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Tom Atkins Mar 2020
He sits on the small stage,
Long hair and mustaches,
costumed and dressed in his Renaissance finery.

Three women sit off to one side.
Madrigal singers, waiting
for his perfect rhythm, his perfect low notes
to begin.

Four strings.
Nothing more.
Four strings
and infinite possibilities.
I am sitting at a McDonalds in Rutland, Vermont. Down the street a block my old Isuzu Trooper is getting new tires while I sip bad coffee and eat my breakfast and write.

I have been reviewing my poems and reviewing my journal entries for the last decade and a half, trying to get a realistic sense of my journey during this time. How did I completely change my whole life around in that time? Why? What parts were ****** on me and what parts did I choose? Which of those choices were good ones and which were, shall we say, less than optimal?

It’s been a fascinating read. Fascinating to be reminded of how simple I actually am and how simple my needs are. How so many of my best changes resulted from being true to that simplicity and how those less than great ones were generally caused by drift.

When I began therapy way back when, one of the things that struck me is how, despite the complicated emotional mess I was in, nothing was really new. I was not nearly as unique as I thought I was. People had been going through the same things, in variations, forever.

And so too, the answers were simple. I was the one making it complicated. by not understanding that I and my situations and emotions were not nearly as unique as I believed. Once I grasped that concept, I could trust the therapist to guide me along proven paths. No need to reinvent anything special for me. The paths were already there. That concept has largely guided me ever since. In life, love, family, work, and faith.

Yes, we are complex, but not in the way we think. There are a few things we all need and want. Care for those things and there are infinite possibilities of what we can make of ourselves. Don’t care for those things and there are infinite ways we can muck our lives up.

But always, there are those basics. A feeling of safety and security. (Physical and emotional) Acceptance. Being nourished. Purpose.

Just like the young man playing the bass in the picture I used to illustrate the poem on my blog. Four strings. Infinite possibilities.

A long explanation for a simple poem.
Tom Atkins Feb 2020
You have used the same palette for years,
mixing watercolors until they are indistinguishable,
one from the other, then washing it clean to begin again,

The plastic washes white each time, perfect and new,
bright and ready to start again, a new mix
of colors and texture, so easy

to save yourself
from yourself.
I have Lent on the mind this week.

I am also an artist and I really have been using the same plastic palette for watercolors for years. Six of them, I think.

I believe in the power of forgiveness and grace to make us new. I have been blessed to experience them both.

From all that, today’s poem.
Tom Atkins Feb 2020
Ash Wednesday, and then it is Lent,
a season of sacrifice,
a reminder of Christ's own sacrifice 40 days hence.

The ashes have been wiped away
and the season begun,
barely noticed by some, for others,
it is at the heart of faith itself.

Your forehead is fresh and clean,
and your decisions made.
It is time to release the darkness,
to dance in the night,

and let your demons dance with you
before tossing them to the sky like dark balloons
for someone else to discover
after they are deflated.

Howl with the coyotes. Sing with the just arrived robins.
Wallow in the almost warm sun with the cats.
They know. Lent, for all its dour reputation,
is the almost spring, and worth celebrating.
I've always seen Lent differently. And since Lent is a church-made thing, not a biblical thing, I feel comfortable with my choice.
Tom Atkins Feb 2020
It sits at the foot of the leather chair in your living room.
A car, carved from a single piece of wood
when your father was just a boy.
Nothing recognizable, simply a design
in the mind of a child too sensitive for his time and place.

There is a ribbon taped to the bottom with old cellophane tape.
Third place. A national award from General Motors,
a contest created to awaken young designers,
and set them on a path of creativity and industrial design.
It took. You have the drawings your father made,
all swooping fenders and steel lines.

They beat much of his heart out of him in that time and place.
They made him tough and hard, his brokenness disguised
as strength and rough corners. He tended his wounds
with alcohol and anger.

But his desire to create never left him. Sober, he was brilliant,
an innate understanding of things and possibilities
punctuated his life and through him, mine.
He died just a few short years ago.

