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Raj Arumugam Mar 2012
1
He'd love her
and then the coldness
of marriage took love
away from him
and the coldness turned into suspicion
and then into an obsession:
and she was an inconvenience

he murdered her a Friday
night
suffocated her with her pillows
it was easy;
like Othello did
but she was no Desdemona;
and he heard her whisper with her last breath:
"I'll have your eyes"
he cut her up in manageable parts,
and buried her below the floorboards
in the study

2
It is a year later
and he is at the computer
and far below lies parts of his wife
but now his wife is smiling
she's on screen
smiling like a Greek Goddess
and he sits transfixed
and she says:
"You are Oedipus, darling -
I will have your eyes"

She is smiling
He is willing
Beside the printer are paperclips
He undoes two
She beckons; she smiles
and she whispers
that same deathbed whisper:
"I'll have your eyes"
And he is Oedipus
Just paperclips will do
He gouges one eye out
And he gouges the other too
It is easy


She lies deep below
below the floorboards;
She need whisper no longer
And he is become Oedipus,
eyes gouged,
blind like the Greek Homer
TheMystiqueTrail Sep 2018
Darkness dredges deep into the soul,
tempest gouges out my stillness in manic vengeance,
lightning in fiery wrath
rips up the mind’s horizon.
Thunderous sky roars in scaring rage.
Panicked,
stars went hiding
in the pall of gloomy clouds.

My soul too blackens out,
O Shepherd,
where are you this night?
Kristo Frost Mar 2013
how could You know
as You are walking down the sidewalk
           around a corner       wherever You want
that the world is not assembling itself
atom by sticky atom
from the blueprints
piled in piles (like so many piles of newspaper)
in (the rooms in) the back rooms of Your mind
particles rushing and streaming, fluttering
together with the ebb of Your consciousness?
-
the World blurs fuzzily into shape
before snapping
(snappily)
into focus

just as You enter the room
blending pixilated reality smoothly
into an orchestrated Existence
-
the next time You      reach
for the doorknob on
the door to
the waiting room
-
give
pause
listen            
carefully
-
can’t You hear the anxious atoms
           scraping
sliding
           shoving past each other?
-
they                jockey
       jumping into
the eye of
       the image of
the woman on
       the screen of
the television in
       the corner of
the ceiling where
       it hangs
-
she wants to know
why we divide
Them              from Us
-
so clearly
so readily
-
she wants to know
why our countries
are bordered
-
by an indifference to equality
by a contempt for disillusionment
-
A dispute broke out between two
atoms on the table this morning;
a tiny china teapot was broken.
-
how would You know?
people are no more
then elaborate pieces of Your own mind
now once You hang up the phone
e v a p o r a t e d  
                        into no more than
                                           an afterthought
                                                    ­     of empty space
                                                           ­         -
                                             the smell of burnt matches
                             -                                      -
                You think that
everything You imagine is beautiful
                    even death
                             -
               but in an ugly way
-                            -
the man on the
                                edge
of the third chair
from the door
has no face
(none of Them do)
all of Them don’t
(have faces)
-
until They speak or You look Them in the eye
-
until They do something       Wrong
which is why They look                  down
when They walk down the sidewalk
-
They are afraid
-
to live
  as a tree
    in the park
-
where a pillar of
angry
           energy
                       falling
failing
           the
                       pessimistic
sky
might strike
Them
(older than You
yet born
just this moment)
making the ground
around
Them steam
with the sweat
of a silent room
waiting
for the
            door to
                        swing open
                                      and tell
                                                   him
                             -               -
                she’s going to be all right
              it was close there for a while
                        but she’s strong
                      she pulled through
                                      -
                              in the end
-                                     -
the pressure
of the years
of the rings
(which promise to
grow tighter
as time leaves us)
is heated
squeezed
left sitting in
flesh
turned to char
ash and smoke gently
cradling a tiny newborn
diamond
-
perfect           (silence)
-
broken
down the middle-
                      aged
                             flawed
-                                -
You should be perfect by now
You should have a face by now
-
speak           look Yourself in the eye
-
see Your own          Face
stop looking                down
when You walk down the sidewalk
-
don’t be afraid
-
to live
  as a tree
    in the park
-          -
They say don’t talk             to strangers
and You’re a strange one            indeed
how can You see the glamour
where Others            cannot
see that laughing quietly to themselves
can (You) set the expressions on their faces
to joy
     to pain
           to fear
                to apathy
                     to peace?
                              -
              yeah, she likes him
                and she likes him
                        to know
               that she likes him
                              -
                      in the end
-                             -
she wants to know
why our countries
are bordered
-
to keep Them      out
and Us       in
-                                   -
           this is Mine                  and that is Yours
-                                   -
You see
what You want to see (without)
-
(knowing what You want)
the sticker
       on the bumper
              of the car
                     rolling past reads:
                           “jesus is coming,
                                  hide the ****”
-                                          -
in its green lettering
and its largely silent voice
-
if You listen             carefully
You can almost hear Them
-                  -
              giggling
                ­   -                       -
              please do not think about green elephants
-                                          -
(a student just snuck in
and sat down as
the professor was writing
on the board)
-                                       -
             please do not feed the green elephants
-                                       -
I
Myself
have a strong suspicion
that Your mind is
as You read this
(hidden in a carefully cupped notebook)
spilling
black ink particles into
existence
on the very next          page
-                              -
             ­       You write that
You imagine everything is beautiful
                    except for death
                                 -
                   it is an ugly thing
                                    -
               yet still the chisel gouges
                  -               -
  “i whistle a catcall
at my blushing bride”
      llac ot eltsihw i”
  “edis ym ot god ym
                  -        -
        through the crumbling protests
         of the reluctant stone
                               -    -
                     ­               each new line
                                    tampers with space
                                    holds suspect time
                                    postpones the end
                                    and evades death
-                                  -
You breathe
               You write
You sing
                You live
                       -
You casually craft causality
         -             -
         yet craft on
         surely You are not yet done
         You may never be
         at this rate but
         but
         STOP
-        -
the World reblurs then blows away
listen closely here I say
all things must come to end one day
-                                       -
You
Yourself

