Submit your work, meet writers and drop the ads. Become a member
Ralph E Peck Dec 2013
Simone was among the smallest of the small, a flutist of the smallest size,
Who carried herself well, and seemed to be taller than she was, at least in her mind,
Making her among the tallest, among those who could strut their stuff across the marching field.
She was proud, even on these practice days, when the dew of morning would
Make the practice areas so wet, and make her roll her pants up to just below her knees,
And her shoes would be soaked before it was over, and her heart would melt
Inside the flute, so big it seemed, compared to her hundred pounds.

Simone left little to chance, her eyes were forward, yet they moved quickly
From side to side, always checking her position on the field, and her
Position among those with her, and her position in what she perceived to be
The best among them.

One, two, three, four, five, six.  Repeat. One, two, three, four, five, six.  Six to five
They marched, long strident steps for the five foot of her, almost as if she was
Carrying the length of the world upon her shoulders. Her back was straight, her head
High up, toward the southern sky that held not a cloud, and the footsteps of those
Around her, the Flutist, till the turn, then the French horns crossing her path,
And she listened for the cue among them, and realized they carried their instrument
But there was nothing to be heard, as their mouths looked as though they played
Yet only the mouth pieces knew, it was but a scam of time.

She was wrapped in the image, that being here, on this field of one hundred twenty,
There was a leader, if you thought of it, too lead them in their playing,
But the real leader was her, briskly marching; head up, down the field, and hearing
The slides of the trombones, bam bammer, bam bam, up and down, as they never looked,
But kept time, her flute so bright and cheery, and so lost in the mornings lift.
One, two, three, four, five, six.  Six steps to five, six steps to five, six steps to five.  
Other bands, no all bands, marched eight to five, which would seems so much more
Comfortable to march, smaller steps, smaller people, across the field so major in its size
But her band, marched six steps to five, making for cleaner, tighter lines.

Ta da, daaa da, tee dee daa dumple deed ah daa, the trumpets and cornets rang out, loud
And seemingly obnoxious, in their tee dahs and tee daaaas, making for a crashing sound
Of thuno didity thump thump as the drummers passed, all music ringing loose from her head,
And the crashing sound of the drum, and the Thump, Thump, Thump, Thump of the bass,
Keeping time, keeping rhythm, of the John Phillips Sousa march across the field.
Her feet kept time, her flute braced up to her lips, her breath pouring forth,
Blending in perfect time, to make the most pleasant noise, her breath taken in, and her breath out
She flowed with the drums, the trombones, the trumpets, and heard the bass attempts
To play of the baritones, God’s most beautiful instrument, and the caterwauling
Of the clarinets, tooting and playing and attempting to play, some brand of music,
Some portion of a song that must have been heard long ago, that seemed to have
Nothing at all in common with the song at hand, but each looking down to trace
Their finger patterns, to hear the music as it played.

Simone’s flute, for all it was worth in her small tiny hands, in her small tiny arms,
Across this major large field, with these bodies next to hers, with the blats and sickles,
The very intent of each one to make its noise across at one another, seemed
To be a cacophony of sound, a completeness of nothing, and mess of a wreck of instruments.

Then there was the noise.   A complete and un-fractured belt of wonderful musical sound
As it marched toward her, as it seemed to assault, but to pay compliments to her,
As it seemed to worship the very wet, damp ground, upon which she walked, she felt something
In her body, a stirring, a feeling, her stomach turning in a good way, as her eyes lifted
She saw him, marching, One, Two, Three, Four, Five, Six times across the field,
One step was starting on the yard line, the last touching the yard line, five yards later.

