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"donnas" poems
she's got a face like a 1990's beauty queen high waisted shorts hair pulled over the top with a miniclip gun tucked in the back miniclip on the front of her blouse setting them up knocking them down converse allstars that she paid $50 for grazing the rocks by the waterfall that she poses in front of dear 1990's beauty queen you'd like to be innocent again but your brown eyes are locked and loaded it's just a small trick of fate that you were born in this decade the girls here are machine gun prima-donnas and you were born into them your high-waisted shorts won't let you out of it
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Oct 5, 2013
Oct 5, 2013 at 1:32 AM UTC
machine gun prima-donna fate
After lunchtime, and before tea Donna quietly bade farewell to Mr. Samuels and to herself. Calmly, she twisted the bolt into the lock and pleasantly drew the curtains closed. She gratefully glanced at a photo of her dog and touched the piano as an afterthought. Making quite certain that everything was tidy, Donna swept up some dust she had overlooked. and then after lunchtime and before tea on a perfectly pleasant tuesday morning in a perfectly pleasant day in Donnas life she sat herself down in the center of the parlor and without hesitation ceremony or further ado, in 2 swift motions cleanly slit her wrists.
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Nov 15, 2011
Nov 15, 2011 at 6:10 PM UTC
Suicide for dessert
Today is Donna’s birthday – All these many years later I still remember it – several times today I thought of her and gently waved hi Donna was the name of my first baby, (short for Donald, my ex) my girl baby who lived for 4 days and then changed her mind. She was a summer baby too. When I think of both Donnas I see tiny, Italian angels petite , pretty little things with brown golden hair. I still see the dimples on their faces, and the bright black light shining in their eyes… Tonight I hold a candle in their memory Tonight I drink to the summers of their birth, Knowing that their lives will always live in me – Both Donnas, One, who came to me in childhood. magically fused by friendship and something more – and Baby Donna, whose fragile body held such sweet life Both Donnas, who have been with me through so many changing skies… inside of me where their faces are etched in crystal and their wings form a door.
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Jul 12, 2013
Jul 12, 2013 at 11:16 PM UTC
Donna
There is a world that no one knows Where life unnoticed grows and thrives Where birth and death and all between Are scrutinised, yet are unseen Where innocence and purity In white are welcomed, full of hope Impinging slowly, edging in Life’s colour forming character Where independent yellow gloats In fierce teen triumph ‘Look at me!” With fun and laughter orange glows And reaches high in happiness Experience and independence Rich lessons teach and edges darken Their lives on show, rough judgement falls And ‘I prefer the red’ is thrown About and listened to and felt And colours deepen, darkened hue In wind and rain and sunshine showers Red develops, life impinges Bright happiness or blood-red wisdom Growing older, growing wiser Where petals turning in reveal Quiet pom-pom introversion While out-turned fingers stretch with glee Prima donnas, dancing, twirling Where purple self-awareness turns Each pink and mauve and lilac from The bloom of youth towards life’s wane Yet far enough away, rebelling Where days grow shorter, sliding past Yet hands stretch out and cup each face And noses breathe and fingers touch And bees buzz past and voices rise And babies cry and old men laugh And yet unknown, unseen, life slows Bright-eyed the purple-rinse brigade With sparkle-induced energy Remembering and reminiscing Their days they fill with endless chatter Late Autumn falls and nights draw near White heads do droop and slip, like snow Fine petals drift into the breeze An echo whispering til Spring.
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Aug 21, 2018
Aug 21, 2018 at 7:41 AM UTC
THE SECRET LIVES OF DAHLIAS – A POEM INSPIRED BY THE DAHLIAS AT ANGLESEY ABBEY NT
There is a world that no one knows Where life unnoticed grows and thrives Where birth and death and all between Are scrutinised, yet are unseen Where innocence and purity In white are welcomed, full of hope Impinging slowly, edging in Life’s colour forming character Where independent yellow gloats In fierce teen triumph ‘Look at me!” With fun and laughter orange glows And reaches high in happiness Experience and independence Rich lessons teach and edges darken Their lives on show, rough judgement falls And ‘I prefer the red’ is thrown About and listened to and felt And colours deepen, darkened hue In wind and rain and sunshine showers Red develops, life impinges Bright happiness or blood-red wisdom Growing older, growing wiser Where petals turning in reveal Quiet pom-pom introversion While out-turned fingers stretch with glee Prima donnas, dancing, twirling Where purple self-awareness turns Each pink and mauve and lilac from The bloom of youth towards life’s wane Yet far enough away, rebelling Where days grow shorter, sliding past Yet hands stretch out and cup each face And noses breathe and fingers touch And bees buzz past and voices rise And babies cry and old men laugh And yet unknown, unseen, life slows Bright-eyed the purple-rinse brigade With sparkle-induced energy Remembering and reminiscing Their days they fill with endless chatter Late Autumn falls and nights draw near White heads do droop and slip, like snow Fine petals drift into the breeze An echo whispering til Spring.
