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Pauline Morris Mar 2016
I'm coming unglued
My pieces are falling

I'm coming unglued
My voices are calling

I'm coming unglued
My minds come unplugged

I'm coming unglued
I could use a hug


I'm coming unglued
Shadow Men are drawing near

I'm coming unglued
My bones tremble with fear

I'm coming unglued
Sutures in my heart are starting to fray

I'm coming unglued
I can't find my way

I'm coming unglued
Nothing anyone can do
ryn Dec 2014
It was those blue eyes, sparkling with words
I dreamt about reading but believed it impossible
Too beautiful to be seen with nuclear nerds
In my breakable beaker, you'd never be soluble.

A mismatched juxtaposition, atom for atom.
Even if I permutate, molecule by molecule.
We could never have struck stable equilibrium,
I could never escape the premise of ridicule.

Spent too much time postulating the unknown
Spent far too long balancing tricky equations
Head dug too deep to realise a factor that had grown
An external variable that had encroached with similar intentions.


My hand slipped from the scale when your finger touched my own
I forgot the words "controlled reaction", momentarily
Seeing goosebumps on your skin, and other bumps now shown
I gently pushed your wayward hair behind your ear, daringly

A moment frozen in the range of sub-zeroes
Dare I forgo the mandatory steps and arrive at a conclusion?
If I do I'd garner the title, "the nerdiest of all heroes!"
My "spidey-sense" failed me this time, and awarded me with a "fist-meet-face" reaction!

Happened in a blur, nanoseconds that sang in mock.
What was it that left me in a twirl?
Propped myself up to see the wrath of a crimson-faced ****.
All fists, no brains who yelled, "Hands off my girl!"


All this hilarious yet passionately painful hullabaloo
Let me drop the beaker of sodium in the zinc basin
Forgetting not to get it wet, the moment, clearly now unglued
When suddenly, "BOOM" it sounded like a pending cremation

Jocks, and nerds, and screaming cheerleaders
Hit the ground like a lunchtime scene from downtown Baghdad
And Blondie whispers in my ear, like a gypsy mind reader
"Maybe we should cool it, for I am in love with another lad"

Her words hit home and burned like The Lindenburg on fire
Amidst the fracas, cracked voice stammered to mask my bruised latent ego
"Nothing improper... Just an attempt to save your locks from the Bunsen burner
Science is my only love, just so you know"

Thanked God for my eyes and the need for correction lenses
Those thick convexes made it easy to not reveal
Steadied my frames and packed in hasty pretences
Accusing eyes followed as I exited the room with tears concealed...


Pieter Meyer
**ryn
You may have read this before as it is a repost of my collaboration with the witty and incredible Pieter Meyer. He seemed to have gone missing, along with the poem. So here it is... Hope you enjoy it
Sometimes the unseen embraces all I know
while my skin burns
from the tears of angels
falling continuously
as they face the darkness of voices
speaking within my heart.  
I get lost inside of my emotions
and find I've become devoted
to screaming winds  
that given precious time
could tear me apart.

I look down at my feet and wonder
if they even remember
where they have run
and if anyone knows of  their regrets
after splashing through the puddles
my passion led them into.  
And it seems
even if I place both feet together
I'm still bound
to face that old mirror
when the stitches of  my life
come unglued.
Copyright @2012 Neva Flores - Changefulstorm
Lysander Gray Oct 2012
Her mouth glittered agape
With sacred promise,
Like a box of unused
Engagement invites
Christening invites
Birthday invites
Still in the wrapper
For sale at a
Lifeline.

When you’d rather live
In a car
Than the zombie stance
Of a modern house,
Clean and soulless
With a hermetically sealed lawn,
Winter pageantry draws to a close
With bogan’s shooting-
Pearly eyed paupers
With constellations in their gaze.
With eyes full of hope and stars
That burnt bright and fade for
Flickering lens light.

Their voices murmur soft
Through catacomb
And underbrush
As only the ephemeral things are whispered of –
Dreams.
The addicts of ideals
The junkies of hope
The drinkers of despair
Have tiger soft tongues.

They lap and feast gladly,
From broken vessels
Chipped with hazardous teeth
That seek to fill their
Ermine mouths with the ******
Draught
Of truth.
Stumbling through wine-hour
They swarm, with tongues ******
And all constellations burnt out.

The hyacinth rides wild
Upon her shoulder,
Writhes in the silver brunt
Of moonlight,
Writhes in the stillness of dead perfume.

