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Vamika Sinha Sep 2015
Love is
an impossibility.
String of endless zeroes
as futile as
infinity.
  Sep 2015 Vamika Sinha
blankpoems
If I thought I was losing you I wouldn't beg you to stay
I'd say that when you breathe, I see stars because I imagine your heart inside your body pumping blood
to your veins and your lungs expanding and letting go and all I can think of is how I never want to be your lungs
because I could never let go of your air.

I'd tell you that your eyes put the northern lights to shame.
That I've been everywhere and nowhere feels more at home than
sitting on the curb of a street in a city I don't know with you by my side.

If I thought I was losing you I would tell you that I'm not one
for love poems, but the sound of you saying my name is enough to make me think of red roses and blue violets.
And that when you touch me the roses are blue and the violets are red
and everything painful inside my head doesn't matter.

If I thought you were going to leave I wouldn't ask you to stay,
I'd tell you that every word that comes from your mouth leaves me breathless;
That there are little caves in your body and I picked a temporary home in your larynx
so you could always feel me in the words you're nervous to say.

I'd let you know that my whole life I've been searching for myself,
and amidst the shadows I found your bright eyes, and I lost my senses there...
and found them as well.

I want to tell you that all I need is you and a record player.
That music runs through my veins, and right next to Every Grain of Sand
and my love for Bob Dylan, you're there.
Shining through my bloodstream, leading the way to my heart.

If I thought I was losing you, I wouldn't beg you to stay.
I'd say that you're the best and worst thing that has ever happened to my poetry.
That I find metaphors in the notches of your spine,
that I play them like a piano.
And most of all, above all these things,
I'd say darling don't go, I'll miss you.
little dark girl with
kind eyes
when it comes time to
use the knife
I won't flinch and
i won't blame
you,
as I drive along the shore alone
as the palms wave,
the ugly heavy palms,
as the living does not arrive
as the dead do not leave,
i won't blame you,
instead
i will remember the kisses
our lips raw with love
and how you gave me
everything you had
and how I
offered you what was left of
me,
and I will remember your small room
the feel of you
the light in the window
your records
your books
our morning coffee
our noons our nights
our bodies spilled together
sleeping
the tiny flowing currents
immediate and forever
your leg my leg
your arm my arm
your smile and the warmth
of you
who made me laugh
again.
little dark girl with kind eyes
you have no
knife. the knife is
mine and i won't use it
yet.
Vamika Sinha Aug 2015
Insipid darkness
is no better womb for
thoughts.
Decent thoughts, maybe good
GREAT thoughts.
Thoughts that will flow
like the lava of imported electricity
not-but-should-be circulating in Gaborone's veiny grid.

But who cares?
Well, okay, your mother, now swearing
at the singed-black TV screen
(she's missed her daily soap).

Mother Darkness breeds thinkers.
Tell me, in the scramble for your cellphone flashlight,
did you find your inner Plato?
Ah, no, you surely became
a lightbulb,
humming with the shocks of unwritten words.

It is these minutes of lightless inertia when
it's best to tap your swollen top instead
of lighting a candle.
See, sun rays and tube lights dull the finish of ideas;
corporation-induced darkness provides more suitable conditions.
So you must tap the glass globe on your shoulders
and feel, yes,
feel the grey filament
within, buzzzzzzzz

Electricity.

Edison's 'Eureka!' finally
happening, as all 'Eurekas!' do, in
(literally) colourless mundane.

(Note to self: Write a thank-you email to that pathetic power corporation for your rebirth as a glow)

Thoughts.
Thoughts and thoughts, thoughts,
thoughts.
                 thoughts,
   thoughts,
thoughts and  
                            thoughts,
coming in viscous gallops,
extra voltage baby, thoughts!
Thoughts, thoughts, thoughts,

IDEA.

You are no longer living!
You exist as shards of yes, one GREAT whole,
one...brace-taste the word now...
idea.

You are glimmers of something greater.
You are hot charges of energy your country failed to harness.

Sparked at the flick
of a lazy corporation's switch:
they

cut the power which
cut the flow in the varicose veins of Gaborone which
cut your bedroom's plastic brightness which
cut the bored-contented moment you were wallowing in which
cut your breath (still-half-scared of the dark, you) which
cut the blood flow to your grey matter which
cut the oxygen supply, replaced the fuel with electricity

and then you could think.

