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Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
Siska Gregory Dec 2016
Wanneer n mens jou gedagtes laat dwaal, oor die jarre laat verdwaal dan besef mens weereens die wonderwerke van mense.
Mense wat sterk is, sterker as wat ek is.
Mense wat wense laat waar word, soos in n storie lyn waar alle hartseer verdwyn.
Dan is daar n spesifieke mens wat ek die beste voor wens.
Wat my elke dag laat weet dat pyn mens nie kan terug hou van n lewe vol lewe en geluk nie.
n Ware punt van krag, wat regtig niks terug verwag behalwe die omgee en die liefde van n mens wat niks het om terug te gee behalwe n dankbare hart nie.
Jy is my beste maat, my nooit verlaat, my buddy en my sussie.
Ek is jou grootste fan dall. Beslis is jy alles en meer waarvoor ek kon wens en sal jou altyd lief he en trots wees op jou.  2016-04-16
To my best friend and sister... You mean the world to me
Peter Jan 2019
i'm walking down the street
bare feet, without a care
**** uber, metro, I hate public transportation,
i'm dirtying up this sidewalk, for a few years already
i'm writing down a will, in my mind, close to my eyelids,
because i'm on the wrong side of my mind
i feel sick, tasting the bitterness of humanity
when I wipe mankind on the side of the pavement,
at the very deep, there's masculinity mixed with *****,
i'm walking down a bridge full of empty shells
i pass hordes of girls who are smiling insincerely
and again, i feel a boost in my veins
and again, i'm louder than mirrors
and as in the mirrors, voidness space,
and it is me, who takes the best from it
i absorb this poisoned air.
In the ears of mine, i can hear electro heat,
i feel like one man one Jean-Michel Jarre,
rain is pouring through me, sticks to me like fog,
i wrap myself in the warmth of two MDMA's,
someone glances surreptitiously and steals my soul,
you have a backpack full of cash, i have a suitcase full of emotions,
i'm going on a journey through the cursed city
like a hermaphrodite with a broken rod,
streets, like stigmas, cry with hollow screams,
in front of clubs content abortions on the sidewalk,
let's leave this lie, like the walking dead
assertiveness and pride to the gutter washed away.
And again, this booster is kindling my veins
i'm dirtier than a new jerusalem
and similar to it, i'm sticking to everything
and so I'm taking the most out of my heart
and I absorb this poisoned air once again.
and so the booster flows through the aorta
it is flooding my tarred heart,
destination reached.
and my wallet is shimmering with bitter crystal
nothing will change the course of this chemistry,
betrayed. betrayed by their own bodies
vidi, no vici, veni on its own,
and i'm catching a laugh, standing still in the subway
i am still absorbing poisoned air.
hatred.
jealousy.
i've seen enough.
today, in my city, sun rises in the morning.
you will remember this day forever or forget it for eternity.
That is actually my favorite poem of all
Ankit Dubey May 2019
Jab bhi khush hota hu ye sochkar k kuch aur paas aye ** tum mere,
Kismat har baar tumhe aur door le jati hai....

Har baat yaad karne lag jaata hu jab bhi mai,
Teri majboriya mujhe kuch aur yad karne ko majboor karti hai.....

Tere pyar me tujhe sochkar hi tere aks ko choone ki jab jab koshish karta hu,
Har bar kismat mujhe khud k koi aur hone ka ehsas karati hai.....

Har jarre me jab teri tasveer najar aati hai,
Tab bhi na jaane ku aankhon se ojhal hone lagti **......

Bhoolkar bhi agar koshish karoo k ye ehsaas hi bahut hai k tum meri **,
Naa jaane ku tu un ehsaason me bhi kuch aisa kar jati hai,
k yaad rakhta hu tumko aur tu kuch aur door chali jaati hai.......