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I like to drink in taverns Where you get beers and a shot Where the glasses all are ***** And the women all are hot Where there's blood stains on the dance floor From a brawl the night before And you know there'll be some more there Before they close the doors at four Line Dancin' Badonkadonks or Boot Scootin' Prima Donnas Are never on our floor There's none of them among us The good ol' Texas two step Is all you'll  find round here With both dancers smokin' smokes and both holding a beer We're not a bar for yuppies We're a bar your dad would go We're a bar with old time music We're a bar you all should know We're a bar with old time values We're a bar with out a name We're your bar son, your bar We're your bar son, your bar Umbrella drinks and blue lagoons They can keep them in the city For any guy who drinks that stuff Well...to me...he's too **** pretty A shot of Beam, a glass of draft Waylon on the old juke box Another shot, a few more beer And this place really rocks We don't serve drinks you can't pronounce Or that take too long to pour We like our music really loud Hell...that's what country's for You don't come here to sit and talk You come to have a party So, barkeep...one more time around And lets start drinking hearty We're not a bar for yuppies We're a bar your dad would go We're a bar with old time music We're a bar you all should know We're a bar with old time values We're a bar with out a name We're your bar son, your bar We're your bar son, your bar
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Aug 8, 2013
Aug 8, 2013 at 8:20 PM UTC
My Bar
I like to drink in taverns Where you get beers and a shot Where the glasses all are ***** And the women all are hot Where there's blood stains on the dance floor From a brawl the night before And you know there'll be some more there Before they close the doors at four Line Dancin' Badonkadonks or Boot Scootin' Prima Donnas Are never on our floor There's none of them among us The good ol' Texas two step Is all you'll  find round here With both dancers smokin' smokes and both holding a beer We're not a bar for yuppies We're a bar your dad would go We're a bar with old time music We're a bar you all should know We're a bar with old time values We're a bar with out a name We're your bar son, your bar We're your bar son, your bar Umbrella drinks and blue lagoons They can keep them in the city For any guy who drinks that stuff Well...to me...he's too **** pretty A shot of Beam, a glass of draft Waylon on the old juke box Another shot, a few more beer And this place really rocks We don't serve drinks you can't pronounce Or that take too long to pour We like our music really loud Hell...that's what country's for You don't come here to sit and talk You come to have a party So, barkeep...one more time around And lets start drinking hearty We're not a bar for yuppies We're a bar your dad would go We're a bar with old time music We're a bar you all should know We're a bar with old time values We're a bar with out a name We're your bar son, your bar We're your bar son, your bar
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I am from nothing. From privilege thoughts and poor choices. I am from rumpled school uniforms and skinned knees. From the stinging taste of red clay to the black and blue sleeves of prepubescent rage. I am from giant dogwoods whose long- reaching branches scrapped against that endless, black celling. The forever nights, holding on to Dogwood limbs. Eyes un- blinking. Starring into the abyss of creation. From Cap’n Crunch and chocolate milk to black coffee and cigarettes. I am from absent brothers and forgetful fathers. I am from awkward crushes to adolescent wet-dreams of the budding tulips walking down our halls. From the class clowns to the wall- flowers. From the fuck-ups to the *Prima Donnas*. From the Sunday fields of old and new to the Wednesday rivers of the born again. I am from the warming light.
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Oct 28, 2014
Oct 28, 2014 at 12:57 PM UTC
I am
Lisas and Cheryls in halter tops walk the Halls of Stoughton High full Throttle, coiffed fleece fiercely feathered, Tonys and Tims trawling in tow, toting Texts. Tims and Tonys slip Slyly away, skip shop, talk **** **** a doob behind Bob’s Baitshop’s garbage dunes, tunes of Geils and Seeger and Stones, applaud Lisas and Cheryls, laud deserving Donnas and Dianes (but dude, don’t Let on!) See, A solitary Tony takes to one shapely Cheryl’s sultry swagger, staggers, blathers His rathers, turning her hair’s fair feathers A-flair, she helping his hand higher up her hip, her Cup, her concupiscent luscious lower lemon-lacquered lip, he agog, a ***** Dog with a bone. And a libidinous loner Lisa prefers a particular turgid Tim, digs His Doors tee tucked In to tight tan cords, affords Herself a longer linger as his fingers Dangle, thick thumbs hooked in belt. Looked at, Felt, ***** his hip, flips a nod, draws a Sneer, paws her rear, she his Haunch, he steady and Staunch, Steady and Staunch Not gonna Launch Steady gawdamnsunuvabitch! Thaws the sneer Right there. High gears it outta here.
