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1 Kings 6 King James Version (KJV)

6 And it came to pass in the four hundred and eightieth year after the children of Israel were come out of the land of Egypt, in the fourth year of Solomon's reign over Israel, in the month Zif, which is the second month, that he began to build the house of the Lord.

2 And the house which king Solomon built for the Lord, the length thereof was threescore cubits, and the breadth thereof twenty cubits, and the height thereof thirty cubits.

3 And the porch before the temple of the house, twenty cubits was the length thereof, according to the breadth of the house; and ten cubits was the breadth thereof before the house.

4 And for the house he made windows of narrow lights.

5 And against the wall of the house he built chambers round about, against the walls of the house round about, both of the temple and of the oracle: and he made chambers round about:

6 The nethermost chamber was five cubits broad, and the middle was six cubits broad, and the third was seven cubits broad: for without in the wall of the house he made narrowed rests round about, that the beams should not be fastened in the walls of the house.

7 And the house, when it was in building, was built of stone made ready before it was brought thither: so that there was neither hammer nor axe nor any tool of iron heard in the house, while it was in building.

8 The door for the middle chamber was in the right side of the house: and they went up with winding stairs into the middle chamber, and out of the middle into the third.

9 So he built the house, and finished it; and covered the house with beams and boards of cedar.

10 And then he built chambers against all the house, five cubits high: and they rested on the house with timber of cedar.

11 And the word of the Lord came to Solomon, saying,

12 Concerning this house which thou art in building, if thou wilt walk in my statutes, and execute my judgments, and keep all my commandments to walk in them; then will I perform my word with thee, which I spake unto David thy father:

13 And I will dwell among the children of Israel, and will not forsake my people Israel.

14 So Solomon built the house, and finished it.

15 And he built the walls of the house within with boards of cedar, both the floor of the house, and the walls of the ceiling: and he covered them on the inside with wood, and covered the floor of the house with planks of fir.

16 And he built twenty cubits on the sides of the house, both the floor and the walls with boards of cedar: he even built them for it within, even for the oracle, even for the most holy place.

17 And the house, that is, the temple before it, was forty cubits long.

18 And the cedar of the house within was carved with knops and open flowers: all was cedar; there was no stone seen.

19 And the oracle he prepared in the house within, to set there the ark of the covenant of the Lord.

20 And the oracle in the forepart was twenty cubits in length, and twenty cubits in breadth, and twenty cubits in the height thereof: and he overlaid it with pure gold; and so covered the altar which was of cedar.

21 So Solomon overlaid the house within with pure gold: and he made a partition by the chains of gold before the oracle; and he overlaid it with gold.

22 And the whole house he overlaid with gold, until he had finished all the house: also the whole altar that was by the oracle he overlaid with gold.

23 And within the oracle he made two cherubims of olive tree, each ten cubits high.

24 And five cubits was the one wing of the cherub, and five cubits the other wing of the cherub: from the uttermost part of the one wing unto the uttermost part of the other were ten cubits.

25 And the other cherub was ten cubits: both the cherubims were of one measure and one size.

26 The height of the one cherub was ten cubits, and so was it of the other cherub.

27 And he set the cherubims within the inner house: and they stretched forth the wings of the cherubims, so that the wing of the one touched the one wall, and the wing of the other cherub touched the other wall; and their wings touched one another in the midst of the house.

28 And he overlaid the cherubims with gold.

29 And he carved all the walls of the house round about with carved figures of cherubims and palm trees and open flowers, within and without.

30 And the floors of the house he overlaid with gold, within and without.

31 And for the entering of the oracle he made doors of olive tree: the lintel and side posts were a fifth part of the wall.

32 The two doors also were of olive tree; and he carved upon them carvings of cherubims and palm trees and open flowers, and overlaid them with gold, and spread gold upon the cherubims, and upon the palm trees.

33 So also made he for the door of the temple posts of olive tree, a fourth part of the wall.

34 And the two doors were of fir tree: the two leaves of the one door were folding, and the two leaves of the other door were folding.

35 And he carved thereon cherubims and palm trees and open flowers: and covered them with gold fitted upon the carved work.

36 And he built the inner court with three rows of hewed stone, and a row of cedar beams.

37 In the fourth year was the foundation of the house of the Lord laid, in the month Zif:

38 And in the eleventh year, in the month Bul, which is the eighth month, was the house finished throughout all the parts thereof, and according to all the fashion of it. So was he seven years in building it.
OUR GOD IS ALIVE.!!
rhiannon Mar 2019
Once upon a time there was a brave girl called Alison Parker. She was on the way to see her mum Michelle Ramsbottom, when she decided to take a short cut through Wyre Forest.

It wasn’t long before Alison got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Bunny, but Bunny was nowhere to be found! Alison began to panic. She felt sure she had packed Bunny. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a kind werewolf dressed in a black skirt disappearing into the trees.

“How odd!” thought Alison.

For the want of anything better to do, she decided to follow the peculiarly dressed werewolf. Perhaps it could tell him the way out of the forest.

Eventually, Alison reached a clearing. She found herself surrounded by houses made from different sorts of food. There was a house made from carrots, a house made from biscuits, a house made from cakes and a house made from pancakes.

Alison could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

“Hello!” she called. “Is anybody there?”

Nobody replied.

Alison looked at the roof on the closest house and wondered if it would be rude to eat somebody else’s chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Alison a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Bunny!

“Bunny!” shouted Alison. She turned to the witch. “That’s my toy!”

The witch just shrugged.

“Give Bunny back!” cried Alison.

“Not on your nelly!” said the witch.

“At least let Bunny out of that cage!”

Before she could reply, three kind werewolves rushed in from a footpath on the other side of the clearing. Alison recognised the one in the black skirt that she’d seen earlier. The witch seemed to recognise him too.

“Hello Big Werewolf,” said the witch.

“Good morning.” The werewolf noticed Bunny. “Who is this?”

“That’s Bunny,” explained the witch.

“Ooh! Bunny would look lovely in my house. Give it to me!” demanded the werewolf.

The witch shook her head. “Bunny is staying with me.”

“Um… Excuse me…” Alison interrupted. “Bunny lives with me! And not in a cage!”

Big Werewolf ignored her. “Is there nothing you’ll trade?” he asked the witch.

The witch thought for a moment, then said, “I do like to be entertained. I’ll release him to anybody who can eat a whole front door.”

Big Werewolf looked at the house made from pancakes and said, “No problem, I could eat an entire house made from pancakes if I wanted to.”

“That’s nothing,” said the next werewolf. “I could eat twohouses.”

“There’s no need to show off,” said the witch. Just eat one front door and I’ll let you have Bunny.”

Alison watched, feeling very worried. She didn’t want the witch to give Bunny to Big Werewolf. She didn’t think Bunny would like living with a kind werewolf, away from her house and all her other toys.

The other two werewolves watched while Big Werewolf put on his bib and withdrew a knife and fork from his pocket.

“I’ll eat this whole house,” said Big Werewolf. “Just you watch!”

Big Werewolf pulled off a corner of the front door of the house made from biscuits. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Werewolf started to get bigger – just a little bit bigger at first. But after a few more fork-fulls of biscuits, he grew to the size of a large snowball – and he was every bit as round.

“Erm… I don’t feel too good,” said Big Werewolf.

Suddenly, he started to roll. He’d grown so round that he could no longer balance!

“Help!” he cried, as he rolled off down a ***** into the forest.

Big Werewolf never finished eating the front door made from biscuits and Bunny remained trapped in the witch’s cage.Average Werewolf stepped up, and approached the house made from cakes.

“I’ll eat this whole house,” said Average Werewolf. “Just you watch!”

Average Werewolf pulled off a corner of the front door of the house made from cakes. She gulped it down smiling, and went back for more.

   And more.

      And more.

After a while, Average Werewolf started to look a little queasy. She grew greener…

   …and greener.

A woodcutter walked into the clearing. “What’s this bush doing here?” he asked.

“I’m not a bush, I’m a werewolf!” said Average Werewolf.

“It talks!” exclaimed the woodcutter. “Those talking bushes are the worst kind. I’d better take it away before somebody gets hurt.”

“No! Wait!” cried Average Werewolf, as the woodcutter picked her up. But the woodcutter ignored her cries and carried the werewolf away under his arm.

Average Werewolf never finished eating the front door made from cakes and Bunny remained trapped in the witch’s cage.Little Werewolf stepped up, and approached the house made from pancakes.

“I’ll eat this whole house,” said Little Werewolf. “Just you watch!”

Little Werewolf pulled off a corner of the front door of the house made from pancakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

After five or six platefuls, Little Werewolf started to fidget uncomfortably on the spot.

He stopped eating pancakes for a moment, then grabbed another forkful.

But before he could eat it, there came an almighty roar. A bottom burp louder than a rocket taking off, propelled Little Werewolf into the sky.

“Aggghhhhhh!” cried Little Werewolf. “I’m scared of heigh…”

Little Werewolf was never seen again.

Little Werewolf never finished eating the front door made from pancakes and Bunny remained trapped in the witch’s cage.

“That’s it,” said the witch. “I win. I get to keep Bunny.”

“Not so fast,” said Alison. “There is still one front door to go. The front door of the house made from carrots. And I haven’t had a turn yet.

“I don’t have to give you a turn!” laughed the witch. “My game. My rules.”

The woodcutter’s voice carried through the forest. “I think you should give her a chance. It’s only fair.”

“Fine,” said the witch. “But you saw what happened to the werewolves. She won’t last long.”

“I’ll be right back,” said Alison.

“What?” said the witch. “Where’s your sense of impatience? I thought you wanted Bunny back.”

Alison ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from carrots and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Alison sat down on a nearby log.

“You fail!” cackled the witch. “You were supposed to eat the whole door.”

“I haven’t finished,” explained Alison. “I am just waiting for my food to go down.”

