The body that I am incarnated in was born in the middle of the very rainy summer of 1939.
My vehicle for life.
All seeing-all smelling --all tasting--all touching--all speaking--all hearing --all sensing --perambulating -singing-dancing-cooking--drinking --painting--******* etc etc vehicle.
Born a few months before the Second World War,with all its nonsensical religiously patriotic and democratically oligarchic and liberally fascistic evil nonsense, started.
Makes me a Rider of the Storm eh?.
Eat yer heart out Jim Morrison!.
Slid out of my mothers womb in the upper room of a brand new house.
Situated on a new street somewhere on a new development on the edge of a 3000 years old walled city in 'gods' own country'--that's what they called it.
Yorkshire!.
First smell I remember,clearly,was rain soaked Lilac and Earth mixed together.
Their scent coming hrough the open bedroom window.
AAAAH rain soaked Lilac.
Second smell was Tobacco from downstairs where my father was anxiously chain smoking.
Then came my first taste.
He,my father,dipped the tip of his little finger into his glass of celebratory Whiskey and poked it into my mouth as I lay there,wrapped in swaddling clothes.
Irresponsibility!!.
Second taste was her warm rich creamy breast milk.
And so my days and nights started.
They told me the name that I was to answer to--as if it was the whole of me.
They told me my beliefs and attitudes and desires and limitations and skills etc etc.
They told me that what I have come to know was my conditioned identity was the real me---but it isn't!..
The lied to me --in innocent ignorance.
My sister taught me to read and write by the time I was 3 years old.
I grew up knowing,deep down, that I was something else.
Not the 'Something Else' that Ornette Coleman played,on his magnificent disc,either.
War raged elsewhere throughout my childhood--mainly across the seas far away.
I watched flight after flight of four engine bombers roar overhead every day ,on their way to drop bombs on children I would never meet.
There was a busy air base 2 miles away from the house I was born in.
Once an injured bomber,coming back from a raid,crashed in flames on two houses at the top of the street I lived in.
I found war to be a hellish and frightening experience.
And along the way I discovered that I couldnt explain to 'myself' who I was, exactly,either.
That my parenters gift of identity was misleading.
I asked 'myself' who or rather what was I?.
By the time I was 3 years I was a ******* from 'Osteomylitis'--or so they told me.
I couldn't walk with massive  left hip joint pain I suffered.
I spent the years from 3 to 6 in a traction bed in a couple of hospitals.
Gobbling down Cod liver oil and Malt for the vitamins--and it worked!!!.
At 6 I learned to walk--YES!!!.
All that pain was left behind.
Thank you Gautama.
My life was suffering but as you supposedly said.
Suffering can be overcome.
And I overcame it.
And I ran and jumped across streams and climbed trees and walked for miles and miles and danced the dance of life.
I foraged for blackberries and wild mushrooms and crabapples and horseradish roots and rosehips and other fruits of nature.
I fell in love with the song of the Yellowbeak--Blackbird to you.
Became enraptured by the smell of wild Roses in the hedgerows.
And I sang and sang and sang and danced and danced and danced.
And all the while I just knew that I wasn't the body that I was incarnated in.
Even though my parenters kept on insisting that I was that body.
And I knew that I wasn't who they had told me I was either.
I knew that I wasn't the conditioned identity of the body that they insisted I was..
At 9 years I passed an exam and won a free scholarship place at a fee paying 'public' school.
My education started in earnest.
Lain and French andAlgebra and Geometry and  expectations of University.
I fell in love for my very first time at around 12 years old.
Raymond was his name.
He taught me how bisexual I was.
I swallowed litres of his body fluids.
Oh how I loved him.
Then after 2 ecstatic years he rejected me because I was a different class to him.
AAAAARGH!.
Then around 14 years the monthly seizures started.
A regular dark descent into unconsciousness.
I experienced the small death of Julius Ceasar and Leonardo Da Vinci.
Back to waking consciousness after an hours out of the body trip into the Astral realms.
Waking with total total amnesia.
With no mind or conditioned identity but both came back within one hour of waking and took over again.
Along with a helluva headache.
But I woke as me--who or whatever that was.
I wasn't who they said I was.
I was me!.
Whatever that was.
Where did I come from?
My purpose in life became to find out what I was and what the source of my existence was.
Teenage life as a rock n roller started beckoned and I embraced party life.
I won cups of silver for dancing very energetically to Bill Haley and Chuck Berry.
I discovered the other half of my bisexuality.
I found girls.
Oh girls how I love you.
and love you and love you.
I started to play trombone at 18 years.
Then trumpet and drums then into my life walked MISS SAXOPHONE and I melted!!!!.
Alto alto wobbly lines of sound poured out from the bell of my alto sax.
I was 23 and toying with buddhism and social alcoholism and playing saxophone jazz(probably badly).
26 and I got married for the first time.
I was playing Free Jazz rather amateurishly by now.
In 1967 I moved to London--became a longhaired hippy--started my own band called BrainBloodVolume--took many doses(literally 1000s) of pure LSD and Mescaline and Psyllocybin and DMT--embraced diet reform--became ordained as a buddhist monk in 1966--played with Jimi Hendrix and John Lennon and the pink Floyd--went to live in the Balearic Islands--Mallorca,Ibiza,Formentera--started to do oil paintings--had a Master Class in Concert Flute playing from Roland Kirk in the dressing room at Ronnie Scotts Jazz Club in London.Became addicted to Macrobiotic Food and Spring Water and puffing Waccy Baccy(always through a Water Pipe..



