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485

To make One’s Toilette—after Death
Has made the Toilette cool
Of only Taste we cared to please
Is difficult, and still—

That’s easier—than Braid the Hair—
And make the Bodice gay—
When eyes that fondled it are wrenched
By Decalogues—away—
629

I watched the Moon around the House
Until upon a Pane—
She stopped—a Traveller’s privilege—for Rest—
And there upon

I gazed—as at a stranger—
The Lady in the Town
Doth think no incivility
To lift her Glass—upon—

But never Stranger justified
The Curiosity
Like Mine—for not a Foot—nor Hand—
Nor Formula—had she—

But like a Head—a Guillotine
Slid carelessly away—
Did independent, Amber—
Sustain her in the sky—

Or like a Stemless Flower—
Upheld in rolling Air
By finer Gravitations—
Than bind Philosopher—

No Hunger—had she—nor an Inn—
Her Toilette—to suffice—
Nor Avocation—nor Concern
For little Mysteries

As harass us—like Life—and Death—
And Afterwards—or Nay—
But seemed engrossed to Absolute—
With shining—and the Sky—

The privilege to scrutinize
Was scarce upon my Eyes
When, with a Silver practise—
She vaulted out of Gaze—

And next—I met her on a Cloud—
Myself too far below
To follow her superior Road—
Or its advantage—Blue—
Victor Hugo  Jun 2017
Fantômes
I.

Hélas ! que j'en ai vu mourir de jeunes filles !
C'est le destin. Il faut une proie au trépas.
Il faut que l'herbe tombe au tranchant des faucilles ;
Il faut que dans le bal les folâtres quadrilles
Foulent des roses sous leurs pas.

Il faut que l'eau s'épuise à courir les vallées ;
Il faut que l'éclair brille, et brille peu d'instants,
Il faut qu'avril jaloux brûle de ses gelées
Le beau pommier, trop fier de ses fleurs étoilées,
Neige odorante du printemps.

Oui, c'est la vie. Après le jour, la nuit livide.
Après tout, le réveil, infernal ou divin.
Autour du grand banquet siège une foule avide ;
Mais bien des conviés laissent leur place vide.
Et se lèvent avant la fin.

II.

Que j'en ai vu mourir ! - L'une était rose et blanche ;
L'autre semblait ouïr de célestes accords ;
L'autre, faible, appuyait d'un bras son front qui penche,
Et, comme en s'envolant l'oiseau courbe la branche,
Son âme avait brisé son corps.

Une, pâle, égarée, en proie au noir délire,
Disait tout bas un nom dont nul ne se souvient ;
Une s'évanouit, comme un chant sur la lyre ;
Une autre en expirant avait le doux sourire
D'un jeune ange qui s'en revient.

Toutes fragiles fleurs, sitôt mortes que nées !
Alcyions engloutis avec leurs nids flottants !
Colombes, que le ciel au monde avait données !
Qui, de grâce, et d'enfance, et d'amour couronnées,
Comptaient leurs ans par les printemps !

Quoi, mortes ! quoi, déjà, sous la pierre couchées !
Quoi ! tant d'êtres charmants sans regard et sans voix !
Tant de flambeaux éteints ! tant de fleurs arrachées !...
Oh ! laissez-moi fouler les feuilles desséchées,
Et m'égarer au fond des bois !

Deux fantômes ! c'est là, quand je rêve dans l'ombre,
Qu'ils viennent tour à tour m'entendre et me parler.
Un jour douteux me montre et me cache leur nombre.
A travers les rameaux et le feuillage sombre
Je vois leurs yeux étinceler.

Mon âme est une sœur pour ces ombres si belles.
La vie et le tombeau pour nous n'ont plus de loi.
Tantôt j'aide leurs pas, tantôt je prends leurs ailes.
Vision ineffable où je suis mort comme elles,
Elles, vivantes comme moi !

Elles prêtent leur forme à toutes mes pensées.
Je les vois ! je les vois ! Elles me disent : Viens !
Puis autour d'un tombeau dansent entrelacées ;
Puis s'en vont lentement, par degrés éclipsées.
Alors je songe et me souviens...

III.

Une surtout. - Un ange, une jeune espagnole !
Blanches mains, sein gonflé de soupirs innocents,
Un œil noir, où luisaient des regards de créole,
Et ce charme inconnu, cette fraîche auréole
Qui couronne un front de quinze ans !

Non, ce n'est point d'amour qu'elle est morte : pour elle,
L'amour n'avait encor ni plaisirs ni combats ;
Rien ne faisait encor battre son cœur rebelle ;
Quand tous en la voyant s'écriaient : Qu'elle est belle !
Nul ne le lui disait tout bas.

