Marduk poems on Hello Poetry

Johnny Noiπ Jul 2018

Ode on the ancient eternal goddess & mother of chaos

I know that girl told u
   her       name was Jezebel
but it's really Tiamat & she's a monster;
   I recognize her face from
[Neo-Assyrian cylinder seal
                                           impressions from the eighth century BC
                      identified by several sources
                      as a possible depiction of the slaying
                      of Tiamat from the Enûma Eliš
                      of               Ancient   Mesopotamian religion:
Chaos Monster & Sun God    [Primordial beings (        )]
                 Abzu & Tiamat.                     Lahmu & Lahamu
                                Anshar & Kishar                      Mummu
               The          Seven gods who decree the
               Other major deities;
               Minor deities,  Demigods & heroes,
               Spirits &    monsters             of the
                                     [Tales
                                        of                      Ancient Near Eastern religions
[Sumerian &            Babylonian
                   In the religion of ancient Babylon,  Tiamat
                  (Akkadian:AM.TUM, Greek: Θαλάττη Thaláttē)
                   is a primordial goddess of the salt sea,
             mating with Abzû, the god of fresh water,
             to produce the   younger gods.
                    She is the symbol of the chaos of primordial creation.
  She is referred to as a woman       described as the glistening one.
                                              It is suggested that there are two parts
          to the Tiamat mythos,                            in the first
          Tiamat is a creator goddess,
through a sacred marriage between salt and fresh water,
                peacefully creating the cosmos
                through successive generations;
                In the second Chaoskampf Tiamat
is considered the monstrous embodiment of primordial chaos;
           Some sources identify her with images
           of a sea serpent or dragon
        [The motif of Chaoskampf (German: [ˈkaːɔsˌkampf], "struggle against
                                          chaos")
              is ubiquitous in global                        myth & legend,
               depicting a battle of a culture hero deity
               with a chaos monster, often in the shape
                                       of a serpent or dragon or beautiful woman;
                                       the same term has
   also been extended to parallel concepts
   in the Middle East and North Africa, such
   as the abstract conflict of ideas in the Egyptian
duality of Maat and Isfet or the battle of Horus and Set

The origins of the Chaoskampf myth
most likely lie in the Proto-Indo-European religion
                                          whose descendants
almost all feature some variation of the story
of the storm god fighting the
      sea serpent; representing
                                           clash between the forces of order and chaos;
Early work by German academics
such as Gunkel and Bousset's                             comparative mythology
popularized translating the mythological
sea serpent as a "dragon."
Indo-European examples of this mythic trope
include Thor vs. Jörmungandr (Norse),
Tarḫunz vs. Illuyanka (Hittite),
Indra vs. Vritra (Vedic),
                                     Θraētaona vs. Aži Dahāka (Avestan);
Zeus vs. Typhon (Greek) among others; Non-Indo-European
examples of this trope are
Yahweh vs. Leviathan (Hebrew),
Susano'o vs. Yamata no Orochi (Japanese) &
Mwindo vs. Kirimu (African).

In the Enûma Elish, the Babylonian epic of creation,
she gives birth to the first generation of deities;
her husband, Apsu, correctly assuming
they are planning to **** him and usurp his throne,
makes war upon them and is killed. Enraged, she,
too, wars upon her husband's murderers,
         taking on the form
of a massive sea dragon; |
                     she is slain by Enki's son,
the storm-god Marduk, but not before
      she has brought forth the monsters
        of the Mesopotamian pantheon, including the first dragons,
whose bodies she fills              w/          "poison instead of blood" -
Marduk then forms the heavens and the earth from her quartered body.

David John Mowers Jun 2016

The Order

The Serpent squeezes the mundane egg, for a moment in time,
…to begin the ages, turn the wheel, and so begin the rhyme,

The circus has commenced, a dancing, swirling motion,
…a pit of ghastly horrors, seen as a vast deep ocean,
…or celestial or cosmic, as some would have the notion.

Some of them were large, although some were also small,
…and grotesquely figured or disfigured, a scary monster’s ball,
…and trudging, stampeding, stomping or slithering down the hall.

There they danced, sang or prattled, where giants fought and where they battled, …thunder unto heroes rattled, with awful screams so frightening, and terrifying lightning!

Scaly, hairy or feathered, wet and fiery or weathered,
…conjoined, twisted or tethered, slithery writhing together,

Kingu and his wife, some say it was t’was his mother,
…his plan was war and strife, pitting brother against brother,

A ******* existence and so morally depraved,
…a state of sickly persistence, they found themselves enslaved.

