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 Jul 2015 Tawanda Mulalu
mzwai
All of the routes have shown up around you and
Your suitcases are packed with
The scent of memories permeating the air.
You've put on your toughest coat and
Nostalgia will not let itself in
But, the more you look around and
the more you listen to the sounds
Being screamed around you
The more clearer it becomes that,
None of the routes are open for you.
None of the routes are open for you.
On the road that passed between escapism and development,
Someone forgot to tell you that
You can't make friends out of open rivers.
No matter how translucent the inlet,
No matter how unfathomable the depth,
No matter how elating the scent,
You can carry the stones before they're cast into the waters,
But,
You will only feel their heaviness,
When you are watching them float away from you.
 Jul 2015 Tawanda Mulalu
mzwai
1. The seconds roll by and you're starting to realize that you are becoming wearily accustomed to this way of living- the way where you are so obsessed with emotions,now that you do not feel them, that you are surrounding yourself with accidents. Almost as if you want to be in the same area you were at before you crashed and burned, by re-instituting an old lie you thought could never be accounted for, and crashing and burning a second time- all in the exact same places.
You've started changing and merging so much that you're sure you've left everyone without them even knowing it. As if you move with stealth whenever someone starts to realize just how tragic you can be- how you don't really need to feel to make others weary, you just have to be there. Your existence is enough.
Maybe that's why nobody really knows you, it's like being a thin piece of paper in a world where pen can only leave ink on thicker substances- whenever somebody asks you "Who are you?" you just turn your head shyly, and read from someone else's page.

2. It's been a while since you've substituted blankness for a renewal you thought you could find inside of another human being. You tell yourself that their words inspired yours, but are realizing it's not true. Love was not made to make the expression of detrimental things beautiful- the absence of it was.
Now that you're here as a mosaic of bruises that were left from somebody's poor negligence, you've begun to see that loneliness is an escape that treats you better no matter how hollow it is or how much work you have to put into fulfilling it.
Your hands get strained, your spine starts to curl, all under the weight of forgetting the emotions you had when you were writing for someone and not about them. A weight thats heavy and makes you miss the feeling of being in love more than you miss the person who you were in love with.

3. Instead of only being able to find inspiration when you hear specific footsteps walking away from you, you've tried to simulate their echoes every time you close your eyes, and then hoping for the best. With love, you knew about the withdrawal symptoms before you knew about the substance. When you had it and watched it fade away- you were left with that familiar feeling. That familiar longingness.
But now you understand what you must do when people enter a home uninvitedly. The next time you have it and lose it it will hurt, but it will not hurt in the same way.

4. Sometimes situations have a way of making you both aware and unaware of different things at the same time. Being in this state you realized; there is more than one way for a person to actually disappear.
And it never starts within them, it always starts around of them.
You started seeing less, feeling less, talking less, hoping less. You just followed what was there for you and hoped you wouldn't fall into a hole deeper than the one you were already in back then.
By the time you'd lost enough of yourself, you had the motivation to climb back up but just not enough physical strength to actually do it. You just followed the path and blamed its emptiness as a feature of your own intentions. When in actual fact, you only followed it like that because nobody wanted to lower themselves to be able to have the ability to walk with you.

5. A natural stationary position of yours is the position where it looks like someone has pushed you to the ground: you are always posed at that exact position, where you have just been pushed and you are simultaneously trying to get back on your feet.
Whenever you find yourself at a dead point that is caused by something that isn't a human being, you realize that it's always been 'too long' since you've dealt with a heartache that you are not used to.
Too long since you've carried a dilemma whilst thinking, "I don't know why this is here. I don't know why I am feeling this."
It's become this sort of pleasure that you sleep with knowing or not knowing just how far away healthiness is. Lying in bed all day pretending like you are whole- pitying your own broken heart as if you were not the one who broke it yourself.

6. It is hard to convince yourself that you are an optimist because of the way you express hurt like it will actually start saving you when you are not just feeling it, but when you are actually seeing it as well. But then again it all makes sense when you begin to realize: you beautified terrible things when terrible things began to happen too regularly.
It is not that you are trying to feel more of the pain because you are putting it into words.
It's that you are actually doing the opposite.

7. It's hard to keep up with your own identity when you are constantly turning people that know you into strangers.
You sometimes want to say it was spontaneous, but you've always known that it started with one small problem who always lied whenever they claimed to care more than they actually did.
They'd treat you with a kindness that had no actual action and you got used to depending on it like it was the only thing that you had left.
I guess when you get older you realize that sometimes people make mistakes and open things they're not supposed to- sometimes they rip holes in your mind that are big enough for the thought of their love, but not big enough for their love itself.

8. You're discovering that submission is more a habitat than a personality trait. You've pulled so many defenses around you that the only thing you dominate is the ability to come up with a false pretense. All the things that once meant so much to you seem to be running and fading away- they seem to be blackening out like the developing of a Polaroid in reverse. Slowly suffocating an image until the surroundings are disappearing slowly and malleably. Leaving only the person in the picture- surrounded by the blackness of the film.
Deemed to become an island in a great mess of things that could've been-
Deemed hopeless and passionless, hopeless and passionless.