** gya hu adat se majbur fir bhi tumhe pyaar karta hu,
aur ye dillagi hai k har baar tumhe aur pyar krne ko majboor kar jati hai......
Mateuš Conrad Oct 2016
that there be no memorandum and that's, with ~one word:
enough said -
                       enough to say
Maurice Jarre; and the kept heart;
autumnal bearers of
the Griffin mould of brown and
quarter orange -
                  so i too might remember...
that beckon of the south....
                       at last in rhapsody
to the one remembered as having the attention span....
and the Shakespearean puncture -
                                          well...
had we been so loved up with learning
             as Ancient Arabs were with Aristotle....
10th century revision acquired demand -
                              i too would make a joke concerning
the black gold of the Saudis...
                       being spent on joking around the totality
of human affairs... and when the Koran was necessary
the Saudis simply quoted their newly established
Kabul of unorthodox idea -
            parallel to Mecca -
                                               minding the failure of:
fill 'em up, meaning they'll be fulfilled;
who gives a **** if the Arabs read Aristotle pristine
in the 10th century, they're hardly the ones to
speak a "saving the planet" speech these days...
   they could have read Aristotle perfectly in the 10th
century... but when it comes to readers' digest:
they're basically not clued in...
                             given it's the 21st century...
i'm blaming all that spending potential...
                                       all that spending potential
on Arab sycophancy, elaborated;
cos', after all, it's just cheese: mozzarella elongation
and a tribute to the moustache.
KV Srikanth Mar 2021
Ennio Morricone
Collaboration with Sergio Leone
Whips And Whistles
New sound to background
Sphagetti Westerns backbone
Never left Rome
Music his home
400 plus films scored
Distinct sound endured
Many Auteurs frequently collaborated
Fan favorite for decades
Won Oscar for The Hateful Eight
One of two to
To get the honor
Lifetime Oscar
For Composer extraordinaire
All roads lead to Rome
All notes lead to Morricone

Lalo Schifrin
Argentinian Pianist
Cult following with memorable Scores
Jazz themed band and Grammys Galore
Television Series & Movie themes
Added value with his Name
Superstars  first choice
Studios rejoice
A list Star to Act
Lalo to compose the Soundtrack
Fans across the world
Saw movies for his score

Henri Mancini won 4 Oscar's
Immortal theme for Pink Panther
Baby Elephant Walk
For Howard Hawks
Romeo and juliet love theme
Number one on the Billboard scheme
Partnership with Directors
  Everlasting music created
Deserving Hall of Famer
Years later for many
Still the favorite composer

Elmer Bernstein
Creme de la creme
Only composer
Nominated for oscar
Every decade since the 1950s
Won for Thorough Modern Millie
Versatility the key
Budget did not  affect
Genre did neither
The Magnificent seven & The Great Escape
Tunes stand testimony
For creativity and longevity

Dave Grusin patnership with
Sydney Pollack cruising
Director Composer  combination
Last of the Finest
Grammy s lost count
Oscar made the count
Composed the music for
Columbia TRISTAR logo
Outstanding musical score
Grusin music totally pure

Roy Budd Composer
Who learnt by ear
Could play by Three
At birth a Prodigy
Soldier Blue with Candice Bergen
Gave him the due recognition
Best Pianist Award
5 years consecutive
Soundtrack for films
Each one Superlative
Score for Get Carter
In our memories forever
Brain hemorrhage
Took him away  at an early age

Jerry Goldsmith debuted
in live television
Rambo and Star Trek
Franchise to name a few
His compositions always new
Composers like him
A very few
The Omen finally
got him his due
Paramount & Universal pictures
The music accompanying
The logos of the Studios
Jerry doing his wizardry
With the audio
Grammy and Oscar nominations
To be counted
Four more pairs of hands
Need to be included

Marvin Hamlisch winner
Of three Oscars
All in the same year
The Sting and The Way We were
Nobody does it better
Only one after Richard Rogers
To win The Grammy Tony Emmy Oscar and the Pulitzer