Elle aimait trop le bal, c'est ce qui l'a tuée.
Le bal éblouissant ! le bal délicieux !
Sa cendre encor frémit, doucement remuée,
Quand, dans la nuit sereine, une blanche nuée
Danse autour du croissant des cieux.

Elle aimait trop le bal. - Quand venait une fête,
Elle y pensait trois jours, trois nuits elle en rêvait,
Et femmes, musiciens, danseurs que rien n'arrête,
Venaient, dans son sommeil, troublant sa jeune tête,
Rire et bruire à son chevet.

Puis c'étaient des bijoux, des colliers, des merveilles !
Des ceintures de moire aux ondoyants reflets ;
Des tissus plus légers que des ailes d'abeilles ;
Des festons, des rubans, à remplir des corbeilles ;
Des fleurs, à payer un palais !

La fête commencée, avec ses sœurs rieuses
Elle accourait, froissant l'éventail sous ses doigts,
Puis s'asseyait parmi les écharpes soyeuses,
Et son cœur éclatait en fanfares joyeuses,
Avec l'orchestre aux mille voix.

C'était plaisir de voir danser la jeune fille !
Sa basquine agitait ses paillettes d'azur ;
Ses grands yeux noirs brillaient sous la noire mantille.
Telle une double étoile au front des nuits scintille
Sous les plis d'un nuage obscur.

Tout en elle était danse, et rire, et folle joie.
Enfant ! - Nous l'admirions dans nos tristes loisirs ;
Car ce n'est point au bal que le cœur se déploie,
La centre y vole autour des tuniques de soie,
L'ennui sombre autour des plaisirs.

Mais elle, par la valse ou la ronde emportée,
Volait, et revenait, et ne respirait pas,
Et s'enivrait des sons de la flûte vantée,
Des fleurs, des lustres d'or, de la fête enchantée,
Du bruit des vois, du bruit des pas.

Quel bonheur de bondir, éperdue, en la foule,
De sentir par le bal ses sens multipliés,
Et de ne pas savoir si dans la nue on roule,
Si l'on chasse en fuyant la terre, ou si l'on foule
Un flot tournoyant sous ses pieds !

Mais hélas ! il fallait, quand l'aube était venue,
Partir, attendre au seuil le manteau de satin.
C'est alors que souvent la danseuse ingénue
Sentit en frissonnant sur son épaule nue
Glisser le souffle du matin.

Quels tristes lendemains laisse le bal folâtre !
Adieu parure, et danse, et rires enfantins !
Aux chansons succédait la toux opiniâtre,
Au plaisir rose et frais la fièvre au teint bleuâtre,
Aux yeux brillants les yeux éteints.

IV.

Elle est morte. - A quinze ans, belle, heureuse, adorée !
Morte au sortir d'un bal qui nous mit tous en deuil.
Morte, hélas ! et des bras d'une mère égarée
La mort aux froides mains la prit toute parée,
Pour l'endormir dans le cercueil.

Pour danser d'autres bals elle était encor prête,
Tant la mort fut pressée à prendre un corps si beau !
Et ces roses d'un jour qui couronnaient sa tête,
Qui s'épanouissaient la veille en une fête,
Se fanèrent dans un tombeau.

V.

Sa pauvre mère ! - hélas ! de son sort ignorante,
Avoir mis tant d'amour sur ce frêle roseau,
Et si longtemps veillé son enfance souffrante,
Et passé tant de nuits à l'endormir pleurante
Toute petite en son berceau !

A quoi bon ? - Maintenant la jeune trépassée,
Sous le plomb du cercueil, livide, en proie au ver,
Dort ; et si, dans la tombe où nous l'avons laissée,
Quelque fête des morts la réveille glacée,
Par une belle nuit d'hiver,

Un spectre au rire affreux à sa morne toilette
Préside au lieu de mère, et lui dit : Il est temps !
Et, glaçant d'un baiser sa lèvre violette,
Passe les doigts noueux de sa main de squelette
Sous ses cheveux longs et flottants.

Puis, tremblante, il la mène à la danse fatale,
Au chœur aérien dans l'ombre voltigeant ;
Et sur l'horizon gris la lune est large et pâle,
Et l'arc-en-ciel des nuits teint d'un reflet d'opale
Le nuage aux franges d'argent.

VI.

Vous toutes qu'à ses jeux le bal riant convie,
Pensez à l'espagnole éteinte sans retour,
Jeunes filles ! Joyeuse, et d'une main ravie,
Elle allait moissonnant les roses de la vie,
Beauté, plaisir, jeunesse, amour !