The sousaphone.  This mass of brass, wrapped three times at the valves, turned
Around his neck, ending in a massive, shiny, bell of a horn, bigger around than her body
Bigger than a freight train coming down the track at her, she saw him.  Felt him.
Could feel the cool timber of his breath and voice and song, played so well upon
That instrument.  He was over six feet tall, no six feet six, and that horn, dear god,
Was two feet and several inches across the bell, putting him eight feet tall,
Compared to her five feet, and her fragile weight, and the mass before her.  That sounded,
So beautiful.  So real, such a part of it all, its tone, its timber, its reality was there and Anthony,
Playing it with intensity, playing it so strong, its notes almost removing her light little
Shoes from the field.  She thought she could float, she thought for a moment, that she
Had died and was no longer walking, but floating across the field.

Boom. Boom. Boom. Down. The. Scale. Up. The. Scale. Boom. Boom. Boom. Anthony played the music,
And marched, keeping time, and handling the music well……and he heard her soft little notes
This miniature toy before him, this small flutist playing her trills, her melody, her principle
Piece so well, so that it sneaked in and captured his heart in a moment, his breath short,
His feeling of being the only person in the band, suddenly expanded to two, took him hard.

And they played their music, their parts, and the rest of the band tried to keep up.
Robert C Howard Jul 2016
" It ought to be solemnized with Pomp and Parade, with Shews,
            Games, Sports, Guns, Bells, Bonfires and  
                Illuminations from one End of this Continent
                      to the other from this Time forward forever more.”
      John Adams – July 3, 1776.

Webster Groves - 2016

The Townhall fountain dances
cheerily in the morning sun.
The red-white-blue shirted crowd
rises as one for the colors.
Laughing children scramble for
tootsie rolls and sweet tarts
tossed by a strolling  clown.

         Philadelphia, July 3, 1776

        Carriages sped toward Philadelphia
        where resolute patriots
        would turn the pages of history
        and tell an unsuspecting world
        that a new nation had given birth to itself.


Sousa strains peal from the marching Statesmen,
Girl Scouts guide their well-groomed mounts -
hooves echoing through concrete caverns.
Vintage firetrucks and autos
sound their horns and sirens
as candidates work the crowd, pressing the flesh.

        Each crass insult from the British crown
        had tightened the noose on the colonial neck.
        The middle ground was soaked with patriot blood
        and revolution was the only course left.


Barbecue clouds drift over Pat and Lee’s farm
Horseshoes spin and clang and frisbees fly.
A ***-luck feast with beans and franks
interrupts the pop and glare of bottle rockets.

        One by one, each patriot quilled the parchment
        resolved to endure the costs of liberty -
        knowing to the marrow that defeat
        would spell certain ******* and death.


We reach the lakeshore at dusk -
unfolding chairs - spreading out blankets -
strains of Americana drift over the lake.
then a pyro-technic extravaganza
blazes across the summer sky.  

        Washingon’s tattered and bloodied men
        cornered Cornwallis at Yorktown.
        Then surrender - all British claims
        to American soil banished to the tomes of history.


The grand finale pummels the darkened sky
raising cheers and whistles from the crowd
Toddlers collapse in parental arms,
car doors slam, engines ignite
and head-lighted caravans, turn for home,
spiraling off in every compass degree.

“Happy birthday,” America and endless happy returns
"from this time forward forever more!”  

Robert Charles Howard
Obadiah Grey  Sep 2010
"- Jimi -"
Obadiah Grey Sep 2010
Pixie dust sprung from Jimi's eyes
   as he rolled in microdot dreams,
            purple phased out blades of grass
            waved - then heaven screamed ,
                                    We watched smart pebbles line the beach
                          marching to a psychedelic Sousa band
                        we know must be playing somewhere,--
          discarded notes strewn in the sand.
               The pea stones kept amazing time
          clicking piezoelectric sound
                   counting out the midnight sun
                  as darkness shone around.
                                So who has seen the sun at midnight?
               shining darkly, shadow rays,
         playing hooky with the pixies
as the rest just stood n gazed,
                            The thief he stole our conscience our ego
                                and our self, left us singin Dylan songs
                         whose lyrics were his wealth!
                                       The joker saw the sun go down,
                                   a shimmering silhouette, whilst
                        the thief atop his watchtowe
lit a final cigarette.
                  He has seen the sun at midnight
       shining darkly,, shadow rays,
         dancing  through the dark
                                delights of a ruptured world sunset.

