begin this life in a wordy
but wordly habit, daily,
father-gifted, though different,
in form and language selected,
‘tis the one and ‘tis the same

tally, a counting combination
of all that has been done, for both
better & worse, blessing/curse,
the key: revamp review reset
this day upcoming and welcome
all the major tasks, minor miracles,
that one can effect,  select, elect!
by choice, a freedom so great it
tenderly rips joy thoroughly into
and from my cells, and my body
is enlightened, uplifted in this,
now a preposition, a conjugation, a

state of composition,

for the tasks given, the granted,
those that must be taken, those most
difficult, when knowing their choice,
entails pain, untempered, and
requires establishing a two edged
position of composure…

this is a hard and an easy
new proposition I create,
hard for I write on a tiny
phone screen, in letters so
small. it keeps me humbled,
a reminder of having
lived a span well
beyond belief,
for one took\gave body a
careless comfort,
giving little
of the differring
kind of nutrition in order
to live life, well and purposed

hard too, for my body has wept,
a steady stream of silent tears.
unceasing as I scribe,
making vision difficult, the
insight salty but clear and the
words contained within them,
flood for easy laying-down

for this AM workout of counting,
lists up and down, so many items,
of differring nature, even now
noticing for the very fitting first time,
the subtle hint within
differring,
for it possesses a doubling
of the enormity, the division
of what has been already
accumulated and what yet,
needs accomplishing, the tally
needy for resolving looking past,
for seeing with yet more tears
fast-as-you-can-forward

the tally never ends, paused only
for a quick question/happy deletion
of, and a resolute immediate, moving on:

Where do I stand,
what is my position?

keep on keeping on,
tallying has no finale,
no sunning/summing up,
for another day
will yet follow,
for you, and
your own
tallying must
goes on, on
and
not even,
nor even,
odd,
when mine,
mine no long,
and the
and yets,
no longer
commence

the lyrics intimate, me inside recognized,
and I find it hard to believe,
not to recall my chest actual
aching from a lost love, a busted
heart,that my family physician told
me not a thing  to be done, and time
the only known cure and that was
only twenty five years,
a just short “long time ago”

but there is no such a thing as time
when the wounded heart is pierced fierce, there is no round the bend visible to tell
you, love will come again; and you’re so
cautious,  won’t trust, to open, but irony it’s
the only way to find it one mo’ time, to
give yourself up in whole, not just parts,
and you “discover” writing poetry helps,
and a new life long habit is forming that is a kind of meds that you disburse to oneself

later be
this song below, Bonnie Raitt
makes you ache with her rendition
keeping no secret she’s been there truly

used to look to ascribe fault, but learned,
t’was a time waster, more accurate, each
of us had our own fault lines, dormant,
till not, and when the lines touched and connect, it was an earthquake off the scale,
and the tremors just keep on coming

but the chest ache was so intense, close
my eyes, and relive it,  and makes me
feel kinder, more human, less angry? more forgiving cause there is no mark of Cain
on someone’s forehead to indicate that
one is suffering the aftermath, the aftershocks, of this loss, so be patient
when encountering a human who sighs
out loud often, as often as as
every breath

listen to the song, it will untie your chords,
maybe making some memories resurface,
for better as it is part of writing
only love poetry

On the wicked turn, that sour slant angle
Of my face that slipped
Beyond the veil of hair: everything I am.

I fumble, my hands contort, the hinges
Of my fingers know no tandem
They work only to dissolve
The slip into conversation. But
Your gaze moved - just enough.

And all the buzzing hum, you heard too well
And however firm I steer the sea
I cannot stop the sinking
You rush within from the little crack
Perhaps without wanting to, perhaps
Even with pity, and then I am full

Bursting, heavy with intrusion
And all day long, my heart drums itself
And I can sense the strong Incoming,
Slinking through to inspect
What my stubby hands could not correct

Then the night, then the dawn,
And then day day day.
Then something lets loose and
The plank unravels from plank and
Then there is nothing to fear

However stark the spotlight of shame
How sweet it is to have sinned
How sweet to flirt with flaw
And to push it little, little. To push it
Vain and bare, past the edge, down
Through nothing and then

Firework: shards are glittery with grief
The wine stretches its limbs to the world
And the ground drinks it up.

the best time to realize
when
what
causes one to experience
the meaning of to be
deathly afraid
is
exactly
when
you are not


joy purifying
enfolds you, envelops, indeed,
you
are subsumed, a sense of being
secondary
to the unusual flooding of the
dry riverbed in your head that’s
been dry since you can’t remember

when

when you understand
that one cannot truly
write only love poetry
to precise excess
unless
admittedly you love
to excess,
otherwise
you are incapable of making
good
love poems

when

you are not
within that
rare off the beaten yes trackless meniscus curve,
in
country
of first love
  of
only
true love