When Alison’s food had digested, she broke off another piece of the door made from carrots. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Alison was down to the final piece of the door made from carrots. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Alison had eaten the entire front door of the house made from carrots.

The witch stamped her foot angrily. “You must have tricked me!” she said. “I don’t reward cheating!”

“I don’t think so!” said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. “This little girl won fair and square. Now hand over Bunny or I will chop your broomstick in half.”

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Alison hurried over and grabbed Bunny, checking that her favourite toy was all right. Fortunately, Bunny was unharmed.

Alison thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Michelle. It was starting to get dark.

When Alison got to Michelle’s house, her mum threw her arms around her.

“I was so worried!” cried Michelle. “You are very late.”

As Alison described her day, she could tell that Michelle didn’t believe her. So she grabbed a napkin from her pocket.

“What’s that?” asked Michelle.

Alison unwrapped a doorknob made from biscuits. “Pudding!” she said.

Michelle almost fell off her chair.

The End
Rileigh Shanks Mar 2018
Once in the midst of a bleak October, as I wandered, meek and sober,
Over the piles of crisp and crunchy leaves on the lonely forest floor–
I began to ponder what was true, when suddenly there came into view
As if someone carelessly threw, through the forest’s ****,
Some wood and glass and shingles, amidst the forest’s ****.
A House, there stood, with a solitary door.

“A lonely House,” I muttered, and promptly thereafter shuddered
At the whisperings I had uttered, and the weight that each word bore.
This lonely House seemed haunted, yet part of me still wanted
To carry on undaunted, and discover what was in store —
What, beyond the creaky porch and faded walls, did lie in store.
I approached the solitary door.

Trembling and trepid I clambered up the stairs, poised for any future scares.
Each shaky breath lingered as I faced the lonesome door,
With a **** I began rapping, gently — ever so gently — tapping,
Hoping that my slapping, admission beyond would implore.
But it soon became clear there was no one to implore.
With that, I opened up the door.

As my eyes to this new dim lighting did adjust, I noticed first the layer of dust
That covered every table, every curtain, every drawer.
Photos hung on all the walls, from floor to ceiling and down the halls,
I could nearly hear the calls from the faces framed in the House’s decor;
From every piece and parcel of this House’s aberrant decor.
Behind me closed the lonesome door.

It was then that I first noticed, abruptly and in the remotest,
Something even more erratic than before.
The walls — they were breathing! The lungs inside were seething.
I could even hear a beating, beating beneath the floor;
A heartbeat — I swore it was! — beating beneath the floor.
I turned and fled toward the door.

Locked! The door was locked! I recoiled as if struck and balked.
In my panic to escape I stumbled and swore.
I felt the House around me shiver, every photo began to quiver,
A shuddering sigh it did deliver, as I stared blankly at the solitary door.
The single, lonesome, solitary door.
My efforts to escape were no more.

Slowly then I turned — I could not deny I was concerned —
As an eerie creak alerted me to the opening of a second door.
Without warning the ground beneath me bucked, and I nearly lost my conduct
As through this door I was ******, and taken to its core;
Deeper into the House I was drawn, and taken to its core.
Behind me closed the second door.

In the next room, I noticed straight away, the House was in much less a state of decay;
Beneath the layer of dust and drear, there were elements I did adore.
Though still ramshackle and broken, this room appeared strong — oaken —
As if it held secrets unspoken, and desired me to explore.
The House, I think it trusted me, and I desired to explore.
The fear I felt — it was no more.

This room was full of closets and chests, all of them locked to prying guests,
Each one a mysterious piece of the House’s hidden lore.
This House, I felt, needed to be known, though its secrets were rarely shown
And it was accustomed to being alone, so I wanted to know it more.
The curiosity inside of me longed to know more.
Yet I was wary now, unlike before.

“How could something so exquisite,” I murmured as I paid the pictures a visit,
“Be left so empty, so dark and dusty, so completely uncared for?”
Again I felt the walls throb, releasing a sound like a strangled sob.
“I once had caretakers to do the job, but they ravaged me and left me sore.
Yes, they rattled and ruined me and left me sore.
And for that, newcomers I do deplore.”

I was startled at first, I will admit, by the House’s unexpected wit,
Though not dissuaded even a bit by her poignant roar.
I was more determined than ever to know this House’s heartbreaking tale of woe,
And I longed to in some way show that not everyone wanted war —
This House deserved to be loved and shown that not all people wanted war.
Her confidence I wished to restore.

“Your story is horrific, to be true.  Why would anyone wish to harm you?”
And with sincerity anew, I continued, “Please do not abhor
The state of my ubiety, nor misinterpret my dubiety.
I do not desire to cause anxiety, nor for you to suffer anymore.
I will do my utmost to guarantee, you shall not suffer anymore.”
To this I swore.

“House, you are a treasure. You were meant for so much pleasure.
I can see the perplexities, all the wondrous mysteries in store.
I know you have been hurt, and to outsiders you stand alert,
Your pain has caused you to invert, but I want to know you more.
To study you, to hear you, and to come to know you more.
Only this, and nothing more.”

The House moaned and trembled, “I’ve come too far to be disassembled;
I’ve been whipped and whacked, and been made into a *****.
I used to be addressable, to everyone I was accessible,
My love and trust were irrepressible, once in the days of yore.
I was open, but misunderstood and unexplored, back in the days of yore.
That was all before.

“You see, my design is ever-changing; my rooms are constantly rearranging;
I have closets and chests and attics and cupboards galore.
For most it’s just too much; too much work, too much effort to touch,
So they abandon me as such. For them I became a chore.
Tiresome, irksome, heedlessly rushed through — to them I’m just a chore.
Only this, and nothing more.”

It was here that every wall then shook, every niche and every nook.
“I only long to be truly known, and for the torment I once bore
To be completely disproven, and for a second chance to be given
For someone honorable to move in, to appreciate me to my core.
Someone I can entrust with my rooms, who will know me to my core.”
Then I heard the opening of every lonesome door.

From here the House guided me, and slowly relinquished every key,
Acquainted me with every banshee, and accompanied me to every floor.
Never once did I desert her, it never crossed my mind to hurt her,
And all her scars that once were, after a time were no more.
The longer I stayed, the deeper I knew, and soon her scars were no more.
I daily felt her spirit soar.

It’s been years since House and I first met, and I’ve never been to her a threat.
She’s never had reason to fret, because this haunted House I do adore.
Some days are hard; sometimes I find she’s on her guard,
Or a window she has barred, but I never have need to implore.
No longer do I wonder and fear, nor ever have need to implore.
For I know what lies behind every lonesome door.
Mateuš Conrad Sep 2017
it's really not worth the circus of a woman,
to agitate all those acrobats into saltos...
i felt it was worth shaving my beard
today,
wanting to scratch my face,
somehow,
turn my cheeks into
sandpaper...
   but you know
what scared me?
not that i immediately reacted
to my immortal
by evanescence with tears -
but listening to the song -
it helped to agitate the "placebo"
post-script reaction...
i just call it a delayed response
since the tarantula bite was too strong;
and that i never did have a
feminist girlfriend...
no, i just walked past a house,
down the street i most dreaded,
i once passed the house
with someone in a car
and the person beside me said:
clearly abandoned...
**** me, i'm turning into
a tim burton caricature...
  and yes, the house looks scary,
its overgrown in shrubs...
but i'm crying! i'm crying...
i walked past the same house today
having fasted the entire day,
and ending the day by eating
a hoisin duck wrap having
the testament: you could feed
me that crap all year round,
and i'd still tell you that i ate
something different each day...
that haunted house though?
   that overgrown, depilated ironically
overgrown...
     i suddenly felt a fear i've
never felt before,
   i felt it once passing the house,
but not to the point in tears,
i can only respect the lingering adam
"lost" in the garden...
       there was actually
a light burning inside this house tonight...
this house of biblical service...
**** fearing the devil!
your comical phobia
are the same goats, bulls i'd slaughter...
do you know fear?!
  do you know fear?!
  ever walk past a supposedly abandoned
house?
having that eerie feeling of
someone watching you one day,
being assured by the facade of
abandonment,
   to later find a light shining inside
the same house?
   i ******* to horror movies...
this **** is just tear jerking,
      i'm stressing diapers...
     people worry about c.c.t.v.,
i'm worried that i suddenly decided to walk
past this house,
   spectating a light in its deathly
harrowing of absence of all else present:
namely the son shadow
           being present inside...
****** please, give me any horror movie
and i'll triple the hard-on with orff's
o fortuna to boot...
   there is nothing scarier than seeing
a house that is all too clearly abandoned,
shrouded in weeds and the doubling
effect of a graveyard...
to, some day,
      during the night,
passing the same house,
      seeing a light on in the house...
******, give me a ghost, a poltergeist,
a hell-bent goat...
          what i just witnessed is far from
comic, and its also transcendental horror...
at least looking at a grave you can
find solace in the notion of the person
dead...
        when i twice, thrice, four times dead
thought this house was abandoned,
you really don't need to see a ghost
to stare into the heart of fear,
just a house you supposedly thought you
"knew" was abandoned,
no ghost..
      this grave of a house,
          with a light shining inside of it;
and this, coming from a man,
is not so much a fear,
   these are not exactly tears of fear -
rather, tears of lament...
   the most hidden of man's fears:
namely - sadness,
   and only melancholy can be the greatest
of man's fears...
         that great prematurity of death,
within the living.
         it really doesn't take a ghost,
but a "supposedly" abandoned house,
who you pass, from day to day,
to suddenly appear alive,
   with a lightbulb appearing from its
gravestone lingering windows,
  like almost a name, to conjure
memory, of that celebratory candle resting
on the gladden heart of turmoiled fate
bound to a hadean hush,
          celebratory for all saints,
       sinners, heretics and fiends alike;
you really can't even begin to conjure my
state of horror...
   conjured, like a poison dart,
  with me numbed,
walking further on,
as if nothing had actually happened...
people don't actually realise how much
horror works in the dimension of music
and delay...
    the music is obvious,
the delay effect of horror is, much, much
more subtle...
  that's called horror: "subtitled"...
          music is obvious in the genre's demand...
but the realisation of the true horror
is in the delay effect...
  the "post-traumatism" effectuality -
given that being post-traumatic is not
that you've seen something horrible,
but that you've seen something horrible
you never imagined you could have done...
   hence the the delay conceptualisation
of horror being inact...
            p.t.s.d. is the delay conceptualisation
of horror...
  and much of the horror genre is
about music, as it is about delaying the initial
burden of apathy, or rather shock mixed
with a libido overload...
  horror is nonetheless: music and delay...
   the delay becomes what it already was -
        a caseload of dreams;
music wise? just a bad taste in pop subsequently.
Tyler Zempel Dec 2018
The Explorer

