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1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Where Shelter May 2018
trigger warning:
Hate long poems?  move on.
Love words?  pleasure your self

<=>

drought and famine of the spirit,
over-staying summer
house guests in an overly sun blanched,
voided, white outed, mental abode.

faculties parched,
overly starched,
compositions lost in transition,
why can't they make it ashore?

It's after 2 AM, and though
ferries have stopped running,
mainland hangover hangerons are
working overtime to prevent
"author"izations, so all I get
when I press send is a whole lot of
"permission to cross," denied!

causes of vexation undisguised,
dual natured and manifold,
luxuriating and drowning in home grown,
city organic insipid,
makes one quick to blame
nobody in particular,
but yourself, repeatedly.

reasons many, the distractions of
rustling contradictions populate,
another life road fork looming,
a track record for choosing badly,
colors the blacktop even blacker and
ramps up desires for a janitorial,
but first do no harm, status quo.

Need a beer.
Need a distraction.
Need a homework assignment,
which I buy at the IGA market:

obey the eleventh commandment
which every writer knows;
you think you're Mr. Bigshot,
so pudding prove it,
write it,
one true sentence,
let it be a constitution for all,
with the lengthy consistency,
of a Hemingwayesque,
one true sentence.

dearth to riches occurs
as fast as a basketball
three second violation,
inspiration dripping like
windshield condensation,
got so many true sentences,
how ya gonna choose,

O sinner man?

sadly you don't hear or feel
my background music,
stringed surf sounds playing
Perlman's Mozart low to
the thunderous, sweltering,
swells of applause of
90+ degree heat
w/o a Crescent Beach breeze
to console the disowned

these superheated thoughts
now focused,
emerges a bill of sight,
lading my heart's many heresies,
staccato thoughts now,
rapid fire rebel,
a pre-discourse insurrection,
voices of words lash out -

pick me - immortalize me,
I wanna be,
a constitution for one,
one true sentence.

The Moment of Ownership.

Hillel did it,
standing on one leg,
a Sanskrit mantra,
not by me,
not for me,
not through me,
even more succinct.

full clarity unobtainable,
begin when fighting thru
the static of each nerve,
knowing that
each thought,
each emotion,
is a constitution
of sorts,
recognizing life is a series of
moments of ownership,
but that are truly ours
only when relinquished.

each one, a true sentence
when writ, spoke,
but only when disabused
of notions of possession
only true, when gifted away.

Lucian Freud painted those whom
he knew best, their portraits,
fully clothed but wholly naked,
a painter of revelation
thru the skin tones of the flesh.

exposeur of skins interior
displayer of old and ungainly,
left us eyesight more true
than an honest mirror,
with poetic brushstrokes overlay,
gained entry to what his
grandfather named id and ego,
artist's superego, his reflections,
a continuous judgment
on a pool of stretched canvas
that makes me despair that:

I will ere succeed
to cross the borderline
that modernity insists upon,
self preservation, neurotic fears,
impositions on my psyche and
that my moments of ownership
will be n'ere be stamped "transferred."

I take back my life,
by giving it away
this alphabetized self portrait,
a wrinkled sketch of me,
my ownings, undertakings
needs taking by you
so I can disown it.

these words are my own,
their conjunction is a
junction to you,
and a constitution for me.

once this expiation
is in your purview by the voted
election of Send,
bonded by a mutual
Moment of Ownership?

so net net,
bottom line,
these are my
one true sentences,
summarized, constitutionalized:
I am yours, for the taking,        
so come by, for and through me,
in many moments of ownership.


p.s. let us shelter together in place, an island growing
lost for many years; for Mary Winslow
Continuing to live - that is, repeat
A habit formed to get necessaries -
Is nearly always losing, or going without.
It varies.

This loss of interest, hair, and enterprise -
Ah, if the game were poker, yes,
You might discard them, draw a full house!
But it's chess.

And once you have walked the length of your mind, what
You command is clear as a lading-list.
Anything else must not, for you, be thought
To exist.