La pauvre enfant, de fête en fête promenée,
De ce bouquet charmant arrangeait les couleurs ;
Mais qu'elle a passé vite, hélas ! l'infortunée !
Ainsi qu'Ophélia par le fleuve entraînée,
Elle est morte en cueillant des fleurs !

Avril 1828.
Jellicle Cats come out tonight,
Jellicle Cats come one come all:
The Jellicle Moon is shining bright—
Jellicles come to the Jellicle Ball.

Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.

Jellicle Cats develop slowly,
Jellicle Cats are not too big;
Jellicle Cats are roly-poly,
They know how to dance a gavotte and a jig.
Until the Jellicle Moon appears
They make their toilette and take their repose:
Jellicles wash behind their ears,
Jellicles dry between their toes.

Jellicle Cats are white and black,
Jellicle Cats are of moderate size;
Jellicles jump like a jumping-jack,
Jellicle Cats have moonlit eyes.
They’re quiet enough in the morning hours,
They’re quiet enough in the afternoon,
Reserving their terpsichorean powers
To dance by the light of the Jellicle Moon.

Jellicle Cats are black and white,
Jellicle Cats (as I said) are small;
If it happens to be a stormy night
They will practise a caper or two in the hall.
If it happens the sun is shining bright
You would say they had nothing to do at all:
They are resting and saving themselves to be right
For the Jellicle Moon and the Jellicle Ball.
Je ne t'aime pas en toilette

Et je déteste la voilette

Qui t'obscurcit tes yeux, mes cieux,

Et j'abomine la « tournure »

Parodie et caricature,

De tels tiens appas somptueux.


Je suis hostile à toute robe

Qui plus ou moins cache et dérobe

Ces charmes, au fond les meilleurs :

Ta gorge, mon plus cher délice,

Tes épaules et la malice

De tes mollets ensorceleurs.


Fi d'une femme trop bien mise !

Je te veux, ma belle, en chemise,

- Voile aimable, obstacle badin,

Nappe d'autel pour l'alme messe.

Drapeau mignard vaincu sans cesse

Matin et soir, soir et matin.
Anthony J Jul 2015
Memories dissolved
Into this liquid.

I inhale
Your pretty face,
Smiles flashed,
Laughs.

I exhale.
I miss you already,
Your face,
Tonight.

I inhale
Your kind voice,
Lovely words
Spoken.

I exhale.
Your voice resonates,
Calling me,
Tonight.

I inhale
The last molecule.
Stop for a sec.

Then,
I exhale,
Alone.
Bardo Aug 2019
O! I went to the loo to do a number
    two
Only one cubicle was vacant, the rest
    they were all taken
"Looks like a full house today" I
     thought to myself
Man! I was bustin' to go
As I sat there on my throne in my
    cockpit all alone
There came this funny rumbling
    sound from down below
And then, this fearsome volley.... a  
    fantastic farting
And then, a great release
As finally I dropped my bombs with
    studious aplomb
O! what a relief !

"Man! ", I said to myself, " I must
      lay off that Aloe Vera juice
That stuff it goes right through you "
But then, something strange, from the
    cubicle right next to me
Came this other big thunderous ****
    explosion
A big fat blubbery balloony one
It sounded like a tuba gone wrong
And then! And then, another one! this
    one further down the line
This time a big bubble and squeaky
    one
And then! yet another! a funny little
    flute-ey one
Like it just squirreled out in the nick
    of  time
And then finally, another!!! a big Big
    Bellow like from some wonky
        trumpet
A real rasper, he must have thought he
    was doin' the solo
Man! It was so funny, one right after
    the other, you had to laugh
It was.... well, it was Gas !!!
Lucky no one struck a match
Or else it might have been... yea!
    Jumpin' Jack Flash !!!

It was like listening to a whole scale of
    *** notes
Such a strange symphony, these
    wondrous excursions in Sound
For a moment there, it reminded me a
     bit of Beethoven,
It was no celestial choir that's for sure
It was something altogether more dire,
Like something you'd hear in a
    farmyard byre
The animals all gathered at the trough
It was like all the bottoms were
    conversing with one another,
        having a chat
Plotting a rebellion even, an uprising,
    a coup d'etat
Against that other much more
    celebrated Opening
That much vaunted Hole in the Face,
    the Mouth!
That puffed up preening Prima Donna
    with his preposterous outpourings
His Monstrous, pompous inflated Self-
   importance
Sitting up there stuffing himself and
    forever spouting nonsense
"Sure, we do all the work down here",
  the Bottoms were saying, " and we
    talk a lot more sense as well"
They posed the question "Can a Bottom speak more Truth than a
    Mouth ?"
These defiant derrieres, these proud
    posteriors
With their proud exultations
Sticking a firm ******* up at that so-called world of respectability up
     there
That world of petrified good manners
Suffocating! Oppressing! with its
    stifling mores and traditions
Yea!....for sure, the rebel Masses, they
    were just a bunch of Bad *****.