We have choices of what to remember. What to keep.
I choose things like this car that sits unobtrusively
at the foot of the leather chair. I choose made things
and they surround me like an aura, even
when they go unnoticed by those who merely come and go.
Pretty autobiographical, both for my father and myself. The car and the prize and the bullying and the tender heart scarred, alcohol, and my memories are all real things.
Tom Atkins Feb 2020
Words matter.
Your mother taught you this
when you were a boy.

She lived it, taught it. It sank in,
a vital part of who and what
you would become.

Words create feelings.
They heal. They wound.
They inspire, inform, sell,

They should be
things of truth.

You think on this on the long drive home.
The GPS has changed its mind once again
and you are on a new road with new thoughts.

It is dark, late at night. Here and there,
lights twinkle. Cabins and houses in the forests.
You can smell the wood smoke.

Yes, it is February. And there is snow
and ice on the road.
You drive, as you generally do, too fast.

But it is warm outside. Over 40.
and the ice melts. You feel it give way
as you press the accelerator around the curve.

It is nearly spring. Oh yes, there will be more snow,
but you are aware of the change.
There is something new in the wind.

You sense, more than see, the bulbs stir.
It is time to change colors,
to let go of the greys and ***** whites

that are so familiar, but not quite true any longer.
You need a new vocabulary, a thing of color and sun,
the truth of you.

You have become too familiar with dark words.
They filled so much of your past
that they had become your mother tongue.

But you do not live there any longer.
To speak the truth, you must learn new words
to tell it.

You have always been bad at languages.
Words came hard. They still do.
You barely passed French in high school, college, grad school.

It is your nemesis.

But when you live in a place, you must learn
the new land’s words. To speak them
as if they were your own.

And so you struggle with this vocabulary of joy,
to tell your truth in words that feel odd
spilling out of your mouth and pen.

You must let go
your mother tongue.
The truth insists on it.

There are new paintings to create,
bright things, the colors of childhood,
a reclaiming of innocence,

and it awaits you at the end of the road,
in the place where your love lives.
You press the pedal.

The car moves faster through the night.
My life is good right now. I don’t reflect that enough in my poetry. Part of that, I think is that I tend to write in the morning when my depression is at its strongest, and I have used my poetry to expunge that demon. Part of it too, is that I have become familiar with the vocabulary of pain. I’ve used it a long time. The words come easily.

But it is not really my truth. My truth is that life is good. I am as happy as I have been in many, many, many years.

It is time to find my own vocabulary of joy. It will take a while. But, as the poem said, as my mother taught me, words matter. It’s time to find some new ones. It may not come easily, but it will come. Because I am a persistent kind of guy, not because of innate skill.
Tom Atkins Feb 2020
Light. Space.
Line. Interruptions.
Triggers and memory.
A gallery with art on one wall,
a mix of truth and pain.
compelling whispers shout.
A place to learn what you say,
what you create,
matters less
than what is seen and heard.
Light. Space.
Line. Interruptions.
Triggers and memory.
A poem for all creators. We think we are creating X. But as soon as our creation is read, seen, heard by others, it becomes something entirely new.
Tom Atkins Feb 2020
You shift in the bed. Light comes through the windows.
There are birds singing outside,
too early for spring, but singing nonetheless.

A full night’s sleep and you are still tired.
Your bones and soul both resist inertia.
The warmth, yours and hers, comingle.

Nearly three years since you exchanged vows.
None of them easy. None of them the stuff of fairy tales.
Times of death and loss and struggle,

Constant chaos.

You prefer peace. That is the truth of it.
it has been a long journey to capture it.
an old man’s journey to rebuild himself from the rubble.

She shifts slightly and settles back into her deep sleep.
You would prefer the fairy tale, but you have lived too long
to believe in them.

In its place is what you have, a different kind of love,
soft as flesh, strong as steel, A thing you wish
you had found as a young man.

But age has its value. Age is a treasure,
Wisdom, however it comes, is treasure. You smile, fully awake,
reaching your arm over the covers

and drawing her closer still.
The woman I love and I have a third anniversary coming up in a couple of months. I still live in amazement in us.
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