And what's the profit? Only that, in time,
We half-identify the blind impress
All our behavings bear, may trace it home.
But to confess,

On that green evening when our death begins,
Just what it was, is hardly satisfying,
Since it applied only to one man once,
And that one dying.
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Within this restless, hurried, modern world
We took our hearts’ full pleasure—You and I,
And now the white sails of our ship are furled,
And spent the lading of our argosy.

Wherefore my cheeks before their time are wan,
For very weeping is my gladness fled,
Sorrow has paled my young mouth’s vermilion,
And Ruin draws the curtains of my bed.

But all this crowded life has been to thee
No more than lyre, or lute, or subtle spell
Of viols, or the music of the sea
That sleeps, a mimic echo, in the shell.
Jai Rho Feb 2010
Along the river's edge
a figure bends
to dip his earthen pots
into its vital flow

they sip the precious liquid
shimmering and crystalline
like diamonds floating
above the eclipse of the sun

they become transformed
from dormant vessels
wearing the dull
pallor of mud
to vibrant cisterns
radiating the glow
of polished jade

they breathe away
exhaustion
in frothy currents
rushing
past swollen lips

to join the constant stream

till he bows low
and receives their treasure
suspended from a wooden frame
with frayed and twisted rope
solidified not yet petrified
soaking yet and squeezing still
the moisture dripping
from their fill

he lifts the wooden frame
upon his shoulders
and keeps its balance
with his arms
his back strains
his legs straighten
as they raise their heavy load

he looks up
with eyes set deep
beneath his furrowed brow
thick parchment skin
and thistled hair
are all that shield him
here and now

he sees the road
that he will take
this time around
and sets one foot
before the other