Then abounding voice of heaven, that divided night by day,
…brought forth a princely king of Luke; the warrior Marduk.

Fourteen engaged in combat, the one against thirteen,
…and thus aligned with the ecliptic, at night they can be seen,

Sloshing in the Apsu, beaten with the club,
…slain and torn to pieces, cutting channels of their blood,

A north wind sent them to their places, fixed on Tiamat’s wheel,
…and the starry constellations, did Marduk bring to heel.

The Sumerian story of creation is the source of St. John's Apocalypse and it is the story of the Dragon Tiamat and her unholy son, Kingu, who go to war with the earth and are defeated by the son of god, the son of the Sun itself(Marduk). "Marduk," means, "High Prince," but signifies west, shining and high as-in the heavens. West was used as a moniker or symbol for the sun since it rested each day in it's kingdom in the west.

The, "one against thirteen," means the Sun versus the twelve signs of the Zodiac and space itself or the Dragon. It is an ancient term.

#rhyme #theorder #creation #halloween #tiamat #marduk #apsu #creationstory #astronomy #mythology

William Carlos Williams

March

I

Winter is long in this climate
and spring—a matter of a few days
only,—a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

     II

March,
           you reminded me of
the pyramids, our pyramids—
stript of the polished stone
that used to guard them!
                                    March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
             you are like a band of
young poets that have not learned
the blessedness of warmth
(or have forgotten it).
At any rate—
I am moved to write poetry
for the warmth there is in it
and for the loneliness—
a poem that shall have you
    in it March.

     III

See!
         Ashur-ban-i-pal,
the archer king, on horse-back,
in blue and yellow enamel!
with drawn bow—facing lions
standing on their hind legs,
fangs bared!  his shafts
bristling in their necks!

Sacred bulls—dragons
in embossed brickwork
marching—in four tiers—
along the sacred way to
Nebuchadnezzar’s throne hall!
They shine in the sun,
they that have been marching—
marching under the dust of
ten thousand dirt years.

Now—
they are coming into bloom again!
See them!
marching still, bared by
the storms from my calender
—winds that blow back the sand!
winds that enfilade dirt!
winds that by strange craft
have whipt up a black army
that by pick and shovel
bare a procession to
                               the god, Marduk!

Natives cursing and digging
for pay unearth dragons with
upright tails and sacred bulls
alternately—
                      in four tiers—
lining the way to an old altar!
Natives digging at old walls—
digging me warmth—digging me sweet loneliness
high enamelled walls.

     IV

My second spring—
passed in a monastery
with plaster walls—in Fiesole
on the hill above ‘Florence.
My second spring—painted
a ******—in a blue aureole
sitting on a three-legged stool,
arms crossed—
she is intently serious,
                                  and still
watching an angel
with colored wings
half kneeling before her—
and smiling—the angel’s eyes
holding the eyes of Mary
as a snake’s hold a bird’s.
On the ground there are flowers,
trees are in leaf.

     V

But! now for the battle!
Now for ******—now for the real thing!
My third springtime is approaching!
Winds!
lean, serious as a ******,
seeking, seeking the flowers of March.

Seeking
flowers nowhere to be found,
they twine among the bare branches
in insatiable eagerness—
they whirl up the snow
seeking under it—
they—the winds—snakelike
roar among yellow reeds
seeking flowers—flowers.

I spring among them
seeking one flower
in which to warm myself!

I deride with all the ridicule
of misery—
my own starved misery.

Counter-cutting winds
    strike against me
refreshing their fury!

Come, good, cold fellows!
    Have we no flowers?
Defy then with even more
desperation than ever—being
    lean and frozen!

But though you are lean and frozen—
think of the blue bulls of Babylon.

Fling yourselves upon
    their empty roses—
              cut savagely!

But—
think of the painted monastery
  at Fiesole.

William Carlos Williams

March

I

Winter is long in this climate
and spring—a matter of a few days
only,—a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

     II

March,
           you reminded me of
the pyramids, our pyramids—
stript of the polished stone
that used to guard them!
                                    March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
             you are like a band of
young poets that have not learned
the blessedness of warmth
(or have forgotten it).
At any rate—
I am moved to write poetry
for the warmth there is in it
and for the loneliness—
a poem that shall have you
    in it March.