9. You may or may not have been stronger when you were younger but you were definitely more content and aware. How many times have you looked at an old picture and thought "what happened during the years? was that really still me?" It is almost as if the time between then and now turned into a vast ocean and you were fast asleep whilst you sailed on it. You sometimes sunk and you sometimes rose above, but you were always unconscious. Always unconscious.
You guess that it is all what is eventually planned for you. But you can't help but shudder at the thought of it.

10. You hide away from attention because if people start to see just a little, they might eventually see too much.You're hoping one day you can show yourself as whimsically as you once did before you were forced to hide from a light that demolished you after it blinded you.
Maybe one day you'll exist under the presence of something that doesn't need to hold you to give you the same feeling you once needed to be able to carry on hoping.
You're just looking for a motive to keep you surviving even if it is only partly- You're just looking for an excuse to become addicted to something that doesn't have a heartbeat,
For once.
We never liked the same music.

We never did
like the same music.
In a sea,
a virtual ocean,
of song recommendations, we
would only find one
or two
that we both
intensely
intensely
intensely
loved. And because of that,
those few, rare songs
became magical
in their significance.
Like small pearls in a tsunami
of grit.

What kind of music do you like now?
My iPod shuffled to 'Romeo and Juliet' by Dire Straits today.
ideas,
rambling about,
a story, a play,
a novel, an essay,
rants and poems alike,
climbing over each other,
an eternal game of
"King of the Mountain"
for which one gets worked on next,
while the others sleep
in separate bedrooms of
this house that has no doors.
nothing escapes,
but lives here forever,
within the walls of a cluttered mind,
a hoarder's paradise of thoughts and expressions,
just waiting to be emptied,
let loose,
explode upon an unsuspecting world
that may or may not be ready for it.
I wish I had told you
when even the stars had been
too cold to breathe, that
yes,
you are my disaster.

See, your hurricane blew out
the paper-candle-sun I'd so
precariously perched
back in January
for warmth and solitary
subsistence.
Instead, you dragged me out
into harsh, hot, white
spotlight,
my hand grabbed in yours,
with your series of purple and then more
purple verses,
while I resisted the fact that
that
I wanted, want
wanted, want
to be more
than fodder for your poetry.

You may not comprehend
the catastrophe conjured
by your hands, your words
but I know myself.
I've always lived on the
edge of disarray and I
think I relished,
relish
my mania
because now I'm
stilled.
Stilled.
Wagon wheels stuck
in African mud,
halted
by stop signs of
violet violent violet
velvety verses.

Now I'm cowering under blankets
for artificial warmth,
with my thoughts
and a book, all clad
in the ghosts of your hands, I've been
stilled.
You've thrown silence
into the life of a musician.
You have scratched the vinyl
to break the song into pieces,
stop
stop
Caution.
This is a broken record.

Stilled.
If you are a hurricane,
then I am a bigger blossoming wreck,
still
you have managed to do it -
stilled.

All I want is to shatter
teacup
after
teacup
against the walls
and scream
into your too-brown eyes
but I can't say or sing a thing,
cowering -
stilled.

I wish I had told you
when the stars had been too cold to breathe and
you and me
you and me
did not even bother
to inhale or other such trivialities;
our breaths had been stolen
in the time and space of a white
aeroplane,
I wish I had said
yes,
you are my disaster,
so what am I to you?
Honesty bite?
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last ****?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
https://aubreymarcus.com/written-musings/poetry/
 Jul 2015 Tawanda Mulalu
SOLACE
the tree stood still and alone.
alone and standing still the tree creaked and moaned with every dying breath it took.
one day soon I will cut down the tree that stands still and alone.
I will cut it up into pieces for your fire, so at night you are kept warm.
you will enjoy the warmth coming from the burning tree, but never the warmth of me.
it will take me a whole day to chop it down and I will work tediously but you will not thank me.
instead you will ask me to pour you a cup of tea.
and I will, I will make it with love, and watch as you drink it with hate.
together we will watch the tree turn black in our fire place, you being glad for the tree me being glad for you.
im jealous of that tree, it gets to feel your admiring eyes whilst all I get from you is coldness.
I should probably remind myself to take pleasure in chopping it down.
 Jul 2015 Tawanda Mulalu
SOLACE
you say that it hurts you deep down inside your bones because the bones are as deep as the body's depth goes.
Sitting on the steps before your front door.
You were only fifteen.
Wearing denim pants, red sneakers, and a tank top,
and your face full of tears.
Two hours, twenty minutes, and ten seconds ago
you wore your heart on your sleeve.
You'd seen him. You'd met him. You were crazy for him,
but you woldn't believe.
Your green eyes. Your red lips. Your wavy, blonde hair.
None of that could he see,
while I sat on the steps before your front door
hoping you would see me.
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