Forth upon the Gitche Gumee,
On the shining Big-Sea-Water,
With his fishing-line of cedar,
Of the twisted bark of cedar,
Forth to catch the sturgeon Nahma,
Mishe-Nahma, King of Fishes,
In his birch canoe exulting
All alone went Hiawatha.

  Through the clear, transparent water
He could see the fishes swimming
Far down in the depths below him;
See the yellow perch, the Sahwa,

  Like a sunbeam in the water,
See the Shawgashee, the craw-fish,
Like a spider on the bottom,
On the white and sandy bottom.

  At the stern sat Hiawatha,
With his fishing-line of cedar;
In his plumes the breeze of morning
Played as in the hemlock branches;
On the bows, with tail erected,
Sat the squirrel, Adjidaumo;
In his fur the breeze of morning
Played as in the prairie grasses.

  On the white sand of the bottom
Lay the monster Mishe-Nahma,
Lay the sturgeon, King of Fishes;
Through his gills he breathed the water,
With his fins he fanned and winnowed,
With his tail he swept the sand-floor.

  There he lay in all his armor;
On each side a shield to guard him,
Plates of bone upon his forehead,
Down his sides and back and shoulders
Plates of bone with spines projecting!
Painted was he with his war-paints,
Stripes of yellow, red, and azure,
Spots of brown and spots of sable;
And he lay there on the bottom,
Fanning with his fins of purple,
As above him Hiawatha
In his birch canoe came sailing,
With his fishing-line of cedar.

  “Take my bait!” cried Hiawatha,
Down into the depths beneath him,
“Take my bait, O sturgeon, Nahma!
Come up from below the water,
Let us see which is the stronger!”
And he dropped his line of cedar
Through the clear, transparent water,
Waited vainly for an answer,
Long sat waiting for an answer,
And repeating loud and louder,
“Take my bait, O King of Fishes!”

  Quiet lay the sturgeon, Nahma,
Fanning slowly in the water,
Looking up at Hiawatha,
Listening to his call and clamor,
His unnecessary tumult,
Till he wearied of the shouting;
And he said to the Kenozha,
To the pike, the Maskenozha,
“Take the bait of this rude fellow,
Break the line of Hiawatha!”

  In his fingers Hiawatha
Felt the loose line **** and tighten;
As he drew it in, it tugged so
That the birch canoe stood endwise,
Like a birch log in the water,
With the squirrel, Adjidaumo,
Perched and frisking on the summit.

  Full of scorn was Hiawatha
When he saw the fish rise upward,
Saw the pike, the Maskenozha,
Coming nearer, nearer to him,
And he shouted through the water,
“Esa! esa! shame upon you!
You are but the pike, Kenozha,
You are not the fish I wanted,
You are not the King of Fishes!”

  Reeling downward to the bottom
Sank the pike in great confusion,
And the mighty sturgeon, Nahma,
Said to Ugudwash, the sun-fish,
To the bream, with scales of crimson,
“Take the bait of this great boaster,
Break the line of Hiawatha!”

  Slowly upward, wavering, gleaming,
Rose the Ugudwash, the sun-fish,
Seized the line of Hiawatha,
Swung with all his weight upon it,
Made a whirlpool in the water,
Whirled the birch canoe in circles,
Round and round in gurgling eddies,
Till the circles in the water
Reached the far-off sandy beaches,
Till the water-flags and rushes
Nodded on the distant margins.

  But when Hiawatha saw him
Slowly rising through the water,
Lifting up his disk refulgent,
Loud he shouted in derision,
“Esa! esa! shame upon you!
You are Ugudwash, the sun-fish,
You are not the fish I wanted,
You are not the King of Fishes!”

  Slowly downward, wavering, gleaming,
Sank the Ugudwash, the sun-fish,
And again the sturgeon, Nahma,
Heard the shout of Hiawatha,
Heard his challenge of defiance,
The unnecessary tumult,
Ringing far across the water.

  From the white sand of the bottom
Up he rose with angry gesture,
Quivering in each nerve and fibre,
Clashing all his plates of armor,
Gleaming bright with all his war-paint;
In his wrath he darted upward,
Flashing leaped into the sunshine,
Opened his great jaws, and swallowed
Both canoe and Hiawatha.