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Jan 27, 2015
Jan 27, 2015 at 5:44 PM UTC
Lascivious '79
So, we know beautiful people are leaving Just as a crab with a soft shell hides under rocks But the Debs and Donnas only have to hide for a short time Because we are the rocks of safety The hate mongers are not poets Not inspirationalists They are the ones with a one inch ***** Those who desire the fulfilling *** of poetry But cannot achieve the ****** And so you who write Be it good or bad Ignore the poison barbs of bitterness and hate Just be yourselves
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Aug 10, 2015
Aug 10, 2015 at 4:46 PM UTC
Rant and Rave
The girls I knew upon distant shores Courtesans to prima donnas to wall flowers to debutants to Thai street ****** I love them all Some hated me some begged me to stay Some jumped on me some walked away Like herding a field of cats In search of love around the world Now back in this USA can't even so much as talk to a girl They all now just walk away Like herding a field of cats
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Feb 2, 2015
Feb 2, 2015 at 5:43 AM UTC
Herding a Field of Cats
Fake smiles on plastic lips Prima facie prima donnas press play on broken records cheap words on repeat. 'Beauty' preens on billboard prints as sundown slicker paints the sky over 'salt-of-the-earth', white-collared wage-mules and souls too worse for wear. So they lie, yes, while they lay in flesh caskets upon prime real estate tombs; "I've lived the life," they'd say while peering down on those who lived just to live. And the world plays this sad charade in clockwork symphony every single day as its asphalt veins pump with diesel fumes in streams from the steel entourage with their precious cargo. So press play on broken records for humdinger proof your sorrowtide serenade the grovel & groove.
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May 26, 2015
May 26, 2015 at 9:43 AM UTC
Press Play on Broken Records
Personne pour toi. Tous sont d'accord. Celui-ci, Nommé Gladstone, dit à tes bourreaux : merci ! Cet autre, nommé Grant, te conspue, et cet autre, Nommé Bancroft, t'outrage ; ici c'est un apôtre, Là c'est un soldat, là c'est un juge, un tribun, Un prêtre, l'un du Nord, l'autre du Sud ; pas un Que ton sang, à grands flots versé, ne satisfasse ; Pas un qui sur ta croix ne te crache à la face. Hélas ! qu'as-tu donc fait aux nations ? Tu vins Vers celles qui pleuraient, avec ces mots divins : Joie et Paix ! - Tu criais : - Espérance ! Allégresse ! Sois puissante, Amérique, et toi sois libre, ô Grèce ! L'Italie était grande ; elle doit l'être encor. Je le veux ! - Tu donnas à celle-ci ton or ; A celle-là ton sang, à toutes la lumière. Tu défendis le droit des hommes, coutumière De tous les dévouements et de tous les devoirs. Comme le boeuf revient repu des abreuvoirs, Les hommes sont rentrés pas à pas à l'étable, Rassasiés de toi, grande soeur redoutable, De toi qui protégeas, de toi qui combattis. Ah ! se montrer ingrats, c'est se prouver petits. N'importe ! pas un d'eux ne te connaît. Leur foule T'a huée, à cette heure où ta grandeur s'écroule, Riant de chaque coup de marteau qui tombait Sur toi, nue et sanglante et clouée au gibet. Leur pitié plaint tes fils que la fortune amère Condamne à la rougeur de t'avouer pour mère. Tu ne peux pas mourir, c'est le regret qu'on a. Tu penches dans la nuit ton front qui rayonna ; L'aigle de l'ombre est là qui te mange le foie ; C'est à qui reniera la vaincue ; et la joie Des rois pillards, pareils aux bandits des Adrets, Charme l'Europe et plaît au monde... - Ah ! je voudrais, Je voudrais n'être pas Français pour pouvoir dire Que je te choisis, France, et que, dans ton martyre, Je te proclame, toi que ronge le vautour, Ma patrie et ma gloire et mon unique amour !