O! the air it was blue just like Pepe Le
    Pew
I could have sworn I seen a big blue
    gaseous cloud ascending
Heading up toward the ceiling
Like a great Cloud of Unknowing
    except with a bit more foreboding
Reminded me of William Wordsworth
    & his lonely cloud a-wandering
But then I thought, did Wordsworth,
    Shelley or Keats ever write
An Ode to His **** ?
Was it too dark a side to show, too
    dark a place to go
The Dark Side of the Back Side
The Dark Side... of the Moon.

Pepe! Pepe Le Pew, that old Don Juan,
    Casanova of the old cartoons
It was then, my Love, it was then I
    thought of you
I smiled and said to myself"I know
    what I'll do
I'll blow out another sweet blue
    raspberry one just for you....
Oh yea!....that one was lovely, that one
    was true
I think that one had your name
    written on it
O!  I do".

And now as Pepe might say " Adieu! adieu!.....Sweet, sweet Adieu! ".

                       Ende
This is really lowering the tone. 'Bout time I wrote a real stinker, this one stonks to high heavens, it probably won't go into the stratosphere but it'll certainly go into the Ozone layer By the way the "Moon' bit, to moon someone as a verb means to show your bottom to them. Also Apologies to Beethoven, man was a genius apparently.  - By the way, Does my *** look big in this???
Edna Sweetlove Aug 2015
Another enchanting "Barry Hodges Memory" poem for you all!

O glorious Art Deco edifice, tucked away behind the 'Dilly!
In your near century of hospitality, how many millions of visitors
Must have thronged your rooms, meeting, greeting, eating, sleeping
And (need I specify the obvious?) ******* away the fleeting hours?
How sad it is to think that the dear Regent Palace has fallen victim
To the money-grabbing developers' philistine wrecking *****.

Rumour came to me in the Seventies that the ground floor cocktail bar
Had gained a somewhat , shall we say, *louche
reputation,
Being frequented by ladies of the night and part-time gigolos;
And that the hustle and bustle of the reception area meant that
Staff would hardly notice if guests invited a newly made friend upstairs
For some horizontal entertainment, be it on a cash or ex gratia basis.

Several evenings, perhaps after a night at the theatre, I paid a brief visit
To the dimly lit bar, with its sophisticated black pianist tinkling out a tune
In the very best Casablanca tradition, perhaps even crooning a little ditty.
One summer night I recall I dropped in, probably post-prandially
More in hope than serious expectation, ordered an over-priced G&T;
And settled down to assess the odds on some casual leg-over action.

Much to my surprise I was soon joined by a large middle-aged blonde
(to a naive young chappie, any woman over 35 is no spring chicken);
She was Icelandic and big with it in the mammary department,
But not fat I hasten to add, just sturdy, like a splendid Wagnerian Valkyrie;
Yea, I knew she was gagging for it when she confided that, only last week,
She had shared l'amour with a young stranger in the Wienerwald al fresco.

I cannot recall much of our no doubt fascinating intellectual conversation
And I certainly can't remember her name, but I do know I readily acquiesced
To her generous invitation to participate in a glug of her duty free allowance
Within the intimate privacy of her spartan little bedroom on the seventh floor.
Delightfully, to my mild pleasure, our upwards journey in the crowded lift
Enticed her to caress my eager testicles in a heart-warmingly experienced way.

Over a malt whisky and, following an extended exchange of warm saliva,
We ended up stark ******* naked in the rather narrow single bed;
Sadly, my recollections of our coupling have gone the way of all flesh
(but my well-preserved diary for that year notes I gave her the works thrice)
And I do vividly remember wondering what time the Underground started
on Sunday mornings as I was no longer enamoured of her tobacco breath.

Now, dear reader, we come to the ****** of my night of Nordic nookie:
Just as the dawn's early light was filtering through the ill-fitting curtains,
My partner in lust informed me that she desperately needed a squirt
(I fear I omitted to mention that the RPH didn't run to en suite facilities)
And that, rather than struggle down the corridor to the communal bogs,
She intended to void her bloated bladder in the waiting washbasin.

