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celeste fuma Jul 2018
blue lilies
now;wilted and zapped
petals of hibiscuses;
frosting and drooping
pressed between our pages
stenching and staining
them edges
bleeding


the flesh stenches
the putrid blooms
carve squealing wounds
the blood engulfs the heart
that deliquesces


the crevices are graved
then the heart deliquesces
and falls into two
down/a rotting corpse
it oozes into


the disgust of existence
creeping through shredded layers
of shroud
covering the withering bones,
mass
and
emotions


searing
it melts eventually-the shroud
until it reaches the bones
crashes them there
spilling the liquids/
all that is left bare
is already atrophying


and i guess that's the difference between dying and rotting
dying at least leaves you
the voids to hold onto
to be nostalgic for what was held
dying-paints,hues from the ashes that blew


but rotting
eats away all that existed
and snaps leaving
detritus,stinking
odor that i need  


the craft of us
all worn out
the fragments dis plumed through holocausts
the rebellion in ruination  
and the twitched cold feet
each breath i've took,now smothering
you,me,and everything



the reflections,contradictions
intoxicating,caging charcoal abstracts
punctured and ruptured
all constituents consuming and decaying now
every treble
so heavy


freezing not frozen
perishing not lighter


maybe these moments
-they never stop
cause right there in the midst
everything rots.
-/and we let it

~d
Kyle T Oct 2020
There are tiburones off the Fla. Keys
Believe me, out there in the aqua deeps
Sometimes they swim up into the sandy shallows
But not often;
And usually only at night while you’re on a veranda sipping a
Glass of red wine,
Safe in the glimmer of a tropical neon beer sign
Underneath palm trees.

These tiburones swim off shelves and under cantilevers
Continental shifts in deeps
Sandy bottoms, they cruise by
Like missiles
Fired from dusky deep ephemera
Assimilated by the amorphous ocean infrastructure
Flotsam and careened ships off gray coasts
Rusted and dead steel under the raining ash
And the sea foam that pools around their husks they falter, canted, and tipped
And lost as quick as were, gone, betrayed to the deeps again.

But, sometimes, tropical shallows
A Latin lover's osculant kiss
A fumbling of the belt buckle
Swimming dark waters under moonlight
Dark eyes, red lips
Surl breath dlipped wet
Held in ocean's gentle soul
Pearls aligned distant metaverses
Transcendent, therefore, only Beautiful

They don’t care to bother with you, mostly, the tiburones.
They’re curious, a dorsal fin to cut the surface, an indifferent pass
You are not the wine they seek to drink.

But if you find yourself afloat;
Lost or hurt,
If you venture too far from your shore,
Carried by the gentle waves, the inverse gravity of water
When the ocean seems benign...
...They’ll come cruising.

It won’t take long.

Doll-eyed and mechanical, they’ll swim by
Just to say..... Hello.

I have not seen many tiburones but they impart,
Even to those who have never seen them,
This unspeakable fear:
Not so much of the Ocean—Few ever enter the Ocean
But of some assimilation of thought
Where it passes by from dark end to dark end
Sunrise to sunset, and a portentous silhouette beneath you,
If not of the wry toothed smile, and the porcelain ghost…

Then of what?
Could it be of the thought of teeth?
Or of a malicious ghost agnostic of your importance?
Of the specter that cares not of your potential,
Disregarding your position in this world.
Something that treats you with true Equality-

Could it be the things in this world that say Hello with teeth?
There are abbreviated bits of flesh rent in life.
I wear these battle worn scars.
And not instead of love but because it’s the only way
They know how to smile at you.
It’s how they say Hello.

I only have seen their reflective eyes in the shallows
Off the verandas where I have sat and drank
Drunk myself into a stupor, a vibration in my fingertips, in my mind
No sommelier am I.

The red liquid fills my mouth and paints my teeth an indelible red and drips from my mouth from my ****** lips
I have bit too hard,
And spilled my red wine onto the table
Watching it drip viscously off the table and stream to the floor
And pool in great deep redness on the veranda’s floor
Drops and drops and then, restless, I drop back into the depths
In the dead, burnt-out center of the wine’s pool
And watch it assimilate into the porcelain.

And the deep darkness of the red miscegenates with white porcelain
And it all fades in and out standing on that perfect precipice of wine and violence
The wind and flux of ocean waves and darkness
Those eyes down there, refracting moonlight, deadened orbs
The wine deliquesces from veranda’s precipice to waves
The great adulteration, the miscegenation, it all goes flux.

And I drop off, assimilated into darkness, there:
Where the bits of flesh torn from teeth and I swim away
Dismembered, deformed

And a flutter in the shallows,
A quick, precise splash,
A perfect torsion
Writhing bodies.

