I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei

i write for an injection of a venom, for a sense of disorientation, poetry shouldn't be about the skill of narration, a clear Renaissance painting of some school, it should invoke a ******* random macabre, a sense of disorientation, there's no real technique to practice with poetry invoking a tarantula's venomous bite... poetry the art of disorientation and a fulfilling disillusionment, nothing else, nothing more... to prescribe disorientation... upon charging into a blank page... the brute of squalor and slashing of grime, marbles and marrow!*

as quoted by Bonaparte (oddly enough
a psychology student and former
girlfriend of mine who i lost my virginity
to, while she got drunk and slid into my
bed at a party, and asked dreamily for condoms
scolding me about the three pictures adorning
my student room: marquis de sade, Bonaparte
and Plato) - quicker the goat in the frying
pan than on the steep cliff face - mooch kiss
you Isabella i would a second time,
you remind me of Annie from Masterchef -
the way the stiff upper-lip is missing: signature of
french girls, the curling and cuddles -
ooh mooch chuckles and mushy peas -
p p p - belinda carlisle melted cheese goo in my heart;
stony ******* i ain't, but my drinking habits
are not boyfriend material, sorry... try next door:
se vie se la - the french know their eccentricities,
and therefore exploit them in the grey -
the english stiffen up and exploit the same
but to a too obvious exploit: bowler hats and umbrellas,
nothing will make this London gloom repent
even if you're donning St. Petersburg's architectural
multi-colour... did i mention Bonaparte the patron
saint of the Duchy of Warsaw?
over here there's Adolf with a heretics hat
never bothering to read history twice,
history you read in a blurry haze of being drunk:
reminiscence is hardly nostalgia, but sure as ****
history save Moscow from the French and the Germans
but not the Poles and Mongolians...
the Russians know this and hush thing over,
sweeping stories under the carpets using
a babushka as an excuse for the prime propaganda
technique - go on babushka ride the Ferrari
on the stairway! canapé mit crayon caviar?
yes, Isabella, if i weren't a ****** i'd move to
Grenoble - sheriff's honour.
                                                  you weren't
the first, you weren't the last,
i need bragging rights - and a hot colt to shoot with...
then the lacrosse initiation ceremony -
Lycra tights, drank a whole bottle of whiskey
of Glaswegian whiskey, stumbled into
Isabella to my shame parade of whatever that was
lad banter etc etc. - pleaded on my knees, my knees...
apologies for the inexperience,
she was seriously into Japanese cartoons,
studio Ghibli;
                          so she scolded me over Bonaparte,
and i said: it's not exactly Piłsudski - in my town of
birth they praised him, raised statues,
later with communism desecrated them, then later
raised new statues - but what's bothersome is that
she didn't mind the Marquis... a psychology student
after all... she wanted native speakers for a little
psychology experiment, that got me,
learning from scratch aged 8,
pitch-perfect elocution and she didn't bother to use me
in the experiment... that ****** with me...
hey! i'm hardly a cockney! coached croquet pears
ready for a beating... what's the rhyme, ah yes:
apples and pears = stairs... seriously, musically
cheese sometimes works, they had a Monday cheese
night at the union - all the usual buggery of
a mid-life crisis...
yeps, that Annie from the current Master Chef reminds me
of Isabella - dracul - RA!
a bit of high culture (Ezra's cantos) and a bit of low
culture (marco bailey's Enter the Dragon)...
while sitting on the throne of thrones (a toilet)...
it's like my dream... although better... Ibiza two-point-oh.

Isabella stood alone outside.
She was in the garden chasing snow.
Her nose felt the chill, her fingertips too.
The tips of her beautiful delicate toes, were fast becoming blue.

