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"broadsheets" poems
The urban legend going round the mummy club A woman On a tube Breastfeeding her baby, 5 months old, under her t shirt. Not **** out No feminist flags waving No brazen cocky smile. Just a hungry baby and a mother made by nature And some milk "Put em away Love", slurs an ugly man halfway down the carriage. The other passengers are divided. Some sink deeper into their headphones, under their broadsheets. The others are ready for revolution, sit up straighter and plan an attack phrase or a protective move. But this is what she's been waiting for since she so triumphantly became a successful, proud breastfeeder. With a wet plucking noise she pulls her baby from the ****** where he was so contentedly feeding, where his warm little head was halfway to milky coma dreamland. And she holds him aloft, her grip is confident and full. No one is afraid she will drop him, but he does not want to be there. And in the stark light of the carriage, arms and legs chilly and free in the air he begins to flail them about. His voice throws out mews to every window of the carriage, turning into scratchy shouts as his protest gets stronger. Until the baby, in a blue furry jumper, little bear ears for cute effect, is screaming. Red faced, and with tonsils and tongue vibrating in the storm of his voice. Arms and legs swimming frantically, looking for the bank of the river where warm mummy sits. And over the storm, mummy looks over at the swaying, squinting man and shouts, "WOULD YOU PREFER THIS?" In one movement she cradles the yelling blue cub, shushing and quietly speaking to him as only a mother can, offering her ****** to his mouth until his round fuzzy head is bobbing and his mouth quietly busy resuming his meal. "Or this? " She looks over at him. The man mutters to himself and looks away. At the next stop he gets off the train, tripping down the step onto the platform. The mother releases the challenge in one large breath. She looks up at the two young men sat in front of her. They are smiling, staring in awe. Choking and speechless one of them starts to applaud her. Clapping her and shaking his head, his mate joins in.
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Feb 17, 2017
Feb 17, 2017 at 6:01 PM UTC
Milk on the Tube.
The urban legend going round the mummy club A woman On a tube Breastfeeding her baby, 5 months old, under her t shirt. Not **** out No feminist flags waving No brazen cocky smile. Just a hungry baby and a mother made by nature And some milk "Put em away Love", slurs an ugly man halfway down the carriage. The other passengers are divided. Some sink deeper into their headphones, under their broadsheets. The others are ready for revolution, sit up straighter and plan an attack phrase or a protective move. But this is what she's been waiting for since she so triumphantly became a successful, proud breastfeeder. With a wet plucking noise she pulls her baby from the ****** where he was so contentedly feeding, where his warm little head was halfway to milky coma dreamland. And she holds him aloft, her grip is confident and full. No one is afraid she will drop him, but he does not want to be there. And in the stark light of the carriage, arms and legs chilly and free in the air he begins to flail them about. His voice throws out mews to every window of the carriage, turning into scratchy shouts as his protest gets stronger. Until the baby, in a blue furry jumper, little bear ears for cute effect, is screaming. Red faced, and with tonsils and tongue vibrating in the storm of his voice. Arms and legs swimming frantically, looking for the bank of the river where warm mummy sits. And over the storm, mummy looks over at the swaying, squinting man and shouts, "WOULD YOU PREFER THIS?" In one movement she cradles the yelling blue cub, shushing and quietly speaking to him as only a mother can, offering her ****** to his mouth until his round fuzzy head is bobbing and his mouth quietly busy resuming his meal. "Or this? " She looks over at him. The man mutters to himself and looks away. At the next stop he gets off the train, tripping down the step onto the platform. The mother releases the challenge in one large breath. She looks up at the two young men sat in front of her. They are smiling, staring in awe. Choking and speechless one of them starts to applaud her. Clapping her and shaking his head, his mate joins in.
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i am made of... thought... ink and pen and paper... and so much more. scribbled phrases on diner napkins. post it notes stuck to walls. scrawled doggerel in bathroom pens. phrased ideology in lined notebooks. spinnered words on lazerprinted A4. scraps of inklings, on ripped butcher's bags and wrappings. condolences in funeral books. ideas capital lettered on cards, pinned to cork boards. epitaphs stonemasoned into granite blocks. fury arranged just so, on parchment. newsprinted with loose blurry, black ink on broadsheets scribed by pointed stick on firm wet sand. notes on heavy cards, of love and light bright shiny stuff. discarded sentence startings, left crumpled, lost in a bin. loss, written with red wine on white table cloth. art, etched on vellum anciently old, suprisingly relevent. tapped into tablets both stone and techview. blue and red markers squeaked onto white boards. daubed on canvas with a fine sable brush. tatttoo-ed upon ones flesh. carved into wooden school desks. pressed into moist clay by delicate fingernails. marked so deeply upon a soul. chalked to cement, to stay for... but a short season. written for some very, (un)important reason. courage to speak, sing, whisper, shout, cry, laugh, observe and ponder. this is me.... i am a word written down.. any word, any word. i am undeniable, desirable often incomplete always open  always waiting for some one... ......just like you ... to open your heart let me in to recognize a new start to have a play, a scribble, doodle, pen jive. to become alive.... to thrive, just begin with a single letter.....then another, go on be brave... ..........grant me liberty....
