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Water always finds a way in.
The rain comes down,
the snow melts,
and the water finds the path
of least resistance.

Seeps into the cracks,
creeps under the shingles,
winds its way
through the areas left vulnerable
from years of slow erosion,
weakened integrity,
avoidance,
neglect of upkeep.
It begins to leak inside,
to create havoc,
to damage what should be kept
safe and dry.

Drops become trickles,
trickles become streams,
streams become rivers,
pools begin to form,
until the weight of itself forces advancement.
Pushing to find another route,
another way in.

Water persists.
Water permeates.

Water, like feelings of inadequacy,
always finds a way inside.
I wrote you
Something
Hoping you would find it
On the bark of a tree
In a forest
Somewhere.

I shouted out
Something
Hoping you would hear it
Amongst the crows and seagulls
In a field or at a beach
Somewhere.

I painted you
Something
Hoping you would see my colour
In a rainbow
In a troubled sky
Somewhere.

I cried for
Something
Hoping you would see my tears
In a waterfall
In a river
Somewhere.

And if you did
You could do the same.
Maybe we are communicating
On a different level already.
Man-made phenomena
litters the sky,
these satellites orbit themselves
--celestial magnets
befriending the galaxy.

Eccentric hours of
the day and night
lend themselves to the after party,
where the girls run in spirals,
the boys just taper off,
it’s a strange side effect
to all the confection and confetti
--an interstellar jackpot
with all the quirks!

There’s no moon out of reach
to bury one’s flag in to
or hang a quote from,
no riddle wisenheimers can't
complacently decipher.

As missions go this is prime
and far too lucrative
when the star machine
starts throwing back from
the electronic heavens,
shooting them off
in such bizarre bans
of incensed fire,
a sure reflection of fireworks
against the artificial currents
of this drug.

There’s no catching
these shooting stars
lightyears from here,
but if you ask nice,
they just might send you a selfie
the next time
your trajectories coincide.
Inspired by the surreal art of Justin Peters.
THE MAGICAL INTRUDER !

IN THIS HEART OF MINE,
LOVE ENTERS LIKE AN INTRUDER
I KNOW NOT WHY!

LOVE LIGHTS THE LAMP TO EXPELL
DARKNESS AND GLOOM,
THIS LAMP I FLOAT ON A DARK MOON-
LESS NIGHT ON A LAGOON.

THE LAMP SOON SETS THE WATER ON FIRE!
BUT ONLY AQUA CAN ****** LOVE’S
BLAZING FIRE!

I WONDER WHO HAS CREATED LOVE
WITH ITS MAGICAL EMOTIONS,
WHEN THE HEART GETS MESMARIZED BY
SUCH AN ALIEN INTRUSION!
                                                    -R­aj Nandy, New Delhi
                                                      compo­sed on 16th June ‘20
(THIS POEM HAS BE WRITTEN IN A LIGHTER VEIN,
I HOPE YOU LIKE IT ALL THE SAME!_  

COPY, CUT, AND PASTE !
These days I mostly find, on our social
media sites,
Inclusive of this ‘Facebook’ as on date;
Plenty of photos and materials getting
daily posted,
Simply through Copy, Cut, and Paste!
Though deprived of genuineness and
creativity,
It does provide a nice pass time for us
all, despite its lack of originality!
But unfortunately as a result of this,
Creative writing has taken a back
seat!

I wish in my real day life, I could choose
and select from the events of my time,
Through this easy technique of ‘Cut and
Paste’!
Instead of wasting time in planning and
thinking,
When all things could be easily achieved  
with good speed and haste!  

How I wish in our lives there was a
‘Delete Button’ too.
To remove all our aches and pains, and
all our old age troubles too!
Then we could delete that Chinese virus
with ease,
To get our suffering World back on its feet!
But even this ‘Facebook’ does not have this
‘Delete Button’!
And now I am reminded of what Omar Khyyam
in his ‘Rubaiyat’ had written:-
“The Moving Finger writes, and having writ,
   Moves on; nor all thy Piety nor Wit shall lure
   it back to cancel half a line,
   Nor all thy tears wash out a Word of it!”
                                              -Raj Nandy, composed on
                                                20 June 2020, New Delhi.

NOTE: ‘Rubaiyat of Omar Khayyam’, is the title Edward FitzGerald gave to his 1859 translation from Persian to English, of a selection of quatrains (rubaiyat), attributed to Omar Khyyam (1048-1131), that famous Astronomer-Poet of Persia.
A BIRD IN HAND  &  ‘CARPE DIEM’*
It has been wisely observed and said,
That a bird in hand is worth two in the
bush always.
Therefore, let us grab this day before it
begins to slip away my friends!

The Afghans are perhaps the only people
in the world who pray after their meal!
Since they are more concerned about the
outcome, -
Than the intentions the behind things!
Just as the proof of the pudding always
remains in its eating!

Now the Latin phrase ‘Carpe Diem’ meaning
‘seize the day’, - has been a popular theme of
English poetry even to this day!
It was first used by the Roman poet Horace in
his ‘Odes’ during 23 BC,
Which spoke of enjoying the day before it
ceases to exist!
This theme is also found in Shakespeare’s sonnets;
In Robert Herrick’s lines ‘To the Virgins to Make
Much of Time’; in Andrew Marvell’s seductive
lyric ‘To His Coy Mistress’; and also in poems of
AE Houseman, and Robert Frost, - among many
other poets.
Here are few lines from Andrew Marvell’s seductive
lyric - ‘To His Coy Mistress’:-

“But at my back I always hear
  Time’s wingéd chariot hurrying near:
  And yonder all before us lie
  Deserts of vast eternity.
  Thy beauty shall no more be found;            
  Nor, in thy marble vault, shall sound
  My echoing song: then worms shall try
  That long-preserved virginity!
  And your quaint honor turn to dust,
  And into ashes all my lust.                  
  The grave’s a fine and private place,
  But none, I think, do there embrace!”

Now I conclude with few lines from my
favorite Henry Wordsworth Longfellow’s
poem - ‘The Psalm of Life’:

“.…Trust no future however pleasant!
       Let the dead Past bury its dead!
       Act, act, in the living Present.
       Heart within, and God overhead!
       Lives of great men all remind us,
       We can make our lives sublime,
       And departing leave behind us,
       Footprints on the sands of time!…”
                                               -Raj Nandy, New Delhi.
                                                composed on 03 JULY 2020.
Miraculously mysterious

The images in the eyes

Not a match for the one in mind

The visionary, sees through
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