In the corner under the trees, she'd made a snowman.
She swore she heard him sneeze.
He wore a lovely tartan hat, a purple scarf, a pair of soggy bright red gloves.
She thought, perhaps he needed a lady friend.
Next to him on his right hand side, she created a very chilled girlfriend, made from fairy snow.
She built a buxom snow mamma, with a plastic gem in the middle to play the role of mamma's nose.
Isabella found an old Alice band and popped it round her soggy head.
Between the three of them they discussed having an infant, a snow child of their own.
All three of them got ready to discuss the coming child.
Isabella started building snow person number three.
A pretty little snow girl, with strands of straw for yellow hair.
She wandered indoors and pinched some precious pebbles from real mama's plant ***.
Isabella gave her snow girl bright blue shiny eyes.
Mummy let the dog out, he ran around the garden.
So happy to be out and free, crash, bang, wallop.
Knocked Mr Snowman to his knees.
Isabella built him up again.
Mr and Mrs Snowman and their daughter were her friends.
She kissed them all.
Bade a goodnight, to one and all.
Isabella went indoors.
It was nearly time for bed.

The morning sun ripped through the blinds.
She looked outside to see her friends.
They'd gone.
Perhaps they ran away.
It was a little warmer today.
In the garden just a slushy puddle.
Wearing a tartan hat purple scarf and bright red gloves.
(C) Livvi

Silence ebbs
Down the street
By my side.

By my pride.

Shattered not
By the patter on
My umbrella,

Down Avenue Isabella.

And silence flows.

The crooked sidewalk
Grabs at my feet
And my pride snickers.

Silence breaks not
For your ambient
Bickers.

A door of wickers'
Make
On Avenue Isabella
Swings to regression

And silence flickers.

For whom
The bell tolls
My pride reprimands.

The dead need no
Gentle hands.

And on
Avenue Isabella
Porous souls are steeped
So deeply in
Their own pretension
To fill the lonely holes
That the bell tolls
To a harmonious roar
Of crowded silence.



Dead



Silence.

before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

"Here Made of Gone" for  Isabella Stewart Gardner
Lyrics By Randy Vera
Music By: Randy Vera and Anthony J. Resta  
http://bopnique.com/anthony-j-resta-and-randall-vera-finalists-john-lennon

LYRICS :
Vermeer, Rembrandt, Manet, Degas, from my three thousand year old Chinese KU, I toast you. 

Mrs. Jack, I am your Bronze Eagle. I cut the painting at the frame – thieves by any other name.

Mrs. Jack with handcuffs and *****, I overcame your walls. Your collection’s complete.
Titian's Europa still hangs. The mirror to my:

Piece de la resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert.
Here, made of gone. 

Mrs Jack, I’m your new William James. Through your kindness, you support me, in Dutch Room empty frames.
Like John Singer Sargent, I toil between your walls. I am Vermeer’s "corn flower blue," indescribable. 
The metaphysical: Known unknown!

St Patrick’s Day 1990, I’m in Boston in the Fenway. For my penance, I’ll go to Saint John’s, drop to my knees, and like you, scrub the tiles clean.

Titian's Europa still hangs, the mirror to my: piece de La resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here made of gone. 

Where language fails that where art triumphs. The interloper between camps of reason and dreams. I’m an event not cognition. Like any event stored in canvas, paper, pen ,or ink.

Oh Mrs Jack I so love your "Head Band." I’m also a Redsox fan. I loved the Champagne and donuts, and thank you for the paintings.

I remember when I first met you,
you were so excited to meet me,
as I was you.
The way you could fill me love,
and joy,
and fun,
it was only you Isabella,
that would show up at the best of times,
and always make me beam with joy from just your presence.
For you I would do anything to make sure I made you as happy,
as you made me.
I'd even go out of my way to make your favorite meal,
just to get a few more of your kisses,
because you being that joyful,
gives me the best delight.
You'd lie with me all night,
just because you knew I wanted to be next to you,
and you were always the best one for cuddling.
When I had to move,
you could not come with me,
and I regret it,
but I can't take it back now,
I just hope you were as happy in your last moments,
as you were in your best moments.
I'll always remmeber you Isabella,
as you are forever apart of me,
but you had a long and good life,
and I know you can rest forever more,
not having any more cares,
or anything else ever bother you again.
Even though you're a black lab,
there is no one else that I've been that close with,
and even though some people think you're just a dog,
you will forever be my best companion.
My best freind died today,
and I'm just happy I got to know you,
but I will be mourning a while longer,
before the pain starts to fade.

