better please
Your cars than stories now in fashion,
Though you may think I waste my breath
Pretending that there can be passion
That has more life in it than death,
And though at bottling of your wine
Old wholesome Goban had no say;
The moral's yours because it's mine.
When cups went round at close of day --
Is not that how good stories run? --
The gods were sitting at the board
In their great house at Slievenamon.
They sang a drowsy song, Or snored,
For all were full of wine and meat.
The smoky torches made a glare
On metal Goban 'd hammered at,
On old deep silver rolling there
Or on somc still unemptied cup
That he, when frenzy stirred his thews,
Had hammered out on mountain top
To hold the sacred stuff he brews
That only gods may buy of him.
Now from that juice that made them wise
All those had lifted up the dim
Imaginations of their eyes,
For one that was like woman made
Before their sleepy eyelids ran
And trembling with her passion said,
"Come out and dig for a dead man,
Who's burrowing Somewhere in the ground
And mock him to his face and then
Hollo him on with horse and hound,
For he is the worst of all dead men.'
We should be dazed and terror-struck,
If we but saw in dreams that room,
Those wine-drenched eyes, and curse our luck
That empticd all our days to come.
I knew a woman none could please,
Because she dreamed when but a child
Of men and women made like these;
And after, when her blood ran wild,
Had ravelled her own story out,
And said, "In two or in three years
I needs must marry some poor lout,'
And having said it, burst in tears.
Since, tavern comrades, you have died,
Maybe your images have stood,
Mere bone and muscle thrown aside,
Before that roomful or as good.
You had to face your ends when young --
'Twas wine or women, or some curse --
But never made a poorer song
That you might have a heavier purse,
Nor gave loud service to a cause
That you might have a troop of friends,
You kept the Muses' sterner laws,
And unrepenting faced your ends,
And therefore earned the right -- and yet
Dowson and Johnson most I praise --
To troop with those the world's forgot,
And copy their proud steady gaze.
"The Danish troop was driven out
Between the dawn and dusk,' she said;
"Although the event was long in doubt.
Although the King of Ireland's dead
And half the kings, before sundown
All was accomplished.
"When this day
Murrough, the King of Ireland's son,
Foot after foot was giving way,
He and his best troops back to back
Had perished there, but the Danes ran,
Stricken with panic from the attack,
The shouting of an unseen man;
And being thankful Murrough found,
Led by a footsole dipped in blood
That had made prints upon the ground,
Where by old thorn-trees that man stood;
And though when he gazed here and there,
He had but gazed on thorn-trees, spoke,
"Who is the friend that seems but air
And yet could give so fine a stroke?"
Thereon a young man met his eye,
Who said, "Because she held me in
Her love, and would not have me die,
Rock-nurtured Aoife took a pin,
And pushing it into my shirt,
Promised that for a pin's sake
No man should see to do me hurt;
But there it's gone; I will not take
The fortune that had been my shame
Seeing, King's son, what wounds you have.  --
'Twas roundly spoke, but when night came
He had betrayed me to his grave,
For he and the King's son were dead.
I'd promised him two hundred years,
And when for all I'd done or said --
And these immortal eyes shed tears --
He claimed his country's need was most,
I'd saved his life, yet for the sake
Of a new friend he has turned a ghost.
What does he cate if my heart break?
I call for ***** and horse and hound
That we may harry him.' Thereon
She cast herself upon the ground
And rent her clothes and made her moan:
"Why are they faithless when their might
Is from the holy shades that rove
The grey rock and the windy light?
Why should the faithfullest heart most love
The bitter sweetness of false faces?
Why must the lasting love what passes,
Why are the gods by men betrayed?'
But thereon every god stood up
With a slow smile and without sound,
And Stretching forth his arm and cup
To where she moaned upon the ground,
Suddenly drenched her to the skin;
And she with Goban's wine adrip,
No more remembering what had been.
Stared at the gods with laughing lip.
I have kept my faith, though faith was tried,
To that rock-born, rock-wandering foot,
And thc world's altered since you died,
And I am in no good repute
With the loud host before the sea,
That think sword-strokes were better meant
Than lover's music -- let that be,
So that the wandering foot's content.
Steele Nov 2014
Like all others, I hated high school.
It was a scrawny waif that I remember seated at the front of the class.
I raised my hand at every question to endless ridicule,
and people whispered I was weak for trying to be "such a smart-***".

Now people think I lack brains because I own a barbell and bench.
What they don't know is that it's all an extension of my first love: Science.

Every morning, I don my hooded polyester lab coat.
I write theorems in drops of sweat on a rubber padded mat.
I experiment with the practicality of the theorems I wrote;
I know my hypothesis is correct when veins bulge and muscles catch.

Breathing shallow, in ragged determined gasps of air,
I put my theory to the test. Veins bulge, muscles strain.
There is no joy like the joy I know when I find my theory correct. I call it
The Warrior Poet Principle: One can in fact have brawn as well as brain.