     III

See!
         Ashur-ban-i-pal,
the archer king, on horse-back,
in blue and yellow enamel!
with drawn bow—facing lions
standing on their hind legs,
fangs bared!  his shafts
bristling in their necks!

Sacred bulls—dragons
in embossed brickwork
marching—in four tiers—
along the sacred way to
Nebuchadnezzar’s throne hall!
They shine in the sun,
they that have been marching—
marching under the dust of
ten thousand dirt years.

Now—
they are coming into bloom again!
See them!
marching still, bared by
the storms from my calender
—winds that blow back the sand!
winds that enfilade dirt!
winds that by strange craft
have whipt up a black army
that by pick and shovel
bare a procession to
                               the god, Marduk!

Natives cursing and digging
for pay unearth dragons with
upright tails and sacred bulls
alternately—
                      in four tiers—
lining the way to an old altar!
Natives digging at old walls—
digging me warmth—digging me sweet loneliness
high enamelled walls.

     IV

My second spring—
passed in a monastery
with plaster walls—in Fiesole
on the hill above ‘Florence.
My second spring—painted
a ******—in a blue aureole
sitting on a three-legged stool,
arms crossed—
she is intently serious,
                                  and still
watching an angel
with colored wings
half kneeling before her—
and smiling—the angel’s eyes
holding the eyes of Mary
as a snake’s hold a bird’s.
On the ground there are flowers,
trees are in leaf.

     V

But! now for the battle!
Now for ******—now for the real thing!
My third springtime is approaching!
Winds!
lean, serious as a ******,
seeking, seeking the flowers of March.

Seeking
flowers nowhere to be found,
they twine among the bare branches
in insatiable eagerness—
they whirl up the snow
seeking under it—
they—the winds—snakelike
roar among yellow reeds
seeking flowers—flowers.

I spring among them
seeking one flower
in which to warm myself!

I deride with all the ridicule
of misery—
my own starved misery.

Counter-cutting winds
    strike against me
refreshing their fury!

Come, good, cold fellows!
    Have we no flowers?
Defy then with even more
desperation than ever—being
    lean and frozen!

But though you are lean and frozen—
think of the blue bulls of Babylon.

Fling yourselves upon
    their empty roses—
              cut savagely!

But—
think of the painted monastery
  at Fiesole.

Johnny Noiπ Mar 2019

Ziggurat Of Marduk, Elemtenanki, Ancient Babylon.

Chogha Zanbil and eastern Iran have been the losers of time.
Ziggurat Silken ****** and Kashan, Iran,                     is the oldest ziggurat
dating from the beginning of the third millennium BC.                              C.
The separate projects of the bases to read them
on the entire surface of the ***** matrix and the structure
of the cells vary between the escape calendars and the crowns,
as shown. It is not clear that the white temple of Uruguay
is as ancient as Sumeria. The ziggurat is in the basement
that refers to the white temple. The intensity is always
assigned to the value of the money you pay for your visit.
Loose mesopotamies created by the sky pyramid connected
***** and the earth. The fact, the Ziggurat in Babylon,
was known as the House of the platform between the sky-
****** and the earth. There are many expansions,
such as extensive and massive ******,                            Ziggurat of Marduk,
Elemtenanki, Ancient Babylon. Unfortunately,
it is not even found in the state of the work station
over 91 meters high, but in the archaeological finds
and those related to the multi-colored levels,
crowned by the temple of beautiful proportions.
What was the temple that was painted and maintained
in an indigo color that reaches the top of the levels?
The pages used to create the document are already in use,
because the pages on the page (side walls)
have the name of the high number
of the height of the ziggurat. Elemtenanki, the name
of the structure, Sumerian and means "applies
to the base of the cellar". From the original construction,
it spreads in the fourteenth century of the thirteenth
century, so it exists literally both in the millennium
and around it. Loose old ziggurats build the sharpness
of the Sumerians from local detachment to Arcadia,
loose Assyrians, loose flowers, especially religion,
religious ****** and heaven. I continue with each
of the temples in the zigzag units and other buildings.
The platforms of the Ziggurat Gospel were used
in the 60th century of Ubaid. The Ziggurat platform
is a case of a modernized ******* or Ziggurat opera,
editable ****** and rectangular. **** The sun is burning
the brick kiln Ziggurat. Each step a little *****.
Now there are more ****** and more different colors,
******, there is no interest from the star.
A lot of money is spent on ***** and blues songs on the screen.
It's two miles on seven floors. Baghdad,
which includes a large exhibition of the **** empire,
Ziggurat Babylon, Ziggurat Guest Aqar,
now Etemenanki destroyed Sialk, Khuzistan
Chogha Zanbil to share the daily air.                       But the depth of the lake.
The orange moonstone of the wind;
Le'ēmi'āyi āšikefini nedefelu screams from the water.
Vive said: "Now you are connected, I go, I love you,
I have the future, come on, put as many people as you want".
A real person who wants to save the weakness.
Christine Zuroziya, conceptualist of the white ******
and the weight loss of dexiopodar, praised the recordings
of ARAB ****** and a naughty sea "***".