Scrounging local garage sales... near ten years past... I had found a flat, welded iron, rusty seahorse... 3 feet high... with a good seahorse shape and poise... edges welded and cut... after the haggle... twenty-five dollars..... perfectly added to my estate... covered rust in gold sheen... mounted upon a tree... to greet all comers... with a seahorse kiss!    
     Seller said it was made by the same artist... of the turtle lady statue... to be found in Corpus Christi!  Asked if I had seen it... my reply... No, but I liked the seahorse piece! He expounded... the artist... only had one leg... but was a surfer... well known for this trait... in Corpus Christi!  
     After I had mounted the seahorse... upon it's tree...I did an internet search... looking for anything about the one-legged surfer artist of Corpus Christi!  Found... nothing!  
     End of May, 2019... visiting my sister, Donna... we were wandering Corpus Christi!  She guided us to the surf museum... not knowing the story... of the one-legged surfer artist... creator of my mounted seahorse!  
     Girl at the front desk... Kyla... real nice and friendly... told her about the seahorse and questioned her... she didn’t know... she never heard of a surfer with one leg or the turtle lady statue!  Looking at us just a bit strangely... one legged surfer???
      Donna and I... started our stroll through the small museum!  Along the right side... stood a long row of surfboards... I’ve never surfed... but I was imagining trying it with just one leg!  
      Anyhow... I didn’t really stop to read or look in any detail at any of the exhibits until I reached the back... there was a glass case... which had a piece of simple letter paper...  8.5x11... taped to the front of the glass cabinet!  I started in reading the last paragraph...

     “Welch, 53, and his wife, Chelsea Louise, 23, died September 15, 2001, when their car plunged off the edge of South Padre Island’s Queen Isabella Causeway, which partially collapsed after a string of barges crashed into the bridge’s support pilings!

     Thought to myself... Wow... Who is this guy???  I jumped up to the middle paragraph...

     “Welch lost one of his lower legs in an auto accident in the 1970s, but he kept surfing with a prosthesis.  He wore a peg-like prosthesis at first, then got one with a foot.  He won the prosthesis division of the United States Surfing Championships on South Padre Island in 1998.”

     In the glass case was a welded metal sculpture of a beach scene... with waves, palm trees, and all!  The piece did have some resemblance in style to my seahorse sculpture!  Also, there was a picture on top of the case... of Harpoon Barry... striking a muscular, no shirt pose... in his tattoo shop... his torso covered in tattoos!  
    
     “It is said... he was on the verge of suicide after losing his leg. In one interview with the San Antonio Express News in 1992 he said;  "I may not make it to heaven, but you can be sure I made no deals with the devil to get where I'm at now, "  Looking down at his false leg stretched out in front of him, Welch said quietly: "It is a real empty feeling when you put one of these on for the first time, especially if you are an adult on your own. And your mama'a not there and your daddy's not there, and the people in the hospital tell you, 'This is the best it's going to get.  I made my first leg myself, out of Hi-C cans. I couldn't wait for my leg to get finished. I wanted to walk. I guess I got the idea from the Tin Woodsman in 'The Wizard of Oz.' That leg actually worked pretty well!”

     I had found my one-legged surfer artist!  I walked towards Donna... who was already half-way leaving the museum...  I hollered to her... she just had to come see this ... “I think I found the one-legged surfer!”  She had recently had partial knee replacement... and was hobbling!  She said if I was fooling her... she better not walk back all that way for nothing!! She came back to the glass case... we read through the letter in it’s entirety!  
     Then we went... and told Kyla at the front desk... she again looked at us again a bit strange... but then reluctantly left her post to go with us to take a look... she was then astounded!  Said she never knew about the one-legged surfer... although she had worked at the museum for several years!  Said there were also a couple metal sculptures... at the front of the museum... she thought were also done... by Harpoon Barry!  We took pictures of those also!  