I've accomplished the task I set myself in high school's lonely halls,
I vowed that I'd never be that weak waif again.
Hiding bruises from pimple faced tyrants who had me by my *****,
I persevered, and I grew my thews and thesis in twain.

**Now by neither tyrant nor textbook will I ever be chained.
While I realize that it isn't very good, this poem is for me. Yesterday I benched my target weight with no setbacks, and I've been complimented on my fitness three times in the past month. I'm in a good place physically and mentally. That's a far cry from the lonely nerd who wore padded coats to school so it wouldn't hurt as much when the bigger kids threw him into the brick wall behind the school parking lot.
Martin Narrod Nov 2013
As men, we respond. With sticks, in garments wet with black anthologies of life
Which whistles out of us as thorns, and sticky eyes that point that way. Exact hours.
Despite lust, from what has taken us before- to that androgynous triumph that brings
Us tears as we undo our buttons. That rakes time over our backs with the needles of small
Trumpets the teeth of ghosts, blood on the stems, awarded to brass ballerinas dancing on
Wounds each quotient inside our breaths, terrified strips the branches from the everywhereness
In front of what we can't see. Or open our eyes. Or follow our hands. The legs that we used to know.
The pallid girl I called home, dusty eyelids with energies sharpened with the sweet water and gold Threads atop a haystack I burned in pyres of all the yesterdays.

Once I was human, but not for my breaths or my volume or my sullied attitudes. Not for the denature of
My rotten mood, or the noxious smells from some evil words, or noisome meat, or grueling and expired
Thoughts. Unrolled canvases cauterized with the silks shreds in a suitcase beyond. A caption unread Intwined at the bow of her hip, or the hems that dotted her skin. Black and blue staled songs a father Sung so long ago. The hill rolled on as our bodies clung to satchels we hid, each watery step we steeped In the mud, culms fell and I didn't think, I haven't thought; everything I forgot approaches the tines of my Nose once aching thews overcame the moors I'd undone, there acarpous hues were pried into me.

Everything I've seen, is a muse that disperses my lungs.
Is the incantation of the thoughts I don't spake. Intwined in the fingers I shook, at the people that I
Wanted to hate, I am steal the weight of their steps. This urgency, penury hides. The silt hasn't moved
From the cenacle place. While cloffined the ashes stuck to my face. An eroteme I still uphold
As if this rock inside of my chest, only wanes when I lay on her breast.
Vilakshan Gaur Apr 2017
These thews that lift the burden of
unspoken tragedies
These eyes like marbles; cast in stone
unmoved by memories
And lines on face that tell a tale
of unbearable pain
These twisted fingers speak of past
unwinding once again

The heavy tears that shook the earth are
once again suppressed
The once-jubilant heart has now
with misery coalesced
These legs that never slowed their pace
unamused by moonlit roads
And lips that spoke the sweetest words
with silence are bestowed
Evan Stephens Apr 2023
Those first Thursdays you were ringless -
we were cloud-shares with starry bearings,
lakes of mercury eeling under our skins,
small moon-screens in our palms.

And then, on that nervy warm nightwalk
when I was about to ask you to coffee,
you pricked the air and felt me leaning:
Ah... you're married, ten years now.

Flirtations wilt into aches.
Yet even now, as you wing away,
a streetlight's encore sprays pinked spangles,
& storybook trees are shushly budding.

The rain comes and goes.
Ribs and thews pull into a heart,
even as the evening pulls apart
with a bird's telephone step.
Ephraim Feb 2021
My friend wears his coat like a skin
peeled from a molting elk.
Patches cover holes in the elbows
made by leaning against brick walls to catch his breath
or falling on broken glass.

His pockets had once been cornucopias milk-toothed children
drowned in.
Candies poured out in cascades of foil, wax paper
and plastic wrap.

Hands, lightly powdered with icing sugar
perfumed the air around him with
the scent of caramel.

Suffused with thews refused even Midas,
everything he touched turned to chocolate, honey and smiles…
but now,
vacant of liquorice, lint,
money, mints,
his pocket linings contain less air
than shredded banderoles
flapping on abandoned cannon scarred battlefields.

Those once confectionary hands
swapped candy canes for walking sticks.

He trudges along the sidewalk
through quicksand thick crowds
on legs more numb than a spree killer,
at the pace of a wounded man
fighting a snowstorm conjured just for him.

This illness,
called ‘old friend’ in mixed company
(he smokes his weight in cannabis)
hangs on him like a drunken boatswain
carried aboard after shore leave
by the only mate holding his liquor.

This ‘old friend’
demyelinates
desecrates nerve tissue
reduces neural pathways to shriveled river beds
leaving dead end streets strewn
with discarded bundles of axons.

My friend wears his skin the same way a coat hanger wears a bathrobe.
It dangles on threadbare shoulders like defeat,
a race worn down
by centuries under the lash.

Through it all he smiles,
a good sport
fighting through sludge
day after day after day,
dragging one good foot
ahead of the other
before it shrinks away.
For F.Polívka

— The End —