Its been seventy seven years in this incarnation that I have been wandering the face of this big ball in space seeking the answer to the eternal questions of life.

What am I and where do I come from and what is my purpose?.

And here  is the answer--!!.

I am an individual isness formed solely from a small but equal independent and autonomous portion of the isness of the universe.

Each individual isness is an eternal, small but equal, independent, autonomous,nameless, formless,genderless,classless,casteless,non physical and unconditionally  loving portion of the isness of the universe.

The isness of the universe is the whole of the nature of reality and is the sole source of all existence and is eternal,nameless,formless, genderless,beingless and autonomous and unconditionally loving and is not a 'god' or a 'goddess' or any kind of being.

I live in the joyousness of shared unconditionally loving union with the isness of the universe.

Passing through mid-century
these jazz oneironauts reached Apollonian heights
while society drifted into Dionysian drunkenness
the merchants caught on too soon
The most beautiful parts of humanity
enamored to serve the ugliest:
The merchant class, the bourgeoisie
Buddha’s undeserving in charge
If only in past centuries
those noble princesses embraced
even more lowly patronages
all this potential today could be staved off
Saved from the drive to be commodified
People stopped buying jazz as it reached its height
No more smiles to appease the whites
Jazz for the few
the noble, the individual in the know

Until this too becomes the simulacrum
The Ornette Coleman on the bookshelf
to signify your snootiness
your refinement from wealth
Aging Dads in thousand dollar sweaters
kicking out their 22 year old kids
for being ****** addled hipsters
meanwhile Bird on Verve is nodding out
and Dad’s girlfriend pops a Percocet
to deal with all the stress

There is a song, each of has one.
It is that song that you listen to not once, not twice,
but over and over again.
This song I loved, and put it aside, 'lost' it,
and this afternoon, on a drive to Monterey a year ago,
it found me again.
Below are the words.
Find a video of Richie Havens (see the notes) singing it.
It is a song that you will listen to not once, not twice,
but over and over again, for when he cries out
follow, you will.

Why today?
For a number of reasons.  Primarily, because the first rock festival to change the nation was the 1967 10th Anniversary of the Monterey Jazz Festival, a crossover, because, Richie and Janis Joplin were included and exploded the world, paving the way for Woodstock, the festival heard round the world, where Richie was the opening act!

The headliners were: T-Bone Walker, B. B. King, Richie Havens, the Clara Ward Singers, Dizzy Gillespie Quintet, Modern Jazz Quartet, Ornette Coleman Quartet, Carmen McRae, Earl "Fatha" Hines, Richie Havens, and Big Brother & The Holding Company w/Janis Joplin.

Teach your children well, their father's hell will slowly go by...Crosby Stills and Nash

Soon it will be six months since Richie passed (April 22, 2014).
Patty M. reminded of Van Morrison today, and it in turn, brought me to this place, where my heart resided a year ago today.


*FOLLOW
(Words by Jerry Merrick)

Let the river rock you like a cradle
Climb to the treetops, child, if you’re able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can’t hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain’t what they seem.
And don’t mind me 'cos I ain't nothin' but a dream.

