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Mateuš Conrad Oct 2018
.i cannot do justice to Hölderlin's invocation of Hyperion, but i also have no intention to, but i'll begin with, what isn't regarded as a pristine, classical constellation:

it begins with a punt volant,
on first observation,
   ・
      which descends in brightness
         ano teleia -
romanic interruption of the added
comma beneath it,
like a tail dragging the head along...

    the constellation?

        a dismembered man,
a crooked pentagram,
and a trinity of sorts...

                              .          .        
    ­                               .    
                                           .
        .

                       .

                                       .

this, the dislodged man,
with a trinity of stars floating
outside of him...

the trinity is faint...
when you first spot the ano teleia
star with its brightness...
yet that is a mishandled
pentagram...

which brings me to the argument,
some people send their DNA
to companies that
discover their genetic makeup,
i also read a newspaper article
that stated:
why bother?
you genetic make-up
also consists of what
you gravitate to,
culturally...

    so... i'm reading an article
on Hyperion...
and then i follow several links...
all i know is that the Vikings
were the founders of
Kiev...
                
   and to get to Kiev from Norway...
you have to go past the land
i was born in...

   then working from an article
on Emperor Julian, the Apostate...
then onto an article on Mardonius...
then on the article on the Goths...

Goths?
  Swedish "vikings"...
  who had established settlements
in the region of Poland were
i was born,
by 250BC...
                  
   so... why would i cling to
Nordic folk songs,
or their revisionism,
if i... suddenly hear a song,
and react with goosebumps on
my cheeks from hearing it?

or what about the remnants
of Scythia?
           boiling in my veins?

that newspaper article was right,
i don't need to send off my DNA
sample to companies,
i can read my DNA from the culture
i'm migrating toward!

     Hyperion,
i have abandoned the Athenian gods
of Olympus,
i've looked elsewhere,
to the mountain that became
the pit of Tartarus...
look back at Uranus, and sampled
the wintry perfumes of Gaia...

          swam in the ***** of Pontus...
and i have...
seen how both the gods,
and the titans...
   are the source of etymological
classification,
unlike what the judeo-christian tranditions
teach...
Adam didn't name the birds
and the animals from an a priori
posit / advantage point
of some obscure inheritance...

        first come the grander things...
man conjures up the existence / non-existence
of either gods, or titans...
to spin the wheel and gain etymological
momentum!
            
of what became the ****** of the affair
between Helios and Gaia...
    however true...
   or untrue...
      there is still an etymological foundation
for the existence of said
names...
   the names / not beings...
that spawn more names to be attributed
to such miniscule things
as flies, centipedes and pebbles...

from the word Uranus, comes the word
Helios,

from Selene comes the word
which coincides
the words Pontus, Oceanus, Poseidon,
and subsequently the
moon's influence of the tides...
the... παλίρροιες (palirroies,
siblings of the furies, the rivers,
and all other nymphs)...

      but however ridiculous applying
these nouns is...
they are rigid evolution
of words, formerly grunted,
or expressed in a barbaric way...
these are the words first defined...

Gaia probably became perfected
when there occurred a syllable
arithmetic... well... "arithmetic" is a lose
term of addition...
    the syllable g'ah! g'ah!
combined with i'ah!
                            
stealthy *******, this Jewish god,
he knew it all along...
hide in the letters,
hide in phonetics,
hide long until...
there's a second Belshezzar moment
in history...
when he's seen a second time...

i see him!
the surd H and the laughter
instigator H of the tetragrammaton...
you sigh when you write AH...
you express a vague awed-surprise
when you write OH...
    H represents the breath...
and the soul...

i see him!
i write too much to not be able
to dis-guide you from doing likewise...
the breath enter with an AH
and an OH...
   ah as in wonder with a surprise,
oh, as in counter: so i was wrong?

ooh... like something is teasing
you...
    uh? as in an element of disgust...
but?
HA?
       the point...
the point being?
laughter...
                    how else can you
express laughter,
if not balancing on the Jewish
definite article,
i.e. HA, i.e. HA-shem (the-name?),
how?!

but the Greeks were of some use...
their names of Titans and
Greeks?
   etymological boot-camps...
what we began with,
and, ultimately,
what we return to,
not for bowing, prayer,
belief...
but?
            *momentum
...
    
we already that Zeus is actually
Thor,
   who's father, Odin,
is Uranus...
                    so, technically...
Zeus is Thor...
                     Prometheus is Loki...
etc. etc. etc.,
      point being...
these similarities, these correlations?
they're not, they're not,
plagiarisms...
                        they would be plagiarisms,
if they had similar etymological
beginnings...
they're not plagiarisms,
because even now,
not everyone on this earth is a bilingual
entity that could
support a globalist agenda!
      if bilingualism was rife,
then the liberals could have their
globalist "unity"...
              but since bilingualism is the lesser
half of the polymath...
    no...
              isolated communities
have isolated ideas...
they look as if they were plagiarisms
now... but then?
   the only globalist artifact left these days,
the Socratic argument for
universal, convergent purposes -
and particular, divergent practicalities...
these religions were not
plagiarisms...
   do you really think that
plagiarism is a pulverizing motivational
tool for the perpetuation
of a people's existence?
   i don't think so...
                      plagiarism doesn't drive
people...
it's just a strange coincidence that
there are similarities that could be conceived
as plagiarisms...
but then again...
****... me and this Mongol share
a very similar physiognomy...
  and... oh ****... we're standing up-right...
have five limbs...
   and we use fire to cook food...
yeah... the religious plagiarism issue is
really suspicious...
we weren't, ever, to make a similar conclusion...
since we all, supposedly led a mass
exodus from Africa...
     like **** we did...
     perhaps...
               but the story doesn't begin
with an origins...
   more... what happened in what
became localized eventualities of segregation...
hey... i might have, 100 year... ha ha!
yeah right... to write my own narrative...
i don't like the antithesis of
doubt: of the perfected plethora of
the antithesis of both faith & denial...
     i like my rainbow plethora of doubt
to "counter" faith & denial...
   given that i also don't like
the pseudo-schizophrenic dichotomy of
faith, contra denial.
- makes for a more exciting
content of the heart... what? doubt;
doubting Thomas
  with a heart like a sinking stone,
and fire in his eyes,
                    a, second Belshezzar.
Nigel Morgan Dec 2013
A Tale for the Mid-Winter Season after the Mural by Carl Larrson

On the shortest day I wake before our maids from the surrounding farms have converged on Sundborn. Greta lives with us so she will be asleep in that deep slumber only girls of her age seem to own. Her tiny room has barely more than a bed and a chest for her clothes. There is my first painting of her on the wall, little more a sketch, but she was entranced, at seeing herself so. To the household she is a maid who looks after me and my studio,  though she is a literate, intelligent girl, city-bred from Gamla Stan but from a poor home, a widowed mother, her late father a drunkard.  These were my roots, my beginning, exactly. But her eyes already see a world beyond Sundborn. She covets postcards from my distant friends: in Paris, London, Jean in South America, and will arrange them on my writing desk, sometimes take them to her room at night to dream in the candlelight. I think this summer I shall paint her, at my desk, reading my cards, or perhaps writing her own. The window will be open and a morning breeze will make the flowers on the desk tremble.

Karin sleeps too, a desperate sleep born of too much work and thought and interruption. These days before Christmas put a strain on her usually calm disposition. The responsibilities of our home, our life, the constant visitors, they weigh upon her, and dispel her private time. Time in her studio seems impossible. I often catch her poised to disappear from a family coming-together. She is here, and then gone, as if by magic. With the older children home from their distant schools, and Suzanne arrived from England just yesterday morning, they all cannot do without lengthy conferences. They know better than disturb me. Why do you think there is a window set into my studio door? So, if I am at my easel there should be no knock to disturb. There is another reason, but that is between Karin and I.

This was once a summer-only house, but over the years we have made it our whole-year home. There was much attention given to making it snug and warm. My architect replaced all the windows and all the doors and there is this straw insulation between the walls. Now, as I open the curtains around my bed, I can see my breath float out into the cool air. When, later, I descend to my studio, the stove, damped down against the night, when opened and raddled will soon warm the space. I shall draw back the heavy drapes and open the wooden shutters onto the dark land outside. Only then I will stand before my current painting: *Brita and the Sleigh
.

Current!? I have been working on this painting intermittently for five years, and Brita is no longer the Brita of this picture, though I remember her then as yesterday. It is a picture of a winter journey for a six-year-old, only that journey is just across the yard to the washhouse. Snow, frost, birds gathered in the leafless trees, a sun dog in the sky, Brita pushing her empty sledge, wearing fur boots, Lisbeth’s old coat, and that black knitted hat made by old Anna. It is the nearest I have come to suggesting the outer landscape of this place. I bring it out every year at this time so I can check the light and the shadows against what I see now, not what I remember seeing then. But there will be a more pressing concern for me today, this shortest day.

Since my first thoughts for the final mural in my cycle for the Nationalmuseum I have always put this day aside, whatever I might be doing, wherever I may be. I pull out my first sketches, that book of imaginary tableaux filled in a day and a night in my tiny garden studio in Grez, thinking of home, of snow, the mid-winter, feeling the extraordinary power and shake of Adam of Bremen’s description of 10th C pre-Christian Uppsala, written to describe how barbaric and immoral were the practices and religion of the pagans, to defend the fragile position of the Christian church in Sweden at the time. But as I gaze at these rough beginnings made during those strange winter days in my rooms at the Hotel Chevilon, I feel myself that twenty-five year old discovering my artistic vision, abandoning oils for the flow and smudge of watercolour, and then, of course, Karin. We were part of the Swedish colony at Grez-sur-Loing. Karin lived with the ladies in Pension Laurent, but was every minute beside me until we found our own place, to be alone and be together, in a cupboard of a house by the river, in Marlotte.

Everyone who painted en-plein-air, writers, composers, they all flocked to Grez just south of Fontainebleau, to visit, sometimes to stay. I recall Strindberg writing to Karin after his first visit: It was as if there were no pronounced shadows, no hard lines, the air with its violet complexion is almost always misty; and I painting constantly, and against the style and medium of the time. How the French scoffed at my watercolours, but my work sold immediately in Stockholm. . . and Karin, tall, slim, Karin, my muse, my lover, my model, her boy-like figure lying naked (but for a hat) in the long grass outside my studio. We learned each other there, the technique of bodies in intimate closeness, the way of no words, the sharing of silent thoughts, together on those soft, damp winter days when our thoughts were of home, of Karin’s childhood home at Sundborn. I had no childhood thoughts I wanted to return to, but Karin, yes. That is why we are here now.

In Grez-sur-Loing, on a sullen December day, mist lying on the river, our garden dead to winter, we received a visitor, a Swedish writer and journalist travelling with a very young Italian, Mariano Fortuny, a painter living in Paris, and his mentor the Spaniard Egusquiza. There was a woman too who Karin took away, a Parisienne seamstress I think, Fortuny’s lover. Bayreuth and Wagner, Wagner, Wagner was all they could talk about. Of course Sweden has its own Nordic Mythology I ventured. But where is it? What is it? they cried, and there was laughter and more mulled wine, and then talk again of Wagner.

When the party left I realized there was something deep in my soul that had been woken by talk of the grandeur and scale of Wagner’s cocktail of German and Scandinavian myths and folk tales. For a day and night I sketched relentlessly, ransacking my memory for those old tales, drawing strong men and stalwart, flaxen-haired women in Nordic dress and ornament. But as a new day presented itself I closed my sketch book and let the matter drop until, years later, in a Stockholm bookshop I chanced upon a volume in Latin by Adam of Bremen, his Gesta Hammaburgensis Ecclesiae Pontificum, the most famous source to pagan ritual practice in Sweden. That cold winter afternoon in Grez returned to me and I felt, as I had then, something stir within me, something missing from my comfortable world of images of home and farm, family and the country life.

Back in Sundborn this little volume printed in the 18th C lay on my desk like a question mark without a sentence. My Latin was only sufficient to get a gist, but the gist was enough. Here was the story of the palace of Uppsala, the great centre of the pre-Christian pagan cults that brought us Odin and Freyr. I sought out our village priest Dag Sandahl, a good Lutheran but who regularly tagged Latin in his sermons. Yes, he knew the book, and from his study bookshelf brought down an even earlier copy than my own. And there and then we sat down together and read. After an hour I was impatient to be back in my studio and draw, draw these extraordinary images this text brought to life unbidden in my imagination. But I did not leave until I had persuaded Pastor Sandahl to agree to translate the Uppsala section of the Adam of Bremen’s book, and just before Christmas that year, on the day before the Shortest Day, he delivered his translation to my studio. He would not stay, but said I should read the passages about King Domalde and his sacrifice at the Winter Solstice. And so, on the day of the Winter Solstice, I did.