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À la France
Personne pour toi. Tous sont d'accord. Celui-ci, Nommé Gladstone, dit à tes bourreaux : merci ! Cet autre, nommé Grant, te conspue, et cet autre, Nommé Bancroft, t'outrage ; ici c'est un apôtre, Là c'est un soldat, là c'est un juge, un tribun, Un prêtre, l'un du Nord, l'autre du Sud ; pas un Que ton sang, à grands flots versé, ne satisfasse ; Pas un qui sur ta croix ne te crache à la face. Hélas ! qu'as-tu donc fait aux nations ? Tu vins Vers celles qui pleuraient, avec ces mots divins : Joie et Paix ! - Tu criais : - Espérance ! Allégresse ! Sois puissante, Amérique, et toi sois libre, ô Grèce ! L'Italie était grande ; elle doit l'être encor. Je le veux ! - Tu donnas à celle-ci ton or ; A celle-là ton sang, à toutes la lumière. Tu défendis le droit des hommes, coutumière De tous les dévouements et de tous les devoirs. Comme le boeuf revient repu des abreuvoirs, Les hommes sont rentrés pas à pas à l'étable, Rassasiés de toi, grande soeur redoutable, De toi qui protégeas, de toi qui combattis. Ah ! se montrer ingrats, c'est se prouver petits. N'importe ! pas un d'eux ne te connaît. Leur foule T'a huée, à cette heure où ta grandeur s'écroule, Riant de chaque coup de marteau qui tombait Sur toi, nue et sanglante et clouée au gibet. Leur pitié plaint tes fils que la fortune amère Condamne à la rougeur de t'avouer pour mère. Tu ne peux pas mourir, c'est le regret qu'on a. Tu penches dans la nuit ton front qui rayonna ; L'aigle de l'ombre est là qui te mange le foie ; C'est à qui reniera la vaincue ; et la joie Des rois pillards, pareils aux bandits des Adrets, Charme l'Europe et plaît au monde... - Ah ! je voudrais, Je voudrais n'être pas Français pour pouvoir dire Que je te choisis, France, et que, dans ton martyre, Je te proclame, toi que ronge le vautour, Ma patrie et ma gloire et mon unique amour !
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It was Donna Darling’s annual dinner party A Cotillion approved eatery Six spoons and six forks The wrong one, and all the glares one bore And then waddled in Miss Pillsbury Her stumpy feet too short to Do anything but waddle Uninvited she was As she always was Squelching her way through the narrow doorway. As fourteen perfectly styled heads Shuffled their feet under the table. Boom! Clash! Six spoons crashing Six forks attacking Poor old lady Judith’s knee As she groaned in pain. Donna scratching her head Eyes darting through her invite list Top-to-bottom, Top-to-bottom Screech! Went the chair, Scratching Donnas hand polished marble floors Like nails on a chalkboard. Oh, and what she did next, Almost sent Donna to her upstairs bedroom To pop some unprescribed ****** As the stout woman grabbed soup with her chubby hands And started gulping it down Before it ran through her fingers. Frazzled Donna tried, oh she tried To salvage the integrity Of her fancy dinner party Unfortunately, at the moment it was running down the table From Miss Pillsbury’s double chin. Swooosh! Went old lady Judith As she skated across the marble Like an Olympic figure skater Only to crash into Donna’s perfectly organized stainless steel kitchenware. Donna ran out screaming and crying Nobody’s seen her since. And as for Miss Pillsbury, I’d be surprised if she noticed any of it
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Jul 18, 2019
Jul 18, 2019 at 12:42 AM UTC
Dinner Dramatics
Fable XIV, Livre IV. « L'excellente caricature ! » Disait un jeune coq en riant aux éclats : Un chapon, malgré l'aventure Qui l'oblige au moins *** de tous les célibats, Vouloir être chef de famille ! De poussins quelle bande autour de lui fourmille ! S'il était sincère aujourd'hui, Il conviendrait, le pauvre hère, Qu'entouré des enfants d'autrui, Il croit quelquefois être père. » « - D'accord, dit le Manceau, mais quelquefois aussi, Conviens-en, l'ami, tu crois l'être ? » « - Compère, autour de nous je ne vois, Dieu merci, Qu'enfants auxquels j'ai donné l'être. » « - Poussé par le plaisir bien plus que par l'amour, Lovelace de basse-cour, À demi, je le sais, tu leur donnas le jour. Mais quel soin les a fait éclore ? Sous ton aile, en naissant, vinrent-ils se ranger ? Dans le besoin, dans le danger, Es-tu le protecteur que leur faiblesse implore ! Entre eux et toi jamais fut-il rien de commun ? Pas un ne te connaît, tu n'en connais pas un. Séparons-nous ; et puis, observe Vers qui les conduira l'instinct reconnaissant. Tu leur donnas la vie... une fois ; et moi, cent ; Chaque jour je la leur conserve. Les doux soins dont tu te défends, C'est la paternité. Prodigue tes caresses : Tu peux avoir eu des maîtresses, Mais tu n'as jamais eu d'enfants. »
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Le coq et le chapon
Go to hell you daisy-eyed Rue21 priestesses Clamoring for significance in ***** dressing rooms Ashy skinned in clumsy selfies, splayed out like convenience stores There's dust on your shelves and all your candy is stale. Go to bed you pajama-pantsed prima donnas bleached blonde and child-weary, swiping plastic for apple juice Can't you see I have to go to work? Pick your ******* cigarettes already! Go to church you ******* hypocrites You incessant fat barking chihuahuas If Karen at the office is so insufferable, why don't you just leave? Go **** yourselves you snide social statisticians prancing around prize racehorses You'll be glue on somebody /else's/ eyelashes when you're done.