“Good evening everyone!  We are here outside the home of missing serial ****** and kidnapper, Chris Morris.
I’m here with my beautiful girlfriend Rachel and I’m sure being so close to Chris Morris’s house here on 21 Hoover Ln. is making her *******
tingle with excitement at the idea of the unknown we are walking into here.
A cop car has been parked outside the home for the past few hours now and has yet to disappear.
We have been waiting to venture inside just in case cops are inside doing another search,
but based on both long distance and short distance research
of the house and area, we are convinced no one is inside.
The house is dark, no movement has been detected so it’s time to decide,
go inside and explore, or bail and go home.
I’ve been salivating at the chance to explore this house and I’m pretty sure at the mouth I’m beginning to foam,
so inside we are about to go!
I’m your host Andrew Pittman and what we are about to find inside, well no one really knows.
What we discover will be caught on my camera for all of you guys to witness for yourselves.
We are going to video tape the secret room where Chris kept his victims locked up for his own sick ****** pleasure.
Whatever else we may document on this camera will be added treasure.
Here we go, on a grand endeavor,
to document and bring to you this dangerous and risky adventure.”

The cop car sitting outside the house still has me worried.
If a cop is inside combing through the building for evidence, he has not been in a hurry.
We have been parked waiting outside for a good three hours now and we can’t wait any longer.
What exactly are we walking into, well that’s the dilemma we currently ponder.
We approach the house cautiously remaining on our tip toes in order to remain silent and move undetected.
I look over to Rachel, she has to be as nervous as I am, but her face doesn’t look affected.
She’s smiling and in control of her emotions.
My face is a nervous wreck stuck in a monotone blank stare almost as if it is frozen.

We stop our approach at the front door and gather our wits for a moment.
I give Rachel a quick kiss in admiration of her determination, unbroken.
I place my hand on the door **** and hold my breath
as I turn the **** slowly opening the door, exposing a world that feels as if it’s plagued by the black death.
I was secretly hoping the door was going to be locked and we would have to find an alternate route inside or bail,
but I guess inside we go in risk of going to jail.

Once inside, we close the door behind us as quietly as possible to avoid detection if anyone is indeed inside.
I’m instantly hit in the gut with a feeling that someone has recently died.
The house is dark, very dark and quiet, too quiet.
Rachel grabs me on the shoulder, her face is excited.
She can’t believe we are actually inside the home of Chris Morris, no butterflies are swarming around in her stomach.
I, however, feel as if I’m standing on the edge of a mountain and am about to plummet.

I notice the bookcase in the living room still moved aside showing off the entrance to the hidden room.
We will explore there last as that will be the last scene my viewers are allowed to consume.
It will be the ****** of this film after all.
In the comments section below, you guys can debate that call.
Rachel moves ahead of me into the house and stops at the bedroom.
Her mouth drops nearly to the floor; her eyes fill with a sense of doom.
She looks my way beginning to shake, tears beginning to fall from her eyes.
She tells me that we have a problem and I can tell by the horror in her ****** expression that is no lie.

I make my way next to Rachel and look inside the bedroom.
What I witness more closely resembles a tomb.

With the camera still rolling, “What in God’s good name happened here?”

A naked man lies apparently dead on the ground.
A police uniform lies scattered on the floor; we may have found our cop that belongs to the patrol car out front.
A woman is handcuffed to the bed but is not moving.
If this was consensual or not, right now there’s no telling.

I approach the woman and touch her on the face to see if I get a response.
It only takes a few seconds for her to respond.
Her eyes shoot open in panic, she must have fallen asleep.
I’m not sure what we’ve stumbled upon, but whatever it is, it’s deep.

“Are, are you real?  Please tell me you’re real!’

“Yes, we are real.  What happened here?”

“That man on the floor is, or should I say, was a cop.
He pulled me over near the intersection of Bradberry and Hilltop.
He planted ******* on me and told me if I didn’t play along with his game that things wouldn’t end well for me.
He cuffed me and placed me in the back of his patrol car so I couldn’t flee,
then brought me here in order to **** me.
He snorted line after line after line of ******* off of my ***,
then as he began to **** me, he overdosed and died right there on the floor.
Honestly, I thought I was done for.
He died and I was handcuffed to this bed and no one had a clue anyone was even inside this godforsaken house.
If you don’t mind, can you find the keys for these cuffs and get me unchained from this bed?”

I agree to the request and take the keys for the cuffs off of the officer’s belt.
This is quite the unforeseen situation we’ve been dealt.
I take the cuffs off of the woman who gets up and hugs me for freeing her as Rachel looks on with a jealous stare at a half-naked woman hugging me.
I mouth towards her, “she’s just happy to be free.”

“So if you don’t mind me asking, what brought you two into this house in the first place?
I honestly had myself convinced I would never see another living face.”

“We are explorers who like to explore and document our adventures in abandoned or just down right creepy places,
and what’s the top place to hit up and explore right now?
Well…Chris Morris’s house!
So here we are to explore and document our findings.
Didn’t expect to find you and a dead cop here though.
We will cover up your identity in the film, just so you know.
O, and don’t call the cops and report this when you leave.
We will do that for you after we achieve
what we have come here to achieve.”

“Regardless of why you are here, I’m happy you guys showed up.
You just saved my life.
I won’t report this to the police, I’ll leave that for you to do.
This place does give me the creeps so that might be a cue
to not hang around here to **** long,
so do what you got to do and get the **** out!”

With that said, the woman departs leaving Rachel and I alone in the bedroom with a dead cop turned ******.
Time to find out just who this man is.
I locate the dead man’s wallet and take out his I.D. to identify just who he is for my future viewers.
Anthony Armstrong is the man’s name, what a loser.
I recognize the name.
He’s the cop that lead the searches of this house for both of the missing girls but was unable to find either of them each time.
He had everyone fooled thinking he had a heart of gold, instead it’s made out of slime.
The ****** wasn’t even able to locate the girls in this house when he executed the search warrants.
It took outside help for them to be located.
An anonymous tip lead to the location of the girls.
That must have been embarrassing.
And this Chris Morris guy is still missing!
He could be anywhere, even somewhere nearby, but he probably fled the country to avoid going to prison.

“Did you get that viewers?
This cop failed to located the two missing girls who were being held right here in this house, and was only able to finally locate them after an anonymous tip came in alerting the police to their location.
Then, when they arrived to save the girls, Chris was already gone and they have been unable to locate him ever since.
Police work at its finest, I’d say.”

Rachel and I, now tired of being in the same room as a dead corrupt cop, decide to finish up the adventure and check out the hidden room Chris used to keep the girl’s prisoner.
It would be nice to find some evidence pointing to Chris’s whereabouts so he’s finally able to face the executioner.

We exit the bedroom and make our way into the living room where the bookcase that hid the room is still moved exposing the hidden room for us just to walk into.
This is the moment we have all been waiting for, I hope you all enjoy the view.

We walk past the bookcase and enter into the hidden room,
where we are greeted with a nerving sense of gloom.
The room is even darker than the rest of the house.
Hanging on the wall is a skimpy school girl blouse.
The pervert was a teacher and I guess had a fetish for his students.
He probably brought them here to punish them for being truant.
Yeah I see it now, he would bring them here to punish them in hopes they would begin to show improvement,
but all he would do was leave them with their virginity’s ruined.

This room feels like a dungeon.
If I had to choose a way to die, I would have to go with being bludgeon.
I can’t imagine being ******* here, ***** and tortured for months on end.
This man’s actions, no one is able to defend.
The one poor girl gave birth to a baby just after being rescued from here.
That had to be one hell of an ordeal to endear.
After being ***** and abused for months on end,
she finally is rescued just to give birth to a baby that will remind her of her abuser for the rest of her life.
What a cruel ******* fate.
I hope one day she can find a good, loyal mate.

Rachel whispers into my ear…
o…I guess she is dead now…
murdered by the other girl who was kept here…
she was killed by the cops and is dead as well…
**** this adventure keeps getting darker as we go on.

Anyways, the room contains no windows as one would expect.
The one room has a table with straps and I swear it still smells of young ******* being wrecked.
*** toys still line the walls of the room.
I hope one day all of this is used as evidence in the courtroom.

The second room is just a chain attached to a wall.
The one girl reportedly spent many long hours chained up in here with nothing but a hard floor curled up in a ball.
She was drugged for her obedience or so the media has reported.
This is sickening, I wish there was some way it could all have been thwarted.
Chris really does need to be caught and forced to pay for his actions.
He needs to be punished in a merciless fashion.
I would love to have a few shots at him myself.
I would turn his final moments on the flat Earth into a brutal farewell.
This room, and house overall in general, really gives me the creeps.
I can’t imagine staying overnight here to sleep.
A constant, cold, nerve inducing chill crawls up and down my spine.
This place should be demolished and be covered by the local paper as their front-page headline.