In the letter we also read...

     “Welch had numerous tattoos and body piercings.  He wore a tiny 14 carrot gold harpoon through one ******.  That is how he got his nick name according to a friend, Scott Gangel.”  

     "I am a unique, self-made sensation!” he said matter-of-factly... in the interview with the Express News!  
    
     It's been 18 years since eight people died when South Padre Island's Queen Isabella Memorial Causeway collapsed... sending 11 people into the water below... four days after the 9/11 attacks!  A string of tow barges had struck the supporting pilings!  A section of the roadway had collapsed...
     I promised Kyla... I would donate my seahorse piece to the museum upon my death!  I only hope my death... is as grand as Harpoon Barry’s plunge into the Gulf of Mexico with his young wife!  Wonder what they were doing during the plunge... what was Barry doing... yelling Yippee Ki Yay... or Surf’s up... Dude!!!... maybe???  
    
Surfed waves on one leg
Young wife... crazy life... grand death
Harpooned by Barry

©  2019 Jim Davis

daj, do wynagrodzenia: reszty.
daj: to niby: siebie;
a... dam... dam...
ale pierw: powiem:             to!
(ich) nicht werden
                  geben (ihr) das nacht!
first... i'll punch myself
hard enough to give myself
a plum-eye: ******* pacifists...
and then?
    then i'll strap a trouser belt
to protect my knuckles...
and then... then...
                    then: we'll "talk":
who might find a translator
ready...
   god...
i'm gagging for a
knuckle exchange...
        almost... itching!
like i might await
a shaving... from a Turkish
barber... in Essex...
of all Danish palaces;
and why would i want to allow
consort with these women?
considering the fact that
the russian ones believe in trans-national
grievance taxation:
of someone... who hasn't...
actually died...
              you know what?
*******...
suffer...
       watch me wipe my ***
with a satanic smile
ennobled
by a coulrophobia...
excesses of vogue
                      atypical models...
how is it... that...
coulrophobia doesn't translate
in reverse?
  and what's up
with the black privilege of
jass music, akin to white mozart...
as...  
  sure as ****, the drum would be
the first, and only thing,
prior to the people learning
the ******* clarinet!

oh drop me your ****** ***
holocaust dead bomb
on a polish ***...
     i triple, quadruple dare you!
you *******... ivory coast
   centipede!
               i'm *******...
as watts: wild-eyed...
       unstrap me from this
"unreality" of conversation...
then undo the internet banking...
and the rest of it...

             not adam watts!
    glitter & doom....
who?      tom waits...
oh **** me... blue valentine?
if that's not a **** with me
album... what is?
                 live circus?
        
do i look like a ******* ****-
(see the hyphen?
it's a prefix... the english are
lazy sometimes: couldn't,
i.e. could not,
remnants of shakespearean
english...

       i'll always cite macbeth...

  time, thou anticipat'st my dread
exploits: the flighty purpose never
is o'eertook, unless the deed go with it.
from this moment, the very firstlings
of my heart shall be
  the very firstlings of my heart.
   and even now, to crown my thoughts
with acts, be it thought and done.

it's hardly a racial slur, ergo...
why so ******* sensitive akin to a french
footballer or a ballerina?
   ****- (hyphen! hyphen!) ergo a prefix...
as already mention:
no, no...
   it's not: no iraqi ever called me a pa-ki
      (pákí)... yeah...
and you never called an afghanistani an
afghan, ever, no?
   pure camaraderie in that part of
the world... all the way... yeah yeah... yeah...
-stani (suffix) is sometimes missing
because... the english like to shorten words...
e.g. why is daniel: dan,
why is matthew: matt?
  why is muhammad: mo (farrah)?
                                    ******* pansies...
police your circumcised penises fiddling
english teenager girl, first,
come after my vocab. justifications: after;
savvy?

or a gypsy?
   by now...
     i'm looking like any
traveler...
and the world...
       forever resembled
a world,
  in the confines of
      a claustrophobia...

