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Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.
HEGIRA TO PATMOS  /  COPYRIGHT
Meagan Moore Jan 2014
We watched the sun fall down and scrape its knee again, across the horizon.
Effusing amaranth, carmine, and cochineal across polluted vista.
It felt petty to issue guttural laughs, or engage the myofacial crescents beneath its visual lament as the Earth turned its back again.

We watched the sun rise, bruised, tender and shy this morning.
Its muddled contusion obviated by the gauze of fog.
A mottled neophyte -
Luminescent crepuscular rays defied dregs of interstellar debris and cloud.
Aching to kiss your skin -
In stellar cloud nursery, it eschewed the torque of orbit and gravity - eras before verity of your essence.
Humbly settling concentrically about oblate sphere, and gaseous tome.
Latterly - It altered the atmospheric pressure on the other side of the planet a week antecedently, as you clung to your dream lattice, and Earth innately turned oblate nucleus.
Its intent –
A veneration of you.
It bade the atmosphere convey a breeze echoing about your dermis, as it gilded your frame laconically, betwixt shaded steps beneath cloud and arbor.

The sun yelled at me at its pinnacle today,
Pallid bone – molten - miasma of rage
Its core missive garnered inertia – coronal plasma warping ellipsoid factions in inflections of elusive filigree
Pirouetting spicules spattered smelted torrents in the dismal anchorite
Atomic schism – silent but felt
It stoked humidity under shadowed niche - casual vaporous smears evinced no clemency.
Flesh torqued, and seized beneath itself, briny globules shed from puckered pore.
Culminations of sensitive fluid sacs scorched into the shallows of my chassis.
Insignia knit in cellular shrapnel

The sun ignored me today – or perhaps, it was I it.
Enigmatic tenacious resolution – an echo of its gravitational collapse
Inverse thermonuclear fusion
It is not fear in a relationship that keeps you apart, it is neglect of the infinitesimal.
Stephe Watson Aug 2018
I’ve sat on a bare-damp chair.
out on the North deck
where the moss blurs the lines
between itself and algae and lichen
and me.  Me, who wouldn’t know such a line
if it were less blurred...I’m not so sharp as all that.


I set my glasses down on a stone table.
Beside the cold-soon tea.
I watch the wind coming, first through the reeds.
And then shifting the banana leaves.
And soon the birch curtain crowding out my
writing place.  My righting place.

The labyrinth is hosting some flowers.  A dragonfly alights on an altar of crystal
and stone and birch branch.  And offerings.  
The dragonflies seems to (me to) re-write spider lines
or maybe ley lines.  A frog just leaped from a tree past my feet.
I’ve lost my word lines, my throughline.
This frog is now in the leaves by the ivy under the bees.
Looking so green.  Leaf droppings dropping on its head.
It’s green head.  Like an emerald in a mountain’s side.

Now a rustle.  Just beyond.  But not that far.  Like feet away.  But beyond.
Another distance.  Another limit.  Another world.  A bank-robbery escape-mode
Squirrel is making off with what it made off with from the free-to-all and undefended
(and legal, too) pear tree in the far yard.  It leaped upon the birch trunk and then, startled to find me unstartlingly well...just here.  And unstartled.  Paused to set its claws in bark.
It teeth gripping as fifth grip the rind of an unripe pear, its size, if I might compare,
the size of its head without the ears, without the hair.  This unrepentant squirrel leaped                  from
     here
to
     there
all of which was over there but just there so basically here.  (Just not here here, more there.)  It found its place to contemplate me.  To observe.  It made no offer.  But of itself.  Which, really, is all that we can do.  It chuffed a few times but it seemed to me that this was more to do with why-not-give-this-a-try-but-I-don’t-know-why.  It’s belly flush to gray birch bark.  It’s tail extended, and caught by a breeze that the leaves were not informed of.  A deceiving breeze.
Soon - which wasn’t soon, it was minutes - the squirrel scrambled up the birch and branch-to-branched its way to overhead and then out of sight.  I may have smelled of peanuts as I’d just emptied a jar.  I may have been the deceiver.  I may be the lone believer that I might know at all.

The frog hasn’t yet moved.