Having enough footage between the dead police officer, cuffed to the bed, seminude girl and this godforsaken hidden room, I turn around to head back out of the room to leave.
I believe I accomplished everything I came here to achieve.
I stop in my tracks as standing in front of me at the entrance to the hidden room are a man and a woman.
The woman has a gun pointed directly at my head, wanting to pull the trigger I’m sure, to insert into my brain an life ending bullet.

The man speaks, “What are you two doing in this house?”

“We mean no harm, just came here to explore this house a little bit, to get a bird’s eye view of the set Chris Morris used to torture those poor girls.
This room is beyond disgusting and makes us want to hurl.
We found a dead cop in the bedroom and a young woman who was handcuffed to the bed who we released and has already called the police to come here, so I suggest we all make our way out of here before we get in real trouble.
Once the cops arrive and see their friend dead in that room, they won’t be in a mood to sit around with us to ******* and chuckle.”

The man motions to the woman to lower her gun.

“My name is Nathan and this is my friend Amanda.
We didn’t mean to startle you like this.
We got suspicious of the cop car that’s been parked out front for far too long and got suspicious after your car showed up and remained parked out front for an extended period of time now.
This isn’t a place for people to be hanging around anyhow.
We stumbled upon the dead cop as well so I suggest we do get moving and leave here immediately before trouble happens to stumble upon us.
I see you have a camera and like to video tape your explorations, so I have something I would like us to discuss.”

“What do you have in mind?”

“Well, my good friend Dr. James Allen Burke is conducting the most groundbreaking experiment of his life right now as we speak and could use a camera man to capture the moment on tape.”

“James Allen Burke, I’ve heard of him!  Wasn’t he the world-famous brain doctor that was forced into retirement due to trying to conduct very controversial experiments and surgeries on people?”

“Yes, however his experiments have not stopped, he just moved them underground and out of the spot light.
He lives right next door to this house, as do I on the opposite side, so how about you come over with me and use your camera for some good?  I promise you the man won’t bite.
You will be recording an event that will rewrite the history books as we know them.
Too pass on this offer would be mighty dumb.
So, what do you say?
Will you come with us?”

I look over to Rachel who appears unsure of what we should do.
I smile and wink towards her also feeling uneasy about this since this offer just came out of the blue.
But if Nathan is right and I’ll be recording a massive historic event, I can’t pass that up.
Worst comes to worst, we will thank them for their time and leave if this turns out to be a bust.

“Ok we will come with you.”

“Great, let’s get moving!”
Minerva now put it in Penelope’s mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband’s treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend
whom he had met in Lacedaemon—Iphitus the son of Eurytus. The two
fell in with one another in Messene at the house of Ortilochus,
where Ulysses was staying in order to recover a debt that was owing
from the whole people; for the Messenians had carried off three
hundred sheep from Ithaca, and had sailed away with them and with
their shepherds. In quest of these Ulysses took a long journey while
still quite young, for his father and the other chieftains sent him on
a mission to recover them. Iphitus had gone there also to try and
get back twelve brood mares that he had lost, and the mule foals
that were running with them. These mares were the death of him in
the end, for when he went to the house of Jove’s son, mighty Hercules,
who performed such prodigies of valour, Hercules to his shame killed
him, though he was his guest, for he feared not heaven’s vengeance,
nor yet respected his own table which he had set before Iphitus, but
killed him in spite of everything, and kept the mares himself. It
was when claiming these that Iphitus met Ulysses, and gave him the bow
which mighty Eurytus had been used to carry, and which on his death
had been left by him to his son. Ulysses gave him in return a sword
and a spear, and this was the beginning of a fast friendship, although
they never visited at one another’s houses, for Jove’s son Hercules
killed Iphitus ere they could do so. This bow, then, given him by
Iphitus, had not been taken with him by Ulysses when he sailed for
Troy; he had used it so long as he had been at home, but had left it
behind as having been a keepsake from a valued friend.
  Penelope presently reached the oak threshold of the store room;
the carpenter had planed this duly, and had drawn a line on it so as
to get it quite straight; he had then set the door posts into it and
hung the doors. She loosed the strap from the handle of the door,
put in the key, and drove it straight home to shoot back the bolts
that held the doors; these flew open with a noise like a bull
bellowing in a meadow, and Penelope stepped upon the raised
platform, where the chests stood in which the fair linen and clothes
were laid by along with fragrant herbs: reaching thence, she took down
the bow with its bow case from the peg on which it hung. She sat
down with it on her knees, weeping bitterly as she took the bow out of
its case, and when her tears had relieved her, she went to the
cloister where the suitors were, carrying the bow and the quiver, with
the many deadly arrows that were inside it. Along with her came her
maidens, bearing a chest that contained much iron and bronze which her
husband had won as prizes. When she reached the suitors, she stood
by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a maid on either side of her.
Then she said:
  “Listen to me you suitors, who persist in abusing the hospitality of
this house because its owner has been long absent, and without other
pretext than that you want to marry me; this, then, being the prize
that you are contending for, I will bring out the mighty bow of
Ulysses, and whomsoever of you shall string it most easily and send
his arrow through each one of twelve axes, him will I follow and
quit this house of my lawful husband, so goodly, and so abounding in
wealth. But even so I doubt not that I shall remember it in my
dreams.”
  As she spoke, she told Eumaeus to set the bow and the pieces of iron
before the suitors, and Eumaeus wept as he took them to do as she
had bidden him. Hard by, the stockman wept also when he saw his
master’s bow, but Antinous scolded them. “You country louts,” said he,
“silly simpletons; why should you add to the sorrows of your
mistress by crying in this way? She has enough to grieve her in the
loss of her husband; sit still, therefore, and eat your dinners in
silence, or go outside if you want to cry, and leave the bow behind
you. We suitors shall have to contend for it with might and main,
for we shall find it no light matter to string such a bow as this
is. There is not a man of us all who is such another as Ulysses; for I
have seen him and remember him, though I was then only a child.”
  This was what he said, but all the time he was expecting to be
able to string the bow and shoot through the iron, whereas in fact
he was to be the first that should taste of the arrows from the
hands of Ulysses, whom he was dishonouring in his own house—egging
the others on to do so also.
  Then Telemachus spoke. “Great heavens!” he exclaimed, “Jove must
have robbed me of my senses. Here is my dear and excellent mother
saying she will quit this house and marry again, yet I am laughing and
enjoying myself as though there were nothing happening. But,
suitors, as the contest has been agreed upon, let it go forward. It is
for a woman whose peer is not to be found in Pylos, Argos, or
Mycene, nor yet in Ithaca nor on the mainland. You know this as well
as I do; what need have I to speak in praise of my mother? Come on,
then, make no excuses for delay, but let us see whether you can string
the bow or no. I too will make trial of it, for if I can string it and
shoot through the iron, I shall not suffer my mother to quit this
house with a stranger, not if I can win the prizes which my father won
before me.”
  As he spoke he sprang from his seat, threw his crimson cloak from
him, and took his sword from his shoulder. First he set the axes in
a row, in a long groove which he had dug for them, and had Wade
straight by line. Then he stamped the earth tight round them, and
everyone was surprised when they saw him set up so orderly, though
he had never seen anything of the kind before. This done, he went on
to the pavement to make trial of the bow; thrice did he tug at it,
trying with all his might to draw the string, and thrice he had to
leave off, though he had hoped to string the bow and shoot through the
iron. He was trying for the fourth time, and would have strung it
had not Ulysses made a sign to check him in spite of all his
eagerness. So he said:
  “Alas! I shall either be always feeble and of no prowess, or I am
too young, and have not yet reached my full strength so as to be
able to hold my own if any one attacks me. You others, therefore,
who are stronger than I, make trial of the bow and get this contest
settled.”
  On this he put the bow down, letting it lean against the door
[that led into the house] with the arrow standing against the top of
the bow. Then he sat down on the seat from which he had risen, and
Antinous said:
  “Come on each of you in his turn, going towards the right from the
place at which the. cupbearer begins when he is handing round the
wine.”
  The rest agreed, and Leiodes son of OEnops was the first to rise. He
was sacrificial priest to the suitors, and sat in the corner near
the mixing-bowl. He was the only man who hated their evil deeds and
was indignant with the others. He was now the first to take the bow
and arrow, so he went on to the pavement to make his trial, but he
could not string the bow, for his hands were weak and unused to hard
work, they therefore soon grew tired, and he said to the suitors,
“My friends, I cannot string it; let another have it; this bow shall
take the life and soul out of many a chief among us, for it is
better to die than to live after having missed the prize that we
have so long striven for, and which has brought us so long together.
Some one of us is even now hoping and praying that he may marry
Penelope, but when he has seen this bow and tried it, let him woo
and make bridal offerings to some other woman, and let Penelope
marry whoever makes her the best offer and whose lot it is to win
her.”
  On this he put the bow down, letting it lean against the door,
with the arrow standing against the tip of the bow. Then he took his
seat again on the seat from which he had risen; and Antinous rebuked
him saying:
  “Leiodes, what are you talking about? Your words are monstrous and
intolerable; it makes me angry to listen to you. Shall, then, this bow
take the life of many a chief among us, merely because you cannot bend
it yourself? True, you were not born to be an archer, but there are
others who will soon string it.”
  Then he said to Melanthius the goatherd, “Look sharp, light a fire
in the court, and set a seat hard by with a sheep skin on it; bring us
also a large ball of lard, from what they have in the house. Let us
warm the bow and grease it we will then make trial of it again, and
bring the contest to an end.”
  Melanthius lit the fire, and set a seat covered with sheep skins
beside it. He also brought a great ball of lard from what they had
in the house, and the suitors warmed the bow and again made trial of
it, but they were none of them nearly strong enough to string it.
Nevertheless there still remained Antinous and Eurymachus, who were
the ringleaders among the suitors and much the foremost among them
all.
  Then the swineherd and the stockman left the cloisters together, and
Ulysses followed them. When they had got outside the gates and the
outer yard, Ulysses said to them quietly:
  “Stockman, and you swineherd, I have something in my mind which I am
in doubt whether to say or no; but I think I will say it. What
manner of men would you be to stand by Ulysses, if some god should
bring him back here all of a sudden? Say which you are disposed to do-
to side with the suitors, or with Ulysses?”
  “Father Jove,” answered the stockman, “would indeed that you might
so ordain it. If some god were but to bring Ulysses back, you should
see with what might and main I would fight for him.”
  In like words Eumaeus prayed to all the gods that Ulysses might
return; when, therefore, he saw for certain what mind they were of,
Ulysses said, “It is I, Ulysses, who am here. I have suffered much,
but at last, in the twentieth year, I am come back to my own
country. I find that you two alone of all my servants are glad that
I should do so, for I have not heard any of the others praying for
my return. To you two, therefore, will I unfold the truth as it
shall be. If heaven shall deliver the suitors into my hands, I will
find wives for both of you, will give you house and holding close to
my own, and you shall be to me as though you were brothers and friends
of Telemachus. I will now give you convincing proofs that you may know
me and be assured. See, here is the scar from the boar’s tooth that
ripped me when I was out hunting on Mount Parnassus with the sons of
Autolycus.”
  As he spoke he drew his rags aside from the great scar, and when
they had examined it thoroughly, they both of them wept about Ulysses,
threw their arms round him and kissed his head and shoulders, while
Ulysses kissed their hands and faces in return. The sun would have
gone down upon their mourning if Ulysses had not checked them and
said:
  “Cease your weeping, lest some one should come outside and see us,
and tell those who a are within. When you go in, do so separately, not
both together; I will go first, and do you follow afterwards; Let this
moreover be the token between us; the suitors will all of them try
to prevent me from getting hold of the bow and quiver; do you,
therefore, Eumaeus, place it in my hands when you are carrying it
about, and tell the women to close the doors of their apartment. If
they hear any groaning or uproar as of men fighting about the house,
they must not come out; they must keep quiet, and stay where they
are at their work. And I charge you, Philoetius, to make fast the
doors of the outer court, and to bind them securely at once.”
  When he had thus spoken, he went back to the house and took the seat
that he had left. Presently, his two servants followed him inside.
  At this moment the bow was in the hands of Eurymachus, who was
warming it by the fire, but even so he could not string it, and he was
greatly grieved. He heaved a deep sigh and said, “I grieve for
myself and for us all; I grieve that I shall have to forgo the
marriage, but I do not care nearly so much about this, for there are
plenty of other women in Ithaca and elsewhere; what I feel most is the
fact of our being so inferior to Ulysses in strength that we cannot
string his bow. This will disgrace us in the eyes of those who are yet
unborn.”
  “It shall not be so, Eurymachus,” said Antinous, “and you know it
yourself. To-day is the feast of Apollo throughout all the land; who
can string a bow on such a day as this? Put it on one side—as for the
axes they can stay where they are, for no one is likely to come to the
house and take them away: let the cupbearer go round with his cups,
that we may make our drink-offerings and drop this matter of the
bow; we will tell Melanthius to bring us in some goats to-morrow-
the best he has; we can then offer thigh bones to Apollo the mighty
archer, and again make trial of the bow, so as to bring the contest to
an end.”
  The rest approved his words, and thereon men servants poured water
over the hands of the guests, while pages filled the mixing-bowls with
wine and water and handed it round after giving every man his
drink-offering. Then, when they had made their offerings and had drunk
each as much as he desired, Ulysses craftily said:
  “Suitors of the illustrious queen, listen that I may speak even as I
am minded. I appeal more especially to Eurymachus, and to Antinous who
has just spoken with so much reason. Cease shooting for the present
and leave the matter to the gods, but in the morning let heaven give
victory to whom it will. For the moment, however, give me the bow that
I may prove the power of my hands among you all, and see whether I
still have as much strength as I used to have, or whether travel and
neglect have made an end of it.”
  This made them all very angry, for they feared he might string the
bow; Antinous therefore rebuked him fiercely saying, “Wretched
creature, you have not so much as a grain of sense in your whole body;
you ought to think yourself lucky in being allowed to dine unharmed
among your betters, without having any smaller portion served you than
we others have had, and in being allowed to hear our conversation.
No other beggar or stranger has been allowed to hear what we say among
ourselves; the wine must have been doing you a mischief, as it does
with all those drink immoderately. It was wine that inflamed the
Centaur Eurytion when he was staying with Peirithous among the
Lapithae. When the wine had got into his head he went mad and did
ill deeds about the house of Peirithous; this angered the heroes who
were there assembled, so they rushed at him and cut off his ears and
nostrils; then they dragged him through the doorway out of the
house, so he went away crazed, and bore the burden of his crime,
bereft of understanding. Henceforth, therefore, there was war
between mankind and the centaurs, but he brought it upon himself
through his own drunkenness. In like manner I can tell you that it
will go hardly with you if you string the bow: you will find no
mercy from any one here, for we shall at once ship you off to king
Echetus, who kills every one that comes near him: you will never get
away alive, so drink and keep quiet without getting into a quarrel
with men younger than yourself.”
  Penelope then spoke to him. “Antinous,” said she, “it is not right
that you should ill-treat any guest of Telemachus who comes to this
house. If the stranger should prove strong enough to string the mighty
bow of Ulysses, can you suppose that he would take me home with him
and make me his wife? Even the man hi
Jackie Mead Sep 2017
The Frog and The Bee lived merrily on a log, in a bog in the middle of two Rivers, the River Louse and the River Wry.