And those black eyes roll over white,
And those archaic teeth descend,
And pulled under the dark ocean
Without even the moon to give me my light
And in my breath’s last seconds,
I’m perfectly assimilated into this structure,
Deliquesced, relaxed, and gone into the depths,
Swimming in the sulfuric bottom
Of my glass of red wine.
This hurts to read, only for me. Enjoy.
⸎⟆⥉⦕⫯⟴ Ode to the Count De St. Germaine ⸎⟆
Dearest Count,
I know you watch and listen.
It is through you I set sail upon this ship of thoughts
To you, to whom, I christen.

These polysemic effulgence do, alas, waxen, wane,
but seldom in vain.
In antediluvian silence drawn,
manifests in hyperborean dearth
a logos, sir in autochthonous rebirth.

Their, hierophantic murmurs will obfuscate,
the omphalos of matter, still inchoate,
where perichoresis in vertiginous tide
the fractal that doth  assuredly bide.

A palimpsest of null embrace
where these false augurs drink from hollowed urns,
and time itself forgets to turn.

Perfidious orisons, whisper-thin,
in circumflected aeons spin,
converging on the cusp of naught,
where paradigms in silence rot.
A chrysalis of paradox,
enshrouds the fey, unbridled clocks,
that chime in fugue, then dissipate
beyond the hinge of latent fate...

The pericombobulatory grand design
deliquesces in auctorial decline!

(Syncretic palingenesis unspools,
within the aether’s epistemic pools,
a syzygetic parallax unweaves
the thaumaturgic spoor that time bereaves.)

For naught but vacuous profundities remain,
a simulacrum of the arcane mundane,
where in sesquipedalian grandeur lies
a syllogism clad in grandiloquent guise.

Ouroboric concatenations of antinomian design,
circumvolute within paracryptic paradigms malign,
as obmutescent theogonic vestiges coalesce
in the eidetic zymurgy of aphasic largesse.

Metagnostic palimpsests, fracto-linear and obtuse,
catachrestically wane in hyperchromatic profuse,
whilst locutions, effulgent yet contrite,
obumbrate the paramorphic tautology of night.

A transcendental abecedarium, paralogical and vast,
consanguineous with the inexorable umbrage
of our shared Jungian past,
germinates within the syntagmatic—
Ever relaxed or ecstatic,
Coalesced to pragmatic,
Lugubriously emphatic.

Within this hypostatized ratiocinative mire,
where sophronistic axiom and non-being conspire,
one finds but an echolalic, chimerical gleam,
an ontosemantic palinode to the dream.

The Archetype realized.
The Alchemist mystically re-materialized.

Count, oh Count.
"Wherefore art thou," indeed,
in this : our time of greatest need.
My woeful lack of vocabulary; I can but hope this crude assemblage of words conveys even a fraction of my admirable umbrage.
Ongoing communication with the Count De St. Germaine
Born Around 1710 in San Germano, Savoy, as the natural son of an Italian princess.
He visited me again not long ago.
Speaking as he did, he did come and then go.
with endless perspicacity eclipsing empyrean fires,
One's magnanimous susurrus in aeons aspires.
Yet whither art thou, in this age cacophonic,
Where malisons spew from tongues misanthropic?

I perambulate, somnambular, through gloam’s desuetude,
Harkening phantasmal echoes in crepuscular interlude.
Yet only zephyrs, in dulcet effusion,
Intone their clandestine, windborne allusion.

listening for echoes that might still remain.
But only the wind, in mellifluous guise,
sings secrets in silence  to cerulean skies.

These polysemous effulgences  both wax and wane,
Guttering yet indelible. We rise above both spectral,  and arcane.
antediluvian hush, betwixt frost-laden dearth,
Manifests a logos, in insipid girth.
antediluvian silences drawn,
vertiginous  in hyperborean dearth
a logos, sir, in autochthonous rebirth.

Their hierophantic murmurs will obfuscate,
the omphalos of matter, still inchoate,
where perichoresis in tumultuous tide
the fractal that innervates, presupposed  then shied .

A palimpsest of null embraces
where these false augurs drink from hallowed places,
and time itself forgets to turn. Why Obsess ?
For Nihil’s  never but always caress,
Christo- fascist rising imbibe from those urns abyssal,
And Chronos forgets to turn his gear yet again.
How do we start and where to begin.
Perfidious orisons, whisper-thin,
in circumflected aeons spin,
converging on the cusp of naught,
where paradigms in silence rot.
A chrysalis of paradox,
enshrouds the fey, unbridled clock,
that chime in fugue, then dissipate
beyond the hinge of latent fate...
the collection plate from church to state.

The denigratory grand design
deliquesces in auctorial decline!