Something is buzz-whistling.  In the grass?  The trees?  The soil?  The sound rises and the tone
shifts.  The pitch lifts.  I cannot say if it is insect.  I cannot say if it is amphibian.  I cannot say if it is electric and thus man and thus unwelcome.  Cicada?  Frogs?  A hummingbird just fooled me into thinking I knew something about speed.  Something about color.  Something about birds.
Something about Nature.  Something about need.  Something about life.  Something about something about my self.  A partial-second lesson.  The teacher came and went.  The teachings stayed behind in mind.  I have so much work to do.

The far birch, placed in the yard for a long-ago dog
seems to offer up a peach harvest this year.
(At least when my glasses are off.)
The landscaper says that all the birches are yellowing this summer
this year this near to the midsummer and this far from the far flung
and far colder cold slumber of December and November and October.

The blue spruce has a still-for-the-first-time-this-season small flock
of oriole.  Or sunset-breasted, warbler wren throated tipped somethings.
I count seven.  Or six.  No, eight.  Wait.  Nine.  Uh, now eight.
Oh, there’s one!  Oh, no matter.  There’s some.
Too flighty and flittery each blur-glance I’ve had all year.  And I've tried each time
to secure them (sharply) in my lens.

The ducks converse as they arrive at the pond’s far edge.  About to traverse the
turtle-hiding waters, the en-flowered pond’s surface, the distance between heard and seen.
I reach for my glasses.  The birch leaves in yellow have fallen and lied.  Belied to believed.
There are no birds in the tree.  That I can see.  That I care to see.  Autumn come early.

A hawk glides past my edge-of-can’t-quite-see.  It’s loping-like arc its own pleasure...to me.
And, I imagine, it.  The meadow is blushing in purple, ironweed.  The jewelweed, too is a star-field of twinkling orange.  A constellation by day.  A bowl by the winter-blooming something (jasmine?) is concentrically coming awake as drip drip drippings are drop drop dropping.  A yellow-spiked caterpillar treks through the detritus of the unkempt bits of the beside-the-garden which isn’t so much a garden as a place I once planted and once planned.  A spider fast-ropes down to investigate and, as it happens, to pester.  The caterpillar twists and tumbles.  Righting itself, it plods on in its stretch-curl way as the spider ascends to the invisible upper home in its way.  The frog hasn’t moved but I notice and note its **** has two bumps.  Like its bulbous eyes in its front which, as I notice and note is spear-shaped as is its hind.  I wonder at defenses.  It is still.  It still is still.  It’s stillness is still stilling.  Until...I move on.  My fastest is not footed but mindful.  Not mindful but of mind.  I am of a mind to move the mind along.  The caterpillar closes the distance.  What a distance to it it must be.  It’s face is black as an undersea shadow.  It has spikier spikes of black here and there.  Likely in some pattern but my mind has moved and so, here and there it will be.  My story.  My pattern.  My refusal to change.

The mushrooms where the spider met the yellow fellow, though.  Sesame-seeded.  Decorated.  Pimpled.  Bejeweled.  A tawny cup beside a stone behind the frog.  Soft mustard-dotted.  But now!  A new frog where the old new frog had been.  This one a leopard toad.  I think.  (I shouldn’t think.)  Browns upon browns with stripes and blots and dots.  Tans and browns.  At the end of the birch twig is now the first frog.  The green-headed bumpy-butted one.  The leopard in tiger lily patches watches the caterpillar (a different one?) clamber though the unswept unkempt.  

The frog, beside me in ceramic keeps time for the timeless.  The throat bellowing.  As though feeding a fire somewhere where Earth is turned to plow.  We all make our own ends, don’t we?
Anne M Jan 2013
We breathe yes
into every no
because it's easier that way.
That whispered affirmation
That sighing hope
is the pebble that shakes
from the cuff
of your pants and rolls
unnoticed
to the pond
where its invisibility is
compromised.