They were best friends with the Mouse who had a house on the River Louse and the Elf with one ear and the Fly with one eye who lived on the River Wry.

One day the Frog, on the log in the middle of the bog, said to his dear friend the Bee, it's about time that you and I, the Mouse with the house on the River Louse, Elf and Fly had another adventure.
The Bee buzzed excitedly and said 'what did you have in mind?'
"Well" said the Frog, who lived on the log in the middle of the bog on the River Louse, where the Mouse had his house “I was thinking that you and I and the Fly with one eye could get together with the Mouse, who has a house on the River Louse,and the Elf with one ear and set out for the town of Cry which is on the River Wry”.
” I've heard” said the Frog, who lived on the log in the middle of the bog on the River Louse, where the Mouse had his house “that there is a horse living by the course of the River who because he is getting older needs some help getting his master and friend round the very long bend.”
“I thought you and I and the Fly with one eye and Elf with one ear and the Mouse with a house on the River Louse could come up with a plan to get the barge, the horse, his master and friend around the River bend at the town of Cry on the River Wry”.
“What a great idea” said the Bee to the Frog, who lived on a log in the middle
of a bog, let's go summons our friends, the Mouse with a house on the River Louse and the Fly with one eye and the Elf with one ear and help the master and his horse round the River course”.

So the Frog and Bee set out to find the Mouse with the house on the River Louse and the Fly with one eye and the Elf with one ear and explain to them that there was a horse who needed their help to get a barge and his master and friend around the River bend.
The Mouse with the house on the River Louse and the Fly with one eye and The Elf with one hear were easy to persuade, they all agreed to let Frog, who lived on a log in the middle of the bog, to take the lead.
Frog said to the Elf with one ear “we need to you to be the eyes for the Fly with one eye and help him find his way to the town of Cry on the River Wry”.  
To the Fly with one Eye, Frog, who lived on a log in the middle of the bog said “we need you to help the Elf with one ear and be his ears, working together to find your way to the town of Cry on the River Wry”

The friends set out on their way to the town of Cry on the River Wry, Frog, who, lived on a log in the middle of the bog, croaked very nosily as he hopped from lily pad to lily pad from River Louse, where the Mouse with the house lived, to River Wry and their destination the town of Cry.

The Bee buzzed happily on the shoulder of the Frog, who lived on a log in the middle of the bog, and accepted the ride with his friend to the River bend at the town of Cry on the River Wry.

The Fly with one eye and the Elf with one ear set out together, the Elf with his perfect eye sight led the way to the town of Cry on the River Wry.  The Fly with his perfect hearing kept the Elf safe from harm and alerted him to any creature that may be nearing.

It was a beautiful afternoon and the friends would get to the town of Cry on the River Wry soon, the Frog and the Bee, the Fly and the Elf and the Mouse with the house on the River Louse, would help their friend the horse and his master get around the very long course of the River at the town of Cry on the River Wry.

After several hours, the friends all agreed it wouldn’t be long now until their friend the horse would be in sight and they would use all of their skills and all of their might to help their friend navigate around the bend of the river at the town of Cry on the River Wry.

The Frog croaked to the Bee, look our friend is in front of you and me, the horse is close to the River bend and he will soon need all his friends to help him round the bend close to the town of Cry on the River Wry.

The horse was pleased to see his friends, the Frog, who lived on a log in the middle of the bog, the Bee and the Mouse who had a house on the River Louse, the Fly with one eye and Elf with one ear, he began to neigh and cheer, at last he would have some help from his friends to get him, the barge and his master and friend around the river bend.

The Frog, who lived on a log in the middle of the bog, asked the horse “how can we assist you and your master?”.  The horse replied ” of course I need good eyes and ears and lots of noise to guide the master, the barge and me, the horse, of course, around the river bend.”
The Frog, who lived on a log in the middle of a bog, replied “I have an idea, the Elf with one ear has perfect eyes and the Fly with one eye has perfect ears, myself the Bee and the Mouse with a house on the river louse can all make lots of noise, together we will all work to assist your master and you, the horse, around the river course".
The horse did neigh as if to obey and went to find his master.  With a collar around his neck attached to the barge he lowered his head and began to walk.
The Frog, who lived on a log in the middle of a bog and the Mouse who had a house on the River Louse and the Bee made as much noise as a trio of three could possibly.
The Frog, who lived on a log in the middle of the bog, did croak, the Mouse with a house on the River Louse, did squeak and the Bee did buzz and together they made an awful lot of fuss, and the horse did neigh as if to say, he heard them all just fine.