This people have a widely renowned sanctuary called Uppsala.

By this temple is a very large tree with extending branches. It is always green, both in winter and in summer. No one knows what kind of tree this is. There is also a spring there, where the heathens usually perform their sacrificial rites. They throw a live human being into the spring. If he does not resurface, the wishes of the people will come true.

The Temple is girdled by a chain of gold that hangs above the roof of the building and shines from afar, so that people may see it from a distance when they approach there. The sanctuary itself is situated on a plain, surrounded by mountains, so that the form a theatre.

It is not far from the town of Sigtuna. This sanctuary is completely covered with golden ornaments. There, people worship the carved idols of three gods: Thor, the most powerful of them, has his throne in the middle of the hall, on either side of him, Odin and Freyr have their seats. They have these functions: “Thor,” they say, “rules the air, he rules thunder and lightning, wind and rain, good weather and harvests. The other, Odin, he who rages, he rules the war and give courage to people in their battle against enemies. The third is Freyr, he offers to mortals lust and peace and happiness.” And his image they make with a very large phallus. Odin they present armed, the way we usually present Mars, while Thor with the scepter seems to resemble Jupiter. As gods they also worship some that have earlier been human. They give them immortality for the sake of their great deeds, as we may read in Vita sancti Ansgarii that they did with King Eirik.

For all these gods have particular persons who are to bring forward the sacrificial gifts of the people. If plague and famine threatens, they offer to the image of Thor, if the matter is about war, they offer to Odin, but if a wedding is to be celebrated, they offer to Freyr. And every ninth year in Uppsala a great religious ceremony is held that is common to people from all parts of Sweden.”
Snorri also relates how human sacrifice began in Uppsala, with the sacrifice of a king.

Domalde took the heritage after his father Visbur, and ruled over the land. As in his time there was great famine and distress, the Swedes made great offerings of sacrifice at Upsal. The first autumn they sacrificed oxen, but the succeeding season was not improved thereby. The following autumn they sacrificed men, but the succeeding year was rather worse. The third autumn, when the offer of sacrifices should begin, a great multitude of Swedes came to Upsal; and now the chiefs held consultations with each other, and all agreed that the times of scarcity were on account of their king Domalde, and they resolved to offer him for good seasons, and to assault and **** him, and sprinkle the stall of the gods with his blood. And they did so.


There it was, at the end of Adam of Bremen’s description of Uppsala, this description of King Domalde upon which my mural would be based. It is not difficult to imagine, or rather the event itself can be richly embroidered, as I have over the years made my painting so. Karin and I have the books of William Morris on our shelves and I see little difference between his fixation on the legends of the Arthur and the Grail. We are on the cusp here between the pagan and the Christian.  What was Christ’s Crucifixion but a self sacrifice: as God in man he could have saved himself but chose to die for Redemption’s sake. His blood was not scattered to the fields as was Domalde’s, but his body and blood remains a continuing symbol in our right of Communion.

I unroll the latest watercolour cartoon of my mural. It is almost the length of this studio. Later I will ask Greta to collect the other easels we have in the house and barn and then I shall view it properly. But for now, as it unrolls, my drama of the Winter Solstice comes alive. It begins on from the right with body of warriors, bronze shields and helmets, long shafted spears, all set against the side of Uppsala Temple and more distant frost-hoared trees. Then we see the King himself, standing on a sled hauled by temple slaves. He is naked as he removes the furs in which he has travelled, a circuit of the temple to display himself to his starving people. In the centre, back to the viewer, a priest-like figure in a red cloak, a dagger held for us to see behind his back. Facing him, in druidic white, a high priest holds above his head a gold pagan monstrance. To his left there are white cloaked players of long, straight horns, blue cloaked players of the curled horns, and guiding the shaft of the sled a grizzled shaman dressed in the skins and furs of animals. The final quarter of my one- day-to-be-a-mural unfolds to show the women of temple and palace writhing in gestures of grief and hysteria whilst their queen kneels prostate on the ground, her head to the earth, her ladies ***** behind her. Above them all stands the forever-green tree whose origin no one knows.

Greta has entered the studio in her practiced, silent way carrying coffee and rolls from the kitchen. She has seen Midvinterblot many times, but I sense her gaze of fascination, yet again, at the figure of the naked king. She remembers the model, the sailor who came to stay at Kartbacken three summers ago. He was like the harpooner Queequeg in Moby ****. A tattooed man who was to be seen swimming in Toftan Lake and walking bare-chested in our woods. A tall, well-muscled, almost silent man, whom I patiently courted to be my model for King Dolmade. I have a book of sketches of him striding purposefully through the trees, the tattooed lines on his shoulders and chest like deep cuts into his body. This striding figure I hid from the children for some time, but from Greta that was impossible. She whispered to me once that when she could not have my substantial chest against her she would imagine the sailor’s, imagine touching and following his tattooed lines. This way, she said, helped her have respite from those stirrings she would so often feel for me. My painting, she knew, had stirred her fellow maids Clara and Solveig. Surely you know this, she had said, in her resolute and direct city manner. I have to remember she is the age of my eldest, who too must hold such thoughts and feelings. Karin dislikes my sailor king and wishes I would not hide the face of his distraught queen.

Today the sunrise is at 9.0, just a half hour away, and it will set before 3.0pm. So, after this coffee I will put on my boots and fur coat, be well scarfed and hatted (as my son Pontus would say) and walk out onto my estate. I will walk east across the fields towards Spardasvvägen. The sky is already waiting for the sun, but waits without colour, hardly even a tinge of red one might expect.

I have given Greta her orders to collect every easel she can find so we can take Midvinterblot off the floor and see it in all its vivid colour and form. In February I shall begin again to persuade the Nationalmuseum to accept this work. We have a moratorium just now. I will not accept their reasoning that there is no historical premise for such a subject, that such a scene has no place in a public gallery. A suggestion has been made that the Historiska museet might house it. But I shall not think of this today.

Karin is here, her face at the studio window beckons entry. My Darling, yes, it is midwinter’s day and I am dressing to greet the solstice. I will dress, she says, to see Edgar who will be here in half an hour to discuss my designs for this new furniture. We will be lunching at noon. Know you are welcome. Suzanne is talking constantly of England, England, and of course Oxford, this place of dreaming spires and good looking boys. We touch hands and kiss. I sense the perfume of sleep, of her bed.

Outside I must walk quickly to be quite alone, quite apart from the house, in the fields, alone. It is on its way: this light that will bathe the snowed-over land and will be my promise of the year’s turn towards new life.

As I walk the drama of Midvinterblot unfolds in a confusion of noise, the weeping of women, the physical exertions of the temple slaves, the priests’ incantations, the riot of horns, and then suddenly, as I stand in this frozen field, there is silence. The sun rises. It stagge
To see images of the world of Sundborn and Carl Larrson (including Mitvinterblot) see http://www.clg.se/encarl.aspx
No more of talk where God or Angel guest
With Man, as with his friend, familiar us’d,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam’d. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death’s harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous’d;
Or Neptune’s ire, or Juno’s, that so long
Perplexed the Greek, and Cytherea’s son:                        