The mocking bird sings each different song
Each song has wings - they won’t stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I’ll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The rising smell of fresh-cut grass,
Smothered cities choke and yell with fuming gas;
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don’t miss you
If all the things you taste ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The sun and moon both are right,
And we’ll see them soon through days of night
But now silver leaves on mirrors bring delight.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
Then maybe, when we meet, suddenly I will know you.
If all the things you see ain't what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream .
And you can follow; And you can follow; follow…

She lay in his bed
Scenes of tunnels & trains
& thoughts of trite moosh run through her head

when young she saw him different
with a quiff
& a whiff of CK on levis
& a watch with LED lights
& a t-shirt blue, skin tight

but with fashion aside
her passion subsides
when he enters not so gently,
did not test the waters
did not guess it was low tide

During the evening they danced
They got down to steady trance
But now it seems he’s in free time
A strange rhythm, so contrived

He doesn’t look like he knows it
Doesn’t seem like type
To quote ornette coleman
In the dark of the night

He has the feel of squashed fruit
And the thwack of a wet sock
Flooped out like misplaced steps
Of a horse learning to walk

The night entertainment then,
Condemned to an eye on a clock
Whilst sharing sweaty absorbence
& not at all evenly proportioned

the most obtuse solos
are always too long
and if made into a duet
it’s just awkward & wrong

one face polite
as one face holds strong
held strong in the notion
it is the king of this realm, his own

like a deluded ****** rock star
with an out of tune guitar
& a confused young groupie
rebelling against her ma & pa

in the end he doesn’t sell it
rather he gives it away
& she is obliged to take it
to carry on the shared charade

a feeble dance of pretence
not to shatter the held façade
of a bullied masculinity
of a young boy fully charged
of a girl swooned by a conman
albeit not well disguised
she convinced herself a prince of sorts
fit to break past her royal guard

she leaves bored & unfulfilled
while he sleeps sound & proud
her dreaming of a prince she’ll soon meet
with a better sense of time

negotiating modernity
at the MoMA

one's pushed along
mass conveyances

inertial rush an
intractable force

surer then the weight
of Newton's gravity

routes precarious
contemplative moments

nails scratching
Pollack's #9

in desperate attempt
to hold ground

Mall of America's
crushing crowds

vagrants pacing
the large garages

barely glimpsing
composite walls

the open spaces
bagging fast food art

not a bit of intimacy
in the **** place

Music Selection
Ornette Coleman
with Eric Dolphy
Free Jazz

2/24/11
NYC
jbm

on the fringes
the outer extremes
a vision of myself
standing next to me

is this a future destination
or a song from the past?

is that my final countenance
I view in a dark mirror
and ask?

where I am now
and where I want to be
I detect hidden clues
in my aching spleen

a foreboding of
what ill winds may blow

a toxic brew
of electric jazz
jizzing in a ***** bottle
aging in formaldehyde
splits a mind in two
poetic visions

running watercolors
of empty houses
with more hidden clues

words to songs
written by me
now sound funny
and patently absurd

loving the history
form seems desirable
content too
but it doesn’t come together

something is missing

stories are embellished
an ego grows larger then a house
bursting open the doors
exploding the roof
sending the heavy slates flying
in all directions
flinging them
into ponds of regret

and lonesome longings
of art offered up
to a critical God
ignorant of history
as I see it

so I lie to myself
and proclaim
delusional truths to others
hoping they’ll listen
to my ***** tales
of higher knowledge
intimate loves
and this weeks episode of
my life’s action adventure series

am I an empty box
or a clanging bell?

ringing something of a warning
about me and my emptiness
as I stumble along in my cluttered apartment

Music Selection:
Ornette Coleman,  
Dancing in Your Head

Oakland
1/31/99

Book us a bed
and room for the day
Julie said
so you did

in some cheap dive
off Charing Cross Road
you were up London
for the day

so that booked
(the dame gave you
that oh yes of course
it's for ***

kind of look)
you ventured
to Dobell's Jazz shop
and picked out

an Ornette Coleman LP
and went into a booth
and was blown away
some concert

in Stockholm
he'd done
after that
you met Julie

in Trafalgar Square
and she was waiting there
dull of hair and eyes
(drug withdrawal)

and said
did you do it?
yes booked it
not far from here

you said
she nodded
and looked about her
at the crowds

and Nelson's Column
and the lion statues
shall we go now then?
she said

OK
you said
and you took her along
to where

the cheap dive was
and the dame
at the desk
gave her

enjoy it kid gaze
and up
the windy stairs
to an upper storey

and opened up the door
and went in
bit of a dump
Julie said

looking around  
a double bed
and chest of drawers
and dressing table

and a gas heater
she walked into
the bathroom
with a huge bath

and two enormous taps
you looked out
the window
which looked out

at a brick wall
it'll do
she said
and went to the bed

and sat on it
and bounced
up and down
a few times

not bad
she said
so then she took of her coat
and kicked off her shoes

and began to take off
her red jumper
are you here
just to watch?