but... if there's a bigger concern for
a world...
  and a freedom...
i want a bare knuckle fight...
a black eye...
namely...
you bring  BOXING GLOVE...
and i'll bring...
     a LEATHER BELT...
wrapped around my knuckles,
and the wrist...
    like i might care to give
a second attempt to smile...

ah... the men... who care
about minding, if not in the least,
keeping women...
      bye bye, bye bye...
       and i've allowed myself
to know my grandfather...
as i did the slap in the face...
and...
the key question:
in the unfathomability of counting
the 32 / 4 ratio...
alas... one fist... one smile...

and countless... dentistry encounters...
because?
   because the rest?
the cultural artifacts of a today?
  lost to h'americana...
            as i might have wished...
for my prior genes
to make an autobiography
in **** germany...
  
   what?
  
      well... obviously: the oops.

no, for the crescendo...
you know...
           i'm getting this funny vibe...
gott ist tot... it's not really spectacular...
nietzsche really believed in eternity,
to the point where he pointed:
what does science offer, only old age...
what does religion provide? eternity...
oh nietzsche was big on eternity...
   gott ist tot is as unspectular as:
is it: how to do you pronounce x,
or is it: how do you pronunciate y?
debate:
              everyone says around here
the former... since no one wants to be a *****...
pro-nun-ci-ate (pro-nun-cíate)...
   might as well replenish the vocab. bank
and replace the word with:
how do you elocute z? / recite)....

gott ist tot / gott ist tod...
    "same ****, different cover"...
you know why i believe in god?
    not the christian reference points...
salvation blah blah, saviour and hide & seek blah blah...
n'ah... where would i derive all my vocab.
hunger if not from him?
   some men derive their vocab. from
women or gambling...
            i am not in the position of their
luxury... so god it is...

            primarily though?
               god is metaphysics...
             ergo? his judgement is not clouded
by metaphysical questioning...
it's impossible to receive a metaphysical
answer from a metaphysical question
when engaging with a metaphysical
ontological paraphrase of one's own search
for meaning in this mortal frame...

oh sure sure, my belief in god is as juvenille
as anyone else's belief in humanity's
clarity when it comes to jurisprudence
and its application...
    i've experience "jurisprudence" once...
drive-by phone theft...
me and three fwends...
   i catch the number plate...
i tell one of my fwends to note it down,
police station, report, culprit found,
a sit in at a barkingside police station
looking at mug images,
spot the ****** (it was dark when the mugging
took place, photographic memory, **** happens)...
a court session, australia is playing england
at the ashes (****, i missed it)...
in court the defence lawyer shows me
another picture of the culprit...
back then photogrpahs had dates
attached to them...
the photograph? over 4 years old...
i tell him: but this photograph is 4 years old!
how can i identify if this is the same
person: i, myself, will probably
don a beard in four years time!
      a simple slip-up...
        now that i have a beard:
it's so much more fun than growing your
hair long... i hated the nickname
chewbacca back in high school when i was
growing mine for a french braid...
i walk out of the court,
come to terms with the detective...
and i see the same hunger in him as i see in me...
will justice be served?
highly unlikely... since the victim
didn't recognize the *** in the mug-shots...
justice was probably not served...

   and this is how god plays into all of this,
hell or heaven, blah blah...
man created the figure of domina Iustitia
as blind... god created death to be blind...
justice was never supposed to be blind,
death was: the unfortunate deaths
of teenagers in car accidents,
among all the other freak accidents...