  Down into that darksome cavern
Plunged the headlong Hiawatha,
As a log on some black river,
Shoots and plunges down the rapids,
Found himself in utter darkness,
Groped about in helpless wonder,
Till he felt a great heart beating,
Throbbing in that utter darkness.

  And he smote it in his anger,
With his fist, the heart of Nahma,
Felt the mighty King of Fishes
Shudder through each nerve and fibre,
Heard the water gurgle round him
As he leaped and staggered through it,
Sick at heart, and faint and weary.

  Crosswise then did Hiawatha
Drag his birch-canoe for safety,
Lest from out the jaws of Nahma,
In the turmoil and confusion,
Forth he might be hurled and perish.
And the squirrel, Adjidaumo,
Frisked and chattered very gayly,
Toiled and tugged with Hiawatha
Till the labor was completed.

  Then said Hiawatha to him,
“O my little friend, the squirrel,
Bravely have you toiled to help me;
Take the thanks of Hiawatha,
And the name which now he gives you;
For hereafter and forever
Boys shall call you Adjidaumo,
Tail-in-air the boys shall call you!”

  And again the sturgeon, Nahma,
Gasped and quivered in the water,
Then was still, and drifted landward
Till he grated on the pebbles,
Till the listening Hiawatha
Heard him grate upon the margin,
Felt him strand upon the pebbles,
Knew that Nahma, King of Fishes,
Lay there dead upon the margin.

  Then he heard a clang and flapping,
As of many wings assembling,
Heard a screaming and confusion,
As of birds of prey contending,
Saw a gleam of light above him,
Shining through the ribs of Nahma,
Saw the glittering eyes of sea-gulls,
Of Kayoshk, the sea-gulls, peering,
Gazing at him through the opening,
Heard them saying to each other,
“’Tis our brother, Hiawatha!”

  And he shouted from below them,
Cried exulting from the caverns:
“O ye sea-gulls! O my brothers!
I have slain the sturgeon, Nahma;
Make the rifts a little larger,
With your claws the openings widen,
Set me free from this dark prison,
And henceforward and forever
Men shall speak of your achievements,
Calling you Kayoshk, the sea-gulls,
Yes, Kayoshk, the Noble Scratchers!”

  And the wild and clamorous sea-gulls
Toiled with beak and claws together,
Made the rifts and openings wider
In the mighty ribs of Nahma,
And from peril and from prison,
From the body of the sturgeon,
From the peril of the water,
They released my Hiawatha.

  He was standing near his wigwam,
On the margin of the water,
And he called to old Nokomis,
Called and beckoned to Nokomis,
Pointed to the sturgeon, Nahma,
Lying lifeless on the pebbles,
With the sea-gulls feeding on him.

  “I have slain the Mishe-Nahma,
Slain the King of Fishes!” said he;
“Look! the sea-gulls feed upon him,
Yes, my friends Kayoshk, the sea-gulls;
Drive them not away, Nokomis,
They have saved me from great peril
In the body of the sturgeon,
Wait until their meal is ended,
Till their craws are full with feasting,
Till they homeward fly, at sunset,
To their nests among the marshes;
Then bring all your pots and kettles,
And make oil for us in Winter.”

  And she waited till the sun set,
Till the pallid moon, the Night-sun,
Rose above the tranquil water,
Till Kayoshk, the sated sea-gulls,
From their banquet rose with clamor,
And across the fiery sunset
Winged their way to far-off islands,
To their nests among the rushes.

  To his sleep went Hiawatha,
And Nokomis to her labor,
Toiling patient in the moonlight,
Till the sun and moon changed places,
Till the sky was red with sunrise,
And Kayoshk, the hungry sea-gulls,
Came back from the reedy islands,
Clamorous for their morning banquet.

  Three whole days and nights alternate
Old Nokomis and the seagulls
Stripped the oily flesh of Nahma,
Till the waves washed through the rib-bones,
Till the sea-gulls came no longer,
And upon the sands lay nothing
But the skeleton of Nahma.

INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!

So aye
We wir watchin
that David Attenborough
or tryin tae -
fower weans tearin up the joint,
an she's like,
See if youse dinny shut it...!
an aw that, ken -
You no gonny tell thum?
So ah'm like,
"Aye.  
Wheesht, youse."