The horse continued to walk and the Fly with one eye and the Elf with one ear did appear, and encouraged the horse to walk on, the Fly with its perfect ears did listen to his friends, The Frog who lived on a log in the middle of the bog, the Mouse who had a house on the River Louse and The Bee, and talked the horse around the river bend.  
The Elf with one ear and its perfects eyes did talk to the horse and describe the course of the river at the town of Cry on the River Wry.

In no time at all the horse, the barge and the master, his friend had gotten all the way around the large bend of the river at the town of Cry on the River Wry.
The horse did neigh as if to say "Thank You" to his friends, the Frog who lived on a log in the middle of the bog, the Bee, the Mouse with a house on the River Louse, The Fly with one eye and the Elf with one ear and invited them to stay for tea.  
The Master was so pleased that he fell to his knees and said to the creatures big and small "thank you for your help today it is fair to say that without your noise, your perfect sight and perfect talk the horse would not have made the walk around the river bend".
"Now" said the master to the new set of friends "lets set up camp past the river bend and have a cup of tea", "thank you" said the Frog, who lived on a log in the middle of the bog and the Bee, "we’d love a cup of tea".

So this very odd group of friends sat around and made mend with a cup of tea and a fire to keep them warm as they swapped stories for the night and tomorrow the friends would make their way home.

The Frog, who lived on the log in the middle of the bog, turned to his special friend the Bee and said “thank you for believing in me”
Another story based poem, it's a bit epic, thank you to anyone who takes the time to read it.
Thus, then, did Ulysses wait and pray; but the girl drove on to
the town. When she reached her father’s house she drew up at the
gateway, and her brothers—comely as the gods—gathered round her,
took the mules out of the waggon, and carried the clothes into the
house, while she went to her own room, where an old servant,
Eurymedusa of Apeira, lit the fire for her. This old woman had been
brought by sea from Apeira, and had been chosen as a prize for
Alcinous because he was king over the Phaecians, and the people obeyed
him as though he were a god. She had been nurse to Nausicaa, and had
now lit the fire for her, and brought her supper for her into her
own room.
  Presently Ulysses got up to go towards the town; and Minerva shed
a thick mist all round him to hide him in case any of the proud
Phaecians who met him should be rude to him, or ask him who he was.
Then, as he was just entering the town, she came towards him in the
likeness of a little girl carrying a pitcher. She stood right in front
of him, and Ulysses said:
  “My dear, will you be so kind as to show me the house of king
Alcinous? I am an unfortunate foreigner in distress, and do not know
one in your town and country.”
  Then Minerva said, “Yes, father stranger, I will show you the
house you want, for Alcinous lives quite close to my own father. I
will go before you and show the way, but say not a word as you go, and
do not look at any man, nor ask him questions; for the people here
cannot abide strangers, and do not like men who come from some other
place. They are a sea-faring folk, and sail the seas by the grace of
Neptune in ships that glide along like thought, or as a bird in the
air.”
  On this she led the way, and Ulysses followed in her steps; but
not one of the Phaecians could see him as he passed through the city
in the midst of them; for the great goddess Minerva in her good will
towards him had hidden him in a thick cloud of darkness. He admired
their harbours, ships, places of assembly, and the lofty walls of
the city, which, with the palisade on top of them, were very striking,
and when they reached the king’s house Minerva said:
  “This is the house, father stranger, which you would have me show
you. You will find a number of great people sitting at table, but do
not be afraid; go straight in, for the bolder a man is the more likely
he is to carry his point, even though he is a stranger. First find the
queen. Her name is Arete, and she comes of the same family as her
husband Alcinous. They both descend originally from Neptune, who was
father to Nausithous by Periboea, a woman of great beauty. Periboea
was the youngest daughter of Eurymedon, who at one time reigned over
the giants, but he ruined his ill-fated people and lost his own life
to boot.
  “Neptune, however, lay with his daughter, and she had a son by
him, the great Nausithous, who reigned over the Phaecians.
Nausithous had two sons Rhexenor and Alcinous; Apollo killed the first
of them while he was still a bridegroom and without male issue; but he
left a daughter Arete, whom Alcinous married, and honours as no
other woman is honoured of all those that keep house along with
their husbands.
  “Thus she both was, and still is, respected beyond measure by her
children, by Alcinous himself, and by the whole people, who look
upon her as a goddess, and greet her whenever she goes about the city,
for she is a thoroughly good woman both in head and heart, and when
any women are friends of hers, she will help their husbands also to
settle their disputes. If you can gain her good will, you may have
every hope of seeing your friends again, and getting safely back to
your home and country.”
  Then Minerva left Scheria and went away over the sea. She went to
Marathon and to the spacious streets of Athens, where she entered
the abode of Erechtheus; but Ulysses went on to the house of Alcinous,
and he pondered much as he paused a while before reaching the
threshold of bronze, for the splendour of the palace was like that
of the sun or moon. The walls on either side were of bronze from end
to end, and the cornice was of blue enamel. The doors were gold, and
hung on pillars of silver that rose from a floor of bronze, while
the lintel was silver and the hook of the door was of gold.
  On either side there stood gold and silver mastiffs which Vulcan,
with his consummate skill, had fashioned expressly to keep watch
over the palace of king Alcinous; so they were immortal and could
never grow old. Seats were ranged all along the wall, here and there
from one end to the other, with coverings of fine woven work which the
women of the house had made. Here the chief persons of the Phaecians
used to sit and eat and drink, for there was abundance at all seasons;
and there were golden figures of young men with lighted torches in
their hands, raised on pedestals, to give light by night to those
who were at table. There are fifty maid servants in the house, some of
whom are always grinding rich yellow grain at the mill, while others
work at the loom, or sit and spin, and their shuttles go, backwards
and forwards like the fluttering of aspen leaves, while the linen is
so closely woven that it will turn oil. As the Phaecians are the
best sailors in the world, so their women excel all others in weaving,
for Minerva has taught them all manner of useful arts, and they are
very intelligent.
  Outside the gate of the outer court there is a large garden of about
four acres with a wall all round it. It is full of beautiful trees-
pears, pomegranates, and the most delicious apples. There are luscious
figs also, and olives in full growth. The fruits never rot nor fail
all the year round, neither winter nor summer, for the air is so
soft that a new crop ripens before the old has dropped. Pear grows
on pear, apple on apple, and fig on fig, and so also with the
grapes, for there is an excellent vineyard: on the level ground of a
part of this, the grapes are being made into raisins; in another
part they are being gathered; some are being trodden in the wine tubs,
others further on have shed their blossom and are beginning to show
fruit, others again are just changing colour. In the furthest part
of the ground there are beautifully arranged beds of flowers that
are in bloom all the year round. Two streams go through it, the one
turned in ducts throughout the whole garden, while the other is
carried under the ground of the outer court to the house itself, and
the town’s people draw water from it. Such, then, were the
splendours with which the gods had endowed the house of king Alcinous.
  So here Ulysses stood for a while and looked about him, but when
he had looked long enough he crossed the threshold and went within the
precincts of the house. There he found all the chief people among
the Phaecians making their drink-offerings to Mercury, which they
always did the last thing before going away for the night. He went
straight through the court, still hidden by the cloak of darkness in
which Minerva had enveloped him, till he reached Arete and King
Alcinous; then he laid his hands upon the knees of the queen, and at
that moment the miraculous darkness fell away from him and he became
visible. Every one was speechless with surprise at seeing a man there,
but Ulysses began at once with his petition.
  “Queen Arete,” he exclaimed, “daughter of great Rhexenor, in my
distress I humbly pray you, as also your husband and these your guests
(whom may heaven prosper with long life and happiness, and may they
leave their possessions to their children, and all the honours
conferred upon them by the state) to help me home to my own country as
soon as possible; for I have been long in trouble and away from my
friends.”
  Then he sat down on the hearth among the ashes and they all held
their peace, till presently the old hero Echeneus, who was an
excellent speaker and an elder among the Phaeacians, plainly and in
all honesty addressed them thus:
  “Alcinous,” said he, “it is not creditable to you that a stranger
should be seen sitting among the ashes of your hearth; every one is
waiting to hear what you are about to say; tell him, then, to rise and
take a seat on a stool inlaid with silver, and bid your servants mix
some wine and water that we may make a drink-offering to Jove the lord
of thunder, who takes all well-disposed suppliants under his
protection; and let the housekeeper give him some supper, of
whatever there may be in the house.”
  When Alcinous heard this he took Ulysses by the hand, raised him
from the hearth, and bade him take the seat of Laodamas, who had
been sitting beside him, and was his favourite son. A maid servant
then brought him water in a beautiful golden ewer and poured it into a
silver basin for him to wash his hands, and she drew a clean table
beside him; an upper servant brought him bread and offered him many
good things of what there was in the house, and Ulysses ate and drank.
Then Alcinous said to one of the servants, “Pontonous, mix a cup of
wine and hand it round that we may make drink-offerings to Jove the
lord of thunder, who is the protector of all well-disposed
suppliants.”
  Pontonous then mixed wine and water, and handed it round after
giving every man his drink-offering. When they had made their
offerings, and had drunk each as much as he was minded, Alcinous said:
  “Aldermen and town councillors of the Phaeacians, hear my words. You
have had your supper, so now go home to bed. To-morrow morning I shall
invite a still larger number of aldermen, and will give a
sacrificial banquet in honour of our guest; we can then discuss the
question of his escort, and consider how we may at once send him
back rejoicing to his own country without trouble or inconvenience
to himself, no matter how distant it may be. We must see that he comes
to no harm while on his homeward journey, but when he is once at
home he will have to take the luck he was born with for better or
worse like other people. It is possible, however, that the stranger is
one of the immortals who has come down from heaven to visit us; but in
this case the gods are departing from their usual practice, for
hitherto they have made themselves perfectly clear to us when we
have been offering them hecatombs. They come and sit at our feasts
just like one of our selves, and if any solitary wayfarer happens to
stumble upon some one or other of them, they affect no concealment,
for we are as near of kin to the gods as the Cyclopes and the savage
giants are.”
  Then Ulysses said: “Pray, Alcinous, do not take any such notion into
your head. I have nothing of the immortal about me, neither in body
nor mind, and most resemble those among you who are the most
afflicted. Indeed, were I to tell you all that heaven has seen fit
to lay upon me, you would say that I was still worse off than they
are. Nevertheless, let me sup in spite of sorrow, for an empty stomach
is a very importunate thing, and thrusts itself on a man’s notice no
matter how dire is his distress. I am in great trouble, yet it insists
that I shall eat and drink, bids me lay aside all memory of my sorrows
and dwell only on the due replenishing of itself. As for yourselves,
do as you propose, and at break of day set about helping me to get
home. I shall be content to die if I may first once more behold my
property, my bondsmen, and all the greatness of my house.”
  Thus did he speak. Every one approved his saying, and agreed that he
should have his escort inasmuch as he had spoken reasonably. Then when
they had made their drink-offerings, and had drunk each as much as
he was minded they went home to bed every man in his own abode,
leaving Ulysses in the cloister with Arete and Alcinous while the
servants were taking the things away after supper. Arete was the first
to speak, for she recognized the shirt, cloak, and good clothes that
Ulysses was wearing, as the work of herself and of her maids; so she
said, “Stranger, before we go any further, there is a question I
should like to ask you. Who, and whence are you, and who gave you
those clothes? Did you not say you had come here from beyond the sea?”
  And Ulysses answered, “It would be a long story Madam, were I to
relate in full the tale of my misfortunes, for the hand of heaven
has been laid heavy upon me; but as regards your question, there is an
island far away in the sea which is called ‘the Ogygian.’ Here
dwells the cunning and powerful goddess Calypso, daughter of Atlas.
She lives by herself far from all neighbours human or divine. Fortune,
however, me to her hearth all desolate and alone, for Jove struck my
ship with his thunderbolts, and broke it up in mid-ocean. My brave
comrades were drowned every man of them, but I stuck to the keel and
was carried hither and thither for the space of nine days, till at
last during the darkness of the tenth night the gods brought me to the
Ogygian island where the great goddess Calypso lives. She took me in
and treated me with the utmost kindness; indeed she wanted to make
me immortal that I might never grow old, but she could not persuade me
to let her do so.
  “I stayed with Calypso seven years straight on end, and watered
the good clothes she gave me with my tears during the whole time;
but at last when the eighth year came round she bade me depart of
her own free will, either because Jove had told her she must, or
because she had changed her mind. She sent me from her island on a
raft, which she provisioned with abundance of bread and wine. Moreover
she gave me good stout clothing, and sent me a wind that blew both
warm and fair. Days seven and ten did I sail over the sea, and on
the eighteenth I caught sight of the first outlines of the mountains
upon your coast—and glad indeed was I to set eyes upon them.
Nevertheless there was still much trouble in store for me, for at this
point Neptune would let me go no further, and raised a great storm
against me; the sea was so terribly high that I could no longer keep
to my raft, which went to pieces under the fury of the gale, and I had
to swim for it, till wind and current brought me to your shores.
  “There I tried to land, but could not, for it was a bad place and
the waves dashed me against the rocks, so I again took to the sea
and swam on till I came to a river that seemed the most likely landing
place, for there were no rocks and it was sheltered from the wind.
Here, then, I got out of the water and gathered my senses together
again. Night was coming on, so I left the river, and went into a
thicket, where I covered myself all over with leaves, and presently
heaven sent me off into a very deep sleep. Sick and sorry as I was I
slept among the leaves all night, and through the next day till
afternoon, when I woke as the sun was westering, and saw your
daughter’s maid servants playing upon the beach, and your daughter
among them looking like a goddess. I besought her aid, and she
proved to be of an excellent disposition, much more so than could be
expected from so young a person—for young people are apt to be
thoughtless. She gave me plenty of bread and wine, and when she had
had me washed in the river she also gave me the clothes in which you
see me. Now, therefore, though it has pained me to do so, I have
told you the whole truth.”
  Then Alcinous said, “Stranger, it was very wrong of my daughter
not to bring you on at once to my house along with the maids, seeing
that she was the first person whose aid you asked.”
  “Pray do not scold her,” replied Ulysses; “she is not to blame.
She did tell me to follow along with the maids, but I was ashamed
and afraid, for I thought you might perhaps be displeased if you saw
me. Every human being is sometimes a little suspicious and irritable.”
  “Stranger,” replied Alcinous, “I am not the kind of man to get angry
about nothing; it is always better to be reasonable; but by Father
Jove, Minerva, and Apollo, now that I see what kind of person you are,
and how much you think as I do, I wish you would stay here, marry my
daughter, and become my son-in-law. If you will stay I will give you a
house and an estate, but no one (heaven forbi
Mateuš Conrad Oct 2020
i return to these words that are barely
an architectural promise of a house as a mere:
rummaging squatter,
that this will eventually become
scrutinised by eyes beside my own...
well it's not like i rhyme-on-the-cheap...
i've been trying to watch some penny
dreadful episodes:
what would woman do without
the devil; i suppose man tangled with
god is nothing but an obnoxious brat...
the devil of emotions
and their plethora; this belittling god
fiddling with stones and creases
in york oak stand-alones...
                          then it came like
an itch: poached-taming-(of a)-toe...
just a tatty... a humble:
i am pretty sure i saw the letters
prefix a toad somewhere: po-ta-to(e):
ah... there! poached tame toad...
a sputniks for a brainz...
in penny dreadful: john claire
the name of victor frankenstein's monster:
oh dear old god: this continued
exasperation with poetry:
one must live a most unsatisfying life
to cross the rubricon of
old testament anemia:
            i think i admired wordsworth too... -