clouded with so many metaphysical questions
i don't appreciate man's ability to adhere
to jurisprudence without being
subjectively contaminated...
i have more belief in an "imaginary"
god than belief that strains me to belief
in man's sense of justice...
          the nuremberg trials are a rare exception...
but only when the culprits are
unabashed and fathomable by a collective
sense of pride... a blidness...
i believe in god, because i'd love to experience
the judgement of a post scriptum of
metaphysics...
  personally? i have been wronged...
heavily...
            i will not name names....
i know when and how i was wronged,
and by whom...
                2007... Canterbury...
      i won't name names: i'm not a rat...
man is too clouded with metaphysical questions
to begin with, god isn't,
he's a metaphysical ontology "bias"...
which is why, he is primarily a jurisprudent
answer...
   i'd love to experience divine jurisprudence,
hell or heaven are not of my concern...
and i don't imply divine jurisprudence
associated with the polytheistic take of
jurisprudence via a solipsistic mechanism
of a minor god and the person in question
without the hurt party...
in monotheism the god is solipsism personified...
these days: also the personna non grata...
so no... gott ist nicht tot...
            he's a personna non grata...
i just don't appreciate the human *******
of law, law governance...
   come on, in england you can receive
an a.s.b.o.s. for your cockerel being too loud
in the morning, your dog barking...
           would you trust man with
jurisprudence?
  a woman was cleared of the ******
of her husband
       when she hammered his head into a pancake:
over an abusive relationship...
police, weren't, "there"?!
sure sure... the hammer will do...
i believe in god without a sense of reward...
i just don't think man is capable of
passing justifiable laws...
no man could ever pass the eternal laws,
gravity... 100°C for the boiling of water...
i need a being  who has groundwork
in eternal laws, in unshakeable laws...
the ten commandments aren't:
you shall not...
   more... maybe, you shouldn't...
they are the most pristine jurisprudent
laws available... the: maybe you shouldn't,
eh, chappy?

       i just don't like playing the thesaurus game
on the more tight-knit game
of "passing" the wink-wink of Solomon's
judgement...
please, **** me please,
i'll eat 20 raw herrings in a cream sauce,
slurp 30 oysters,
eat 40 strawberries on a hangpverl
eat out about 50 harem virgins
like a castrato if you ask me, nicely,
**** camel cockey:
lucly i landed on a black gold slurp
with plenty of bangladeshi slaves:
******* of riyadh...
     what did muhammed tell you?
you camel jockeys / sand *******
have clearly forgotten...
******* arabs: short attention span...
you need to remind
the retards...
the dajjal would come from the east...
a palace of gardens...
well obviously the prophet wasn't
thinking about genghis khan...
            
  hmm barbarians...
vikings, arabs: yet so inclined to like poetics...
funny, that...
the civilized peoples banished
the poets...
            the ruling class and their cushioned
people: sacrosanct sycophants...
wankers, basically.

    the hajr? muhammad spoke of the dajjal
coming from the east,
and the east being a city of gardens...
where isn't riyadh and where is mecca?
isn't riyadh east of mecca?
was the dajjal to come from the outside
of islam, or from wtihin?
      last time i checked...
sh'ite islam isn't friendly to sunni islam...
if islam was the one true religion...
would have a shcism have occurred?
i don't think so...
   a persian would never bow before
an arab... that much os true...

oh i believe in god...
given how man practices jurisprudence...
is it some sort of, a, thesaurus game
i wasn't told about?
to me the human quest for jusctice is
a thesaurus game...
man is incapable to pass but one,
eternal, law...
he's great at nuanced laws...
laws allocated to sports...
i mean, **** me, cricket?
the best vocab. you'll ever pick up...

even god isn't as pertinent
in making the sort of music associated
with the limited alpha-to-beta
of A, B, C, D, E, F, and G...
wow! seven... seven?!
how many heads does the beast
of revelation have? oh... 7!

i'll stop tolerating islam, and start respecting it,
when it, acknowledges its presence
as a character study in the book of revelations...
then i'll just move on,
having made my point...

until that time comes...
    it's 600 years shy of becoming what
degenerate christianity has become,
oh and it's ripe...
it's gagging to implode!
600 years and wait for it to become
the next secular vasal conglomorate...

the warning muhammad gave
about "the best from the east"
was in point of question:
   a reference ti gneghis khan...
more like ibn saud:
  thst fat diabetic one eyed ogre...
and the legacy of decadence he left
behind...