away from solid ground

he goes to bring
to those who
find him
the lading
in his care

he goes to meet them
in that place

past faith
past dreams
past hope
Mateuš Conrad Feb 2017
and i'm watching this couple, this: bromance...
  and i'm wondering when the time
comes that the other tells
the former: you can't talk
physics wearing a cowboy hat,
wasn't the 20th century the time
they lost habitual need to cover their heads?
monks shaving, the kippah...
indians and the Martian act of scalping,
my donning a beard and fiddling
with it like payots / sidelocks...
can this... cowboy talk seriously to me
about what is and what isn't a stance
on pragmatism?
      let's just say, that being attired
with so many scientific facts, moon lading
and all that, i'd be most perfectly sound
in stating such facts, such attire,
without looking, rather ridiculous...
   it's nice that someone can go to the moon,
and in having this susbjecitivty enclosed in them,
and how that won't translate into something
i might share... how i will never experience
someone else's subjectivity, and how that is
the sole basis for having objective opinions...
but you have to admit that donning a cowboy
hat is more ridiculous than putting on a sock
or a shoe...
                       and then talking
looking like that genius gremlin...
    men age, they enforce being boring,
they're too nostalgic, they love to re- re-
  a care for st. pete... hey! pedro! what do women do?
they're just become weird...
   like that wasn't the case to begin with...
love is... whether expressed by a pensioner
or a teen... a bit... mmm... whatever.
          it just gives me the idea of being
a host of gnats when people have to dress themselves
with these "serious" facts... and then they later
talk donning cowboy hats and boots...
  who's the serious monkey to be given
a radio show? who the serious bobo?
          even i know, given the phonos,
that dżin is an orthographic transgression...
        dzin would suffice...
yes, you've been to the moon, that's nice...
this is where you deviate from telling other
people to keep it to themselves...
              i'd prefer to hear more about the brothers
Grimm sound asleep, than hear of american astronauts...
but yeah, thanks for the invite,
      so few people care or want to be astronauts,
the emeritus americans and the emeritus russias
ego-tripping is so, so, so so boring...
       and i'm sorta in the custard of it taking place...
ethnicity and abstract identities of succumbing to
nationhood... cut it open... dżin... it's also called
the fake graphemes of sh and sz and dz ch and cz...
those are graphemes...
            there's a reason you don't **** around
invoking too much distinction in the realm of grapheme...
they really could have just said: dzin....
or jinn... or aladin drinking gin.
    sure, they call them aesthetic bits and bobs,
when in fact they are nor aesthetic in a + way,
they're chiral, hardly natural,
gin             jinn              joke                              egg...
   gaug                                    chase,
      glee jeer... game, jam, gammon,
     jammy... gaming... the near proximity!
they're so close!
           - i sniff... (snout noises)... an existence of a graphame...
     if one was to listen to humans talking,
one could clearly see they are bound to cheat...
they have too many symbols for the sounds they make...
and for the deviations in making sounds
they ******* chiral twins of the same sound...
and then sometimes deviate from it...
ensuring that Latin graphemes, those linguistic siamese
rule the river of diacritical mark,
suffocating them, until the river becomes an
artificial lake...
            when diacritical marks was given to
the "deuteronomy", (e) missed in the original...
sometimes spelling mistakes can reveal much more
than the words themselves...
          the 2nd e... for the te-,
t-ah, tao...
                 i can feel winter ending,
i can feel the loss of limbo, fatigue,
               or what comes as spring, namely insomnia,
increased productivity,
but such that diacritical marks were the heavenly
based descents to mark distinct syllables,
  like hailed original use of pucntuation marks,
but more within every word, than among words
in sentences...
   i could just as well call for a genocide of linguists...
i just don't see why they need to
complicate the matters with some wacky
anti-copernican alphabet
akin to writing hope, (consciousness),
[hohp] (american, spaghetti, nasal
akin to echo: oompf! ergo subconscious:
insinuation, panicky, puppets and the empire),
/həʊp/ (british, origin, ergo unconscious) -
why do we need this linguistic alphabet?
you can reach a perfect argument
using the same language, with one
that has adopted the use of diacritical marks
akin to punctuation marks...
and have the only avaliable canvas that
english is... there really should be a russian
counterpart of me dealing with how the greeks
are so paranoid in over-using diacritical marks,
like me, but speaking russian and looking at greek
and nodding, insinuating the word
on a broken record: aha, aha, aha.
it would be nice to talk about people,
but then i graduated from the optometric school
of having to look at migrating electrons in
organic chemistry... i think i'm relaxed these days...
so outside the failed translation gimmick
of chemistry, mainly german, mainly
hyphen orientated CH3-CH2-OH (alcohol, numbers in
subscript) - ****... looking at that "fingerprint",
why is my vision of the world so pink?
you try to teach the anglo-saxons that they're saxons
again, and not orientated around building an empire,
imagine teaching them the proper way to be
saxon, that, some words, like german,
desire, complexpunctuationstandards.
there you go, a real life example, let's see you cut that
word open and extract a heart,
  and a lecture on having a heart,
    let's wait for Frankenstein's monster to groan
into the vacuum, and the no actual vacuum,
but merely the night.
- yes, a hyphen at a beginning of a sentence plateau
almost means a stance to take to paragraph;
even though it shouldn't exist, as a p.s.,
***** into existence by, nothing more than a bias
to endorse whims, cravats, Monet,
and tantrum fits of little girls that dreamed
of being princesses... but instead became ******;
yes, those working parts of you
                           that are quiet, edible.
to write, and see, rather than write, and hear;
that sentence will not actually require
the existential ambiguity of the zoo,
of the enclosure of "     "...
                    i look at existentialists as i might look
at zoologists... prison guards...
      pontius pilates.
I know that this was Life,--the track
  Whereon with equal feet we fared;
  And then, as now, the day prepared
The daily burden for the back.

But this it was that made me move
  As light as carrier-birds in air;
  I loved the weight I had to bear,
Because it needed help of Love:

Nor could I weary, heart or limb,
  When mighty Love would cleave in twain
  The lading of a single pain,
And part it, giving half to him.
....and who are we that Eton,Harrow do not see,
we are the sinking of the sun,the wreck of the S.S Great Britain has come.
Where once we were the universe,rulers of lands and seas,we have been brought down to our knees to slowly, slowly sink.