she said
pulling the jumper
over her head
no just waiting

for the go
you said
well go then
she said

and you took off
the ankle boots
and jacket
and unbutton

your creamy shirt
and you noticed
her white bra
and the smallness

of her ****
and taking off
your shirt
you thought

of that quick ***
in the cupboard
in the hospital
where she was

for the drugs
and all
and how quick
and cramped

it was in there
yet here was room
and bed and you unzipped
your wide bottomed trousers

and stepped out of them
and she was already
in the bed
laying there waiting

and you got in
beside her
and touched her
right ***

and she said
**** me
your hand is cold
warm it up

she said
so you did
and she was happier then
with you beside her

your warmed up hands
feeling her
touching and holding
and she kissed you

and put her hands
about you
and then
it was all go

and outside London
was moving on
traffic roared
people getting

on with lives
a cat meowed
and a car backed fired
the gas fire spat out flames

and after the ***
laying back
she said
the nurse at the hospital

told the doctors
I was missing out
on medication
and taking

a backward step
(she'd taken a pill or two
from some ****
at a London club)

and as she talked
her head on the pillow
a cigarette held aloft
you lay beside her

thinking of her body
her thighs
her *******
her lips

her eyes
your cigarette held
to one side
smoke rising

ceiling ward  
you wanted
to make love again
as outside

on the windowsill
the sharp
pitter patter
of heavy rain.

What have you got there?
Record, LP.

Nima looks at me.
Which one?

Ornette Coleman.
I show her
the record sleeve:
three men standing
in snow.

She nods,
loses interest,
looks away.

Pigeons make noises
about us;
people pass by.

We're in Trafalgar Square.
How are you?
I ask,
sitting on the low wall
around the fountain.

*** starved,
need a fix
and a smoke,
she says.

I can give you
a smoke.

She sits beside me.
There is the sound
of water
from the fountain
behind us;
chat of others
around us.

I give her a cigarette
and light it for her.

She inhales gratefully.
Needed that, said
the bishop
to the good-time girl,
Nima says.

How's your *** life?
She asks
after a few  minutes
of silence.

Non-existent.

Likewise;
I feel like
a ****** nun.  

I watch traffic go by;
a boy and girl
walk by
hand in hand.

Nima watches them.
Bet they're *** life's
up to the top rung,
she says.

How's it
at the hospital?
I ask.

The usual:
stupid quacks,
*** starved nurses
and medication
to help me get off
other drugs.

And is it working?

Don't know;
all I know is
that I am aching
for a fix.

What about a drink?

Not allowed.

Coffee?

You know how
to get to
a girl's heart,
she says sarcastically.
Coke and burger  
and you're on.

I nod my head.

We walk through
the Square
and up towards
Leicester Square
to a burger bar
where we sit
and order both.

If you come visit me
at the hospital next time,
bring me
a packet of smokes.

Sure, if you like.

And they'll look at you
suspiciously.

Why?

They suspect
we had ***
in that cupboard.

We did.

I know
and so do they,
Nima says, smiling.

I picture the scene
some weeks back,
she and I
in a broom cupboard
off the ward
in the semi-dark,
risking it.
Quite a lark.

that bird plays freejazz second only to ornette coleman
in the cool and dewy pre-dawn.
the wet, bounding notes
are
suspended from the hillside like -
flesh

A poem by Billy Collins always seems to have a twist, some humor or a pun waiting to make you chuckle or stop and wonder while holding your chin.

But now, I’m not surprised by his slights of poetic hand. He has tipped his hat one too many times.
Too many winks.
One can only enjoy a twist so many times.

What would really surprise me is not a poem about jazz that is really a poem about death, or some stanza about a Bird in the winter snow (but really about a distant mother or an Ornette Coleman song or a high school sweetheart)...

What would really stop me in my tracks is

A few simple words
A haiku or prose, a
Moment for its own sake.

I'm not clothed myself
In sophistication
As the windy city sounds:
Fly me to the Moon
Miles and Miles
of familiarity
So what.
Bye bye black bird

I'll run wild and free
like Serengeti
with the wild things
Escaping frantically
Where all things die
"Eventually"