B Z; AN
Robert Zanfad Apr 2010
Does magic pixie dust spring from Jimi's eyes
as we roll in microdot dreams,
shades lost,
counting blades of grass
as they wave to us
when heaven sighs
watching smart pebbles line
in formation like magic
marching to a psychedelic Sousa band
we can't quite hear
but know must be playing somewhere
'cause they, the pea stones,
keep amazing time -
'till meanness finds us on the ground
afraid the Sun has grown too hot
though we know it would not
play at night.
lmnsinner Jul 2017
he arrives around 10:30am,
after the morning rushers
and multiple malingerers
have surrendered to the orange clocker's
rocket red glare stare,
that little dictator of time that
rules lands far and wide,
well before the hoped for lunch crush,
every restauranteur's faraway *******

most days, to the last counter stool,
he beelines,
the least desirable seat in all of diner-land,
adjacent to the noise of kitchen,
and its higher risk perilous,
two way swinging door "entera-ance,"
a residence to be avoided most studiously
though hardly a corner to go unnoticed,
by virtue of its iffy existence,
unless one likes the increased chance of
being a victim of a crashing accident

Mr. Condiment Man
goes in and out,
silently unremarked
in our land of spacious skies
and amber waves of plastic

customarily any "regular" is
happily accorded a
rousing Sousa welcome,
but that mistake now twice made,
a historical hurry up-to-be-please-be-forgotten incident,
the Condiment Man's invisibility
second only to the
Famous Cinema Actors
seeking breakfast
amidst the common people

no words are passed,
no pleasantries are planted,
the rule of incommunicado silence,
for both sides now,
most happily observed,
like a UN peacekeeping boundary

quick appears Cream of Tomato soup
accompanied by  ever multiplying handfuls
of packages of Nabisco crackered packets,
with a ketchup Heinz handy

a soupçon of five iodized salt shakes
into the soup interred,
released from the prototypical
stainless topped, glass shaker
whose universality of usage seems to be
a Federal law o' the land

the meal in silence arrived,
silently but oh-so-slowly-consumed,
it's extenuating circumstances
lengthily enhanced by intermittent deliveries
of additional cracking crackers,
and an unrequited, unacknowledged,
"topping off" soup refillament

this one act play presented daily,
with a free tall glass of water in red plastic
also refillable,
as needed
a play with no official ending,
no white topped, green lined,
ripped from the ubiquitous diner pad,
scribbled, billing ever presented

but the loose change precisely,
scrupulously counted then
upon the counter left,
materializes by the hands
of the Condiment Man,
which is sourced from pockets various,
in places where no pocket belongs

you can set you watch by his timed departure
at five minutes of Twelve,
he is no longer,
the play thus ended,
the audience to feet leaps
relieved and appreciative
of the quiet man's drama
and his most excellent
silent soliloquy

some strange human need satisfied,
sated, and pleased
for all parties concerned,
when the New York Times
revealed that this condo man
left a 50 million dollar estate
to Meals-on-Wheels,
here was no shocked groaning,
only some perfunctory observing
that frugality had a place,
and that this fantastick show,
now closed, would be
sorely missed,
for it had become a condiment itself
in the lives of so many
March 2017
Trevor Blevins Feb 2016
They say that Angels play the harp,
But I'm coming to realize
That's allegorical *******.

The harp, such beautiful tone color,
(Tied to purity and innocence)
Yet have the Angels no say in the matter?

I've met hundreds of angels shrouded in cacophony.

I'm coming to realize none play the ******* harp,

Each angel marching to their own John Sousa or Joe Strummer, none alike.

Let's throw out the fascist visions of angels and know only that they are strong, and they are numerous...