Drink and drugs the slugs and snails what ails us,do we know?
Council blocks and towers knock us down to build new towns and the green belt gets much tighter,landfills full up to the brim the doors of opportunity are locked,we can't get in,too fat,too thin,old school ties and gold tie pins and who are we?the
disenfranchised and despised by those that do not see the rising tide of poverty.

Those we passed on our way up are those who put a penny in this beggars cup and wave goodbye,the sky has dropped, the horizon dulled,pulled this and that way,can't pay the bills,drink and drugs the only thrills and betting on the three fifteen to race along another pointless dream,
horsemeat in the freezer section,the four fifteen was my selection which fell at the final fence.

Prozac helps us to relax,**** the council tax and income band just put two blue pills in my hand and make it seem like it's a dream and we're not sinking,what a scream,a film show,I should go and see the launch,exercise to lose this paunch.

Tomorrow I may rise to see my ship Great Britain back at sea or I could stay in bed and thread excuses on a needle,sew myself a sweater,keep the heat in,can't afford electric fires not like those out in the Shires where logs are burnt,money earnt is money burnt in my opinion.

Back to basics,Luddite hills and give me two more small blue pills,put them on the bills of lading,degrading I can do,but you have so much more and it's ship to shore on the radio,rise me hearties off we go,one more mad dash to make some more cash,undeclared that's only fair,
the revenue can go and ***** and spin upon that middle digit,fidgeting?it must be fleas,do fleas get brought down to their knees?

You see,
in this last scramble to the death I ramble on with my last breath,they haven't taxed my fresh air yet but I bet they will,drink and drugs for one more thrill,up anchor as I will at will to drift away into the sinking of just one more day.
Andrew Guzaldo c Oct 2018
“I believe I’m gratified to have loved her,
If not where would my heart have been,
My eyes were radiated by this naiad,
Regalia she has given will last ever ageless,

To have been near her held her hand,
Brushed my fingers through her hair,
Listened to her incentive ways she had,
Given to me before she had gone faultily,

Rivers flow as wind carry life’s ballad inlet,
Leading me deep into the paradise I longed for,
Overwhelming protecting me from world afar,
Strong caring is what keeps our souls as one,

It’s an obsession the way we let ardor consume us,
In her eyes I found new visions have been revealed,  
As the sea forgets in its furore lading aboard,
No rest from travels it is my libation for memoir,

World of the deep fell into darkness of nets,
I would have liked my naiad by my side,
I imagine that my heart palpitating sadness,
If I were to pique the naiad would it make all well,
I shall never KNOW”
By Andrew Guzaldo 10/07/2018 ©
By Andrew Guzaldo 10/07/2018 ©       #Poem#128
Nat Lipstadt Jan 2017
when I turned eighteen
sadness filled my cups,
for carefree was now gone,
laying side by side
with all my companion figurines,
off to rest in a boy's toy chest
in a backyard cemetery hid,
certainty assured
all that I was, so far,
all that I will be,
uncalming coming forevermore,
unwilling borne upon
the newly time redesigned,
heavy load shoulders of adult responsibility

when I turned thirty,
sadder now by the means and meaning of accumulation,
having thrice now measured the length of a stick of life,
denominated as a decade,
wiser now that the children underfoot,
certainty assured,
would have to pay
bills of lading for cargoes,
not of their own choosing,
indeed, selected unwisely,
by men like me, and men before,
all too old or too gone,
to be prosecuted now for the
short sightedness of reckless timidity

when I turned fifty,
the shoulders slightly stooped and gently curved,
my gait and pace slowed by weight,
pockets laden with undesired memories,
unfinished arguments,
dreams that morphed and morted into
failed schemes that with the
certainty assured,
the tallied ache of known losses
will always weigh greater
than the
unknown of opportune

now with seventy,
so near, onrushing to the sounds
of old men and their noisy excuses
of babbling, ironical,
eerie similar to the parental smiling hushing
of a newborn's squeaking,
a youthful brook,
happily to an open sea arushing,
hurrying in the fullness of innocence to
it's demise