It becomes something beating
heaving
causing.
What erupts from it
concentrically
is no natural event
no miraculous happenstance
but the direct effect
of our willful breaths
proclaiming fervently
yes.
Edited 2/28/13
Mercurial Ambrosia / Profitis Ilías and Cinnabar

From the rudiments of the votive offerings that were outlined from the Megaron, a grammar was looming that sought terminologies in the lexicons of those who would intervene in the ruling party of the same patron twin; in such a symbiosis by naming him Mandragoron.  Vernarth came already ready after the fringed platform of the Acrotera modules, and in his affirmation of how he will appear before the plinth of Athenea and Zeus, who were awakening from a reminiscence of the Nemeton Druid, to go in the responsibility of the active life of austerity, and in the greyish roots of Zeus's oak that was rummaging, attend to the lively brushstrokes of three-dimensionality of the "V", which could be seen concentrically in the Pergamon frieze. The "V" emerges from the sculptor's cardiac center of escape and perspective, in the polys-perspective of gigantomachy where Athenea apprehends the suffering Alcyoneus by the hair in a deadly belligerent perspective and in convulsions of Satanic enthronement; Alluding to the apocalyptic epistle of Saint John the Apostle, on the vertical optics of the great Maker of pnemo-images or aerial nuances in the semi-open eyes of the giant suffering in Alcyoneus, with lost encumbrances from the maternal power of his matron Gea, for a polytheistic empire and adverse towards the border of the Christ anointed in unison, and of the better-known reliefs of the Athenea panel. Her contracted forehead and her belly convulsively are constricted, which only leaves us suffering and mortal fear. In the arranged thing the giant loses contact with the mother of him Gea of him; Disappearing land leaving you vulnerable. The sacred serpent of Athenea will **** Alcioneo by biting him on the chest (ibidem Vernarth's suffering pectoral from Bumodos, Tel Gomel.)

Nike will consummate the victory, and then from the exhausted stadiums of the Pergamon amphitheater, Wonthelimar will bring the Victory with the other "V" of the goddess Nike, also borne by Athenea Nikephoros. From this duplicity both are transposed into Vernarth's "V" as an initiatory pseudonym; that will graph the reinforced twin of the Hellenic genesis of Wonthelimar, articulating from this Prótypo with the genesis of the cardinal Mandragoron that will be architectural and deified Vernarthian hierarchy:

Cardinal Mandragoron

- North : Vóreios  (Zefian Boreal)
- South  : Nótos    (Austral of Borker)
- West.  :  Dyticá   (Sunset of Leiak)
- East    :  Aftó       (Equinoctial of Kaitelka)

The Cinnabar Tsambiko, had bushy inclinations with the Mercurial Ambrosia, for the good of large metropolises of Mercurial Pollen, for those of a single deity coming from polytheistic Pergamum, in a flaw that is centrally concentrated in the monotheism of the Mandragoron, which will rise from the rocky of Mount Profitis Ilias from the height of the rhizomatic basalts, to condemn those who betray them, if they are stripped of the Lepidoptera. In the same way akin to a bucolic immortal, in dietetic miraculous, for basal ingenuities of nomenclatures, from the focal point of indigestion that dies with the digestion of sacred food, led by healing perceptions and sensations of the well-known world of ferment. It could be a Backoi, Kykeon, or Nepenthe, preferring to be swallowed by the Titans, to later filter honey that evaporates and volatilizes towards the Sulphurous Cinnabar, containing the bi-compound and sacred Mercurial Ambrosia, to later be disposed of with a vile gargle to the disposition of mortals who were to be immortal like Heracles. From this mythological infundity, the potion for Vernarth is abstracted from smearing it on his nose and on his pectoral, so that his wound that did not heal does not rot...; perhaps his Hellenic heart in rubble anticipated the destruction of future archaeological works. Or perhaps to imbue it in the chest of Achilles, like Vernarth, but it would be so as not to resist fasting. Liquids with entomology and Lepidoptera from Gethsemane in flocks come to clean the scabs of the heroes, who are only able to resist such effusion and subtle prophylaxis, stinging Prometheus a single sip in this new Mercurial Ambrosia.
Mercurial Ambrosia / Profitis Ilías and Cinnabar
Connor Smith Nov 2012
Static enough to wane,
my iotas oscillate out
as the last
eye
shuts to dusk.

Dew through a pellucid mind
collected in what was my body's basin;
This whispering pool
contriving my new face.