Chogha Zanbil and eastern Iran have been the losers
of time. Ziggurat Sialken ****** and Kashan, Iran,
is the oldest ziggurat dating from the beginning
of the third millennium BC. C.                                       The separate projects
of the bases for reading over the entire surface
of the ***** matrix and the structure of the cells
vary between landscape calendars and crowns,
as shown. It is not clear in the white temple
of Uruguay as in ancient Sumeria. The ziggurat
is in the basement that refers to the white temple.
The intensity is always assigned to the value
of the money you pay for your visit. Loose
mesopotamies created by the pyramid
of heaven that connect ****** and earth.
The fact, Ziggurat and Babylon, was known
as the House of the platform between the ******
of heaven and earth. There are many expansions,
such as extensive and massive ******, Ziggurat
Of Marduk, Elemtenanki, Ancient Babylon.                              Unfortunately, it is not even found in the state
of the work station of more than 91 meters
in height, but in the archaeological finds
are those related to the levels of various colors,
topped by the temple of beautiful proportions.
What was the temple that was painted
and maintained in an indigo color that reaches
the top of the levels? The pages used to create
the document are already in use, because
the pages on the page (side walls) have the name
of the high number of the height of the ziggurat.

Etemenanki, the name of the structure,
Sumerian and means "applies to the base of the cellar".
From the original construction, it extends
in the fourteenth century of the thirteenth
century,                                          so it exists literally both in the millennium
and around it. The old loose ziggurats build
the sharpness of the Sumerians from the local
detachment, the Accads, the loose Assyrians,
the loose flowers, especially the religion,
the religion, the ****** and the sky.
I continue with each of the temples
in the zigzag units and other buildings.
The platforms of the Gospel of Zigurat
were used in the 60th century of Ubaid.
The Ziggurat platform is a case
of a modernized opera by Mastaba or Ziggurat,
editable and rectangular ******. ****
The sun is burning the brick kiln Ziggurat.
Each step a little *****. Now there are more ******
and more different colors, ******, there is no interest
on the part of the star. A lot of money is spent on *****
and blues songs on the screen.                           It's two miles on seven floors.
Baghdad, which includes a large exhibition
of the **** empire, Ziggurat Babylon, Ziggurat
Guest Aqar, now Etemenanki destroyed Sialk,
Khuzistan Chogha Zanbil to share the daily air.
But the depth of the lake. The orange moonstone
of the wind Le'ēmi'āyi āšikefini nedefelu screams
from the water. Vive said: "Now you are connected,
I go, I love you, I have the future, come on,
put as many people as you want". A real person
who wants to save the weakness. Christine
Zuroziya, conceptualist of the white ******
and the weight loss of dexiopodar, praised
the recordings of the Arab ****** and a naughty sea "***".

Zachary William Jul 2017

Hammurabi

Marduk
came down to Hammurabi
and provided the
laws
of the kingdom
in hopes that
the strong
might not oppress
the weak
and it all disappeared
under the ceaseless
sands of existence
and doubt.