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor’d,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas’d me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem’d chief mastery to dissect
With long and tedious havock fabled knights
In battles feign’d; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon’d shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall’d feast
Serv’d up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem.  Me, of these
Nor skill’d nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress’d; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring
Twilight upon the earth, short arbiter
“twixt day and night, and now from end to end
Night’s hemisphere had veil’d the horizon round:
When satan, who late fled before the threats
Of Gabriel out of Eden, now improv’d
In meditated fraud and malice, bent
On Man’s destruction, maugre what might hap
Of heavier on himself, fearless returned
From compassing the earth; cautious of day,
Since Uriel, regent of the sun, descried
His entrance, and foreworned the Cherubim
That kept their watch; thence full of anguish driven,
The space of seven continued nights he rode
With darkness; thrice the equinoctial line
He circled; four times crossed the car of night
From pole to pole, traversing each colure;
On the eighth returned; and, on the coast averse
From entrance or Cherubick watch, by stealth
Found unsuspected way.  There was a place,
Now not, though sin, not time, first wrought the change,
Where Tigris, at the foot of Paradise,
Into a gulf shot under ground, till part
Rose up a fountain by the tree of life:
In with the river sunk, and with it rose
Satan, involved in rising mist; then sought
Where to lie hid; sea he had searched, and land,
From Eden over Pontus and the pool
Maeotis, up beyond the river Ob;
Downward as far antarctick; and in length,
West from Orontes to the ocean barred
At Darien ; thence to the land where flows
Ganges and Indus: Thus the orb he roamed
With narrow search; and with inspection deep
Considered every creature, which of all
Most opportune might serve his wiles; and found
The Serpent subtlest beast of all the field.
Him after long debate, irresolute
Of thoughts revolved, his final sentence chose
Fit vessel, fittest imp of fraud, in whom
To enter, and his dark suggestions hide
From sharpest sight: for, in the wily snake
Whatever sleights, none would suspicious mark,
As from his wit and native subtlety
Proceeding; which, in other beasts observed,
Doubt might beget of diabolick power
Active within, beyond the sense of brute.
Thus he resolved, but first from inward grief
His bursting passion into plaints thus poured.
More justly, seat worthier of Gods, as built
With second thoughts, reforming what was old!
O Earth, how like to Heaven, if not preferred
For what God, after better, worse would build?
Terrestrial Heaven, danced round by other Heavens
That shine, yet bear their bright officious lamps,
Light above light, for thee alone, as seems,
In thee concentring all their precious beams
Of sacred influence!  As God in Heaven
Is center, yet extends to all; so thou,
Centring, receivest from all those orbs: in thee,
Not in themselves, all their known virtue appears
Productive in herb, plant, and nobler birth
Of creatures animate with gradual life
Of growth, sense, reason, all summed up in Man.
With what delight could I have walked thee round,
If I could joy in aught, sweet interchange
Of hill, and valley, rivers, woods, and plains,
Now land, now sea and shores with forest crowned,
Rocks, dens, and caves!  But I in none of these
Find place or refuge; and the more I see
Pleasures about me, so much more I feel
Torment within me, as from the hateful siege
Of contraries: all good to me becomes
Bane, and in Heaven much worse would be my state.
But neither here seek I, no nor in Heaven
To dwell, unless by mastering Heaven’s Supreme;
Nor hope to be myself less miserable
By what I seek, but others to make such
As I, though thereby worse to me redound:
For only in destroying I find ease
To my relentless thoughts; and, him destroyed,
Or won to what may work his utter loss,
For whom all this was made, all this will soon
Follow, as to him linked in weal or woe;
In woe then; that destruction wide may range:
To me shall be the glory sole among
The infernal Powers, in one day to have marred
What he, Almighty styled, six nights and days
Continued making; and who knows how long
Before had been contriving? though perhaps
Not longer than since I, in one night, freed
From servitude inglorious well nigh half
The angelick name, and thinner left the throng
Of his adorers: He, to be avenged,
And to repair his numbers thus impaired,
Whether such virtue spent of old now failed
More Angels to create, if they at least
Are his created, or, to spite us more,
Determined to advance into our room
A creature formed of earth, and him endow,
Exalted from so base original,
With heavenly spoils, our spoils: What he decreed,
He effected; Man he made, and for him built
Magnificent this world, and earth his seat,
Him lord pronounced; and, O indignity!
Subjected to his service angel-wings,
And flaming ministers to watch and tend
Their earthly charge: Of these the vigilance
I dread; and, to elude, thus wrapt in mist
Of midnight vapour glide obscure, and pry
In every bush and brake, where hap may find
The serpent sleeping; in whose mazy folds
To hide me, and the dark intent I bring.
O foul descent! that I, who erst contended
With Gods to sit the highest, am now constrained
Into a beast; and, mixed with ******* slime,
This essence to incarnate and imbrute,
That to the highth of Deity aspired!
But what will not ambition and revenge
Descend to?  Who aspires, must down as low
As high he soared; obnoxious, first or last,
To basest things.  Revenge, at first though sweet,
Bitter ere long, back on itself recoils:
Let it; I reck not, so it light well aimed,
Since higher I fall short, on him who next
Provokes my envy, this new favourite
Of Heaven, this man of clay, son of despite,
Whom, us the more to spite, his Maker raised
From dust: Spite then with spite is best repaid.
So saying, through each thicket dank or dry,
Like a black mist low-creeping, he held on
His midnight-search, where soonest he might find
The serpent; him fast-sleeping soon he found
In labyrinth of many a round self-rolled,
His head the midst, well stored with subtile wiles:
Not yet in horrid shade or dismal den,
Nor nocent yet; but, on the grassy herb,
Fearless unfeared he slept: in at his mouth
The Devil entered; and his brutal sense,
In heart or head, possessing, soon inspired
With act intelligential; but his sleep
Disturbed not, waiting close the approach of morn.
Now, when as sacred light began to dawn
In Eden on the humid flowers, that breathed
Their morning incense, when all things, that breathe,
From the Earth’s great altar send up silent praise
To the Creator, and his nostrils fill
With grateful smell, forth came the human pair,
And joined their vocal worship to the quire
Of creatures wanting voice; that done, partake
The season prime for sweetest scents and airs:
Then commune, how that day they best may ply
Their growing work: for much their work out-grew
The hands’ dispatch of two gardening so wide,
And Eve first to her husband thus began.
Adam, well may we labour still to dress
This garden, still to tend plant, herb, and flower,
Our pleasant task enjoined; but, till more hands
Aid us, the work under our labour grows,
Luxurious by restraint; what we by day
Lop overgrown, or prune, or prop, or bind,
One night or two with wanton growth derides
Tending to wild.  Thou therefore now advise,
Or bear what to my mind first thoughts present:
Let us divide our labours; thou, where choice
Leads thee, or where most needs, whether to wind
The woodbine round this arbour, or direct
The clasping ivy where to climb; while I,
In yonder spring of roses intermixed
With myrtle, find what to redress till noon:
For, while so near each other thus all day
Our task we choose, what wonder if so near
Looks intervene and smiles, or object new
Casual discourse draw on; which intermits
Our day’s work, brought to little, though begun
Early, and the hour of supper comes unearned?
To whom mild answer Adam thus returned.
Sole Eve, associate sole, to me beyond
Compare above all living creatures dear!
Well hast thou motioned, well thy thoughts employed,
How we might best fulfil the work which here
God hath assigned us; nor of me shalt pass
Unpraised: for nothing lovelier can be found
In woman, than to study houshold good,
And good works in her husband to promote.
Yet not so strictly hath our Lord imposed
Labour, as to debar us when we need
Refreshment, whether food, or talk between,
Food of the mind, or this sweet *******
Of looks and smiles; for smiles from reason flow,
To brute denied, and are of love the food;
Love, not the lowest end of human life.
For not to irksome toil, but to delight,
He made us, and delight to reason joined.
These paths and bowers doubt not but our joint hands
Will keep from wilderness with ease, as wide
As we need walk, till younger hands ere long
Assist us; But, if much converse perhaps
Thee satiate, to short absence I could yield:
For solitude sometimes is best society,
And short retirement urges sweet return.
But other doubt possesses me, lest harm
Befall thee severed from me; for thou knowest
What hath been warned us, what malicious foe
Envying our happiness, and of his own
Despairing, seeks to work us woe and shame
By sly assault; and somewhere nigh at hand
Watches, no doubt, with greedy hope to find
His wish and best advantage, us asunder;
Hopeless to circumvent us joined, where each
To other speedy aid might lend at need:
Whether his first design be to withdraw
Our fealty from God, or to disturb
Conjugal love, than which perhaps no bliss
Enjoyed by us excites his envy more;
Or this, or worse, leave not the faithful side
That gave thee being, still shades thee, and protects.
The wife, where danger or dishonour lurks,
Safest and seemliest by her husband stays,
Who guards her, or with her the worst endures.
To whom the ****** majesty of Eve,
As one who loves, and some unkindness meets,
With sweet austere composure thus replied.
Offspring of Heaven and Earth, and all Earth’s Lord!
That such an enemy we have, who seeks
Our ruin, both by thee informed I learn,
And from the parting Angel over-heard,
As in a shady nook I stood behind,
Just then returned at shut of evening flowers.
But, that thou shouldst my firmness therefore doubt
To God or thee, because we have a foe
May tempt it, I expected not to hear.
His violence thou fearest not, being such
As we, not capable of death or pain,
Can either not receive, or can repel.
His fraud is then thy fear; which plain infers
Thy equal fear, that my firm faith and love
Can by his fraud be shaken or seduced;
Thoughts, which how found they harbour in thy breast,
Adam, mis-thought of her to thee so dear?
To whom with healing words Adam replied.
Daughter of God and Man, immortal Eve!
For such thou art; from sin and blame entire:
Not diffident of thee do I dissuade
Thy absence from my sight, but to avoid
The attempt itself, intended by our foe.
For he who tempts, though in vain, at least asperses
The tempted with dishonour foul; supposed
Not incorruptible of faith, not proof
Against temptation: Thou thyself with scorn
And anger wouldst resent the offered wrong,
Though ineffectual found: misdeem not then,
If such affront I labour to avert
From thee alone, which on us both at once
The enemy, though bold, will hardly dare;
Or daring, first on me the assault shall light.
Nor thou his malice and false guile contemn;
Subtle he needs must be, who could ******
Angels; nor think superfluous other’s aid.
I, from the influence of thy looks, receive
Access in every virtue; in thy sight
More wise, more watchful, stronger, if need were
Of outward strength; while shame, thou looking on,
Shame to be overcome or over-reached,
Would utmost vigour raise, and raised unite.
Why shouldst not thou like sense within thee feel
When I am present, and thy trial choose
With me, best witness of thy virtue tried?
So spake domestick Adam in his care
And matrimonial love; but Eve, who thought
Less attributed to her faith sincere,
Thus her reply with accent sweet renewed.
If this be our condition, thus to dwell
In narrow circuit straitened by a foe,
Subtle or violent, we not endued
Single with like defence, wherever met;
How are we happy, still in fear of harm?
But harm precedes not sin: only our foe,
Tempting, affronts us with his foul esteem
Of our integrity: his foul esteem
Sticks no dishonour on our front, but turns
Foul on himself; then wherefore shunned or feared
By us? who rather double honour gain
From his surmise proved false; find peace within,
Favour from Heaven, our witness, from the event.
And what is faith, love, virtue, unassayed
Alone, without exteriour help sustained?
Let us not then suspect our happy state
Left so imperfect by the Maker wise,
As not secure to single or combined.
Frail is our happiness, if this be so,
And Eden were no Eden, thus exposed.
To whom thus Adam fervently replied.
O Woman, best are all things as the will
Of God ordained them: His creating hand
Nothing imperfect or deficient left
Of all that he created, much less Man,
Or aught that might his happy state secure,
Secure from outward force; within himself
The danger lies, yet lies within his power:
Against his will he can receive no harm.
But God left free the will; for what obeys
Reason, is free; and Reason he made right,
But bid her well be ware, and still *****;
Lest, by some fair-appearing good surprised,
She dictate false; and mis-inform the will
To do what God expressly hath forbid.
Not then mistrust, but tender love, enjoins,
That I should mind thee oft; and mind thou me.
Firm we subsist, yet possible to swerve;
Since Reason not impossibly may meet
Some specious object by the foe suborned,
And fall into deception unaware,
Not keeping strictest watch, as she was warned.
Seek not temptation then, which to avoid
Were better, and most likely if from me
Thou sever not: Trial will come unsought.
Wouldst thou approve thy constancy, approve
First thy obedience; the other who can know,
Not seeing thee attempted, who attest?
But, if thou think, trial unsought may find
Us both securer than thus warned thou seemest,
Go; for thy stay, not fre
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora’s fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest:  He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus.  Awake,
My fairest, my espoused, my latest found,
Heaven’s last best gift, my ever new delight!
Awake:  The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow’s next design,
But of offence and trouble, which my mind
Knew never till this irksome night:  Methought,
Close at mine ear one called me forth to walk
With gentle voice;  I thought it thine: It said,
‘Why sleepest thou, Eve? now is the pleasant time,
‘The cool, the silent, save where silence yields
‘To the night-warbling bird, that now awake
‘Tunes sweetest his love-laboured song; now reigns
‘Full-orbed the moon, and with more pleasing light
‘Shadowy sets off the face of things; in vain,
‘If none regard; Heaven wakes with all his eyes,
‘Whom to behold but thee, Nature’s desire?
‘In whose sight all things joy, with ravishment
‘Attracted by thy beauty still to gaze.’
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways
That brought me on a sudden to the tree
Of interdicted knowledge: fair it seemed,
Much fairer to my fancy than by day:
And, as I wondering looked, beside it stood
One shaped and winged like one of those from Heaven
By us oft seen; his dewy locks distilled
Ambrosia; on that tree he also gazed;
And ‘O fair plant,’ said he, ‘with fruit surcharged,
‘Deigns none to ease thy load, and taste thy sweet,
‘Nor God, nor Man?  Is knowledge so despised?
‘Or envy, or what reserve forbids to taste?
‘Forbid who will, none shall from me withhold
‘Longer thy offered good; why else set here?
This said, he paused not, but with venturous arm
He plucked, he tasted; me damp horrour chilled
At such bold words vouched with a deed so bold:
But he thus, overjoyed; ‘O fruit divine,
‘Sweet of thyself, but much more sweet thus cropt,
‘Forbidden here, it seems, as only fit
‘For Gods, yet able to make Gods of Men:
‘And why not Gods of Men; since good, the more
‘Communicated, more abundant grows,
‘The author not impaired, but honoured more?
‘Here, happy creature, fair angelick Eve!
‘Partake thou also; happy though thou art,
‘Happier thou mayest be, worthier canst not be:
‘Taste this, and be henceforth among the Gods
‘Thyself a Goddess, not to earth confined,
‘But sometimes in the air, as we, sometimes
‘Ascend to Heaven, by merit thine, and see
‘What life the Gods live there, and such live thou!’
So saying, he drew nigh, and to me held,
Even to my mouth of that same fruit held part
Which he had plucked; the pleasant savoury smell
So quickened appetite, that I, methought,
Could not but taste.  Forthwith up to the clouds
With him I flew, and underneath beheld
The earth outstretched immense, a prospect wide
And various:  Wondering at my flight and change
To this high exaltation; suddenly
My guide was gone, and I, methought, sunk down,
And fell asleep; but O, how glad I waked
To find this but a dream!  Thus Eve her night
Related, and thus Adam answered sad.
Best image of myself, and dearer half,
The trouble of thy thoughts this night in sleep
Affects me equally; nor can I like
This uncouth dream, of evil sprung, I fear;
Yet evil whence? in thee can harbour none,
Created pure.  But know that in the soul
Are many lesser faculties, that serve
Reason as chief; among these Fancy next
Her office holds; of all external things
Which the five watchful senses represent,
She forms imaginations, aery shapes,
Which Reason, joining or disjoining, frames
All what we affirm or what deny, and call
Our knowledge or opinion; then retires
Into her private cell, when nature rests.
Oft in her absence mimick Fancy wakes
To imitate her; but, misjoining shapes,
Wild work produces oft, and most in dreams;
Ill matching words and deeds long past or late.
Some such resemblances, methinks, I find
Of our last evening’s talk, in this thy dream,
But with addition strange; yet be not sad.
Evil into the mind of God or Man
May come and go, so unreproved, and leave
No spot or blame behind:  Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do.
Be not disheartened then, nor cloud those looks,
That wont to be more cheerful and serene,
Than when fair morning first smiles on the world;
And let us to our fresh employments rise
Among the groves, the fountains, and the flowers
That open now their choisest bosomed smells,
Reserved from night, and kept for thee in store.
So cheered he his fair spouse, and she was cheered;
But silently a gentle tear let fall
From either eye, and wiped them with her hair;
Two other precious drops that ready stood,
Each in their crystal sluice, he ere they fell
Kissed, as the gracious signs of sweet remorse
And pious awe, that feared to have offended.
So all was cleared, and to the field they haste.
But first, from under shady arborous roof
Soon as they forth were come to open sight
Of day-spring, and the sun, who, scarce up-risen,
With wheels yet hovering o’er the ocean-brim,
Shot parallel to the earth his dewy ray,
Discovering in wide landskip all the east
Of Paradise and Eden’s happy plains,
Lowly they bowed adoring, and began
Their orisons, each morning duly paid
In various style; for neither various style
Nor holy rapture wanted they to praise
Their Maker, in fit strains pronounced, or sung
Unmeditated; such prompt eloquence
Flowed from their lips, in prose or numerous verse,
More tuneable than needed lute or harp
To add more sweetness; and they thus began.
These are thy glorious works, Parent of good,
Almighty!  Thine this universal frame,
Thus wonderous fair;  Thyself how wonderous then!
Unspeakable, who sitst above these heavens
To us invisible, or dimly seen
In these thy lowest works; yet these declare
Thy goodness beyond thought, and power divine.
Speak, ye who best can tell, ye sons of light,
Angels; for ye behold him, and with songs
And choral symphonies, day without night,
Circle his throne rejoicing; ye in Heaven
On Earth join all ye Creatures to extol
Him first, him last, him midst, and without end.
Fairest of stars, last in the train of night,
If better thou belong not to the dawn,
Sure pledge of day, that crownest the smiling morn
With thy bright circlet, praise him in thy sphere,
While day arises, that sweet hour of prime.
Thou Sun, of this great world both eye and soul,
Acknowledge him thy greater; sound his praise
In thy eternal course, both when thou climbest,
And when high noon hast gained, and when thou fallest.
Moon, that now meetest the orient sun, now flyest,
With the fixed Stars, fixed in their orb that flies;
And ye five other wandering Fires, that move
In mystick dance not without song, resound
His praise, who out of darkness called up light.
Air, and ye Elements, the eldest birth
Of Nature’s womb, that in quaternion run
Perpetual circle, multiform; and mix
And nourish all things; let your ceaseless change
Vary to our great Maker still new praise.
Ye Mists and Exhalations, that now rise
From hill or steaming lake, dusky or gray,
Till the sun paint your fleecy skirts with gold,
In honour to the world’s great Author rise;
Whether to deck with clouds the uncoloured sky,
Or wet the thirsty earth with falling showers,
Rising or falling still advance his praise.
His praise, ye Winds, that from four quarters blow,
Breathe soft or loud; and, wave your tops, ye Pines,
With every plant, in sign of worship wave.
Fountains, and ye that warble, as ye flow,
Melodious murmurs, warbling tune his praise.
Join voices, all ye living Souls:  Ye Birds,
That singing up to Heaven-gate ascend,
Bear on your wings and in your notes his praise.
Ye that in waters glide, and ye that walk
The earth, and stately tread, or lowly creep;
Witness if I be silent, morn or even,
To hill, or valley, fountain, or fresh shade,
Made vocal by my song, and taught his praise.
Hail, universal Lord, be bounteous still
To give us only good; and if the night
Have gathered aught of evil, or concealed,
Disperse it, as now light dispels the dark!
So prayed they innocent, and to their thoughts
Firm peace recovered soon, and wonted calm.
On to their morning’s rural work they haste,
Among sweet dews and flowers; where any row
Of fruit-trees over-woody reached too far
Their pampered boughs, and needed hands to check
Fruitless embraces: or they led the vine
To wed her elm; she, spoused, about him twines
Her marriageable arms, and with him brings
Her dower, the adopted clusters, to adorn
His barren leaves.  Them thus employed beheld
With pity Heaven’s high King, and to him called
Raphael, the sociable Spirit, that deigned
To travel with Tobias, and secured
His marriage with the seventimes-wedded maid.
Raphael, said he, thou hearest what stir on Earth
Satan, from Hell ’scaped through the darksome gulf,
Hath raised in Paradise; and how disturbed
This night the human pair; how he designs
In them at once to ruin all mankind.
Go therefore, half this day as friend with friend
Converse with Adam, in what bower or shade
Thou findest him from the heat of noon retired,
To respite his day-labour with repast,
Or with repose; and such discourse bring on,
As may advise him of his happy state,
Happiness in his power left free to will,
Left to his own free will, his will though free,
Yet mutable; whence warn him to beware
He swerve not, too secure:  Tell him withal
His danger, and from whom; what enemy,
Late fallen himself from Heaven, is plotting now
The fall of others from like state of bliss;
By violence? no, for that shall be withstood;
But by deceit and lies:  This let him know,
Lest, wilfully transgressing, he pretend
Surprisal, unadmonished, unforewarned.
So spake the Eternal Father, and fulfilled
All justice:  Nor delayed the winged Saint
After his charge received; but from among
Thousand celestial Ardours, where he stood
Veiled with his gorgeous wings, up springing light,
Flew through the midst of Heaven; the angelick quires,
On each hand parting, to his speed gave way
Through all the empyreal road; till, at the gate
Of Heaven arrived, the gate self-opened wide
On golden hinges turning, as by work
Divine the sovran Architect had framed.
From hence no cloud, or, to obstruct his sight,
Star interposed, however small he sees,
Not unconformed to other shining globes,
Earth, and the garden of God, with cedars crowned
Above all hills.  As when by night the glass
Of Galileo, less assured, observes
Imagined lands and regions in the moon:
Or pilot, from amidst the Cyclades
Delos or Samos first appearing, kens
A cloudy spot.  Down thither prone in flight
He speeds, and through the vast ethereal sky
Sails between worlds and worlds, with steady wing
Now on the polar winds, then with quick fan
Winnows the buxom air; till, within soar
Of towering eagles, to all the fowls he seems
A phoenix, gazed by all as that sole bird,
When, to enshrine his reliques in the Sun’s
Bright temple, to Egyptian Thebes he flies.
At once on the eastern cliff of Paradise
He lights, and to his proper shape returns
A Seraph winged:  Six wings he wore, to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
With regal ornament; the middle pair
Girt like a starry zone his waist, and round
Skirted his ***** and thighs with downy gold
And colours dipt in Heaven; the third his feet
Shadowed from either heel with feathered mail,
Sky-tinctured grain.  Like Maia’s son he stood,
And shook his plumes, that heavenly fragrance filled
The circuit wide.  Straight knew him all the bands
Of Angels under watch; and to his state,
And to his message high, in honour rise;
For on some message high they guessed him bound.
Their glittering tents he passed, and now is come
Into the blissful field, through groves of myrrh,
And flowering odours, cassia, nard, and balm;
A wilderness of sweets; for Nature here
Wantoned as in her prime, and played at will
Her ****** fancies pouring forth more sweet,
Wild above rule or art, enormous bliss.
Him through the spicy forest onward come
Adam discerned, as in the door he sat
Of his cool bower, while now the mounted sun
Shot down direct his fervid rays to warm
Earth’s inmost womb, more warmth than Adam needs:
And Eve within, due at her hour prepared
For dinner savoury fruits, of taste to please
True appetite, and not disrelish thirst
Of nectarous draughts between, from milky stream,
Berry or grape:  To whom thus Adam called.
Haste hither, Eve, and worth thy sight behold
Eastward among those trees, what glorious shape
Comes this way moving; seems another morn
Risen on mid-noon; some great behest from Heaven
To us perhaps he brings, and will vouchsafe
This day to be our guest.  But go with speed,
And, what thy stores contain, bring forth, and pour
Abundance, fit to honour and receive
Our heavenly stranger:  Well we may afford
Our givers their own gifts, and large bestow
From large bestowed, where Nature multiplies
Her fertile growth, and by disburthening grows
More fruitful, which instructs us not to spare.
To whom thus Eve.  Adam, earth’s hallowed mould,
Of God inspired! small store will serve, where store,
All seasons, ripe for use hangs on the stalk;
Save what by frugal storing firmness gains
To nourish, and superfluous moist consumes:
But I will haste, and from each bough and brake,
Each plant and juciest gourd, will pluck such choice
To entertain our Angel-guest, as he
Beholding shall confess, that here on Earth
God hath dispensed his bounties as in Heaven.
So saying, with dispatchful looks in haste
She turns, on hospitable thoughts intent
What choice to choose for delicacy best,
What order, so contrived as not to mix
Tastes, not well joined, inelegant, but bring
Taste after taste upheld with kindliest change;
Bestirs her then, and from each tender stalk
Whatever Earth, all-bearing mother, yields
In India East or West, or middle shore
In Pontus or the Punick coast, or where
Alcinous reigned, fruit of all kinds, in coat
Rough, or smooth rind, or bearded husk, or shell,
She gathers, tribute large, and on the board
Heaps with unsparing hand; for drink the grape
She crushes, inoffensive must, and meaths
From many a berry, and from sweet kernels pressed
She tempers dulcet creams; nor these to hold
Wants her fit vessels pure; then strows the ground
With rose and odours from the shrub unfumed.
Mean while our primitive great sire, to meet
His God-like guest, walks forth, without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led, and gro
Michael R Burch Apr 2021
POEMS ABOUT EROS AND CUPID