Marching to the beat
Of my enemies drum,
My hands inside my pockets.

Little bluebirds spun from dream
Sit on the holy perch,
A branch in all innocent minds.

The redeemed and patient
Make a subtle art from
Long distance perversions.

Similarly as we chase ghosts over Daffodils.

Fields of winter
under lunar glow
sway without us.

Long distance love
lingers with loose lust
along Regret street.

I hung it next to the memory
Of childhood cooking and Indian summers
Without further thought.

It slipped into the novel that took the form
Of an old coat, slipping into the lined pocket
It sank with a sigh.
Satisfied with itself.

Bombarded by the pounding
Dead eyed stare of ***** goddesses,
Broken by the undisputed angelic
And unglued ones,
All moon faced
All hopelessly optimistic
All lawfully rebellious
With green serenity
We pasted our dreams
On a wall so real it shone gossamer.
He counted the imperfections in the glass
With mind hesitation
As the whole world went black,
In a sea of much deserved discontent,
Wishing for the soft.

A moment of pure luck?
Jesus was an astronaut
Smoking Zen by the fire.

Suicidal angst
never had you in sonnets?
What a ******' shame.

Our life is but a song
We never hear.

I chipped away at the excesses
of my baroque person,
each strike took a
Railing
mounting
wall
decoration
desire
demand
exclamation
from the battlements.
All left now, a hill.

I paid for my banquet
with a sip of loneliness
and left behind the question
that asked all quiet poets
the meaning of love,
that asked all quiet poets
to answer with a villanelle
shouted from every
distant peak.

They sent the troopers
to greet me instead,
and my library was put in shackles,
and I kissed their ***** feet.

I answered that I carved this mountain
from the baroque bedrock
upon which they laid their city.
They smiled and asked about the aqueducts.
I wept and spoke of kitchenettes.

A meal provided
on a lead cast plate
my jailor asked about freedom
I answered with defeat.

There were two atoms
One questioned the meaning of existence
The other the existence of meaning.
             -Regardless they looked the same.

An apple on a branch,I took
The same way history takes a footnote.

The same way cashiers are all doctorates.
The same way trains find the station.
The same way you sing like a bird (and I like a cow).
The same way we never really wish to be writers.
The same way our final friend is made of pine.
The same way all streets lead to nowhere.
The same way all jobs **** society.
The same way we always lie to our children.
The same way a man loves a woman.
The opposite way we ****.
The opposite way we make love.
The way that I know a man who’s totem animal is a worker ant and he is unemployed by choice.
The same way we take old memories and turn them into fashion.
The very same way all sacred things become profane and all profanity becomes sacred in the eyes of many.

Dying relic of the Optimistic Seventies,
A new coat of paint for the old irony
     -slap dashed with obscurity.
Although I wear the costume of my enemy,
I will write the exaltation in blue smoke
As **** by an unsuspecting victim
Occurs in the dark.

The face of another love stares down at me.
I smile.
Yet I know it is not her.
I weep.
A sudden method sparks revival.

Jackie Pleasure wore a gray smile,
The anthem of a lost generation:
‘Happiness is lost in smiling.’

You are dead to me,
the boatman calls
I will not taste of your amber lips
I will not taste.

The welfare of all never hinged on darkness as we fear the fall,
A multitude of angels sang their songs
And never learnt to say goodbye
Or cast a long distance eye
Over half spent desire.

Drawn out caricatures,
Paraded intoxication
Flirt with our mistress death
And have her pick up the tab.
She pays with silent music.

The ***, we learn, is a bridge
Between all words and waltz’s,
Our Light Brigade to conquer art.

In the twilight of this, our mansioned night
Let us ring out true with indulgence,
Excess, abandon and the call of ‘yes’
Kali rang on the wire of a golden telephone.
Her name
“Kali, Kali…”
Like a quarrelsome minotaur
Flew through the waves of silk ideal
And strangled the babe
With cool breath.

There was ice (oh yes!) and fire and song.
With our candles burnt down to the ash of all streets
We walk then. We walk.
All life is but a song.