the line of sight to the horizon,
far shorter now than ere before,
with greater certainty assured,
that near my god than thee,
my sadness daren't hope to dissipate, nor lift
as once it did,
an early morn mist rising off the river, 
freshly sun burnished, then miracle banished,
sacrificing itself as a hopeful oracle of a new born day

recurring haunted words
like rest, best and tried,
the only legacy remaining to gift,
but one thing yet measures a comforts,
a red cross blanket round the shoulders thrown that with
certainty assured,
the marvy joy of life all in,
be our given right to err and learn wisdom at our own pace

so here I freely confess
with wry, sly smile that we


proved ourselves to be
victims of our unintended tendencies,
successful in being

**all too human
Jan. 11, 2016
Emerald Sapani Aug 2013
beauty is a priority not a luxury
don't let gealosy get on top of the lit path lading you to
your answer of  loving yourself
me and my sis unravelling madness from a flower
With a little tightening round the waist the skinny day comes out to taste the fatness of the light
I am in sight of something great but I'm hungry ,cannot wait
so I make my move too soon
and am swallowed in the craters of a Moon so cold
so very,very old with its yellow hardened crust that would lead me into desperation with gnarled hands and beard and face as red as any rust turned into dust
I would become
the dying of a dying sun
no matter fat or thin or if I wore a belt or braces
the many faces I would see
would only ever face the end of me.

I try to modify this future that only I can see by praying to a God I can't and never did
I wonder if that God is hid among the craters on the Moon and was it that he made his move too soon?
If so,
we'll have much to muse upon as we wonder where our lives have gone
and would he tell me how to live or would he give a eulogy
prepare me for that long journey?

I've come ten million stars through another thousand corner half lit bars where girls would sell me ballerina dreams that danced for me on spotlight screens and how could everything that seemed so real
be whisked away?

The spinning wheel came to a stop and zero popped up on the marker board where rich men ****** their eminence
and all pretence was stripped away.
Any other day the Lords that lorded over us would break up parliaments and owls would hoot and say
Wit and to whom would we deliver it?

A bit of eccentricity electric elementary educationalists get me fired up again as if I ever learned from them old men with old ideas whose only thoughts were to get young men up off their rears and into wars
more ****** who sold a bill of lading to trading partners who shot us down in front room parlours on council housing states of minds.

A kind of beauty in this fractured glass where through osmosis I can pass but not pass away only into some other uneventful day.
I lay my tortures on your brow
you know how to soothe this pain
before I go off scale again and read a riot act to those, where those who have lain their lives in ***** fields and barn houses full of hay
would have me say,
that we should not have to live this way.

In the craters on the Moon
I see that all is all too soon and will always be
another eulogy is read
for the dead undead who do not know
that here is where we are
there's nowhere left to go.
The marbles in my eyes
Coloured glass that I despise.
Yet, from these I look out to this world
The marbles in my eyes unfurled.

Blue they had to be
Blue is what I see
No reds
No greens
No country scenes
No flower beds
Blue and heads I lose.

I didn't choose this
want to lose this
But I can't refuse the look that's looking back
In the mirror all is black
And I fear.

The reflection ever near
The gaze that's here and now
But anyhow or way I look
The hook that catches
Snatches me and holds me tight
Is the colour of the sky but not at night
It's blue.

And true to form
The storm inside
Wants to pluck out both my eyes.
I resist
Insist upon a trial
Dial a friend
Will this nightmare ever end?
It never will
This is the bill of lading
The wading through the swamp
A romping in the mud
Nothing good will come
Except the blue and that's no fun.

The alleyway will stay
Will remain to mark each passing
And every day
It will be blue
It seems there's nothing I can do
But die or dye
Another colour in the sky
It will be blue don't ask me why
I do not know.
I need to go to a burning man. I need to lose myself in the woods for a year. I need to make my threshold and enter through. I heard my call a long time ago but I just never...
   I can't stand myself any longer! I must lose who I am to find what I am to become. And I can't do that in a world where I exist in everyone around me. I need a place with none of me and plenty of else. So much that I can spread myself out to one thought thick. Finally be raw, enough to see myself clearly.

   I shouldn't worry about forevers, because forevers are simply composed of nows.