These are translations of ancient Greek poems about Eros. Eros was the Greek counterpart of the Roman god Cupid. While today we tend to think of Cupid as an angelic cherub shooting arrows and making people fall in love, the ancient Greek and Roman poets often portrayed Cupid/Eros as a troublemaker who was driving them mad with uncontrollable desires.


Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wilds winds whipping desolate mountains,
uprooting oaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, fragment 54
loose translation/interpretation by Michael R. Burch

Eros
descends from heaven,
discarding his imperial purple mantle.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 102
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
Take me!


Around the same time Sappho was writing in ******, in nearby Greece, circa 564 B.C., we have another poem about the power of Eros:

Ibykos Fragment 286
translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



I hate Eros! Why does that gargantuan God dart my heart, rather than wild beasts? What can a God think to gain by inflaming a man? What trophies can he hope to win with my head?
―Alcaeus of Messene, loose translation/interpretation by Michael R. Burch



Have mercy, dear Phoebus, drawer of the bow, for were you not also wounded by love’s streaking arrows?
―Claudianus, loose translation/interpretation by Michael R. Burch

In Greek mythology, Cupid shoots Phoebus Apollo to make him fall in love with Daphne, then shoots Daphne with an arrow that prevents her from falling in love with her suitor.



Matchmaker Love, if you can’t set a couple equally aflame, why not ***** out your torch?
―Rufinus, loose translation/interpretation by Michael R. Burch



I have armed myself with wisdom against Love;
he cannot defeat me in single combat.
I, a mere mortal, have withstood a God!
But if he enlists the aid of Bacchus,
what odds do I have against the two of them?
―Rufinus, loose translation/interpretation by Michael R. Burch



Love, if you aim your arrows at both of us impartially, you’re a God, but if you favor one over the other, you’re the Devil!
―Rufinus, loose translation/interpretation by Michael R. Burch



Either put an end to lust, Eros, or else insist on reciprocity: abolish desire or heighten it.
―Lucilius or Polemo of Pontus, loose translation by Michael R. Burch



Steady your bow, Cypris, and at your leisure select a likelier target ... for I am too full of arrows to take another wound.
―Archias, loose translation/interpretation by Michael R. Burch

Cypris was another name for Aphrodite, the Greek goddess of love. Here the poet may be suggesting, “Like mother, like son.”



Little Love, lay my heart waste;
empty your quiver into me;
leave not an arrow unshot!
Slay me with your cruel shafts,
but when you’d shoot someone else,
you’ll find yourself out of ammo!
―Archias, loose translation/interpretation by Michael R. Burch



You say I should flee from Love, but it’s hopeless!
How can a man on foot escape from a winged creature with unerring accuracy?
―Archias, loose translation/interpretation by Michael R. Burch

Many centuries later, poets would still be complaining about the overpoweringness of ****** desire, and/or the unfairness of unrequited love, by which they often meant not getting laid!



Spring
by Charles d’Orleans
loose translation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.


Fast-forwarding again, we find the great Scottish poet William Dunbar, who was born around 1460:

Sweet Rose of Virtue
by William Dunbar
translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear,
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently,
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again,
so comforting her bowering leaves have been.

Keywords/Tags: Eros, Cupid, Phoebus Apollo, Cypris, Aphrodite, love, blind love, cute love, love god, love goddess, bow, arrow, arrows, desire, passion, lust, heart
Hex Birthright in Hellenika

The Celestial Spirit of Vernarth began to walk through the Castellum del Horcodising, after the parapsychological regression in the conclusive auction and purge of him. He was looming at the Horcondising Keep; here all toilet modules, food, and medicines were well equipped, except for the inks and writing papers that were totally exhausted. Here you can see his mother Luccica, who was in a position to scribble and write on an upstairs deck, and in the other hand, she had a rosary of liberation, which anonymously appears before her purging in the presence of the protervative spellings that still wander through the cells and bedrooms of the Castellum del Horcondising. Her mother is seen twisted over the voices that polished the eight moons that she had designed for her son Vernarth from the very machicolations of the Castellum, but now with a rosary of liberation. It was clearly seen in the leaves written by her, which said that “My son abandoned his weapons, now in fluids of holy water, symbolizing real chimeras by the projections, to those who read his life verses in our Castellum, in Gaugamela and Patmos ”. Vernarth, mostly Hellenic, awaits to manifest healings for all creation, dumping water from moon storms on Rhodes, and lighting Matacan wall light at the door of the Messiah stand.