Johnny Noiπ Nov 2018

TONIGHT: The UK / Red Temple / Elohim & The Mother of God

100% N / A, Woman, Camp Lane and Flower,
Suspect Outbreak, Removal, Recruiting,
Young Indians, Myanmar Hill. Count phones
and modem. (Culture), Chinese (traditional)
Chinese, ****** harassment, but very good choice.
This is an easy market. Maybe it's that choice.
When you create African Violet. And Willie
called QR characters. But the world cannot
bring the baby? There is a place in America;
But this is not guaranteed. American
Woman, Woman, Woman's Little Red Hood
and her mother's night saw a girl
who has music in the United States,
"The Red Temple" is a beautiful place
in the beautiful rivers of Asia
of the war in Italy, and also the heat
in the head of the calculation of the members
of the Organization of North Korea.
Change the voice of Elohim Sat. for
Tom Cruise, who received money
in the heart of Christ's glory in Russia,
King of France in France, and lost
in Germany and complaints. The amplifiers
of the Russian custom ritual in Rome
in the future when Marduk created a small
part of nature, born of the sacred books.
Golden friendly scene Old friends;
yard conditioner animal Canadian history
Radio bronze chicken bronze hands to get fingers;
calling their men Snooch moon-years
system support Google as a teen bourgeois
drink a cup of white zodiac writers;
Collect Igor selling the world to south
and silly robots on the northern banks
of the Christian holy sorrow and tribulation
Christians Christianity, Christian Luboutin;
and Chris Lyubin's Christian suffering
and suffering by Christian Lututin, Cassie
Russell, Cher, Luther, Christie Lubutin,
honoring Christie J. Lututin
from an unknown dog, music and children
at the museum where I heard about 100 vitamins,
Bob and medicine to treat women as NS,
to the left of the brain, so Spanish and German.
This step is to the prophet, to warm himself
further from the window in the dark and,
as they do not know, Albert. AKA, the non-European story.
There is a conflict between the east-west Mary.
Magda's play is the sister's wall to understand
the scriptures of heaven. SEARCH. Cut the details.
The king is sleeping, sleeping. Country in his ears.
Ask how to use golden boards with military
and girl hawks; One day was yesterday, yesterday,
yesterday, yesterday, the highest night of the night,
the night atmosphere and the sound of English
in the United States. Satan: Because He is free,
Satan, the leader of the Jews. Because many people
read the images out of Star **** Rye,
you are laughing at the time of Bhuj, for anyone
who is smoking is full glory, the funeral is out of play,
tongue and when they saw the smoke of the city,
that it was caused by severe coughing
when it said that the night, the march
of the night's audience, had a small, lovely at heart
and love of the assembly as well as the head
and leader of the temple and all Kenyans
do not do that in the diet of bread and In fact,
the mother of God, the one on the right hand side,
is walking.

Definitions of c
abbreviation
cent(s).
the speed of light in a vacuum.
E = mc 2
Synonyms
noun
100, century, hundred
degree centigrade
nose candy, snow, blow, coke
ampere-second, coulomb
carbon
ascorbic acid
cytosine
speed of light, light speed

David Nelson May 2013

Gods of Babylon

Gods of Babylon

whilst Anu and Marduk smile from above
I pray Nabu lend me his skillful hand
Ea give me direction of the mind in love
Shamash bring to me the heart to understand

though I am a mere mortal with many faults
weaknesses of soul, mind and heart
please I beg open your heavenly vaults
and guide me on my journey's start

for I am in search of the divine truth
I seek your wisdom on bended knee
you are the gods of everything forsooth
give your approval and trust in me

Gomer LePoet....

All knowing gods of the gardens

Ali Jan 2019

Journey in a forest

Peter Marduk: Baffled as he got faded into the Forest addled. Walks, his feet shredded by thorns ripped. Runs, his head full of scars left by cruel branches, he is hurt but sprints yet - dwindles in a ditch, beguiled into a murderous pit."

Sometimes wandering in a forest looks like a path we walk every day in our lives.
From the play 'Peter Marduk the mad hermit'

#wonder #life #meaning #purpose #journey

Johnny Noiπ Jun 2018

u're no Semite, my friend, no more than I; Bel, Ug. bʻl, Pp. bʻl/Belos, Ib. Baʻal & yrḫ

Deities of the ancient Near East
Ancient Egyptian: Amun Apis Atum Buchis
Geb Horus Isis Montu Nephthys Nut Osiris
Ptah Ra Set Shu Tefnut Thoth