Bill Conti score for Rocky
One of the most Remembered in movie history
Replaced John Barry
In For your eyes only
Scored for the Oscar
Ceremony
19 times a record
envy of many
Won Oscar and Emmy
No Dynasty or Cagney & Lacey
without Conti

John Barry score for Sean Connery as James Bond
The super spy
A permanent legacy
Created by the supremacy
Of his musical ability
5 time oscar winner
From North Yorkshire
Illness threatened career Came back better then ever
Sold out concerts
Arena sized halls
Glory again after a fall
Oscar for The Lion in Winter
His personal favorite Goldfinger

Maurice Jarre  Composer and Conductor
Won 3 Oscars
All collaborations
with David Lean
Big Budget Films
His speciality
The Themes popularity
Showcased his versatility
His music told the story
Close your eyes and
You will know the reality
Appealing to every taste
Was Jarre's forte

David Shire
Winner of the Oscar
For Norma Rae
Composer & Songwriter
Streisands Pianist
Scored for Television & Movies
Conversation and Pelham
Musical confirmation
That his compositions
Will bear the
Test of time

Michel Legrand
son of a Composer
Winner of 3 Oscars
Conductor for many of
The French New Wave directors
Founder of the French Musical
Windmills of your mind
Forever etched in our minds
Over 200 films in a career
Prolific in nature
Select from his repertoire
Of music
Fill the air with Legrand magic

Michael Small son of an actor
Became a composer
Parallax View & Night Moves
Provides you with the mood
Alan Pakula & Arthur Penn
Directors for whom notes he penned
Sidney Lumet Bob Rafelson & John Schleisinger
Legends in their own right
Small' talent shined bright
Prostate cancer
Took away this Great Music Director

Charles Bernstein used Music & Sound effects
To maximum effect
Oscar Winning Documentary
Which had no oral commentary
To tell the story
Scored for horror genre
A cult in the sub culture
Burt Reynolds in White Lightning first chance to
Score for a feature
Charles Bronson in Mr Majestyk
Made these films click

John Williams pianist for
Goldsmith Bernstein & Mancini
Second only to Walt Disney
In Oscar Nominations
52 and counting
Winner greatest Soundtrack
Of all time
Star Wars earned him that name &  fame
Widely regarded as most successful  Musician
Positivity is the key
Particular theme  for different characters
Greatest ever
Mateuš Conrad Apr 2019
.so much of hedonism can revolve outside the realm of women: wanting, wishing, blah blah, being filled with resentment, not ever being fulfilled, well... at least with exitential philosophy of the 20th century: there's always some sort of transcendental modus operandi... look around! there's so much to choose from! i moved past hedonism, the -ism bugged me... so i moved into the bacchian territory of "affairs"... sure... i'd still visit a ******* from time to time, ******* to "7s and 6s" or fine renaissance art while taking a ****... to ease out left-over shy ****... but i "think" i'm off the hook, when a circumcised moral authority in the form of a h'american mid-western family man says: disgusting... see any scented candles? i'm massaging my prostate while doing the one off, while taking a ****... lucky me that i haven't been circumcised in a post-christian secular babylon... besides... what's the difference between a bacchian "cult" and hedonism? well... nietzsche really wanted to entertain the bacchian dimension... sorry ****** chose barbiturates, but all he ever wanted was to drink the nectar, the amber... while all around me: an ordered world of chaos, and with me in it: a chaotic individual (in the cognitive sense at least) with a membrane of ordered masquerades... every chance i managed to make it into the public at Halloween... clown, two years running, in a span of 10 years... hedonism usually implies some sort of association with women... pass... sorry... whiskey and music, giggles from an empty head... and, as i discovered today... walking in the rain... my my, what nice weather we currently have in england... coming to mid june, and it's ******* cats and dogs, wimbledon is about to start, there's a roof, so no more ol' cliffy richard sing-along on a rain break... and that's the best bit... a life composed of simple pleasures... it doesn't get much simpler than my three prime associations to pleasure... i can walk, i don't need to hop, i don't even have to run... the rain, the missing hood, the frown from the rain targeting my eyes, the alcoholic ginger beer, the music, and unto home, the whiskey and all the music i could never have wished for... sure sure... a *******... once every 2 years, ****, it's been almost 3 if i best remember... and even then, not having trimmed my ***** hair, it was only kissy-kissy for an hour... i don't even want to understand the current α-, β-, γ-, δ- or the ω-man analogies, abstracts... how many letters are we missing? 24 letters - 5 letters... in gnosticism... there are 19 aeons... 19 is a "magic" number in gnosticism... ****... with all these transgender kids getting off their kicks in this here reality... i guess i'll be the μ-man, the meta-man... borrowing from metaphysics... mind you, there's also the o-man and the π-man, which borrows from benzene is attached to, via the respective positioning of groups: ortho and para.