   I want quiet place to sit against the tree, look out over a lake, and read until my eyes bleed pleasure, my brain secretes knowledge, and my heart wisdom.
   A place to harbor a gentle haze of mind, a place to leave myself behind. Just and think and think some more, until and passed the point of being head sore.
   I want to place with plenty of glasses, and plenty of cracks, plenty of muses and no ways back.
   A place full of forevernows and nevermores, where people are stupid enough to cross the desert because of a recurring dream. A place of pink purple sunsets and endless shores.

   How mirrors have learned to lie I will never know, because I don't recognize the person they show. I have to turn them around because even my own eyes try to deceive me.

  If I don't I will always want to. If I do I won't enjoy every step, but I will a few.
   The hands that shaped this road are now, older.
   I don't know how I will, and a not even sure I understand why I will. All I know for certain is I MUST.

   Because I can't stay here. If I do I will fall in love with possibilities, and not realities. I will fall in making people out to be more than a person. I will lose my heart to and afterimage of a dream, and even if I do I would never have pursued it anyways. I want to leave the field, sell my flock, and start my full circle, or square.
   Wherever I go I have no plan know method know fall backs, but the beautiful hair of uncut graves. With only the Spektor inside my books to hold me.
   I want to hear the symphony of stars each night and have the wind tell me its stories of its travels that day.
   I want to sleep knowing the poppies stand guard.
  
   I know nothing, and I'm ready to listen, but first I must get out of my hand made prison, burn the map smashed of compass. Put my feet anywhere besides in front of the other that way I'm going nowhere fast and never looking back.

   I want to teach myself the song of my soul, so that I can hum every bar by heart, but I can't do that here. Not in this place of paper people and towns who live their lives never getting wet.

   It says if I can ever catch my breath, that I'm strangle lading in the stench of mold and excitement of leaving and never coming back.

   Mark here this day, as I lie awake at night as the last moment I spent outside the labyrinth. I need, no, I must leave find a place where I can listen to my heart and drink and its wisdom. But that place is not here I don't know where to, but I must start.
   Thomas Edison last words were " its very beautiful over there, I don't know where they're is, but I believe it somewhere, & I hope it's beautiful"

                                                     ­     ~Crow
Bryce Perry Feb 2015
Heavy meadows ran a lap around earth
And green faded (twisting) vines turned rabid and fire-fierce.
            
       (over)turned soil spit until venomous spires were conjugated o'er the horizon.

And I, grazing on the moon's lading glare (the scent of Aconitum napellus poisoning the air)
             Let myself drown in the smoke
Thomas King Dec 2017
Thy elegance of form
Hast weakened my body and soul
As the weight of thy splendor and beauty
Hast become my payload

To carry thy love
Within my pitiful heart
Hast become my penance
For wanting more than I deserve

Pardon me for my weakness
But worry not for my struggles
For I have harvested thy bounty
And now must boldly ferry thy lading

I beg thee do not smile in my presence
For the weight of joy
It will add to my corpulent heart
Will surely be my undoing

Let me trudge along my road to happiness
And like an oxen who carries goods
Without complaint of discourse
I shall always be your love’s beast of burden
Sebastian Macias Sep 2017
We couldn't let go, so we gripped
Gripping to all hell with fury
Like a plane rising and has engine failure
Each dangling outside the craft
The view was so beautiful up there
That we forget how high we were
We didn't see how much danger we were in
We gripped the sides tighter
As the plane rose and rose
Why didn't we let go at 20 feet? 60 feet?
Maybe we thought the plane
Would somehow make a safe crash lading
Or supposed a mid-air rescue
Or maybe we thought for a second
That if we fly high enough
Once we let go, we would have
Enough time to relive our lives
Just before we crashed back on earth
Maybe too much hope really was the end
#love #passion #destruction #chaos
Put in the hold and told I am old
a cargo of worn out and useless
but
I was the captain once
and
ruled over my sea,
Neptune, Poseidon and me
were as close as could
possibly be

