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L B Mar 2017
The right winter
for dope and ice
for walks along the river route
home

The right winter
for arctic pin-***** wind
holes in boots
turquoise dress coat
far too thin
for walks along the river

But The Merrimack couldn’t find her way
when fabric moguls migrated south
Fascinated by nylon nasties
they traded their silks and cottons
for those petro-polyesterdays

While she—
could no more manufacture life
than mint their money
So, they blamed her
Pronounced her—“Dead”
Decried her “*****”

Now—
She wanders sadly under bridges
stopping to eddy in an overhang of birches
In dank canals, I found her sleeping
angered only at the falls

Poor outcast!
with current edge she splinters light
from cities sadder still
retching her oily stench 
        past Plum Island
into the sea— into me

What’re a few warm tears
falling from someplace on a bridge
to the icy waters of the Merrimack?
Rivers get lost in the ocean don’t they?

Let them find each other there
https://www.pinterest.com/pin/240872280040374240/

I never knew anything about Jack Kerouac, and only today, learned that he breathed his last on my 20th birthday in 1969, just as I came to his sad hometown of Lowell, Massachusetts to endure a baptism of my own.
Maggie Emmett Sep 2016
He perches in the slime, inert,
Bedaubed with iridescent dirt.
The oil upon the puddles dries
To colours like a peacock’s eyes,
And half-submerged tomato-cans
Shine scaly, as leviathans
Oozily crawling through the mud.
The ground is here and there bestud
With lumps of only part-burned coal.
His duty is to glean the whole,
To pick them from the filth, each one,
To hoard them for the hidden sun
Which glows within each fiery core
And waits to be made free once more.
Their sharp and glistening edges cut
His stiffened fingers. Through the ****
Gleam red the wounds which will not shut.
Wet through and shivering he kneels
And digs the slippery coals; like eels
They slide about. His force all spent,
He counts his small accomplishment.
A half-a-dozen clinker-coals
Which still have fire in their souls.
Fire! And in his thought there burns
The topaz fire of votive urns.
He sees it fling from hill to hill,
And still consumed, is burning still.
Higher and higher leaps the flame,
The smoke an ever-shifting frame.
He sees a Spanish Castle old,
With silver steps and paths of gold.
From myrtle bowers comes the plash
Of fountains, and the emerald flash
Of parrots in the orange trees,
Whose blossoms pasture humming bees.
He knows he feeds the urns whose smoke
Bears visions, that his master-stroke
Is out of dirt and misery
To light the fire of poesy.
He sees the glory, yet he knows
That others cannot see his shows.
To them his smoke is sightless, black,
His votive vessels but a pack
Of old discarded shards, his fire
A peddler’s; still to him the pyre
Is incensed, an enduring goal!
He sighs and grubs another coal.
“The Coal Picker” was published in Sword Blades and Poppy Seed (Houghton Mifflin Company, 1914).
Olga Valerevna Dec 2015
Where is the emotion I could only ever bare
when you were here beside me every day and everywhere
I seem to be avoiding all the simple things I knew
instead commit to stupor coming out of me and you
Whatever hasn't happened I expect at any time
receiving with the darkness every shadow in my mind
It's good to be alone and I have come to much prefer
the solitude of sameness as the days become a blur
I'm learning to admit that what is perfect will not break
and daily seek the patience to accept it when I wake
Today has been forever and forever's moving still
a death that has no fear because it goes against our will
title and inspiration taken from Sufjan Stevens',"Carrie & Lowell"

— The End —