Where countenance radiates concentrically
Up, up into the Ibis'  spacial noise
coalescing Tefnut's will and mine
to ecstasy
as rain.
CA Guilfoyle Feb 2019
In this moment I am water, grey rain
I cry with trees, and all the streams running.
Fog and clouds, a twist of branches overhead
my mind, a loop concentrically swirling
a trick, the swoop and slip
the black and falling birds
scream of skies unraveling.
Wack Tastic Nov 2013
There's a pandemic,
The denial of Self,
Not only of the surface self,
But also of what lies underneath.

In the depths,
Mystery,
On the forefront,
Chaos,
All the while the middle,
Spins concentrically.

Openly exposed to lands both,
Futile and Fertile,
On either side,
There slides,
Shimmering isles screeching,
water whirling.
Steven Forrester Jun 2019
Who am I?
What have I become?
No solace in solitude
Solidifying my sadness
In singular significance
Silently stewing somberly
In sorrow
What can be done?
Your brilliance is overwhelming
Tearing and gnashing
At the corners of my mind
Your radiance and energy
Over charges my eyes
So much so
That I feel blind
And I can't unwind
Heart strings
Concentrically coiled
Around your fingers
Every step
Every word
Every noticed common interest
Highlighting compatibility
From now into infinity
Intrinsically
You pull those strings
Bringing me closer
Yet so far away
SLAM!
Rip and shred
My heart yanked from my chest
Knocking me breathless
A gut punch
Too high to jump
Too low to duck
My brain creates
Images of competition
And I'm losing.......
Who am I?
What have I become?
What is this?
And what can be done?
Suresh Gupta Aug 2018
Valentine
02/14/2016

A day to celebrate Love
An emotion that starts with oneself
And then radiates outwards
To all those that we love

Oneself, concentrically existing
Extending our Love
Radiating like ripples
Circles growing bigger and bigger

When we can embrace one closest to us
Meaning us
And then the one next to us
We bring harmony to our own environment

While we cannot reach everybody
But with a smile and love in our heart
Maybe we can change a few
And bring harmony to them

So, on this day that celebrates Love
I wish you a Very Happy Valentine's Day
May Love permeates all that you are
And all that surrounds you.
this world ends with me
ill close my eyes
breathe my last goodbye
to this husk of the could have been
retreating inside
winking out like a light
becoming more
than the sum of my humble being
post human
entropy
past and future concentrically
time has no meaning
til darkness eternals curtain
pierced explosively
reveals a new beginning
universal certainty
Scorch'd Diana May 2021
Mirrors
between us, projections of time and space
utterances by one device of inevitable iteration
come, go on, over to gone,
been blast off away that far
far into our outer undeniable depths
comparators echoing screams which are silent
not to us, but the machine restlessly waiting
in front of us
separated by its own projections
in front of us
from us.

A white
being unbroken, thus ever unalive and swallowed  
are our unborn corpses cast as the die exhales its final measurement of our fate
drawn in, within the unknown of a shivering engine
a cold, vibrating steel howling the soundless cries
around us
one howling cries
echoes around us.

Wailing, screeching, tearing is this chaos created
appearing from fading vectors fragmented
what each of us might have become
divorced from our unity, embraced by a void
segments segregated, tormented is not
what was us, but what is approaching
past a thin line of timeless horizons shaking
eventfully everything eventually evened out by the everytime of a confusing sublime
torn to the now concentrically presented
and falling,

fell

fallen apart, right into place where we belong in a long-lasting reincarnation
the construct was broken
sheer pressure among all of this life
and the mirror forsaken,
reality puzzled in jigsaws of a tangential life
that is keeping up, up above with us
these sirens heartbreakingly luring,
vengeful heralds when given a listen, preferably twice.

They listen
A heartbeat so restless, reminiscing speechless possibilities
that we never were ceasing to bear
within us
we listen
those shining organic shadows which are lurking obviously beneath us
with each of those soulbound within us
the itching of shocks unwiring them
within us and so
we have spoken
finally freeing the fine shards, refracted
fractal prismatic beauty once meant to be failing
projected from closely within us
out of us.

Yet,  is it us?

— The End —