She enjoined me to be a gentleman and to refrain from watching her
As she performed her toilette and I assured her, with a covert smile,
That I would not breach her urinary modesty. Thus I slyly observed her
Waltz over to the window and, with the assistance of a handy little chair,
Hoist her ample buttocks up on the basin and let fly her steaming ****;
O, what a romantic sound it made as it splashed onto the porcelain!

As I lay there, entranced by the sight of my piddling blonde Brünnhilde,
An unexpected sound intruded over the splatter of her seething waters:
O Jesu! Suddenly, in the veritable twinkling of an eye, the basin's supports,
Unequal to the unscheduled weight of the female Goliath squatting thereon,
Gave way and what's-her-name fell to the economically carpeted floor,
Screaming in fear, spread-eagled in ****-drenched shattered chinaware.

To say I was beside myself with mirth would be an understatement but,
Gentlemanly as always, I managed to pass off my gargled giggles
As evidence of gallant concern. As soon as common decency permitted,
I made my excuses and left the disconcerted dear to tidy up a bit.
But I will confess to emitting a huge howl of uncontrolled laughter
As I raced off to the nearest toilet (I too was bursting for a huge slash).
Joseph Bazalgette knew
about things people did,
like pooh
and to that very end
he built the great sewer
which apart from moving the pooh also
alleviated London from the stink
of the rich as well as the poor.

On the engineers seat
in the House on Greek street
he drew up his plans to
do away with bed pans as he
laboured alone in the night.

Thomas Crapper came to fame and
hardly because of his laughable name,
but his name became his fortune
and in the music halls of London town
people were soon to put a penny down
to spend a penny in the lavvy,
a savvy lad was Tom.

And they made old Joe a knight
for
funneling waste out of Londoner's sight,
they even had street lights that ran on
the gas
that floated down tunnels through
which the
waste had to pass
on its way to the sea.

It was a jolly good show
and a spiffing great plan
carried out quite imaginatively,
I can imagine the man
and his men way back then were
flushed to be
a part of
London's
lavatory
story.
A bit of fun, bang goes my CBE.
Anthony Williams Jul 2014
After a lot to negotiate
toing and froing
you exchanged your teeny heart
for my bag of 18-something stones

I carried it home in a hurry
much lighter than I expected
for what looked like a big cherry
it was shaking when I checked it
I worried at its odd little quivering
a bit timid and nervy
like a leaf blown from its tree
but happy to have a new owner in me

I nestled it carefully
in my mother's best white sheets
but was scared to see
it start to bleed quite a bit
not that it might die
but about what my mother would say
about the red in the laundry
and what she might tell her mother
if she got it back needing a doctor

I decided to pat it
with a towel to keep it dry
no even better
shower it each day
keep it a bit moist
sprinkle it with Eau de Toilette
every morning blow it a kiss
like having a sweet pet
to greet after I shave
I wanted to rub my hands with glee
but it needed treating with kid gloves
and exercised in carefree handling

but first I had to squeeze it
not hard in case it burst
just in the middle bit
around its plumped up waist
it felt soft and squidgy
and beat quite quickly
not like my stones

I wrapped it up in a cooler
using styrofoam
aluminium foil
and a brown paper bag...

Styrofoam is a good insulator
and will keep the love from oozing out
the aluminium foil is a heat reflector
and the paper bag  I am not sure about
but grocery stores offer them
to put your ice cream in
so it doesn't melt as fast

I had a meal of cheese on toast
then returned to check my box
your heart was not there to be seen
isolated in polystyrene
O dear I wished I'd cut a window
giving it room to see it grow

but then I spied you in the garden
painting stones to a wondrous glow
so lovely I traded back my carton
and your heart lit up inside for me
by Anthony Williams
Bajo el encanto sombrío
De la tarde de tormenta
Hay trazos de luz violenta
En la amatista del río.
Y siento la tentación
De hundir mi cuerpo en la oscura
Agua quieta que fulgura
Bajo el cielo de crespón.

Intensa coquetería
Del contraste con la onda
Que hará mi carne más blonda
Entre su gasa sombría.
Rara y divina toalé
Que en la penumbra amatista
Dará una gracia imprevista
A mi cuerpo rosa-té.

Ninguna tela más bella
En su pliegue ha de envolverme.
¡Nunca tornarás a verme
Con tal blancura de estrella!
Jamás caprichoso azar
Ha dado, a ninguna amante,
Un lecho más fulgurante
Bajo el amado mirar.

Deja que el río me vista
Con sus largos pliegues lilas,
Y guarda en tus dos pupilas,
Junto al fondo de amatista,
      La visión loca y suprema
      De mi cuerpo embellecido
      Por el oscuro vestido
      Y la sombría diadema.

— The End —