Look at me now,
not worth the bill of lading
they've written me on
but
I have sunk into your memory
dredged through your dreams
I am your skeleton coast
the screams that you'll cry out
when the seas have
all dried out
your hour glass sand
the hand that you'll reach for
the one you asked more from
when you knew me as
'long John'

Keelhaul away
clap me in the brig

I have nothing to give
anymore.
Neville Johnson Jan 2020
It is quite an event!
Gerry Atric is old enough to know that Joshua Tree isn’t the right guy for Marine Layer. Anyway, she is more interested in Donny Brook, who had just broken up with Dee Ported, for obvious reasons. There they are, carousing on the Sunset Strip: Perry Winkle, Penny Farthing, Miss Understanding and Poppy ****, when who walks in --- Sara N Dippity, with ***** Nilly and Sal Amander, one on each arm!
Now Sara used to be the significant other of Mort Ify, before him, Pete Moss, before him, Charlie Horse and before him, Al Luminum! Go figure. That leaves Tess Osterone who cannot though she tries, attract any of these fine fellows, so she nurses a drink with Terri Ble, and wails about her latest disappointment with Con Descending.
Trying to calm the situation is Herb Tea, but even he ends up having cross words with **** Tatorial, who finally splits with Paddy Wagon in tow and heads over to see Tia Juana, and if they have time, Nan Tucket.
Why General Jive and Warren Peace are huddled has yet to be explained. Oblivious to all of us Mac Aroon and Junior Mints, shared tasty morsels and a libation with Amber Beer.
Preppy dressed Cord Uroy hangs with the stylsh Art Ist, each trying to make a move on Joy D. Vivre, but they are stopped by Moe Mentum , who had the inside track up until Scott Free, Gus To and Juan Derful surround the crowd, each trying to make some time with her.
Consider Lilli Put conversing with Al Falfa, while Rich People and Cord Cutter trying to listen in, but are thwarted by Mari Gold who interfered with that desire as she was shouting epithets at Con Undrum, who doesn’t know what to do. Miss Issippi cruises in and with Molly Fi, who tries to calm the situation. Watching from the corner is Bob Cat, wary of Miss Creant, who is eying him, all while she is being scoped out by Val I Date.
If life is sometimes a desert, Mo Have personifies it; he has his own problems trying to get out of the way of Uri Nalysis, who is just plain trouble. Jonathan Club is his usual convivial self, making conversation with Trey Chrotomy, who keeps clearing his throat. I was amazed to see Leo **** getting dressed down by Dinah Mite, supported in her criticism by Dee Mise.
Let us turn to the artistic arrivals: Marshall Amp and Art Professor, both adding some zest to the gathering, enabled in part by the always attractive Dee Colletage. Bill O’Lading is a bore until he jumps into the drink with Jac Uzzi, accompanied by Nat Ural, as they view the valley below and drink champagne with Elle Vation. Bobbi Pin pops everyone’s balloon by getting wasted and along with Cara Van is asked to leave. But this paled in comparison to Al Abaster attacking Ana Conda for hitting on her significant other, Tom A. Hawk.
Everyone stays away from Hal Itosis except Sue Venir and Mel Lifluos who avoids discussing the obvious. Commiserating and having a bad time are Marg Inal and June Gloom, but then they’re always that way when they get together.
Moving up in the world is Val Et, with her new recruit, Ann Appolis, decked out in a matching outfit with Lily White. Terry Dactl flew in to convince Dee Nial she had a true friend in Mother Nature, but that she should get a second opinion from Al Egory, any to hear what Brandy Alexander had to say as long as she was not slurring her words.
Everybody loves Gus To, he’s so nice to everyone, even the plain Lyn Olium and the depressing Miss Ann Thrope. We aren’t sure what to make of Sal Amander, who seemed a bit slimy, especially coupled with Beau Dacious. What were they up to? Dan Ube engaged Earnest Money to find out. He reported they were going to fleece Dan Druff and Butch Haircut, who should not invest in their hair-brained scheme.