Arabian: Allah Aglibol Abgal al-Lat al-Qaum
al-‘Uzzá Atarsamain Athtar Baalshamin
Bēl Dhul Khalasa Dushara Hubal Malakbel
Manaf Manāt Nasr Nuha Orotalt Ruda Suwa'
Theandrios Wadd Ya'uq Yaghūth Yarhibol                                      Yatha
Levantine (Canaanite): Adonis Anat Asherah Ashima Astarte Atargatis Attar Baal Berith Chemosh Dagon El Elyon Eshmun Gad Hadad Kothar-wa-Khasis Melqart Moloch Mot Nikkal Qetesh Resheph Shadrafa Shahar Shalim Shapash Yam Yahweh Yarikh Elamite  Inshushinak Jabru Khumban Kiririsha Lahurati Nahundi Napir Ninsusinak Pinikir
Mesopotamian: Abzu/Apsu Adad Amurru An/Anu Anshar Ashur Enki/Ea Enlil Ereshkigal Inanna/Ishtar/Ishtarat Kingu Kishar Lahamu Lahmu Marduk Mummu Nabu Nammu Nanna/Sin Nergal Ningishzida Ninhursag Ninlil Tiamat Utu/Shamash
Religions of the ancient Near East
Anatolia Ancient Egypt Arabia Canaan   Persia
Mesopotamia Sumer Semitic; Ancient Semitic       religion encompasses the
    polytheistic religions of the Semitic peoples
from the ancient Near East and Northeast Africa.
Since the term Semitic itself represents a rough
category when referring to cultures, as opposed
to languages, the definitive bounds of the term
"ancient Semitic religion"  are only approximate.

Semitic traditions   and their pantheons
fall into regional categories: Canaanite religions of the Levant, Sumerian tradition-inspired Assyro-Babylonian religion of Mesopotamia, and Arabian polytheism. Semitic polytheism possibly transitioned into Abrahamic monotheism by way of the god El, whose name "El" is a word for "god" in Hebrew, cognate to Arabic Allah.

Abbreviations: Ac. Akkadian-Babylonian; Ug. Ugaritic;
Pp. Phoenician; Ib. Hebrew; Ar. Arabic; OSA Old South Arabian; Et. Ethiopic

ʼIlu - "god" (Sky god, head of pantheon: Ac. Ilu, Ug. il, Pp. ʼl/Ēlos, Ib. El/Elohim, Ar. Allāh, OSA ʼl).
ʼAṯiratu - (Ilu's wife: Ug. aṯrt, Ib. Ašērāh, OSA ʼṯrt) - The meaning of the name is unknown. She is also called ʼIlatu "goddess" (Ac. Ilat, Pp. ʼlt, Ar. Allāt).
ʻAṯtaru - (God of Fertility: Ug.
ʻṯtr, OSA ʻṯtr, Et. ʻAstar sky god).
ʻAṯtartu - (Goddess of Fertility:
Ac. Ištar, Ug. ʻṯtrt, Pp. ʻštrt / Astarte,
Ib. ʻAštoreṯ). The meaning of the
name is unknown and not related to ʼAṯiratu.
Haddu/Hadadu - (Storm god: Ac.
Adad, Ug. hd, Pp. Adodos). The meaning
of the name is probably "thunderer".
This god is also known as Baʻlu "husband, lord"
(Ac. Bel, Ug. bʻl, Pp. bʻl/Belos, Ib. Baʻal).
Śamšu - "sun" (Sun goddess: Ug. špš, OSA:
šmš, but Ac. Šamaš is a male god).
Wariḫu - "moon" (Moon god: Ug.                                        yrḫ,
Ib. Yārēaḥ, OSA wrḫ).

Johnny Noiπ Mar 2019

Pan Avant-Garde

Jesus was avant-garde,
Plato too, & Marduk...
The future is the past
according to the past;
spoken & unseen by
the silent & seen past.

Johnny Noiπ Mar 2019

According to Harriet Crawford

According to the archaeologist Harriet Crawford,
"it is seen that there is no one who leans on a sanctuary,
the only evidence of the provinces of Herodotus
and the physical evidence nonexistent" the ritual
of The New Grand Canary Festival: Herodotus
describes the details of the superior of the ziggurat.
The python of Babylon, which is contraindicated
by the donor, a woman spending the night alone,
god also that Marduk was; your sanctuary,
probability of what to do? What to do? Allie sends
a text with current knowledge, it seems
reasonable to suppose a work combo,
the suggestion that the ziggurats have developed
terraces, the temples and the formats are the same
as the one and the superiors ... "now the series
are the tramps and the charge of the second
and the third part of the superior. The Mesopotamian
ziggurats were not places of worship or public ceremonies.
I thought it is a good thing to do with each city
of the god of fire. Only the loose priests
were admitted and the ziggurat was their base
and their responsibility to each of the gods
to follow their needs.The priests are separated
after the seeds of the Sumerian and the Assyrian-Babylonians.

— The End —