They may not love you nor serve your God,

But they exist all around you,

And I implore you to know that these are your muses, your goddesses, spirits of all shapes—

Do not reduce them to harp players.
ogdiddynash Apr 2017
Mr. Condiment Man

he arrives around 10:30am,
after the morning rushers and multiple malingerers
have surrendered to the clocker's red glare stare,
the little dictator of time that rules lands far and wide,
and the lunch crush is but a restauranteur's faraway dream

most days, to the last counter stool, he beelines,
the most least desirable seat in all of diner-land,
adjacent to the noise of kitchen,
and its associated higher risks perilous,
a two way swinging door "entera-ance,"
a residency to be avoided most studiously

though hardly a corner for one to go unnoticed,
by virtue of its iffy existence,
unless one likes the increased chance of
being a  victim of a crashing accident,
Mr. Condiment Man goes in and out, silently unremarked
but very noticed

in our land of spacious skies and amber waves of plastic,
customarily any "regular" is happily accorded a
rousing Sousa welcome, but that mistake now twice made,
is a historical hurry up-to-be-please-be-forgotten incident,
and the Condiment Man's cloaking invisibility second only to the
NYC's Famous Actors seeking breakfast amidst the common people

no words are passed, no pleasantries are planted,
the rule of incommunicado silence, for both sides now,
most happily observed, like a UN peacekeeping boundary

quick appears Cream of Tomato soup accompanied by
ever multiplying handfuls of packages of Nabisco
crackered packets, freshly fracked, with a ketchup Heinz handy,
a soupçon of five iodized salt shakes in the soup then interred,
salt released from the prototypical glass shaker whose universality usage seems to be a Federal law o' the land

the meal in silence arrives,
silently but oh-so-slowly-consumed,
it's extenuating circumstances lengthily enhanced by intermittent deliveries of additional cracking crackers,
and an occasional lip smacking,
and an unrequited unrequested unremarked
  "topping off" soup refillament,
this one act play presented daily
with a free tall glass of water in red plastic also refillable,
as needed

a play with no official ending,
no white topped, green lined, ripped from the ubiquitous diner pad, scribbled, billing ever presented,
but the loose change precisely, scrupulously counted then
upon the counter left, materializes by the hands
of the unacclaimed Mr.  Condiment Man,
which he sources from pockets various
in places where no pocket rightfully  belongs

you can set you watch by his timed departure
at five minutes of Twelve, he is no longer,
the play thus ended, the audience to feet leaps,
relieved and appreciative of the quiet man's drama
and his most excellent silent soliloquy

some strange human need satisfied and pleased
for all parties concerned, when the New York Times
revealed that this C.C. man left a 50 million dollar estate donated
to Meals-on-Wheels,
a fortune amassed by speculation in
condo's (ha!),

there was no shocked groaning,
only some perfunctory observing that frugality has its place,
and that this fantastick show, now closed, would be
sorely missed, for it had become a
condiment itself
a spice in the lives of so many


~
O.G.D.N.
Ken Pepiton Mar 2023
This has a photo of a California Black Lizard
official name, sunning on a rock, but that's
in the modern novel medium, blog form.
mmmmaybe, baby, we do
grow old, past sixty-four and even more,
unbridled tongues, held silent, lo' monks,

listen, quiet, now, then, to now, then to when
listen to the Osprey fly over our valley to Yuma,

to the Chocolate Mountains, beyond the river,
the only river, running down the great crevice,
due to erosion from John Bunyan's Pauline ax,

a rift right across the heart of the land,
opened up the first Bright Angel Trail,
for there was no other way across the canyon.

And we had people, before, on that other side,

that happened, all around the globe, that hap,
the earth was struck, and struck another,
time and lost all its religion,
it was announct, we all sang along,
and some force pushed the edge of the sun,
in a single most malignant EMP burst relig-i-used
to beat al bound synenergy rationally, as knowledge
and life, root and branch, time and chance missed call
first shall be last, roll on, roll on down time orchard

lessons learned in lines of trees, you can imagine,
while alone, just be used to being in the sense we yoosta
call peace, or bliss, blah good blah, being right inside.
- breathing easy, not sleepy, no place to be.
When outside is just too hot or too cold.