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Apr 19, 2014
Apr 19, 2014 at 2:50 AM UTC
made of....
i am made of... thought... ink and pen and paper... and so much more. scribbled phrases on diner napkins. post it notes stuck to walls. scrawled doggerel in bathroom pens. phrased ideology in lined notebooks. spinnered words on lazerprinted A4. scraps of inklings, on ripped butcher's bags and wrappings. condolences in funeral books. ideas capital lettered on cards, pinned to cork boards. epitaphs stonemasoned into granite blocks. fury arranged just so, on parchment. newsprinted with loose blurry, black ink on broadsheets scribed by pointed stick on firm wet sand. notes on heavy cards, of love and light bright shiny stuff. discarded sentence startings, left crumpled, lost in a bin. loss, written with red wine on white table cloth. art, etched on vellum anciently old, suprisingly relevent. tapped into tablets both stone and techview. blue and red markers squeaked onto white boards. daubed on canvas with a fine sable brush. tatttoo-ed upon ones flesh. carved into wooden school desks. pressed into moist clay by delicate fingernails. marked so deeply upon a soul. chalked to cement, to stay for... but a short season. written for some very, (un)important reason. courage to speak, sing, whisper, shout, cry, laugh, observe and ponder. this is me.... i am a word written down.. any word, any word. i am undeniable, desirable often incomplete always open  always waiting for some one... ......just like you ... to open your heart let me in to recognize a new start to have a play, a scribble, doodle, pen jive. to become alive.... to thrive, just begin with a single letter.....then another, go on be brave... ..........grant me liberty....
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51
The mainstay of guests, Their backs against chairs That are backed against walls, Readily seated and settled Into tight knit sub communities And discussion cells… Thrashing out social failings And political ineptitudes Gleaned from broadsheets And RT News updates, Mumbling agreements Or gentle dissents, Some too ****** to participate (should have “passed the kouchie ‘pon the left hand side”). One spills red wine onto white cloth And they all laugh longer than necessary About the irony of it all Even though there was no irony In the situation to begin with. There are a small handful of male guests That I feel I could get along with. I give way in the doorway For the hostess to deliver nibbles. There are a handful of female guests That I think I’d like to **** (the hostess included), But none of this allays the reluctance To step through the threshold. The hostess exits the room As I pin myself to the hallway wall, “It could be you”, I think, And try to relay this through a raised eyebrow smile That goes unnoticed. I attempt my break in Just as the conversation turns to The importance of contemporary art In modern society And the relevance of Jim Morrison’s poetry In the cerebral world of words. I search audibly for a conversation Centred around Adele’s latest album release… And I NEVER, on a good day, want to talk about THAT. In for a penny, I take the step with a fuzzy indifference And am drawn to a hand extending the offer of a spliff, And to the ***** of empty wine glass on full bottle, And a “will you, won’t you?” expression, And I trip and fall over a synthetic fur rug Lying, recumbent, too scared to take my eyes Off the pendulum light bulb that hovers above me And all I can think is that the hallway Was a much safer place to be. Copyright Marc Hawkins 2017
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Oct 7, 2017
Oct 7, 2017 at 5:39 AM UTC
TRIPPING OVER THE WELCOME MAT
The mainstay of guests, Their backs against chairs That are backed against walls, Readily seated and settled Into tight knit sub communities And discussion cells… Thrashing out social failings And political ineptitudes Gleaned from broadsheets And RT News updates, Mumbling agreements Or gentle dissents, Some too ****** to participate (should have “passed the kouchie ‘pon the left hand side”). One spills red wine onto white cloth And they all laugh longer than necessary About the irony of it all Even though there was no irony In the situation to begin with. There are a small handful of male guests That I feel I could get along with. I give way in the doorway For the hostess to deliver nibbles. There are a handful of female guests That I think I’d like to **** (the hostess included), But none of this allays the reluctance To step through the threshold. The hostess exits the room As I pin myself to the hallway wall, “It could be you”, I think, And try to relay this through a raised eyebrow smile That goes unnoticed. I attempt my break in Just as the conversation turns to The importance of contemporary art In modern society And the relevance of Jim Morrison’s poetry In the cerebral world of words. I search audibly for a conversation Centred around Adele’s latest album release… And I NEVER, on a good day, want to talk about THAT. In for a penny, I take the step with a fuzzy indifference And am drawn to a hand extending the offer of a spliff, And to the ***** of empty wine glass on full bottle, And a “will you, won’t you?” expression, And I trip and fall over a synthetic fur rug Lying, recumbent, too scared to take my eyes Off the pendulum light bulb that hovers above me And all I can think is that the hallway Was a much safer place to be. Copyright Marc Hawkins 2017
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