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Jun 22, 2017
Jun 22, 2017 at 7:59 PM UTC
While riding the Amtrak down to Carbondale in the dark
Ô ciel ! je vous revois, madame, De tous les amours de mon âme Vous le plus tendre et le premier. Vous souvient-il de notre histoire ? Moi, j'en ai gardé la mémoire : C'était, je crois, l'été dernier. Ah ! marquise, quand on y pense, Ce temps qu'en folie on dépense, Comme il nous échappe et nous fuit ! Sais-tu bien, ma vieille maîtresse, Qu'à l'hiver, sans qu'il y paraisse, J'aurai vingt ans, et toi dix-huit ? Eh bien ! m'amour, sans flatterie, Si ma rose est un peu pâlie, Elle a conservé sa beauté. Enfant ! jamais tête espagnole Ne fut si belle, ni si folle. Te souviens-tu de cet été ? De nos soirs, de notre querelle ? Tu me donnas, je me rappelle, Ton collier d'or pour m'apaiser, Et pendant trois nuits, que je meure, Je m'éveillai tous les quarts d'heure, Pour le voir et pour le baiser. Et ta duègne, ô duègne damnée ! Et la diabolique journée Où tu pensas faire mourir, O ma perle d'Andalousie, Ton vieux mari de jalousie, Et ton jeune amant de plaisir ! Ah ! prenez-y garde, marquise, Cet amour-là, quoi qu'on en dise, Se retrouvera quelque jour. Quand un coeur vous a contenue, Juana, la place est devenue Trop vaste pour un autre amour. Mais que dis-je ? ainsi va le monde. Comment lutterais-je avec l'onde Dont les flots ne reculent pas ? Ferme tes yeux, tes bras, ton âme ; Adieu, ma vie, adieu, madame, Ainsi va le monde ici-bas. Le temps emporte sur son aile Et le printemps et l'hirondelle, Et la vie et les jours perdus ; Tout s'en va comme la fumée, L'espérance et la renommée, Et moi qui vous ai tant aimée, Et toi qui ne t'en souviens plus !
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À Juana
Ô ciel ! je vous revois, madame, De tous les amours de mon âme Vous le plus tendre et le premier. Vous souvient-il de notre histoire ? Moi, j'en ai gardé la mémoire : C'était, je crois, l'été dernier. Ah ! marquise, quand on y pense, Ce temps qu'en folie on dépense, Comme il nous échappe et nous fuit ! Sais-tu bien, ma vieille maîtresse, Qu'à l'hiver, sans qu'il y paraisse, J'aurai vingt ans, et toi dix-huit ? Eh bien ! m'amour, sans flatterie, Si ma rose est un peu pâlie, Elle a conservé sa beauté. Enfant ! jamais tête espagnole Ne fut si belle, ni si folle. Te souviens-tu de cet été ? De nos soirs, de notre querelle ? Tu me donnas, je me rappelle, Ton collier d'or pour m'apaiser, Et pendant trois nuits, que je meure, Je m'éveillai tous les quarts d'heure, Pour le voir et pour le baiser. Et ta duègne, ô duègne damnée ! Et la diabolique journée Où tu pensas faire mourir, O ma perle d'Andalousie, Ton vieux mari de jalousie, Et ton jeune amant de plaisir ! Ah ! prenez-y garde, marquise, Cet amour-là, quoi qu'on en dise, Se retrouvera quelque jour. Quand un coeur vous a contenue, Juana, la place est devenue Trop vaste pour un autre amour. Mais que dis-je ? ainsi va le monde. Comment lutterais-je avec l'onde Dont les flots ne reculent pas ? Ferme tes yeux, tes bras, ton âme ; Adieu, ma vie, adieu, madame, Ainsi va le monde ici-bas. Le temps emporte sur son aile Et le printemps et l'hirondelle, Et la vie et les jours perdus ; Tout s'en va comme la fumée, L'espérance et la renommée, Et moi qui vous ai tant aimée, Et toi qui ne t'en souviens plus !
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