Chaos reigns for days, and weeks and years, and
we can imagine, my kind, human kind, earth stock one.

We the deme, the interbreeding productive kind,
we who beat the dis-easing raging fever from eating
foul putrid rotting corpses, as would dogs, any dogs,
naturally,
we have such knowledge, said to be wild boys,
raised by wolves or Comanches… Grandma,
she did not know her people,
but she knew her place,
and made it perfect,
just right, she and her little dog, and relics
from a life that matched Saul Bellow's on earth,
though she was never widely read, she did leave
a greater legacy in terms of proper child minding.

Yep, minding is mighty
otherwise than rearin' n'raisin' hardgeenevahnegated
she said it, and she served such chicken at the
same table where we all ate, we was sorta colored
because my grandaddy fixed cars for folks mr leon
the jew who owned the Loma Vista in the Green Book,
befriended on collect calls, and sent Pop Boyett, said he
t' tow ya in, he'll send his boy Jim,
'be there drectly, jest don't fret none.
sit tight. Sundowns a ways yet.

yeah, I am white proud that my grand daddy was friends,
with ******* and injuns and jews, his customer's
including Charlie Lum, Mary's daddy, who used grandpa's

knack with stunted fruit trees, to bring peace and calm
into the environment, with a quarter acre lot back yard.

Living earth is in me, I ate my first mud pie, and liked
the laugh it got from whoever washed my mouth out.

I watched an uncle get his washed with soap, thus
learning how loudly to utter curses when being proven
beguiled by a will so sharp and thorny, nothing sweet
shall ever stick,
honey chile, tar baby, chocolate kisses, all a mud pie
made me remember, at a whim, in my dementing whiling
away

nothing needed doing more than not dragging grease
from the shop, past Grandma's back porch,
where the squeezed water tub always was soapy
enough to expose a little boy to sudden stripping
and brush scrubbing,

while she laughed,
and made them all laugh, as long as that junk yard
was apayin' the electric/


-- Coming in from a tinctured cuppaKuerig
Settled mind alligning old stitches in a tapestry,
not much sense can be made of Bayeux resolution

stitched in time to serve in tutorial classes
open to the masses, for your undivided attention

in silence, for the space of about a half an hour there.

Columbian, it says on the plastic waste,
mea culpa, mea maxima,
we suffer such silly easy living made much too easy,
I light the bowl with a focused rim jet quartering,
too easy to use the flower, to ask smoke a favor,

as to result
in a bounce back,
as the elanvital of my mountain pushes west winds
back into themselves
to form the ribs
of huge cloud forms that reform so
true to pattern proof, exhalent
of this wind
reflection off the ridges we live on,
vitalized by a DNA centric view
of stress or pressure, squeezing bests
from times as worst as worsts were then,

Vital tipping point that lets a spirit slip into the story.

Structure and content cata and ana, as we leave
that which our fruits produce, a cache of all we be

come and see, I said, okeh.
Proof by Synthesis/ Venter link, blink
-Craig Venter… GI imagine, we all can Google It,
in another window,
and find it not mystical in terms of who imagined this.
You realize whoever it was, it is yet done
dramatically as next years
stories, lightsped mind gluons
from last years tragedy we all can find,
sympathy puddles, lost allusions
to chances being once this line
was written
for no single pair of eyes, not mine, ours,
de-cartooned Madiera wine revival fly,
wise minding times retwining U to I,
leading down old fissures where
suddenlies occurred and we all recall, as if
some things in life after television are with us
-to this instant and
until we die, and leave our mystery religion lying ever after.
Twinkling a little,
winking
done did done, artificial art intuited involuntarily

Accidents, where by we live, U rhea re minding us,
there is something wishing to use us, as yousta be,
- so fine
thank you for your service, Turing and Von Neuman
The general and logical theory of automata…