Vernart says: “my adolescent look, she has to be reborn with that of my father Bernardolipo; a whole Chamberlain, making himself free and a supporter of the baronies that were part of the servants of my servants…! Although now to climb his cabinet I have to raise my knees higher before his amplified step, calling us all and trying to be closer to a new bell to call us to dinner, as an entity of pride of architecture defined by his pen, ink, and white sheet that I mention. The mother I have to mention; My mother Luccica, rests not condemned or corrupted before her flesh, rather perfectly united to her spirit that envelops her free of sin, so that her company would be of complete solitude in our Castellum, we will continue to be in conformity with the spirit because our mansion is a beautiful spirit of vicissitudes, life, and peace, that our esplanade holds hunger and coldly indifferent to loneliness, cooling and pleasing the company of its own cold, rising from the first rays of the day, as well as rising from the first pinches of graduated ink, agreeing in the corrals where my father already lived according to his life among debtors, mortifying what he has not been able to mount on his steeds that inhabit his senses, leaving not so far to greet them in the mornings free of errors of not greeting, even When the minimum space is left to think of him as a joint-heir. Because the laments sob and others are born in the virginity of the light of the world with other lines Luccica can scarcely write, writing her co-age spirit, manifesting itself foolishly in suffering perfection; manifesting itself as everyone's delight, although ringing with anger at not freeing itself from glorious freedom. Not all sing to the tune of the disability of putting the strength of the grapheme of posterity, rather we blind ourselves by putting hope, but of patience that we arm ourselves by losing our courage to have it. Our will is of the magnitude of saints when doubt and fear entertain us, according to all the things and purposes that irreversibly will surprise us. I do not know where I have to walk here in this tower ?, because I know that myths of the unknown will fall according to the fact that I am his son, being the first-born of all men in the world, speaking of who among many intercede before tribulation or anguish, that strips me of all spirit still asking for it and justifying that I keep talking about them, but that I have been gone for a long time. For this reason, venerated mother, wake up from this frozen cell of the courtesy tower, because I am jealous and I believe that neither death nor life will fill the dead suspended in your room, which support more lives with their angels adorning their bindings and paragraphs, with principalities that are increasingly so distant more than imminent to come to please you. When your name is tried in real vices to increase, they are being stripped of the sons of the principality in which they shine from afar, but with our feet dancing on despotic brilliance, and not of the hollow that still does not fill my heart for you”

Emerging from the last lights of the Castellum del Horcondising, Vernarth bids farewell to his reign, leaving his mother Luccica in the company of three Angels who mined him with the amber mistletoe, of sallow light. However, she will remain frosted on her desk with ink at night and by day, so that when the day ceases, she will draw ink from the darkest night to continue writing that she can already be without Him! Near the Halleniká Necropolis in Rhodes, a statue of Peltasts stood, shielding the site where the “Vas Auric” Auric Medallion would sporadically rest, which came between the bilges, now inside the Eurydice. It came predestined with sacred amber garments alloyed, to make up for the between Peltast mediators who guarded them, to deliver it to its Commander Vernarth.

The Apostle Saint John says: “The Sephardim like us in exile did not see reasons restored in our union and tradition, we resembled a diaspora that did not derive voluntarily, according to events that occurred in my case in Judah at the hands of the Romans. The Alexandrian Jews form on my part certain Israelites dispersed in my prayers, leaving us where the radiance of our faith makes sense and dispensed power to us. My economy is to create the furniture that will inhabit laborious houses in the Staurós histos, even among those Jews and mercenary soldiers, freeing themselves from prejudices and clothing that represented them alone and fragile, being sensible by the diaspora. The world separates itself from the matter cell, clinging to the consciousness of the unity of dispersed Mosaicism as a sacrificial cult, to cater to those who write history more distant than a synagogue without a Rabbi. When bad winds blew there, they often made the situation worse for those scattered in a foreign land. At the end of the Hellenistic era, we had Jews in Persia, Mesopotamia, Syria, Phenicia, Pontus, north of the Black Sea, Cappadocia, the rest of Asia Minor, Egypt, and Cyrenaica, Carthage, Greece, Macedonia, and Italy. Now I in Rhodes with the Vas Auric, to trace the true effigy of Judas Thaddeus, my co-religious in pursuit of an intellectual and theological religious activity of edifying centers of prayer and universal unification, here in the Necropolis of Hallenikka, where some Davidian Psalm will be in more regions of here documented in precession, and as a reciprocal religion to Hellenic situationism. Its religiosity is felt, it even remains open in proselytism that causes the indefiniteness of the half-convert and that implies a risk for the identity of the Jewish religion as the support of a people with not a little original conscience "

He sings The Delphic Sibyl: “He bears the crown of thorns of the Coronation of Jesus, which also happened in the Praetorium, and as in previous cases to the scene represented in the corresponding neutral. In Eritrea Stauros, rather Herophile, if chaste and Delphic clairvoyant and apologetic, her vernacular artery made her a native of Marpeso, Troyana-Troade. As in fantasies of being the daughter of a Nymph and a Shepherd. Her elegy was escorting her to the Duodecim Evangelii, from Samos she is docking towards Patmos at the foundations of the Megaron. With the same polygon of the Sistine Chapel, in the quattrocento, where Vernarth had assistance in the parapsychological Regression of the Quattrocento Duodecim Evangelii, announcing that Vernolatry would be part of his Apologetic life, inspiring prophecies with the Iaspis Parables, commending scholarship after the grave that He was in the forest of Apollo Smintheus, returning to his origins in a sinkhole in Mount Coric. The idiomatic cross was its interlaced fractal, with threads and kashmar pole, surrounding the crossed palisades with linen threads, and Koiné to display the cross in the hestion or towards the Staurós or cross, in the capital event of the material instrument of execution for the man who falls into no man's land "
Codex XXXII - Mundis Iudicatam Vas Auric / Rhodes - Kímolos
Clare May 2013
Like it, Hate it
The truth won't change.
You might say religion,
Or mask it in Karma,
Or just call it sad,
That turn of events were.
Like Pontus Pilate
You will never ever
Wash your hand off,
Never Wash off the blood.
Worse, you will never
Be remembered in prayer.
Purgatory will turn on you.
Where will you go
When thousands grab you,
Where will you go
When riots burn you?
For all those who were cut
and burnt even in wombs,
You will answer how?
No Hindutva will save.
No rioter will survive.
Like it, Hate it.
POEMS ABOUT EROS AND CUPID

These are translations of ancient Greek poems about Eros. Eros was the Greek counterpart of the Roman god Cupid. While today we tend to think of Cupid as an angelic cherub shooting arrows and making people fall in love, the ancient Greek and Roman poets often portrayed Cupid/Eros as a troublemaker who was driving them mad with uncontrollable desires.


Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wilds winds whipping desolate mountains,
uprooting oaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, fragment 54
loose translation/interpretation by Michael R. Burch

Eros
descends from heaven,
discarding his imperial purple mantle.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 102
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
Take me!


Around the same time Sappho was writing in ******, in nearby Greece, circa 564 B.C., we have another poem about the power of Eros:

Ibykos Fragment 286
translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



I hate Eros! Why does that gargantuan God dart my heart, rather than wild beasts? What can a God think to gain by inflaming a man? What trophies can he hope to win with my head?
―Alcaeus of Messene, loose translation/interpretation by Michael R. Burch



Have mercy, dear Phoebus, drawer of the bow, for were you not also wounded by love’s streaking arrows?
―Claudianus, loose translation/interpretation by Michael R. Burch

In Greek mythology, Cupid shoots Phoebus Apollo to make him fall in love with Daphne, then shoots Daphne with an arrow that prevents her from falling in love with her suitor.



Matchmaker Love, if you can’t set a couple equally aflame, why not ***** out your torch?
―Rufinus, loose translation/interpretation by Michael R. Burch



I have armed myself with wisdom against Love;
he cannot defeat me in single combat.
I, a mere mortal, have withstood a God!
But if he enlists the aid of Bacchus,
what odds do I have against the two of them?
―Rufinus, loose translation/interpretation by Michael R. Burch



Love, if you aim your arrows at both of us impartially, you’re a God, but if you favor one over the other, you’re the Devil!
―Rufinus, loose translation/interpretation by Michael R. Burch



Either put an end to lust, Eros, or else insist on reciprocity: abolish desire or heighten it.
―Lucilius or Polemo of Pontus, loose translation by Michael R. Burch



Steady your bow, Cypris, and at your leisure select a likelier target ... for I am too full of arrows to take another wound.
―Archias, loose translation/interpretation by Michael R. Burch

Cypris was another name for Aphrodite, the Greek goddess of love. Here the poet may be suggesting, “Like mother, like son.”



Little Love, lay my heart waste;
empty your quiver into me;
leave not an arrow unshot!
Slay me with your cruel shafts,
but when you’d shoot someone else,
you’ll find yourself out of ammo!
―Archias, loose translation/interpretation by Michael R. Burch



You say I should flee from Love, but it’s hopeless!
How can a man on foot escape from a winged creature with unerring accuracy?
―Archias, loose translation/interpretation by Michael R. Burch

Many centuries later, poets would still be complaining about the overpoweringness of ****** desire, and/or the unfairness of unrequited love, by which they often meant not getting laid!



Spring
by Charles d’Orleans
loose translation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.


Fast-forwarding again, we find the great Scottish poet William Dunbar, who was born around 1460:

Sweet Rose of Virtue
by William Dunbar
translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear,
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently,
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again,
so comforting her bowering leaves have been.

Keywords/Tags: Eros, Cupid, Phoebus Apollo, Cypris, Aphrodite, love, blind love, cute love, love god, love goddess, bow, arrow, arrows, desire, passion, lust, heart
The Celestial Spirit of Vernarth began to walk through the Castellum from Horcondising, after the parapsychological regression in its conclusive auction and purgation. It loomed at the Horcondising Keep; here all toilet modules, food, and medicines were well equipped, except for the inks and writing papers that were totally exhausted. Here you can see his mother Luccica, who was in a position to scribble and write on an upstairs desk, and in the other hand she had a rosary of liberation, which anonymously appears before her purgation in the presence of the protervative spellings that still wander through the cells and bedrooms of the Castellum from Horcondising. His mother is seen crooked over the voices that polished the eight moons that she had designed for her son Vernarth since the very machicolations of the Castellum, but now with a rosary of liberation. It was clearly seen in the leaves written by her, which said that “My son abandoned his arms, now in fluids of holy water, symbolizing real chimeras for the Matacanes, to those who read his life verses in our Castellum, in Gaugamela and Patmos”. Vernarth, mostly Hellenic, awaits to manifest healings for all creation, pouring water from moon storms on Rhodes, and lighting Matacanes wall light at the door of the Messiah stand.

Vernart says: “my adolescent gaze must be reborn with that of my father Bernardolipo; a whole Chamberlain, making himself free and a supporter of the baronies that were part of the servers of my servants…! Although now to climb his cabinet I have to raise my knees higher before the amplified step, calling us all to try to be closer to a new bell to call us to dinner, as an entity of pride of its architecture defined by pen, ink and white sheet to mention. The mother I have to mention; My mother Luccica, rests not condemned or corrupted before her flesh, rather perfectly united with her spirit that envelops her free of sin, so that her company would be of complete solitude in our Castellum, we will continue to be in conformity with spirit, because our mansion is a beautiful spirit of things, life and peace, that our esplanade holds hunger and cold indifferent to solitude, cooling and pleasing the company of its own cold, rising from the first rays of the day, as well as rising from the first pinches of graduated ink , fellowshipping in the corrals where my father already lived according to his life among debtors, mortifying what he has not been able to mount on his steeds that inhabit his senses, leaving not so far to greet them in the morning free of the sins of not greeting, even when the least space is left to think of him as a joint heir. Because the laments sob, and others are born in the virginity of the light of the world with other lines Luccica can scarcely write, writing her co-age spirit, manifesting itself foolishly when suffering perfection; manifesting itself as everyone's delight, although ringing with anger at not freeing itself from a glorious freedom. Not all sing to the tune of the disability of putting strength of the grapheme of posterity, rather we are blind to put hope, but of patience that we arm ourselves losing value by having it. Our will is of holy value when doubt and fear entertain us, according to all the things and purposes that irreversibly surprise us. I do not know where I have to walk here in this tower, because I know that myths of the unknown will fall according to the fact that I am his son, being the first-born of all men in the world, speaking of who among many intercede before tribulation or anguish, That strips me of all spirit, still asking for it and justifying that I keep talking about them, but that I was gone for a long time. For this reason, venerated mother, wake up from this frozen cell of the keep, because I am jealous and I believe that neither death nor life will fill the dead suspended in your room, who support more lives with their angels adorning their bindings and paragraphs, with principalities that go increasingly so far more than close to come to please you. When your name is tried in real vices to increase, they are being stripped of the sons of the principality in which they shine from afar, but with our feet dancing on the despotic brilliance and not of the hollow that still does not fill my heart for you”

Emerging from the last lights of the Castellum from Horcondising, Vernarth bids farewell to his reign, leaving his mother Luccica in the company of three Angels who mined her with sallow light amber mistletoe. However, she will remain frosted on her desk with ink at night and by day, so that when the day ends, she will draw ink from the darkest night to continue writing to him that she can already be without Him! Near the Necropolis of Hallenika in Rhodes, a statue of Peltasts stood, shielding the place where the “Vas Auric” Auric Medallion would sporadically rest, which came between bilges now inside the Eurydice. It came predestined with the sacred amber robes aleonade, to make up for the between Peltast mediators who guarded them, to deliver it to its Commander Vernarth.