saudi men with slavuc girlfriends,
buying up pink cushions and *******
chihuahuas...
**** after ****...
  you know the three slavic proverbs?
1. better a sparrow in your
hand, than a dove on your rooftop?
explanation?
better the small joys at-hand,
than impossible possibilities out of reach....
2. a drunk can spot east,
past mecca, whenever honing
the safety of his own bed... even at night...
not much of a proverb...
3. i don't care to rememeber...

once toleration comes into play,
i will, respect... just a waiting game...
i'm pretty sure no iranian will
bow down to a sunni camel jockey...
i like proud *******,
it implies: there are absolutes,
un-moveable goal posts...

                      if you are ever to bind yourself
in supporting a "side" outside a sports' dynamic,
always the outsider...
always the outsider... in this case?
the ****'ite islam brigade...
       the persians...
the sunnis can shove it...
   *****, bones, whatever....

                   ****'ite islam i can
fathom, even respect,
sunni islam i just tolerate...
  as much as iran takes claims for the
big satan in ref. to h'america...
well... if h'america supports the infantile
saudi arabia, who's to blame them?

you know that polonaise joke about
about the pacifism of jews in
2nd world world war poland?
the joke ran along the words:
weren't the jews shooting the nazis
using crooked elbows (rifles)?
they always seemed to miss them,
taunted into walking into gas chambers,
the ******* hobbits...

          what? some bolshevik Brooklynian
jewish rada is to spare me
                 the pay-up diffrential
telling me, i was wrong?

  as i said before: the nazis lamented
when the warsaw uprising happened...
no, st. paul's doesn't stand proud
because, because...
   even with the blitz...
                 the luftwaffe were told:
you drop a bomb on st. paul's: firing squad...
and when notre-dame de paris -
last time i checked...
   the nazis didn't luftwaffe the **** out
of paris... did they?!

                  the nazis weren't mongols;
no people so well versed in chanel in terms
of their military being so well
   suited & booted could ever make such a
                              architectural sacrilege...

what?! people under the silicon curtain
are gagging, begging even: for nazis!
can i be the first?!
i just want to please the hungry!
if not punk then moving swiftly into ska...
am i the first?
   siliziumvorhang...
well, **** me... from under the eisenvorhang...
what's with these neo-communist pseudos?

and the hebrew god?
a jealous god... so a god with the knowledge
of the existence of other gods...
why wouldn't a jealous god have
no knowledge of other ("imagianry") gods?
to be jealous of only one's own existence?!

3 / 1: that's the ratio....
that's the only ratio... 3 times i experienced
love at first sight:

when i fell in love at first sight...
malina, samantha, janina,
priya....

equal measure: isabella of grenoble...

in reverse:
magda, promis, ilona, kot (i forget her name,
7 years old, first kiss, you can be forgiven
to forget, she had two twin sisters
and she was the senior,
her fasther drove a distribution truck,
milk, i think)...

****, i actually mismanaged
that ratio...

i believe in "a" god...
since i find too much of human jurisprudence
to be riddle with the thesaurus...
i don't think man can pass
law, he can "suppose so"...
but he will never pass the sort of law,
made forbidden,
or absolutely allowed....
i don't believe in a god akin
to the sort of a pontous pilate god
where i'll always find myself
outside of punk evolving into ska...

         mind you...
i'd hate to be trapped within
the confines of an atheistic exclusion zone
of intellect,
      to be trapped in nothing is one
thing, but to be trapped inside
the confines of an atheist's "nothing"
is quiet another....
i don't like being a hamster inside
a cognitive wheel of another...
   god is the jurisprudence spirit,
man the metaphysical spirit...
and i would very much like to stand
in the light of divine law being passed
to finally feel my shadow...

kult: brooklyńska rada żydów...
  not familiar?
  i forgot punk a long time ago...
esp. when californians came up with their
version, ergo? ska...

i'm currently taping a film
about the silesian vampire...
how strange, that the prussians came
back into the ***** of the polonaise...

growing a beard is so much fun!
fiddle after fiddle: and no violin!
atheists bore me
as much as the theistic hags
who's only ambition are
the thrill associated with Sunday
h'america and cinema...
               i can imagine only one
heaven...
where i am blind and given
               a large library of music.