But it wis amazin, like.
These fish.
Years oot at sea.
Tiny wee at first,
dodgin sharks an jellyfish
an aw sorts,
awa oot, miles fae land.
(God!  Youse!  Take it up the stair!
Tell thum, you!
"Aye, boys.  Listen tae yir ma.")

Then wan day, like
they get the urge, ken?
Got tae go.
An in they come,
surgin fae the sea,
these sleek, silver bullets
fat wi feedin.
(I'll no tell yis again!)

Nothin, an ah mean nothing
is gonny stop them.
Waterfalls?  Nae bother.
Just pure hungry
fir the lassies, ken?
The boy Attenborough sais
they dinny even eat!
(That's it!  Ah tellt ye!
Here you!  Take some responsibility,
wull ye?
"Eh?  Oh, aye.
Away tae yir rooms, boys -
yir ma tellt ye.")

These pure ***** divils
will loup up sheer cliffs,
baws burstin, bi the look ay it.
Poetry in motion, ken?
Like, ah dinny ken, pure water
brought tae life, an that.
Jist pure savage.

An then, haw -
they find the lassies!
An it's jist, like,
'splurge'!
Done the deed.
Gemme ower,
job done,
deid.

An there's this shot.
Ripplin shallows,
just fill ay the twitchin bodies.
Craws an bears an that,
queuin up fir the bonanza.
Jist, like,
totally
spent.

An she's aw,
Here, is that no terrible?
Pair buggers!
Eifter aw that!
An ah'm like,
"Aye."

But see inside,
ah'm thinkin,
"Lucky,
lucky *******."

You sit gathered in

Robes wielding knives

From your sleeves;

How determined are you?

Did you agree this death

Behind closed doors?

Assassins in closets,

Knives in their craws,

A ****** of crows pecking

A dying wolf's paws.

How calm you lie

While you hide the knife

You used to slay me;

How calm and sure.

Did you hesitate

To put me in the ground?

Was it hard to push it in

Without a sound?

I am in transition,
I speak to those who come after me,
I learn from those who come before me.

In trepidation and in fear,
I wait for the anticipation found only in her tears,
that when they bloom on the dry, thirsty wood,
marks the time to begin, I hear.

And in a whisper, a whimper, and shrill,
when cold leather makes a trail,
the heartbeat beats fainter still,
until that time when metal becomes a pill.

I make her back warm,
Melting Iron,
Smelting leather and skin,
Into leather again.

She is silent as a mouse. She sits,
remaining only a part of the beats, and his
expressed torturous tenderness.

Where consent meets fear and pain,
there is a shadowy still sadness that waits to be shown
in the light that is happiness and gain.

Some see a barbarous deceit,
in that which takes place,
but she only says,
Please.

Please.

As you wish.

I flail and flog at my own inexperience,
waiting to see,
if I make a mistake or three.
Til the time comes when she screams out loud,
I press on, deeper, deeper, until a chasm is found.

The afterglow of the torturous tenderness,
that illumines the heart and makes fuzzy the eyes,
is enough for me to see that consent remains.

I ask only the simplest questions,
Noting that she's infantile in emotions,
where high context rules,
and only those that know the code may endure.

She limps and lingers,
needing more than her fingers
as she craws safely into that safe place
called her spiritual chamber.

Having melted iron, leather and skin
been smelt into leather again,
I sigh at those wafers that cannot understand,
that the greatest of gifts is in a helping hand.

Time With My Girl

Your eyes twinkle with a love just for me
my skin craws with my souls deep desire
a love so pure that no one else can see
passion so great my heart burns like fire
our bodies fit together in every way
your angel face just barely touching mine
as if molded from the same piece of clay
I forget all else and lose track time
your soft and tender skin I do so miss
and how your gentle touch drives me insane
your perfect lips and a sweet loving kiss
our love is special and can't be explained.

When together all is right in the world
nothing is better than time with my girl.

© Hugh Tague  2013

Mgboafor, my mothers name.
Names of seasons to live and love
Her mate Nkwo the market
Recognizable had no fight for Eke
As Oye lies around the corner.
Season, season and seasons

Seasons of exchange and banter
Exchange to cherish and savour
What is Eke for Afor musses
As Nkwo do no reject entreaties
And Oye mingles with joy
What Afor, Nkwo and Eke shares and offeres.