The Apostle Saint John says: “Jews like us in exile did not see reasons restored in our union and tradition; we resembled a diaspora that did not derive voluntarily, according to events that occurred in my case in Judah at the hands of the Romans. The Alexandrian Jews form on my part certain Israelites scattered in my prayers, leaving us where the radiance of our faith makes sense and dispensed power to us. My economy is to create furniture that will live in laborious houses, even among those Jews and mercenary soldiers, freeing themselves from prejudices and clothing that represented them alone and fragile, being sensitized by the diaspora. The world separates itself from the matter cell, clinging to the consciousness of unity of dispersed Judaism as a sacrificial cult, to cater to those who write history more distant than a synagogue without a Rabbi. When bad winds blew there, they often made the situation worse for those scattered in a foreign land. At the end of the Hellenistic period, there were Jews in Persia, Mesopotamia, Syria, Phenicia, Pontus, north of the Black Sea, Cappadocia, the rest of Asia Minor, Egypt and Cyrenaica, Carthage, Greece, Macedonia and Italy. Now I am in Rhodes with the Vas Auric, to trace the true image of Judas Thaddeus, my co-religious in pursuit of an intellectual and theological religious activity of edifying centers of prayer and universal unification, here in the Hallenikka Necropolis, where some Davidian Psalm, it will be in more regions right here documented in my precession as a parallel religion to Hellenic situationism. Their religiosity is felt, and even remains open in a proselytism that causes the indefiniteness of the half-convert and that implies a risk for the identity of the Jewish religion as support of a people with not a little original conscience”

Etréstles with Vernarth go to Eurydice, before descending into the bilges, they begin to found the ventral conceived from the word of Judas Tadeo “Yehuda; Praise be to God”. Judaizing verb in Veronica, or true image of the Via Dolorosa, among some apocryphal documents another historical and definitive truthful current is mentioned.   Detailing the aforementioned image in the shroud of the woman who seconded Jesus in the Sixth Station. The apostle Judas Thaddeus, is warned along with the auric image, providing confidence and praise of stands that walked in the murgas of Rhodes, before the iconographic variety was present with the image of Joshua overflowing by the Auric Avas, levitating among the circular margins, transforming into his banner with maces, which represented his martyrdom escorted by a sword or Shamsir, in the shape of an Arab cutlass; This being attributed to his beheading, but close to a hagiographic fatality.

Saint John the Apostle says: “Saint Jude Thaddeus the Apostle; He brought the Mandylion (Canvas of Edessa) to the court of King Abgar V of Edessa, to heal him. Being actually Thaddeus of Edessa, but the iconography was rectified by mistake. With a flame on his head at Pentecost he symbolizes us embroidered with a Chrysoprase, the green gem of his praise. Right here in these damp platinum chrysoprase bilges, it is that they emerge by themselves as an integument stamped in the peripheral curves of the Vas Áurica, they are attached to the Mandylion, frisked to my clothes to take them to the Hallenikka necropolis. Ulterior Vernarth and Etréstles pilgrimage carrying the mass of Vas Áurico of solid gold, groping him before taking them with decisive worthy praise to be brought before the sight of others who prospect to be before dark in the necropolis "

Saint John the Apostle continues: “Before dividing as Hexagonal Birthright, we went to Tsambika and others to Hallenikka. We head to Tsambika which is located on top of a hill on the east coast of Rhodes.   Bowing down to the praise of the iconographic and religious corridor of Mary. Here is the golden legend of Rhodes in Crete, of Rhéa and Cronos, for their ******* and mythological manias. We insist here we pass first to walk towards the heights of Tsambika, bordering the nature. Earthly possession of magnificent iconographic blessings”

Right here Demetrio Poliorcetes, acceded to the island, completely failing, resolving everything with high peace, with the mediation of some Greek polis. The military of Demetrio Poliorcetes left a large amount of armaments, for this reason the Rhodians sold the solid material and turned it into treasure to build the Colossus of Rhodes. In this same way the Primogeniture, thus began to gather the estates to summarize the hagiographic heights of the Vas Auric and the Mandylion together on both sides, for the final departure to Patmos. Being the necessary time that allowed them to be in this open, those who accompanied him in silence discovered new silences that amended the rotations that the Vas Auric medallion gave, exhibiting the half circumferences of a new world, with the organic body community of San Judas Tadeo, doing praises of a tender being to the Hexagonal Birthright who escorted them to save the world.

Eurydice parapsychological channeling:

Eurydice says: “Tsambika was left by the route located on the east coast of Rhodes before reaching the town of Archangelos, we passed through a cypress forest. It is said to be the origin of the name that is due to the word "Tsaba" (Spark) and refers to the history that involves the discovery of the icon of the Blessed ****** of the Nativity at the top of the hill. This icon turned out to belong to the island of Cyprus and was immediately returned to its place of origin. But the icon would reappear over and over again at the top of the hill, so they decided to build a chapel in honor of Panagia Tsambika. The miracles that the ****** worked were many, among them blessing with a child the women who prayed her and could not conceive. Since then there is a tradition of calling the child born by the ******'s work, Tsambikos if it is a boy and Tsambika if it is a girl. Right here our Hex Birthright will procure the votes for Rodinense culture. We went to the town of Archangelos to a delicious gastronomic with Barley breads and Pure Wine, Akratismós the locals told us, taking small pieces of the basket with figs and olives, decorating them with tagenites cakes, continuing later with more Wine and Steamed Ariston with stews and fish for lunch, which were arranged on small tables with zoomorphic legs. Women ate after men according to tradition, but now it was all of Aristotelian virtue, for immanent actions and passions of the soul; being able this time to dispose ourselves to perform the best acts and do well and always better, according to the right reason that is chosen from an intellectual disposition called prudence here in Archangelos; in charge of uniting us in knowledge and action”
Vernarth says: “Aristotle was the teacher of Alexander the Great and me too; in his virtuosity we learned the exercise of forgiving habits, with training, with experience and time to exercise it in them. Furthermore, with the tasks in accordance with virtue, being by themselves agreeable and as virtuous men judging righteously; this is how happiness shines for the Stagirite Aristotle; where our teacher was born. Herein lays his inspiration in living and acting well, the activity of man being good in it: beneficial, pleasant and happy, so it is directly related to virtue and the actions of the chaste man. In this reflection, virtue as a way to prosperity, the efforts to achieve them, will be analyzed, and some of the intellectual and moral virtues established in the moral philosophy of our master thinker will be described. Especially with your Eurídice delicacies, thank you for putting them in our hands in this kitchen here in Archangelos "


Euridice continues: “Hesperisma, slipped through our hands when my father Pelias, at night, brought us closer to his dialogue with the myth of Jason.  In metal or terracotta containers that entertained us. We could use bread cakes as plates, but earthenware or metal bowls were more common. The cutlery we use at the table: the use of the fork as an unknown, it was eaten with the fingers. They helped each other with a meat knife and a simile spoon. Pieces of apomagdalia bread we could use to take food as napkins, to clean our fingers. We felt grace in our ears from Aulos, like bells calling us from Panigia Tsambika. We stretched our fingers towards some chestnuts, beans, toasted wheat grains or honey cakes, responsible for absorbing alcohol and prolonging the drink ingested. Some locals, who accompanied us from Archangelos, inaugurated one or more libations towards a pean as a simple prayer to Apollo, generally in honor of worshiping Dionysus as well. The libations obeyed certain rules: the number of libations per person was not limited, but the invocation was not done without libation, after the meal and before drinking, the participants' heads were covered with ribbons or garlands of ribbons. A Greedy inhabitant saying: “In Archangelos he mentioned in his ancestors; where they had poured egg yolks, oysters and scallops, as soon as we were rid of this world, we sat down to drink, dancing by the powers of the ferments of the distilled ingested with some bakery delicacies: Like the Daraton, without yeast, which was flat as a cake.   The almogee, coarse country bread, which was made on the farms.  The phaios brown and unrefined bread. Syncomiste, black bread for being made with non-sifted rye flour, was known for facilitating intestinal transit and dietary wheat bran bread. Thus ends the address the greedy Archangelos "

Saint John the Apostle adds: “It reminds me of how Yeshua healed the woman who suffered from Hemorrhoid. Thinking just like Jairo; prominent as one of the chiefs of the synagogue of Gerasa, in the ancient Decapolis, at the beginning of the first century of our era. He met Jesus of Nazareth when he was speaking in what is now Gilead, northeast Jordan. Jairo thought it would help him to heal his daughter, still believing she was dead. While Jesus is still in dialogue with the woman he has cured from Hemorroisa, some men from Jairo's house arrive and say to Jairo: “Your daughter has already died. Why bother the Master more? “Having told him, Jesus, who has heard what he has been told, looks at him and encourages him with these words: "Do not fear, only manifest your faith." He asks him to show him where his house was. While there everything was with great regret and consternation, Yeshua tells them that the girl has not died, that she is only asleep, the incredulous people scoffed knowing that she was dead. My teacher Yeshua, makes everyone leave Jairo's house, except Pedro, Santiago, the girl's parents and me, also allowing me to stay here. In this place we hear from the Aramaic-Syrian expression "" Talithakumi ". Where we could observe how the girl began to walk, seeing the extravagant joy in the girl's parents and other people. This episode makes me warn that we walk between situations of sociability that only admit to committing ourselves with equanimity that the facts of a plausible authenticity strike attesting to those who meet those who love in an unquantifiable way for the religious social feeling. We committed ourselves to being born to see the logic of being witnesses to oneself, but not to what we do not witness more distant from those who do not see them after their death, not being ourselves. Creation today here in Archangelos makes us witness to being in the midst of families that sigh for a Talithakumi for all those that one day the prodigy of existing will carry them beyond a resurrection, are pre-classified for a biological phylogeny, being externalized and extended further afield. Of our own taxatives, In this way they will have tiny beings and courage that speak for them, because when a person is resurrected with this energy, Creation is resurrected with all the creatures that are inborn " The Hexagonal Primogeniture rushing down a beehive, after having dined with the Tragones of Archangelos, they go back to the voids of history that appear before them on some cliffs, saying:

“At the beginning of the 4th century BC, all the Greek poleis, regardless of whether they were bigger or smaller, began to mint their own coins, sometimes pictorially represented by the name of their communities: Ástaco for a lobster, Melitea for a bee, Selinunte, for a celery leaf. It is from this same conception of Aristotelian Virtue, that this regression has the motive to humanize and integrate Creation and its little creatures, from a chaos of death like the daughter of Jairus, being able to reborn a new cosmogony with a sub-cosmogony between myth and myth. Relative concept of reality, resurrection occurs and does not occur, because the divine primordiality of being resurrected will also exist delegatedly, as a being again reborn, perhaps with the same essence component re-obtained,but within an order that admits creation of Creation in a world that does not recognize Chaos as deep and empty, rather generous to grant the magic of the irrigation of the energies of Yeshua, already constituted as an ambivalent chaos computer. Titanic continues phenomenology, taking us to dimensions that share recapitulations of their nature among themselves, to once again contain compendiated and resurrected beings, who socially walk the face of the earth resurrected and fragile subtle in an ordered but sensitive land, and with voids of integrity and chaos that could restrain it. Zeus and Tartarus, almost like poetic prototypes, would appear in storms of evasion of credibility towards creation and its genesis, subtracting the secondary intention that consolidates the grateful world of restructuring, saved by an unknown superior deity, to whom the springs are prominently unleashed. And the blades of the Hellenic time mill”
Chapter *** II
Vas Auric / Rhodes
Hex Birthright in Hallenika
Long Term Solution