In a dark elder forest from long ago;
sat maiden Isabella with ***** aglow.
Her nightly visitor would soon appear;
with his musky fur and pointed ears

She ate some shrooms to open her head;
and wildly danced naked with the living dead
The moon peered on with a ***** gaze;
as she chased rainbows in her psychedelic craze.

Her lover approached with a rabbit in tow;
with a sudden move blood soaked the snow.
They drank the offering with an ethereal bliss;
then his lips covered hers with an urgent kiss.

Her chest heaved deeply and her ***** shook;
her sounds were guttural as he explored every nook.
She pulled him to the ground to consummate their love;
he obliged with a growl but used a velvet glove.

The animals in the forest felt the instinctual need;
as he howled shrilly when he planted the seed.
Maiden Isabella fell into an exhausted sleep;
as her lover made an escape without a peep.

The sun caught her eye and she awoke with a moan;
she was alone in her bed and chilled to the bone.
What a crazy dream I had she said with a sigh;
but then she saw the claw marks on her thighs.

The beach swept away in the distance,
The tide as far out as could be,
A couple were laughing and playing there,
She’d cuffed him, in fun, to a tree,
‘Now that isn’t fair, Isabella,’
He’d laughed, as she danced in the sand,
‘You’re going to be mine, Richard Andrew Devine
Or forever be tied to the land.’

She taunted and teased and annoyed him,
He said, ‘I just want to be free!’
She spun on the sand and she held out her hand
And she laughed as she dangled the key.
‘You can stay ‘til I hear your proposal,
It’s like squeezing out blood from a stone,
If you fail to propose, this relationship’s closed
And I’ll leave you out here on your own.’

‘We’ve talked about this, Isabella,
And you know it can’t possibly be,
I’m already wed, when you came to my bed…
For God’s sake, just throw me the key!’
‘You know that you’ve never been happy,
With her, or with all of her friends,
It’s time you got rid of the lot of them,
It’s time you were making amends.’

‘I said at the start, Isabella,
That a fling was the most it could be,’
A shadow passed over his worried brow
As he looked at the incoming sea.
‘That might have been in the beginning,
But you know it’s gone further than that,
I’m having your child, did you know, in a while
And I’ll not have you leaving me flat.’

The sweat had burst out on his fevered brow
As the water encroached on the sand,
‘Did you know we’re beneath the high water mark,
In an hour or so, I’ll be drowned!’
‘The choice becomes yours, you must get a divorce
Or I’ll just walk away and be free.
There’s no going back, I’m determined in that,
I’ll be walking away with the key.’

The sea was beginning to lap at his feet,
And she to retreat as it came,
Then suddenly she was beginning to sink
While crying that he was to blame.
In seconds she’d sunk in the sand to her waist
In terror she cried, ‘Rescue me!’
But he was restrained by a half inch of chain,
‘For God’s sake, just throw me the key!’

‘How do I know that you won’t walk away
And just leave me to sink in the sand?’
‘I wouldn’t do that, just throw me the key
Or we’ll both become part of the land!’
She’d sunk to her shoulders at this point in time
And she struggled to pull out her arm,
Then raised it on high and she let the key fly
As they both held their breath, in alarm.

‘I’ve told her I want a divorce,’ he cried,
As the key fell just short of his reach,
‘And I lost the baby a week ago,’
She cried, to her neck in the beach.
They stared at each other as she sank from sight
Then the water rose over his head,
As a little gold key, was swept by the sea
To a hand that was already dead.

David Lewis Paget

My beautiful little Princess
I wonder as I am...
Watching you sleep in the silent night
What travels in the mind of a sleeping child?

There’s a smile at the corner of your lips
Are you having a sweet dream?
Are you playing with angels in heaven?
Are you dancing barefooted in the garden of angels?

If I could I beat the time…
And travel back through the time tunnel
I wish to be born again
To be a sleeping child just like you

If I should trade my life
To be that sleeping child again
I would….
Sleep my little princess
Sleep peacefully through the night..