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...
i will not heed to market emphasis...
(Ꝛ if you might ask:
there's no leg to stand on...
the "R" falls into a turddle -
a tumble: a trill)...

ꝛ - a missing hammer: it would seem...
a sickle my dreading of apparents...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

clamour for the subjective experince...
none of this: hammer to a nail
sort of "magic" that leaves
one... sensibly "ostententious":

a semi-decent poem contra:
a good night's sleep...
always the latter...
   but unlike today:
6am wake... giving blood for
scrutiny - subsequently...
a broad need for 4 hours in...
a makeshift wilderness...
from Hainault Forest
to Havering County Park...

                        i would clearly have
to start all over again...
should i mind reading back into Tironian
notes and what i had expected to find...
it will suffice to mind...
the characters of empress wu...

         國 (guo)

beginning: coming back to bite some back
from a beijing pork belly:
where you'd first have to make caramel
from the sugar dissolved in oil:
before all the wine would care to glisten...

             𤯔 (ren)...

                              in reverse:
ren-guo - people (of) nation...
                      walking past this field:
impromptu: please keep off of field...
that's what i read...
      this was exclusive -
there was not need to denote further...

and this funny oddity:
saying good-morning or a hello
in an environment that's beside...
walking down the street with a stable
hound of anonymity surrounding
crisp grey blockage of: the amass!
yet people are so expecting
a common courtesy to brief you
on a morning: good...
is it? incessantly so! apparently!
switch them to the torment of the cements
and the back-to-basics apathetic crew
is on the counter...
ghost faces...
  but push them far enough to be alone
and into nature:
they pass a stranger and apparently
demand a prompt: hello!

i go into a depth of nature like
i have *** with prostitutes in a brothel:
i want to have as little to do with talking
that i'd loan: smothering someone
to shut up...
i came for the crows the knee-high-hallubaloos
of nonsense that...
i will extract myself to break
fasting to give blood by foraging
some blackberries...

i still prefer the lesser democratic voices...
it's not that robert duncan was going
to be a stand-alone show akin
to gibsberg...
but... my house is currently in disarray...
i'm playing chess by having
a makeshift kitchen in my living room...
i don't even know where the spices
are! but i'll manage
to bake a **** fine moroccan kobhz!

- this little but current focus for a genetic
"protection": half of me,
then a quarter, an eight, a sixteenth,
a 32-and-a-third... jump toward
64... 128... and... from all these fractions:
half and half:
beauty is no longer viable:
i imagine love as being a prized
bull kept for nothing except
for ******* the gene pool silly...

that's "love" from a darwin from
a materialism: breeding racing horses
or... both the submissive
and the contentious workers -
pay up! but i am not looking
for the generic beauty of
the plateau of the women
employed as surrogates
in this darwinistic harem...
            
isn't it obvious? it would have been
better have be allowed ourselves
to be dead: aborted...
but then: critter load: make-up...
i actually offend my own existence
by affording these dorian gray
parades to take hope in puruing
norms...
i like the scaps i like the wounds
i even like nibbling on the shellfish!

