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Norman Crane Aug 13
of what's a house built,
tatami mats without
figures, ghosts within walls,
haunted by the absence
of anyone of substance who calls,
ozu, can you hear me? in
these rooms of noh occupants,
transients staying only a night,
staging a performance for no audience,
except me, turning slowly to dust,
late spring in tokyo twilight,
floating weeds in an empty house,
by a projector's light.
Norman Crane Sep 2020
We came but our children have barely time
for us for they are leading busy lives.
When we were younger we had barely time
for us for we were leading busy lives.
How it passes: like the train that brought us,
winding but with purposeful direction.
How it passes: like steam above tea cups,
a gently rising evaporation.
We had tea with the widow of our son.
Our train returns home early. Life goes on.
Inspired by Japanese director Yasujiro Ozu's 1953 film Tokyo Story. Ozu's simple and gentle style is one of cinema's great treasures, and I hope to one day be able to do it justice in words.

— The End —