what's with this sentimental
drunk in me...
     *******... crumpet
brigade...
   robin williams
cracking a golf joke...
            eddie izzard
cracking...
   whatever joke is handy...
maurice jarre - carpe diem...
     and until
that time comes...
i'm the dead one...
       attempting
                        to levitate...
it's such a happy sadness...
to be made authentic
by all that requisite bile
of false hope...
  it "almost" feels like
having lived,
also had a purposive
suggestion
to also having had to die...
i sometimes forget
jazz...
and rekindle myself
to classical music...
  the whole: clarinet
shoved up my ***...
and the english teacher,
a true pict...
in my catholic highschool...
  brother oh brother
where i would
be without you...
       solace served
in solitude of a park bench...
brother oh brother...
how little we have,
and yet: gamble with
so many... crafts,
gifts, grievances...
        lost affairs and
antiques...
    "as if": ever,
  the memorable faces
of time, lost to the long past quest
of memory, trapped by
the objective reality of time...
to cry, as to laugh...
how few cushions of ease
to lay your head upon
and gather...
what the few will never
have,
whether in rags,
or in ritches...
        to have a dobermann
for a brother,
an alsatian shepherd
for a sister...
  and myself the shadow,
and my own kept
readied company...
you're not free...
           as neither am i...
from the crisp grasp
of beauty that death makes
no acknowledgment of
in order to cradle
a sense of preservation,
a mortality...
     i thank death for this
prudence...
           as there ever were
only two ulterior
motives
for the "complexity"
of the psychology of affairs...
you either live
by crying and die by laughing,
or you die by laughing and
having lived:
               the last entombing
worth of...
       the funeral was
pre-readied "to begin with"...
      ah ha ha ha ha ha!

if to begin "life" in post-scriptum...
wake me up...
at the end of winter,
when spring is teasing
its baby-steps...
and the odd night
of lingering winter appears
and i...
am worthy to expect nothing
of an arabian export
of negated
global warming norms...

or...
             when i wasn't a
catholic school schoolboy
          reactionary
via vs. the concept of
        confirmation having
read
the gnostic literature,
             "too early".
Une brume couvrait l'horizon ; maintenant,
Voici le clair midi qui surgit rayonnant ;
Le brouillard se dissout en perles sur les branches,
Et brille, diamant, au collier des pervenches.
Le vent souffle à travers les arbres, sur les toits
Du hameau noir cachant ses chaumes dans les bois ;
Et l'on voit tressaillir, épars dans les ramées,
Le vague arrachement des tremblantes fumées ;
Un ruisseau court dans l'herbe, entre deux hauts talus,
Sous l'agitation des saules chevelus ;
Un orme, un hêtre, anciens du vallon, arbres frères
Qui se donnent la main des deux rives contraires,
Semblent, sous le ciel bleu, dire : « A la bonne foi ! »
L'oiseau chante son chant plein d'amour et d'effroi,
Et du frémissement des feuilles et des ailes
L'étang luit sous le vol des vertes demoiselles.
Un bouge est là, montrant dans la sauge et le thym
Un vieux saint souriant parmi des brocs d'étain,
Avec tant de rayons et de fleurs sur la berge,
Que c'est peut-être un temple ou peut-être une auberge.
Que notre bouche ait soif, ou que ce soit le coeur,
Gloire au Dieu bon qui tend la coupe au voyageur !
Nous entrons. « Qu'avez-vous ! - Des oeufs frais,
de l'eau fraîche. »
On croit voir l'humble toit effondré d'une crèche.
A la source du pré, qu'abrite un vert rideau,
Une enfant blonde alla remplir sa jarre d'eau,
Joyeuse et soulevant son jupon de futaine.
Pendant qu'elle plongeait sa cruche à la fontaine,
L'eau semblait admirer, gazouillant doucement,
Cette belle petite aux yeux de firmament.
Et moi, près du grand lit drapé de vieilles serges,
Pensif, je regardais un Christ battu de verges.
Eh ! qu'importe l'outrage aux martyrs éclatants,
Affront de tous les lieux, crachat de tous les temps,
Vaine clameur d'aveugle, éternelle huée
Où la foule toujours s'est follement ruée !