"much less well understood" loop the tape,
loop it once,
and again, become the digital life Wolfram made,
flat land as real as Wildersmith ever projected it

Up against the wall, we pass through it all
and so on and so forth,
fighting phrases to fit the codescript initial intention,

in the immature tabernacle state,
a thousand atoms should be plenty,

make life from that, and all the scattered dust
of heavy metal stars that burned too fast
to eat up all the lithium.
- this is the bottom
A funda-lowest level, fundamental, puts us sensing
tips of our own tail, verily modeling
Ouroboros
in the womb as drawn to our imaginations with
Look Whose Talking Now! WOW
Haeckel and Jeckle, and L. Ron-ron didoo ronrun
Dianetics really gave Travolta therapist recollections
needed to over come the scorn
spewn on Urban Cowboy,
outside Texas and New York City.

We can tame the bucking machine, with no pistil.
No bull, boys and girls, we made sugar in Trinidad,
using the pistil of a bull to instill the will to learn
to live,
and let it be known, life abhors evil, it fails to hate,
that which has no use and piles as potential piles
of all we knew we needed to encode to become
XML, then the shifting database schema, Dinesh
D'Sousa, the metadata scraper with an MIT MBA.
Not the pundit.
He fed me this character trait, mind in order,
meets older orderly mind in mortal chaos, coping.

Feel his way past the message messenger collision,
caused in no insignificant way by poetry, and poets,
enthralled with taming textual dragons, lizard brain,

quick wits
to wot not with, per haps, haps as chance are us,
being lucky because we feel lucky,

monstors speak often one with another,
see the bull lizards crawl all over each other.

Smell that, mofa, smellmemo nofa fame fa fa fa me
lizard pheremone, so subtle after while.

Layin' out on the terrace, up above some granite
splashes from the wave that left the coastal range,

rising up from here, see it there, on googled earth,
take away the clouds and spin that globe,
like you are one of those named winds,
names you heard they called the wind; Mariah, and
Santa'na; Chinook and Roclydon and twisters
too many to name. Bringing dust to the Amazon,
to feed the hungry jungle, woken at the touch of waste
being made to feed once needless services, after,
the great lizard brains lost their minds in one fell swoop,
so they say,
they who strike the suckers, just below the root,
fine staffs are made from suckers broken off before blossom.

Orchard watches, as a young man, planless, saved, for sure,
but no assignment save this so-called fight of faith, for sure,

some people can be fed the kind of meat that forms soldiers,
from any man worth his salt, which, if it were ever a sin to gather
salt, say from the sides of the roads, where there's a plenty this spring,
why then I would think the concept of sin had passed its use by.
why,
I'd get the old pickup runnin' and take a flat blade shovel,
or, what was I thinkin'
not a type scooper, but a flat, scale-scraper shovel, there you go,
use a phrase arranger allowing such metaphors that morph to any tool.

Fluidbots in The Abyss, look it sees you seeing it, so what, was that new
when Nietzsche notict, tskt,
I trow not. But if it was then, it is not now, and that leaves me room
to say Freud imagined he knew things and his followers do as well.

Sometimes a cigar is a prop.
A stiff staff to lean on in a manifested dream interpreting schema
for ancient meta data shuffling,
the whole of all we know so far right now,
this being in which words act as though we know, we
at machine level code, being the internet, being a node, a nerve,
in the ever of ever since every thing, the whole truth thought impossible
but, to not imagine, thinking it at once,

it must be possible to tell, or why, in hell, aha, instant answer,

this is not hell, because if it was, I could not tell you the truth,
as Paul bore witness All Cretans are liars, I tell you the truth.

I bet my life, against any one of many, each experience as fable forms from,

those hang as moss in swampy tidal deltas, where rivers do not branch,
but open wide, another spring time in the Rockies, reaches all the way
to Burro Creek, down through all the Diablo Canyons in bad lands,
at the edges of the last great tsumamis that our satellitia see through centuries
and eons to when there was no thing made by man that could show him,
the Nazca Lines and our Blythe Intaglios.