Thoughts
and  
thoughts
and

what will you do with them? If
you dare the sun's brilliance,
you might land up as some poor Icarus;
if you wait a half-volt longer,
I'm afraid the fuse will blow, madam and
your mother cannot comprehend these blue-light shocks,
please find a paper and a pen
immediately.

Ah.
So the electricity must, after all,
power something.
And in the crackling dash
to eke out your blow-blaze-brim-burn words
onto something that will last longer
than today's ration of blackness,

the power comes back.

Mind chars into itself.
Snuffed too soon, you pathetic power corporation,
why did you put me out like that?

Your mother turns to you and mutters
'Thank God.'
This poem has a second meaning too, if you bother to think about it. Maybe sit in the darkness to figure it out?
  Aug 2015 Vamika Sinha
cg
"She was carrying a book, and the hand-picked flowers she placed on the bed outweighed even the drag of his dying. We believe it's the silence that's fearful, never the words; and yet whenever she stopped reading to turn the page, he would smile. Perhaps, in that stillness he felt his heart stop searching for instructions on how to live."

Jude ****** - Boys Throwing Baseball

And that is the only thing our heart does without understanding why; it searches.
We are too human to love change, something that is as dangerous as anything we could ever willingly let pass us by, and too human to not look for it anyway.
How some things are so much of themselves that they become their own language, like a bright red silk sliding against the shoulders of a woman, how these things are not made for each other, but made for the moments they are intertwined in.
How silence even weighs from the things that never were, taking from the miracles that were one opened mouth away.
And now, as you remember one specific death the most, you desperately search for the life in everything that passes you by, even the things that you know have nothing to offer.
Even the World, in all It's isolation, gives back to us by pushing us away from It.
Even the small things that we decide to keep for ourselves have come a long way to find us.
A cigarette. A person. A rainfall.
All spend their whole lives waiting to be found.
Only until this cigarette is ended,
A little moment at the end of all,
While on the floor the quiet ashes fall,
And in the firelight to a lance extended,
Bizarrely with the jazzing music blended,
The broken shadow dances on the wall,
I will permit my memory to recall
The vision of you, by all my dreams attended.
And then adieu,—farewell!—the dream is done.
Yours is a face of which I can forget
The color and the features, every one,
The words not ever, and the smiles not yet;
But in your day this moment is the sun
Upon a hill, after the sun has set.
Vamika Sinha Aug 2015
You send me a song every Wednesday,

a soul offering; a slice of the strange radioactive
lunatic madness -
love-
growing inside your wonderland.
(It is not a cancerous tumour, please stop calling it that.)
You say it is dark, the Arctic's lover;
I say it is dark, like
velvet punk music and
stained checked shirts and
almost-blood wine (in shared glasses); like
the colour of your skin.

Come on.
We've both been more fascinated by the depths of the ocean
than the blue glass surfaces.
Isn't that why we fell into bottomless black holes and called it
love?
Isn't that why we branded ourselves poets,
seared the red hot poker labels onto our backs,
so that we wouldn't have to say we're just
sad...?

Yes, we are carefully disintegrating;
the world already gave us a head-start
by curling our spines into the snakelike 'S'
It was preparing us
for our careful meandering
into a river mess:
living.

No doubt, in the pool depths of African evenings,
you drink,
*****-tinged cereal or tea,  
the glass Roobios surface reflecting
a lover's face and the boredom of sadness.
No doubt, I drink to you,
coffee or warm milk,
to try and wake myself into
dying without a purpose.
No doubt, we both drink
the night itself.
And let it fester in our veins,
to curdle our blood into that same wine-shade of
darkness.
We drink.

Virginia Woolf had courage,
Sylvia Plath had courage,
Ernest Hemingway had courage,
you and I don't.
We are too fearless to live.
So we drink
and clutch at each other desperately
without reaching out a single finger.
We form shotguns with our hands, make pacts, go
home again.
And drink.

We are helping each other to die
and live
at the same time.
We are helping each other to try fit the day
too
into our arteries.

You send me a song every Wednesday;
this song will save our existence.
I have a friend who sends me a song every Wednesday.
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