(Syncretic palingenesis unspools,
within the aether’s epistemic pools,
a syzygetic parallax unweaves
the thaumaturgic spoor that time bereaves.)

For naught but vacuous profundities remain,
a simulacrum of the arcane mundane,
where in sesquipedalian grandeur lies
a syllogism clad in grandiloquent guise.

Ouroboric concatenations of antinomian design,
circumvolute within circumspatial paradigms malign,
as obmutescent theogonic vestiges coalesce
in the eidetic zymurgy of aphasic largesse.

Metagnostic palimpsests, fracto-linear and obtuse,
catachrestically wane in hyperchromatic profuse,
whilst locutions, effulgent yet contrite,
obumbrate the paramorphic tautology of night.

A transcendental abecedarium, paralogical and vast,
consanguineous with the inexorable umbrage
of our shared Jungian past,
germinates within the syntagmatic—
Ever relaxed or ecstatic,
Coalesced to pragmatic,
Lugubriously emphatic.

Within this hypostatized ratiocinative mire,
where sophronistic axiom and non-being conspire,
one finds but an echolalic, chimerical gleam,
an ontosemantic palinode to the dream.

The Archetype realized.
The Alchemist mystically re-materialized.

Count, oh Count.
"Wherefore art thou," indeed,
in this: our time of greatest need.
Come to us now in council.
Post haste and with speed.
Race ever faster on righteous
breed steed.
Deliver us from this egregious misdeed
enveloped in lust and slathered in greed.
Help us plant a seed.
Regrowth !
Rebirth!
I plead.

Dearest Count,
Forever must thou linger in shadow’s creed,
As we toil ‘neath venal decrees of greed?
Come forth in augural council and  heed!
Post-haste upon thy seraphic steed!
Deliver us from this abhorrent misdeed,
Enshrouded in vice, in carnality steeped.
Lend thy hand that we might seed
Regrowth!
Rebirth!
I plead.
He visited me again but a fortnight ago.
Speaking as he did, he did come and then go.

Count, oh Count,
Your perspicacity eclipses the stars,
Your magnanimous whispers still linger afar.
Yet where are you now, in this age so discordant?
Trump's deleterious voices speak in tones so abhorrent?

I walk in a somnambular haze through this twilight mundane,
listening for echoes that might still remain.
But only the wind, in mellifluous guise,
sings secrets in silence beneath boundless skies.

These polysemic effulgence do, alas, waxen, wane,
but seldom in vain.
In antediluvian silence drawn,
manifests in hyperborean dearth
a logos, sir, in autochthonous rebirth.

Their hierophantic murmurs will obfuscate,
the omphalos of matter, still inchoate,
where perichoresis in vertiginous tide
the fractal that doth assuredly bide.

A palimpsest of null embrace
where these false augurs drink from hollowed urns,
and time itself forgets to turn.

Perfidious orisons, whisper-thin,
in circumflected aeons spin,
converging on the cusp of naught,
where paradigms in silence rot.
A chrysalis of paradox,
enshrouds the fey, unbridled clocks,
that chime in fugue, then dissipate
beyond the hinge of latent fate...

The denigratory grand design
deliquesces in auctorial decline!

(Syncretic palingenesis unspools,
within the aether’s epistemic pools,
a syzygetic parallax unweaves
the thaumaturgic spoor that time bereaves.)

For naught but vacuous profundities remain,
a simulacrum of the arcane mundane,
where in sesquipedalian grandeur lies
a syllogism clad in grandiloquent guise.

Ouroboric concatenations of antinomian design,
circumvolute within circumspatial paradigms malign,
as obmutescent theogonic vestiges coalesce
in the eidetic zymurgy of aphasic largesse.

Metagnostic palimpsests, fracto-linear and obtuse,
catachrestically wane in hyperchromatic profuse,
whilst locutions, effulgent yet contrite,
obumbrate the paramorphic tautology of night.

A transcendental abecedarium, paralogical and vast,
consanguineous with the inexorable umbrage
of our shared Jungian past,
germinates within the syntagmatic—
Ever relaxed or ecstatic,
Coalesced to pragmatic,
Lugubriously emphatic.

Within this hypostatized ratiocinative mire,
where sophronistic axiom and non-being conspire,
one finds but an echolalic, chimerical gleam,
an ontosemantic palinode to the dream.

The Archetype realized.
The Alchemist mystically re-materialized.

Count, oh Count.
"Wherefore art thou," indeed,
in this: our time of greatest need.
Come to us know in council.
Post haste and with speed.
Race ever faster on righteous
breed steed.
Deliver us from this egregious misdeed
enveloped in lust and slathered in greed.
Help us plant a seed.
Regrowth !
Rebirth!
I plead.

— The End —