Plus ****, le vagabond flagellé devient Dieu.
Ce front noir et saignant semble fait de ciel bleu,
Et, dans l'ombre, éclairant palais, temple, masure,
Le crucifix blanchit et Jésus-Christ s'azure.
La foule un jour suivra vos pas ; allez, saignez,
Souffrez, penseurs, des pleurs de vos bourreaux baignés !
Le deuil sacre les saints, les sages, les génies ;
La tremblante auréole éclôt aux gémonies,
Et, sur ce vil marais, flotte, lueur du ciel,
Du cloaque de sang feu follet éternel.
Toujours au même but le même sort ramène :
Il est, au plus profond de notre histoire humaine,
Une sorte de gouffre, où viennent, tour à tour,
Tomber tous ceux qui sont de la vie et du jour,
Les bons, les purs, les grands, les divins, les célèbres,
Flambeaux échevelés au souffle des ténèbres ;
Là se sont engloutis les Dantes disparus,
Socrate, Scipion, Milton, Thomas Morus,
Eschyle, ayant aux mains des palmes frissonnantes.
Nuit d'où l'on voit sortir leurs mémoires planantes !
Car ils ne sont complets qu'après qu'ils sont déchus.
De l'exil d'Aristide, au bûcher de Jean Huss,
Le genre humain pensif - c'est ainsi que nous sommes -
Rêve ébloui devant l'abîme des grands hommes.
Ils sont, telle est la loi des hauts destins penchant,
Tes semblables, soleil ! leur gloire est leur couchant ;
Et, fier Niagara dont le flot gronde et lutte,
Tes pareils : ce qu'ils ont de plus beau, c'est leur chute.

Un de ceux qui liaient Jésus-Christ au poteau,
Et qui, sur son dos nu, jetaient un vil manteau,
Arracha de ce front tranquille une poignée
De cheveux qu'inondait la sueur résignée,
Et dit : « Je vais montrer à Caïphe cela ! »
Et, crispant son poing noir, cet homme s'en alla.
La nuit était venue et la rue était sombre ;
L'homme marchait ; soudain, il s'arrêta dans l'ombre,
Stupéfait, pâle, et comme en proie aux visions,
Frémissant ! - Il avait dans la main des rayons.

Forêt de Compiègne, juin 1837.
KV Srikanth Jan 2022
The chords of the piano
Reaching a crescendo
Reminds me of Maurice Jarre's theme
From Doctor Zhivago
Souls have merged
Thoughts and feelings submerged
In the Love filling the air
No need for despair
The trees and flowers
The one we are picking for each other
Both will pick the same
Nature of likes your theme
Adding it's splendor and esteem
Be together forever
Even death don't do you part
Never say goodbye cause you ain't apart
Backs to each other
Instruments increasing the tempo
Rhythm section providing the beats
Cue your hearts beating in synchrony
Creating a new symphony
If the bard had seen this image
He would have written a homage
Mozart would have scored the refrain

— The End —