It has come to my attention that the moon is capable growing green
bananas, goats and sheep but not cattle as they emit too much gas
into the planet's thin surface can live there.
if we send refugees there as pioneers they are forbidden to smoke
tobacco although, to the great surprise to the first moon lander found
an empty packet of Camel which of course was planted there by young
Putin to blame the USA. Also should the Settlers who make life difficult for
the Palestinians, should run out of land to a new Jerusalem can be built
in one of the moon's craters.
Europe has like Pontus Pilatus washed her delicate hands of the refuge
problem let us construct spaceships that must be paid for by migrants,
but beware they can one day switch off the light.
Dimitrios Sarris Dec 2019
Cosmos was filled with beauty
darkness welcomed their light with weal
and so Uranides, Oceanides, Goddesses of old
took a place in the unending void
and sat to thrones made of starlight
giving place to children of their own.
Asteria daughter of Coeus and Phoebe. Goddess of
shooting stars and as one of them fell to the ocean
creating the island of Delos.
Leto sister of Asteria mother of Apollon and Artemis
motherhood and light were her gifts.
Hecate the witch the bearer of torches daughter of Asteria and Perses.
Eurybia master of the seas daughter of Pontus and Gaea herself.
Wife of Crius and mother of Astraeus, Perses and Pallas.
Eurynome the Oceanid a goddess of the sea, daughter of Oceanus and Tethys, mother of the three Charites of grace.
The one of those who nursed Hephestus.
Metis sister of Eurynome goddess of wisdom and deep thought,
mother of Athena, still bearing a child that could
overthrow Zeus himself.
Styx the third sister of Eurynome an Oceanid goddess of
the underworld river. Wife of Pallas and mother
to Zelus,Nike,Kratos and Bia.
Sorry i love mythology.
Dre G Aug 2017
across mountains of infamy
pompey oozed his way down
the port like chèvre, the
screeching miles behind him.
he wanted to be alexander
the great, just like all men in
his position. in 1999 everything
was blue, and before that grey,
and somewhere in between a few
communists painted themselves green
and now we have vesuvius.
now we have the arctic ice
sheets falling into the ocean,
now we have machines that
turn root vegetables to liquid.

alchemy was never one of
pompey's strong suits, and for
this caesar mocked him
outside every bodega in lower
manhattan. a fine servant of
pythagoras was he, and his
feminine ability of transmutation
unparalleled among his contemporaries.

build tributaries for gravity.
don't let this world, with its
smug disapproval of tesla & *****
demand a full fledged eclipse
of your hair, the arterial extension
of your crown chakra. many
avian predators will create
ripples in your hyperspace
continuum, remember the myth
of gravity at times like this.
vladimir lenin was able to
come to terms with his reptilian
heritage, right there in st. petersberg,
right there in burma, right there
in pontus, right there in zaire.
why would a maple leaf constricting
a tail light bring forth a civil war
in archaic rome or egypt? as pompey

felt the velcro snap from his
spine when the swords went in, he
cried the same words that caesar
would a few years later. he said
"i gave your father my finest figs &
cheeses & you betray a guest at your
own psytrance party?" the nile
flooded low that season, but across the
sea in sicily the lasagna piled high.
Mateuš Conrad Jan 2023
there might have been perhaps two other New Year's Eve
to match this years,
of these only one was actually magically youthful,
between 2004 coming to 2005 or perhaps it
was 2005 coming to the year 2006...
i was still studying at Edinburgh (Promis, Alicia),
that's when Promis lost her virginity
to me after Hogmanay, becoming irresistible...
seeing Fiona slobber me...
at the same time "drink me, eat me"...
**** drink to puncture her virginity while
Alicia was left cold, Lebanese reading that book:
The Hours... leftover in the communal room...

i didn't have any fun with these girls that time round...
what i had fun with was... my flatmate...

with Tristan from Bristol,
running around the streets breaking car side-mirrors
reenacting scenes fro Fight Club...
Bruce decided to become this middle-aged
man aged 18...
he bought a "bucket" of golf clubs...
one night we took them out...
we took out some golf clubs...
a few golf *****... and a few glasses...
we stood in the middle of the street...
pretending to... AIM... at... ha ha.. AIM...
we missed all the golf *****...
but! we managed to hit all the glasses!
it was... spectacular...
we were golfing in the proper Scottish sense
of the origin of golf...
       we had golf-clubs... we had golf-*****...
but we weren't hitting golf-***** with golf-clubs...
we were using golf-clubs... to... aim at imaginary
pint-glasses... sitting on top of...
shot-glasses... or... perhaps the reverse...

then that one terrible one circa 2003 or 2002...
going back to Poland, back then trying to romance
Katie (Kasie) - being invited to a house party...
being surrounded by teenagers hornier than me...
small-town mentality of getting hitched-early
and i was having trouble to breathe and find out
anything about whether i was already
the foreigner that still spoke his native tongue,
smoke, ****** music,
   the past part of the house party was helping with
the preparations with the host i only met that
evening...

this other New Year's Eve i was sitting alone
in my grandparent's house... alone in the kitchen...
both of my grandparents decided to go to bed early...
i watched the fireworks alone and felt
a solid stone of melancholy: a reflective sadness that
is not some reflex-depress or deflect-impress...

before today i promised myself change my habits,
how i would change everything,
quit smoking or at least cut down: i would most certainly
not smoke in the morning and on an empty stomach,
i would cut down on the heavy bourbon or whiskey
*****... why?
  heavy ***** has ****** up my digestive system a little...
irritable bowel movements and...
sometimes the inability to take a **** in one go...
rather... having in splintered...
   in sections... well... easily prone to sometimes vomiting
or rather: needing to ***** to feel at easy...
that was three days ago...

      i just wanted to stop feeling the also hightened
blood pressure...
             these "headaches" that weren't headaches but sort
of pulsations... as if my brain was dehydrated,
spinning, almost feeling death-tickling...
squeezing of the throat...
i told myself that i would stop drinking the heavy
duty liquids even if that meant i would have more sleepless
nights... well... new year's resolutions begin
two days before a new year's eve...
but the old ways have to come around for just one
last time on new year's eve and then:
with the intended plans...

    prior to the 30th... on the 29th i said to myself:
promise me this you-i, you will follow-through...
so i drank four ciders, took some generic painkillers
to ease me sleep and hey presto...
perhaps not a healthy 8 hour lapse into the Land
of Nod - but at least i woke up relaxed at 10am...
i had 5 hours spare until the shift would start
at the London Stadium...
                       i ate enough food smoked a cigarette
starting puking... right... you're not taking an cigarettes
to the shift... on my way there these
high-pressure "headaches" kicked in...
again i thought i was constipated but i had already
taken a shift before leaving...
no... these were not high-pressure "headaches"
anymore... excitement was kicking...
    i was again promoted to a supervisor: **** it...
here's me taking care of the east-wing with 15 stewards
under me...
i was excited... why? West Ham fans have the worst
reputation of all the clubs in the Premier League...
27 arrests in the season 2021/22...
i was excited... i was expecting something to happen...
i had 4 stewards on their ****** shifts...

in the middle of the match where West Ham was losing
to Brentford 2 - nil, Martin on gate 141 started gesticulating
with his hands in the middle of the second half...
i walk over... he tells me something is going on...
i look up... oh ****... about 12 guys, some of these guys
were fathers who brought their little boys along...
haggling with punches and grabbing and ferocious
tongues, children crying... a woman in the audience
starts glaring at me with hysteria and screaming
at me: do something! do something!
        calmly i turn on the radio and communicate
to Head Control: Control, this is Papa 2.3 -
i need a response team to be at gate 141 immediately!
the woman is still screaming,
the situation is escalating.... the children are even more
distraught, the blokes are more ferocious
(and the funny thing is, it's West Ham fans
fighting West Ham fans and not Brentford fans...
because the team is close to relegation
and i guess one fan knows better than another
fan about how to turn the situation can be
overturned) -
                           so as the pitch-side manager
Joe once said about contacting Head Control:
'i try getting through to them, they ignore me...'
well... i go at the radio again...
    'Control! this is Papa 2.3 - i need a response team
at gate 141 of the Billy Bonds stand! turn your cameras
onto what's happening! the situation is escalating!'
hey presto... persistence paid off...
    in about 20 seconds about 10 bouncers (SIA licensed)
rush in and break up the crowd... take some guys out,
comfort the children... i'm just happy the hysterical
woman is not looking at me eyes of scorn as if i'm
some impotent radio-holder...

the shift finishes at around 10:30pm...
   i still manage to catch the tube to Gants Hill and the 66 bus
to Romford, the petrol station near the police station
is still open so i buy three ciders...
    get home just after 12am, drink two ciders smoke two
cigarettes, take some painkillers and try to sleep...
oh ****... oh right... no chance of that happening...
i'm already sweating from alcohol withdraw...
cider can't replace bourbon or whiskey...
                   but excitement turns into post-panic control:
the situation was contained...
but that's not why i couldn't fall asleep...
i tried to... maybe i did for about 30 minutes in between
listening to Heilung's album Futha...
   i must have snoozed off for about 20 to 30 minutes
maybe less... turning side to side...
                                       but i knew that there wouldn't
be any point given i finished drinking the cider at
around 1:10am and i had to get up at 6am...
               to eat some porridge, shower, get dressed...
which i did... weird... ever see a fly casually flying
in a kitchen during December? heat makes flies crazy
during flight... in the "cold" of December (13 degrees Celsius
is cold for December... i experienced about
a week of promising,, authentic cold and snow
a week or two ago) - now this stinking damp and mediocre
cold... ate the porridge standing up contemplating
the lazy flight of the fly... so big... so juicy...
thank god it was one of those black ones and not
those green-belly that **** out dormant larva so quickly
the larva that turn to maggots so quickly...
black flies don't have that capacity...
because black flies... well... you associate black flies
with pestering cows... ergo? they feed off ****...
the blue-belly flies feed off dead meat... cat food...

6am wake up, wash, get dressed, and *******
to Putney Bridge for a 9am shift starts at Cavern Cottage:
Fulham vs. Southampton... New Year's Eve...
i have done a shift on Boxing Day last year...
double pay... but doing a Boxing Day shift is not the same
as... doing a New Year's Eve shift...
      it's like that W. H. Auden quote about
New Year's Eve:

the only way to spend New Year's Eve is
either quietly with friends or in a brothel.
otherwise when the evening ends and people pair off,
someone is bound to be left in tears.

ha! i have a third option!
    
so on my way to Putney Bridge, since the Elizabeth
Line is on strike until the 2nd of January...
****... this complicates my travel in London a little...
i can't take the simple option of taking the 103
bus to Romford Station and head to Paddington
and then a short walk from one Paddington (train)
station to the Paddington (tube) station and
like... 6 stations from Paddington to Putney Bridge
(Stamford Bridge, if you're interested?
that's at Fulham Common, or Broadway,
one of the two) - i could have complicated matters
by taking a longer walk from Hammersmith...
but i like walking through Bishop's Park...
as i was once reminded by one co-worker...
that's where Gregory Peck meets the priests
who gets killed in the film Omen...
it's a beautiful park: it's right next to the Thames...
so the route changes... i have to get the 103
bus to the A12 and then get on the 66 bus to
Newbury Park... then the central line to
Holborn, then the Piccadilly Line to Earl's
Court and then the District Line to Putney Bridge...
i truly tried all the alternatives...
e.g. central line to Oxford Circus -
Victoria line to Victoria and the district line
to Putney B.
     or... central line to Notting Hill Gate and
district line to ditto B....
     but i found that... there's too much walking
involved...
          the shortest route is the one i found out...
sure... it's a bit long changing at Holborn...
but changing at Earl's Court is the shortest...
plus Earl's Court is the interchange
between Edgware Rd, Richmond, Wimbledon,
Upminster and Ealing Broadway...
and the station is almost open air... so sickly sweet
underwear drying in the underground
during the Blitz sort of sensation association
with waiting...