Mgboafor, Mgboafor Mgbafor
Your mate Nkwo has long gone
As it never done on us
Her sayings and fears lingers:
Monday has replaced her
And Tuesday supplanted Eke
Oye weeps its exit for Wednesday
As Thursday has usurp Afor.

Your children mourns and groans
In the weight of Friday
To celebrate your exist
And  Saturday swallowed  up
Your caked frozen body to
Mother earth, Thanking God on Sunday
As another Monday hovers around.
Exchange in rounds and rounds
Movements in circles and circles in rounds.

Afor, left without notice
To join Nkwo her mate
Turning deaf hear to Ekes entreaties
And Oye exists in  oblivion
Completing   defiance and disappearance
Of ego and a people’s prides
Voiding recognitions for your children.
Who have traveled far and away

They sojourned in lands and places
You only heard and dream of Yesterday.  
Today the children toiled and labor
In ways you never imagined.
The years pass by the days rolls in
Seasons craws in and out
Your children labors in pain and tremor
In fashions and factions  
They toiled in torn cloths
Crowded by not just the people from faraway land
But contents and ideas never known and sold in our market.
They are crowded with wears Eke, Oye, Nkwo and Afor
Never sold and will never sale.

Mgbo-afor, Mgbo-oye, Mgbo-eke and Mgbo-nkwo
The celebrated names of our markets
Depicts our seasons of beauty and time
The beauty of our women and their wares
Admirable wares that flaunts and flatters the men
Wares that puts us on our toes and gaggles our inside:

Okafor,Okoye,Okonkwo and Okeke
Your male version who clogs around
Peeping your substance dreaming
Making joy of  your swinging buttocks as you walk pass
Farting and panting from the labour the night before.
Celebrating their exploits and conquest
Taking pride you belong to them only.


Okonkwo keeps his name not your ideal
For Mgbonkwo long lost her ordeal.
Okafor strives without its full form - Mgboafor.
Speed has overtaken Mgboeke as Okeke now wears torn cloths
Working and walking in torn ideas and concepts.
Mgboye long lost the arguments to Okoye
A mirage of our time
Living life abridge ideas like carcass.

Our men…..?
They no longer have strengths that
Gaggles Mgboafor’s likes and climes.
As no Virtues chides and glitters the face of  Mgbeke
No Tickles to defines Mgboye’s and Mgbonkwo's personalities.
For we now live in season of pity and regrets
Rounds and rounds in formless circles
No fashionable logic in today’s changing sphere.
The truth of  our logicday

There is a boy in my walls you see

He is the boy that's supossed to be me

He craws at the brick he screams and shouts

I can't I cry back

My parents can't find out

They'd beat me

They'd shame me

I'd be in hell

At the same time he tells me

It's the only way I'd feel well

fishing scrawls
skittering craws
   rivers float halls
     the lines, the movement, it moves;
it calls
reels skreel, to land, the catch, it stalls
           down the stream
                       the bodies wither,
        I forget what it's called ?
          decay or death does it
    matter;
         at the end of the day
     we're in the hands at
        the end of the rod
     of the mad hatter.

A rent is what it is: a tear, a schism. Who can strike hotter than lightning? Who can stir faster than an electric mixer? Who can displace water without getting wet? Shadows are cast upon walls & trees, yet nobody's more cohesive in their appointed *******. A hole forms above my eye, a portal of enlightenment or a boil. A dangerous rupture threatens bending over to retrieve car keys --- there will be no ice cream cones for anybody now.
   “Would a dead photo of my cat be any
help? I have 6 angles: repose, face up.”
   A cat dead is no use to the live-cat community. They are
live wires: no ball of yarn's sacred. It's Newton's Laws of
Heavenly Bodies, the **** Test {for scarlet fever susceptibility}
& scads of things that keep dead cats thusly.
  Into the salt-sea I bury the remains in large sprinkle: sandy bottom, sand-paper & silica, foam & detergents, the oil what cuts the surface --- the depths of volcanic breaks with sherds of crusty parts. Chicken combs choke the weary, froggy warts & cloven hooves clog craws. John Rockefeller, junior, sleeps with girls. My mind's fettered, culling accusations, massing a cleric's defense.