Al Abama buttered up Cy Pres, hoping for some charity, while Minnie Scule and Tara Bite made an unlikely duo. “Respect” said Jen Uflect, that’s what everyone deserves, as she curtsied at the arrival of Caesar Salad. “Ha, ha, ha,” Heidi ** merrily exclaimed, joined by the mysterious I Stanbul. All he did was complain about the political situation.
Mary Me cannot get enough of Al Falfa, though she would have done better with the always engaging Mo Zart. Too bad he is always with Tom Foolery and Cass Anova, both with questionable motives. I know for a fact that Beau Dacious has crashed this party, pretending to have an invite from Des Ire. Outside, mystified by the diverse assemblage stands Papa Razzi, camera in hand. Hal Leluha tries to talk his way in, but gets nowhere is he is not on the list, says party planner Claire Ify. Mel Ifluous, on the other hand, though not an invitee, does get past the velvet rope, which I surmise is because he is with that wealthy Main Liner, Phil Adelphia.
Back inside the party I encounter Lazy Susan having a drink with Bud Weiser.  Here’s an unusual assortment: Guy Dance, Major Minor, Hazel Nuts and Scott Free. His choice of clothing questionable, Lee Derhosen paints a pretty picture about his life to Al Fresco, who is dismissive. Maybe that is because Mo Hawk puts him down, but he gets some protection from Val Id. Dee Tatched, never a joiner, talks business with Perry Mutual, who is threatened by his nemesis, Vito Power. Jungle Jim back from his travels, has a new mate, Lazy Susan, she having moved on from Leo ****.
How Riff Raff got an invite is shocking and I hope he will depart soon with Lee Ving, Bob N Weave, and Con Descenion. Louis Ville slugs it out, batting away the negative but truculent comments of Claire Ification. Tim Buktu acts like he is in another country, causing Mort Ified to hang his head, all made worse by the mutterings of Carrie On.
Mentor Ing tries to advise Con Flagration to cool it and is helped by
Dolly Grip and Frank Lee Speaking. Stu Pendus addresses each issue raised by Bill O’ Particulars, but he cannot allay the suspicions of Artie Choke, finally saying he must be in a vegetative state if he cannot understand the implications of what he proposes. Bo Tox just stood there, trying to look good.
The last to leave is Senor Ity. Phil Harmonic and June Bug drive him home where he lives with Dana Point and Sherman Oaks.
I always do word play at the first of the year.
KorbydAngyle Jul 2020
Leer loose leaves.. tiger near nor reigns
and desires see out.. far out.. no never beyond damning and destroyers
Facts fluff fires.. all the matrons eyes see.. eyes knowing light for strength and tomorrow
the reforms learning of seeing souls and the sanctuary.. for inside are the brazen fires
I aye aieye.. find a truth
with no place for the realm and no reform for the pain in the universe
Raioerghr! it's the leopard of the ardent cold!
Raioerghr! undue reality finds love for the world beyond the cold!
Now near nascent.. systems arrive in the lurid liqueur
it chooses it's crowns, knows who is thrown aside, a wake of damnation for crazy minds, one and all
For find feckless.. for the place of which coronation sits affined the mists
and no one shall ever be simply cast away from their messy sins
Layers lading laden.. in Heaven since from sitting you stand and tout assimilation
I aye aieye.. see through the legends
and the voices of reason acclaim you need no further explanation
Szchaak! tonight is the ceremony nor more pains!
Szchaak! in these civil fortuitous chains!
Not never nomenclature.. reality is to perceive new dust lays settled
and the chosen never-ending laws and people bind the effective yeast
One wonder wanton.. shall ever be a deviant, loss of the unholy
though all forms both above and below identify with afore implications
Now Forever Notwithstanding my mind body and soul is cleaved slashed and reason
is but the hive mind inside a tank chambers and mirrors on walls whence the chromatic dragon waits for us all! We're a bleeding dependence on systemary flaccid gaul.. listen insipid young ones for the ore for which tears have landed wretched the wings from these beasts of lore! Now, Go! Now get you from evil once and for all!
I quit all sins 5 years ago for reasons of personal merit and health!Godbless!!

— The End —