                          ah... well... i managed to get in
to the sign in area for the shift early, i was probably the first,
said hello to the owner of the company,
who's name i always forget... an imposing figure...
former-military... but i still forget his name...
Scott... Scott... hello hello... i didn't shake his hand
this time round because i'm not left-handed
and i noticed he was holding a cigarette in his right...
signed in...
   ooh... the grand comedy of being early...
some perks come with that...
between Putney Green and Putney Bridge i realised
that my halting my drinking and elevation
of insomnia left me without any of those
high-blood pressure headaches... no excitement...
not this time round...
               i was cool as a cucumber...
i didn't feel any constipation... but then after signing
in... ooh... that porridge really helped...
as did that ****** chicken, sweetcorn mayo and
salad sandwich and Monster watermelon drink
did too... sign in at 9am... shift starts at 10am...
irritable bowel-movements...
    the staff toilets sub-standards... i tell someone:
if anyone asks... i'm going to the public toilets
in Bishop's Park... but there are toilets for staff?
you see the cubicles mate? cubicles without doors...
i'm not here to ****... i'm here to take a dump!

fidgety i'm walking back to Bishop's Park...
i enter the toilets... i enter the toilets... then the cubicle...
i peer in... wow! no animals were (yet) here!
the toilet seat is clean! it's left down!
there's toilet paper! there's a coat hanger!
wow! wow! am i just about to "******" as if seeing my
favourite ****-star from when i was 15?!
i take my coat off and all the elements of accreditation,
high-viz. and stadium passport...
undo my shirt a little at the collar and sleeves...
undo my zipper and clip pull down my trousers
down sit down and: PHOO! i **** out both
a gold nugget of firm shirt and a subsequent
waterfall of the looser stuff... my god...
i know that i'm supposed to find some sort of relief
in *******... this... this is better than *******...
ejaculations happen in private...
this is inverted *******: taking a **** in a public
toilet is more of a relief than ******* in private...
after all... it's pretty much the same, isn't?
i might not be looking someone in the eyes...
my member might not be in someone else's body...
but... Bishop's Park was organising their annual
run around the park for jogging enthusiasts...
i was already done when this one jogger ran
into a cubicle next to the one i was sitting in
finishing off my "taking a ****" counting time
solving a Mahjong... when i start to hear him puking...
i just took the most glorious Hiroshima ****
and here's next to me separated by a flimsy screen
that can't sort of discriminate the existence of sounds...

we waited for the shift to start for so long...
Stephanie pulled out... i saw her at West Ham and she asked me
whether i'd be with her in the Bishop's Park...
she turned in sick... so... i was back with Toni...
on the Hammersmith end of the stadium...
well... Thames-side and Hammersmith end...
i just implored her for a favour... i'm tired Toni...
can you put me on the outermost position...
last time i curated this position the weather was beautiful...
i spotted the bridge after Putney Bridge and
i thought: oh... the Kew Bridge...
what a glorious sight... but no...
the bridge that comes after Putney Bridge is
the Hammersmith Bridge... but that's when the weather
was good...
i just didn't want to work with Mark...
    citation needed: 'with my 12 years of experience
as a steward...'                      the ****-joke of the profession...
it was barely a year since i worked this job
and i was already supervising and yet he...
yeah...                               i can understand flies...
more than these busy-bodies of deluded semi-half A.I.
projects of hurt humans...
Francis Bacon paintings are grotesquely beautiful...
but this? this is reality-par-excellence...
interacting with it is: this incomplete human sort
of a joke... that can become a sly group-think of
being comfortable with a specified discomfort...

so i asked her... stand me there... next to ol' Father Thames
and let me admire that bridge i'm not sure about...
so she did...
     what i wasn't actually expecting was the weather...
i took the ******* position...
but as i soon learned... the best position...
the wind came with the rain and the rain came with
the wind...
                      there was this dog-walker with 4 dogs
with one being a terrier ADHD prone spaniel...
running rampage as if having seeing the godhead
of Anubis...
                      
          i was directing Southampton fans to the Putney
stand to avoid the Hammersmith stand...
just talking... hello, how are you, good afternoon...
smile... more smile... choke on a ******* biscuit
and a peppermint...
                   old men telling you: you're not getting paid
enough... lovely weather, oh... not as lovely as if...
it might be staged in the dark...

more about Mark with Lyndon and Toni...
pestering three women Chill (that middle-aged Turkish
woman... oh names... apples: Melanie... Nile? pears?
verbs?!) talk gets lost... on details...
joking about jumping the tide-out Thames...
i was just looking at how crows scared the seagulls...
one swan swimming alone...
metal-pickers in the mud...
                         i'm not myopic or the antagonism
of myopia... L.S. Lowry's stick-paintings...
                                 sure as **** metal-pickers...
in the mud i noticed what i first thought was a treasure
chest... turns out it was an old computer disk...
what was that even called if it wasn't a monitor?

oh and the weather truly broke me...
the rain came at an angle...
i smarted myself up by asking for a second... water resilient
jacket to put... i wasn't going to put on a flimsy potato-starch
pancho...
but that didn't stop my trousers getting soaked...
then once the rain stopped and the wind resumed:
getting dry... then once the rain came back getting soaked again...
but my socks were already soaked beyond getting dry...
walking the pavement in wet socks in leather shoes
is like... skinning an alive pig...

soaked feet.... although my upper body was kept warm...
talking with Toni about the proper attire for
winter... waterproof overalls... from Sports Direct...
and combat shoes: Magnums, used by police officers
and the army and all manner of security forces...
she asked for a cigarette, i gave her one,
she wasn't expecting a Camel... we walked...
looking each other in the eyes and subsequently
at each other's shoes...
in that instance she told me about her life...
she was living with her father and her stepmother...
how he biological mother kicked her out...
i just forgot which of her "mothers" was
the bipolar one... oh, right... her stepmother...
so i inquired about her stepmother's bipolar disorder...
so is that like manic depression?
no? split personality disorder? what's that like?
are all her personalities integrated or are they,
each to their own, loose canons?!

but there were these other two girls... Naomi...
who looked like a more pristine version of Will Smith's
wife... Jada Smith... i was... looking at Jada Smith...
with more hair... a nose piercing and a piercing
like a freckle where my moustache would cover it:
to the side... two kids... living in Richmond...
totally irresistible... this is how i always wanted
to spend my New Year's Eve... stoically...
at first in a gradation of pain...
pain from feat turning into the flayed beast
revealing nothing but bone, prone to accepting
the elements...

           this other girl... nice... cannibal looking teeth...
bound to braces... plump in the face... wearing a beany hat...
also mingling with Mark, the negate,
she touching him teasingly... once ***** was mentioned
i gave her some advice... oh... but you do know that
the only way to drink ***** is to drink it frozen, right?
so it resemble a sickly sick syrup... no ice, no mixer...
at best a chaser... she peered at me as if i belonged to
an ethnicity of a people that knew how to drink the ****
stuff... quizzical eyes... i forgot to tell her about
spending some time with the Russians:
being myself of a Slavic origin: ABSOLUT VANILLA...

i already knew it was the sort of New Year's Eve i was waiting
for when the shift was coming to a closure...
i was back in position admiring the Thames...
admiring the fading dark Green of Hammersmith Bridge
when the supporters were walking out...
one recognised me saying: so, you're been here,
all along? pretty much...
more passed and i just started spewing the casual:
have a good night, safe journey home,
and then the seemingly comical:
happy new year!

                 happy new year echo!
happy new year! happy new year!
            this precautionary tale of when Gandalf inquired of
poor Frodo: will it be?!
what? a happy new year?!
am i wishing a happy new year to you in advance
hoping, or perhaps wishing, or perhaps knowing:
that it might be... a happy new year?!
the phrase itself is about as meaningful or... meaningless
as licking a post-stamp and sticking it to
a postcard... wishing or not wishing: a "you"
to be "here"... no?!

                                   how about... happy new year
could be replaced with: MAYBE NEXT YEAR...
i.e. when i and you, are still alive...
we'll see each other again... i think that just might be
the summit of what happiness entices mortal creatures
such as ourselves to, from time to time: actually: believe!

the shift ended, i was soaked from feet down...
the trip back from Putney Bridge back to Romford was
sort of... giving CPR to octopi and walking on borrowed
legs... and less than sleepy eyes...
i got off at Gants Hill... ordered a spicy chicken burger
and three hot wings... gulped them down...
went into a Tesco Express... bought myself
a 70cl bottle of Jim Beam, a bottle of Pepsi...
3 cider bottles...
                     got home... said hello to my parents...
sorry... i'm ******* off... climbed into bed...
pretended to sleep, or rather, relaxed with naked feet
under the bed-sheets from them not being soaked...
"woke up" after about 2 fours... hours...
greeted them... sorry... i'm not into St. Sylvester's
celebration...
but i sat down with them...
as i have done for the past two or three years...

Jools Holland's Hootenanny has become sort of:
10pm ITV news in the household come this time of year...
what wouldn't i do without it...
Cat Burn's song Go... i never heard of it until then...
i ate some traditional tripe broth...
to warm the stomach up...
i hanged the bottle of Jim Beam and the bottles of cider
on the garden fence before coming home...
i was going to pick them up later...
to drink... well... at least half...
but it was so worthwhile to be so physically exhausted...
wow! these notes i wrote about that month
last year where i spent almost spent £1000 of prostitutes
and in the meantime lost two of my greatest
lovers... of 30 minutes' worth...
i.e. Khadra and Mona... who... the Madame of the brothel
told me would never return...

we watched the ******* spectacle of the fireworks...
wow! great! crowd!
i just retorted... if i were the people between
Westminster Bridge and the Embankment Bridge...
seeing the fireworks... i'd save up on t.v. memory...
i'd record the collective spectacle...
but got before the massive wheel
and stand there and stare... oh... but look...
who what or when Londoners? Chinese tourism...
the inescapable flu: chick or flex pork chop infections
but no rats and flies are the wholesome friends?!
standing there... with technology spread-out *******
third-eye non-experience...
the technology saw it first...
                                ugly humans non-humans
robots seem lovelier...
                    
                     that's how i learned about Cat Burn's song Go
thinking: didn't Ed Sheeran write this?!
doesn't matter...
once this supposedly spectacular night ended
when i heated up my feet and regained some flesh
in them...
                  i started drinking with my usual standard
of toxicity... looking through old notes...
ooh! an unfinished joint! wow! i had a premonition!
i will not want to go to a brothel i will not want
to go to a depressing house-party...
i will want to go inward...
into myself and starve anything already established...
i think i must have met about 3 girlfriends
tonight... possible...

now i'll finish a bottle of 70cl of bourbon by myself
while writing and smoke that joint...
finally! a new diet of music!

and the odl rekindling of an alliance....
perhaps placing conkers might put off spiders
from aligning a household with a disapproval for housing
spiders... but flies... that's a different matter;
i'm going to smoke this joint
and dream my hazardous of this years first and last
breaths.

where is that ******* fly...
i hope it's still alive while i'm alive... if i swallow it in
the night... i'll pretend to be a Pontus Pilate...

no other New Year's Eve has been so benevolent to me...
i was fudge packed between commuters not trying to
entertain the fireworks on the Thames...
me? go home...
       tired old young man....
                         why are there suspicions of me:
by simply being punctual as having any sort of association
with any nation's army?!
i like sunsets... i like sunrises... i adore the aloofness
of the aloneness that's: otherwise missing
in the claustrophobia of interaction with the other...
WOJSKO...
                        
            this has certainly been the best New Year's Eve
to meet all others...
before me stand's King Lear and Lot's Wife...
i wonder... who is... the Pillar of Sugar?!
Sugar = Salt + Water... no?!
so who is... the pillar of Sugar?!

   ah... ha: hermeneutics contra etymology!
          there's only one history for me...
   that being etymology: the origin of words from words:
to use words is not to use anything beyond words themselves...
which excludes my original assumptions that
letters or geometric shapes akin to letters or vice versa
could ever be utilised...
verba ex verba - non verba ex figura, numerus vel littera:
verba ex et enim verba!
meaning for meaning...
not meaning borrowed from either the associated
or dissociation...
or dissociation and a(n) association...

   well... it just so happens that i have... something of a...
half-wit... canvas of artificial-intelligence
to work with... it's basic intelligence...
                           just what i need.
Jason Sep 2017
reality can turn evil in an instant
your thoughts & mine
are what keep us distant
with my whole heart & soul
I embrace our free land
for our courageous soldiers
and my great liberty I will stand
to the forerunners of self-will run riot
stop pointing to the sky
in his eyes you are the Pontus Pilate
you're venom
like an open sore
on a ******
The candles are extinguished today and the crucifix covered in black
for the One whos life was once bludgeoned with ignorance and greed
As He readied for heaven, he took each heavy Pontus whack
for sake of a world that could not accept nor believe, His Holy Creed

Some repented while others shouted profanities and ignored His tears
as He carried the Cross towards His final resting place, He slowly wept  
the sky, grueling  dark unbending, did not shed the rain nor smear  
while His laced up sandals  walked the sand without God's intercept
  
"But If I, With The Finger Of God," He once implied before he died  
but this was not to be, for the Son of God belonged to man's transfix  
He walked through throngs and herds as he closed the great divide  
they watched, as clustered  Halos grew around His bloodied Crucifix

But If I, With The Finger Of God could wipe away His pain
be more then just a writer recalling His death with ink and quill
The world would be changed as I know it, and He would Reign  
Yes He is the One who died but also, the One they could not ****.

— The End —