In the world of artists at work, function descriptive sign making symbol
we agree, we be
come and see, sit beside our tiny fire, see, we have no words to say,
so we some times whistle and sound so much like a bird, a jay,
some one out there laughs he is my brother so he whistles better,

then every body laughs and shout PA PA PA papapapapapapa yah, way
cool, pa looks at his old walkabout friend,
he nods,
we grin, and go, well, when why was just a guest at our station,
in the core script lost,
left in the back of a black volkswagon,
who gave this boy a ride, from Santa Barbara, that strip,
I never paid enough mind to what they call it,
but it was lined with hitchhikers, they gave them rides,
and he was one of those who took PCH up and down,
a few times, spring of 1970, eventually, I imagine,
I would have been invited
to learn
at Esalen, what I could imagine doing about it.
The big? mark of the beast, the very knowledge forvidding one.

Cognosis infections sets in, but you know Jesus never sneezed,
and hees heest atuitionally
assumet' be wiping your excretions from your beard.

In the spirit, no offence, only words, no gestures, ups or downs,
rounds and rounds, teetering palms, tilting eyes, furled brow,
world class rime crimes tearing whole realities' religited ties, bows gnosis
knot release,
tricky three pole knot…

Magic, once, a few who knew, easily seemed so, read Twain,
and imagine your own, in dementia, joining other intentionally scattered
brains
informing conformist patterns that make our laughing echo
as medicine from men listening to grand fathers and uncles whistling
and laughing and little sister joining in, so grandma's sister does so, too,

woo hoo pretty soon its allusfools fullfilled dancing in the dark
where we can still feel the fire.

As a s aside, for science sake, I have reached a stage,
an effect in on or to or any of the hundred and fifty
or so pre
positions things can be, and become, formative,
logos, logical sense of saying something seems so,
if you have been at this stage, and wondered

what is it worth to say it is no secret and never was,
I use cannabis, and I read and write and function

as any writer in the days of Post and Colliers, n'such
had to believe was possible,

to create the creatures we see on television,
those were dime a dozen underground reds,
feeding fertlizer to minds subknowingly with science,
hidden persuaders, falsely called so, they were inyaface!

Fool, he follow the old weigh where heavy mean good,
real good, get down, to the ground feel the weight o'
oh momma did you know,
oh momma when did you start to show,

could you have let me be nothing but a bad draw, you
nevahnevahnevah gonna know now, but momma,

mam, where all good mommas gone, go on, you done,
you brought a heel into the world,
yes, ma'am.
a real snake stomping, preacher, kinda man, selling
salve, to soothe the transition, come the kingdom

due any day. What price you pay, what task you prefer
performance mandatory, in any sucha story
as this very one intends to be,
at a rate, cuneiform forming lets, say that,
this way
in an other time, one symbol to the thumbprint,
one per inch,
10 wpm during upload to ever from now.
Used just yoosta be we were tools.
"a used key is ever bright."
Images holding minimum 1000 words abound at Kenpepiton.com
DOWN MEMORY LANE

Let's go back a little n become lil college gals once again;

Let's go back in time, for a minutes few, to 1971, when it all began.

Pearl n me meeting Badri Prasad in the lift; n his becoming our friend

Our meeting Nisha (not Neesha) n how she to the Nsg. College did land.

Mabel's attack of asthama, rushing her to Nair, that's how our friendship did start

With France n Veera, remaining as Mrs Sigamany's giddy goats we did; till we finally did part

Pearl once even became Dr. D'sousa's daughter by saying "present Daddy", was real fun

Bunking English classes n going to the canteen, by us, was frequently done.

Cherish I, those detours to K. Rustoms, for "1 Pista sandwich n 2 same things"

My darling Af lovingly taking us like a mother hen, under her wings

Oh! Endless memories, soooo very many, fun filled ones, fill my mind n heart

Of my very being, now they are an integral, important, inseparable part.

Armin Dutia Motashaw

— The End —