****-****** literature is my achilles
heel...
better a heel than trodding along
with faking a ******* knee...
robert duncan... jack spicer...
i like reading eyes by (metaphorically)
licking up the ****...
and it's not like i might give good head...
i employ a growth of
***** hair to convert my chin
to a niqab like i might: perhaps blink...

then again: face-masks and fashion?
is... this... somehow...
a "thing"?
            well it must be new:
it's nothing from the sort
of the elders i might care to remember...
i walked the scenic route...
blackberries and horseshit...
everything is baking in a procrastination
of: tickle the rats' nibbling...
scrutiny of the lesser of the food
hierarchy: omnivore that i am...

yes... that i like petting criters
that find themselves adamant in their
superiority...
but who have yet to see me:
teasing myself with
a: what if...
                 hours match-up to
not keeping count: there's a fog of them
that goes way back to...
out of the womb... then abandoned
by the scholastic detail that
allows them to float: limbless...
and then return to earth: degenerate...
and less than amiable...

        douglas murray is probably
a hot topic... i too sometimes bewilder myself:
it would have been best to have
allowed the pendulum to swing both ways...
but he (ol' doug) speaks very well:
his writing is... beside the generic...
salt of grain: akin to my own...
for a cubic's worth of water...

    i don't want this tongue to be somewhow
exasperated with concerns for this / an "art"...
or that it can belittle a scientific bone...
thrown to the politics and red herring marches...
spins the doctor: no plates...
forever the new lies
kept in the same old... rhetorical: quirk-and-quickness
of the quilled-tongue...
a knock-knock stone cold: generic...
must: mediocre...
tired of living tongue of poetry
that has to become tired:
truth has to tire so easily...
so that politics: and the freshness
of lies and the no-niche-audience-allowance
can cast their:
"vote"... their... archaic... illiterate "X"..

i will not poetry for rhymes for
exasperations - fooled i: to you: to pursue
that paragraph of fiction - either...
but as freely as this will not:
become an exercise in myopic-claustrophobia...
so it will not rhyme:
perhaps: to advent a coming of my
prescribed punctuation:
but more: your own, your "post-nationalistic"
canadian:
something the people of India or
China will not share with you...
because:
they are still of the mindset: China...
India... hell! Russian is towing suitor!
individualism collapses nations...
whether with a homogeneity of ethnicity
or the heterogeneity of liberalism...

           a wonderful collage of stories...
from the 20th century:
agony aunt israel bewildering
to either confront or defend...
            2000 years have somehow passed
and: europe is no new: "anew"...
it's the same old bland palette
of readily ethno-primed availability
of spices...
hurrah for thyme! and rosemary! mint!

from some mythical above
to this drudge of the pressurised castor -
there was something about robert duncan
that might always have:
made me... diverge from...
it could have been expected...
stash a tonne of bricks by day...
weave in an escapism posit of cinema
come sabbath...
now... escapism into... where?!
critical reignition of marxism:
that sort of marxism my parents escaped
from from under the old soviet
yolk of the satellite state
of poland: thank **** i too am an
immigrant:
but i see no repatriation politics
either...
               go back to a state of
the littlest of all bald envy necropolis
Impoleons?

            no among my native people:
among the natives of these isles...
a thespian: knee deep in ****...
           faking best predicts a survival
rate of this uncoiling...
it's a nation full of: self-
pre-determina...
                  automated prefixation that
can never allow itself to:
make sensible coagulations
of the odd sociable pint...

this atom world this atom's worth
of man...
best life lived as designated
to a harem...
  my and my leftover "blues"...
this world of god and the adventures
of...
no longer available...
thus this one "reality" presented:
playing by man's rules
for the purpose of man's eventual:
transcendence...
a dwarf riding a hunchback
        toward a goal that's a talking donkey!

what's otherwise best?
this has to be an: exercise in futility -
that it had to come from somewhere like:
borrowed prior -
that it could only be borrowed prior:
this tongue had to be inherited:
it could never be acquired -
that a native speaker is...
of a higher status to a bilingual -
because the earth breathes rights...

i forget: i am not equipped
with the desirable physiognomy -
problem being:
when i might find black males
attractive like i might lions: distinct...
i have this ****** on my brain
that says to me...
  well... well...
     i'm not gay.. but i'm certainly
not heterosexual:
even if Flaubert might ask the question:
blondes, brunetters - afro-beauties:
ivory envy?
  what can i do? fest on a hard-on
chemical "oops" / short-cut?
i can't possibly have... a beijing fetish?
a mongol fetish?
i can't? there's only one variation
of interracial mixing...
i guess... so...

     it would be so much easier
to just be gay and leave this world
with a ******* massive **** salvo
of: not coming back!
               to **** a black girl:
not enough...
to not **** a black girl: doubly knot...
******* a lemon while
staring at the sun:
the sado-masochism of
all the post-colonial empires...
and me: whittle ol' resurrected
******... or searching:
the elder prus - the new estonians...
some little european *******...
i imagine...
going to Kenya and running
for parliament:
to concern myself for the voices
of the: minority!

it's... fiddling with the already
prescribed narrative:
trying to make a lee evans jokes
out of it... but...
it's not ******* happening woe-o'-sunshine...
is it?!
it's not like i'm strapped
to a northern monkey
reservation... while still retaining
my: immigrant southern fairy:
commuter hell "debate":
this is not devonshire...
this is not bristol: i'd love to scoop
up a life of a decade's worth
up in Bangor... but it's not even that...
pay by way to:
a collective identity crisis of:
zee vest...
            
if it's anger: perhaps...
it's more a seance in glorifying confusion:
it was once perhaps a little
bit... naive...
but then... who's naive enough
to repeat two-folds of yesterday
within the confines of a day:
to- / to- are not future even
if subjected to incremental changes...
fx/dx changes that might
spawn alternate realities...

        the breaking of a donkey's dollars
worth: i do fishing in the indian sea...
with some... somali pirates...
it's not like i'll ever wake up from
this guilt... the guilt that might
riddle a people that inherited...
i inherited exile from my fathers...
i inherited: no...
the ****** aristocracy didn't tend
to their garden... there was no Eton...
no rugby no football...
there was only a partitioning...
to look toward the past is
an agony that i wish to only hide
in the english countryside...
after all, i thought: who would't want...
make a feast of conquest of this land...
but in a way that was norman:
that the anglo-saxon debauchery could
be... delianted
and brought to a celtic-esque heel...
with a dash of neo-paganism:
a york-up sort o' pie...

without disturbing this dilligent
people of: a most fervent... attention to detail...
it's an island... it's devoid
of any continental squabble...
no mongol ever... no ottoman ever...
it break my heart...
it reminds me: although it shouldn't
remind me...
the aristocratic class (they deem themselves
as much, so why deny them?)
of this country are like the ******
aristocracy
of the three partition "era"...
as napoleon was celebrated "elsewhere"...
with the resurrection
of the duchy of warsaw...
and... england made a beef from
a wellington...
and how the confederacy of germans
repaid the english during the first:
thirst for war...

                   a shogun's pride:
no one would invade japan:
given the persistence of pressure
from a civility of: glamour creases...
it's still the ******* canon rolling
the pawns and pins...

i have but this little interlude in time
to entertain: a history i have learned...
beside citing the obvious apple
hanging on a tree...
who? the burning vietnamese monk?
that's who i am going to... erase...
2000 (circa) years of history with?
this is how i play: conquistador-catch-up?!
this is my whittle muhammad
stage-fright?!

these new surgical masks are
not imitations of the niqab...
the arabs are not drying up their dinosaur
marrow reserves and are not
scouting for willing sodomite freshers
to their gargantuan wealth-soiling
of "morals"?
no? this is all... a pauper's conspiracy
theory... god!
i try to imagine the conspiracy
theory of kings!
it must invite a realisation of
a god or gods...
and at least a quarter of an abstaining
pademomium!

the poets and the sceptics
living under: the... gates are open...
a republic under "scrutiny"...
the philosophers and the
geocentrists - have allowed
for nothing more... than this...
thespian "bureucracy" of
shadow "fiddling"... tail with now:
tail best quite...

attention spanning the glorifications
of non-replica, generic
Solomon comes to the furore
front: then a mismatch
when the brain: swiss cheese project:
is treated at the Avignon
pontiff...
the harem and debauchery shifts
focus...
there's that "we're" and...
dumb-lasso-dumber than you'd
pay the libido of a camel with: for...

i have to always imagine myself
petting cats... or dogs...
to have to dissociate myself from having
perfect: the needs for either halal or
kosher demands of leather...
i best prefer the pipsqueak of
a meow to... an actual oink
in the litany of cogs and perhaps:
clogging up the machinery of
"jurisprudence"... as some Jain might...

borrow from... export very little to...
come the omnivorse of the east
and all succumb to:
boy-scout avenues of:
yes ss'ir...
most loathsome ss'ir...
                     i have to interrogate
the dead man as i am:
the best example of a cul de sac
of dreams: the...
pedestrian could mind not thinking:
imagine: imagine the corpus deity
of: unimaginable thought...
or one which has
an alias: unthinkable imagiation...

memory freelance architect prior
to noon...
is somewhat justified with...
a boredom of a cat come
5pm... but by then...
no cat is ever really bored...
and i have no need to concern
myself with dogs... or leashes...
or desires to: address a
workability of legs...
          to: give scrutiny when all
other examples are wheelchair bound...

he held a piece of paper:
between his hands... like my shadow might:
hold a butterfly...
exasperation:
that philosophers of ancient greece
said: poets begone!
no wonder this...
currency... of wanting to imitate
a petting of animals...
and... this thespian autocracy
that no elders could abide by...
it can still be excused:
the role of actors:
the role of shadow-thieves...

it can still be salvaged...
some of us are still the same rummaging:
in ruinous...
wordsmiths or... best...
plumbers... not some aspirtation
beckons for youth...
it must rhyme:
it must come down to: 2 + 2 = 4
sort of: flimsy poetics...

i'd must prefer to be a
homosexual plumber these days
that my very own mediocre leftover...
thank god i do not encompass
a courtship of a woman:
then imagine!
what did i do with my time:
that i do so much!
having made... so little money!
ghosts can't spend: ****!
i did with my time that
would not allow woman
to turn time into money!
thus i turned money into monkey's
play on elephant and
called tha pennies: p'p'eh-nuts!

  the old man dies:
the youth of man was never
supposed to be born;

god... this was supposed
to be profound?
with this idiosyncratic lost...
spontaneity of punctuation...
i take this reading as
a leverage for making
image: of an anchor dropped:
that would sink the ship.

— The End —