The ghosts of all forgotten stamps
Now echo on the wind of speech.
On High! Oh speak!
Of songs sung but never danced
With our broken dream.
When starlight meets the dust, and
Shadow eats the snow,
All our stories are satin sheer
And all our wants are gone.
We watch the memories march, until
They find a sliver of chrome that showed that place
Where all piano’s live and breathe.
My father in the wishing well,
My mother played trapeze.
My sister never saw the light,
My brother never born.
That was that,
Where stars meet dust
And floorboards sing off key.
Over the course of several months, I carried a small notebook in which I kept random musings and poetic snippets that came to me. This is the compilation of that.
Brianna Ki  Jul 2016
Unglued
Brianna Ki Jul 2016
Still feel the heat that burned through my heart
This wasn't how this was supposed to start.

My heart racing hot mess
Fell to your hands as they undressed.

My eyes can't keep off of your face
My body moves in tune with your pace.


I can't get enough of what you do
It's all on you.
I'm unglued
jeffrey conyers  Mar 2015
Unglued
jeffrey conyers Mar 2015
Why do people come so unglued?
When the one they love decides to leave.
After all, they just a person.

Love, is a giving quality offer in kindness.
Which can be rescinded within a moment notice.
It has never been accepted as a token.

Why do people let love destroy their soul?
After achieving it strictly for you.
Sometimes, it pays to let it go.

But unglued they become with irrationality.
Losing all sensibility to truth and reality.
Leaving many wondering why?
They vented frustration in that kinda way.

It's hard to explain.
We offer opinions and more.
While knowing the one with the answers refuses to explain.
Least anything of common sense.
Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey
jeffrey conyers  Aug 2016
Unglued
jeffrey conyers Aug 2016
Shaken
Trembling
Unglued
Just the mere mention of you.

I lock down in my own little zone.
Not claiming your love as my own.

Silent
Quiet
Tranquil
Whenever you come near.

This just how much you affected me?
I just keeping coming unglued.

You have this undying control over me.
Angie  Dec 2010
Unglued
Angie Dec 2010
I cried myself to sleep last night,
these tears are all I have.
I cried myself to sleep last night,
you held my heart in your hands.

Everything happens for a reason,
is this part of the plan?
Maybe I'll recover
or else be forced to move on.
My heart is ripped in two again,
and she holds the bigger half.

There is a major fear
of which I seem to have,
a fear of true love,
and a fear of where I've been.
It's sort of been a problem
that I've had right from the start.

The people in my past,
who have hurt me the most,
are the people in my future,
to haunt me like a ghost.

The plan was working perfectly,
until I fell for you.
But the memories were stronger,
they made me come unglued
12.7.10
L B  Nov 2017
Personal Space
L B Nov 2017
Did I touch you as I left?
That night of beer and music
Almost tipsy,
laughing good-byes

Backing into blindly
I felt an arm... a moment
guide me
before I all but fall
against you
Knew that warmth
of mass was male

You exhale
I sense your being--
behind
Amused
By accidental intimacy
I come unglued
By your flirtatious
catch of eyes
in lowered light
By faint fragrance
of whatever it is
you've drunk or used
to put yourself together

Turning
guarded
Apologize
glancing down


Women always look, though
however briefly
Anyone ever been to this pub?  :D
JLB  Jun 2012
Temporary Tattoos
JLB Jun 2012
I blot people onto me, just to buff them away. Soakin em, and pressin em on.
Dabbin, pressin, soakin, like temporary tattoos.
Easy to apply, and pretty to look at.
Fun to show off, without any commitments, and then I just let em peel away after some time.
After their bright pigment fades, or their adhesive fails, I just rub em off.
Scratch em with my fingernails sometimes, when I get impatient.
Rub, scratch, off. Now, right now. I’m tired of lookin at you, feelin you on my skin.
I wore you for a bit,
Now it’s time for a new one.
Rub, scratch, dab, press, soak, press again again again.
Skin red, dry skin rub rub dab dab dab peel peel dab peel.
And then,
the ones I like the most, the most beautiful, the most vibrant,
color, color, color.
Purple, green.
purple purple
Purple,
are the ones I try to keep the longest,
they’re always the quickest to fade,
and to peel,
and to fail.
Fail fail fail, come unglued.
Keep em out of the sunlight, outta the wind. In the dry. But they peel.
Peel peel peel, fail.
They fail.
And then,
I can’t find others quite like em. So I press on any old picture. Any color.
Gray, red, yellow, blue. Not quite right, no blue, no citron, no salmon.
Not quite purple enough.
Not quite green.
Not quite, never quite the same.
The same purple, the same green.
Just soak soak soak soak,
Press. Peel.
Until, again, something might feel right.
A personal epiphany.

— The End —