have tasted the                     hunger
                        of Greed
seen the                                 wealth
                       of Hatred
heard the                               stories
          ­             of Genocide
felt the                                    loss
                     ­  of War
and smelled the                    decay
                       of Truth
-                      -
                      this        ­     is Mine
                                 what’s Mine, is Yours...
This poem was originally inspired by the Russell's Teapot analogy.
Ilia Talalai Apr 2016
Let me meet you in a marbled
                                                 field of
                                                           sand...
                                      
                                                               Though
you bewitch me with clifftops hooded in emerald grass ...
                                                 Though
your sheep bleat loudly the marvel of your serenity...
                                   Though
you wait patiently beyond your lonely precipice,

             I cannot endure the eons
                                         raging against the cliffs of your security.

Every
passing year, the thunder of my broken waves
gouges deeper into your wounded coastline.
Every
rock torn from your embrace, resounds the pain of our growing rift
Every
crumbling cliffs edge dissolves the beauty I held in reverie...

                      I wound us in this way.


Let me meet you in a secluded
                                                     gentle
                                                          ­      cove...

There,
    upon quieted sands, my waves will softly stroke your skin.
There,
    the lions will laugh in cacophonous delight at our simple joy.
There,
    our worlds will dance as pebbles tumble into diamond crystals.

There, a child will listen woefully,
                                 the sea song of our love.

With eyes in contented darkness,
         With a soul filled, overflowing
                     With the power of bearing witness
                                                         ­      to this daily wonder.

Each
     breath brings her deeper into the burning core of her mind,
Each
     thought sparks the flame brighter
Each
     billowing blaze will enliven her roots, and
                                                             ­                     she will bloom.
    
      Then,
her eyes will open to a shimmering world,
glistening through tears of quiet understanding.
                     Then,
breath will guide the salt of our dance into her veins
                                  Then,
         she will dance to the song of our world.

With arms wide as eyes,
               she will embrace
                      this treasured moment  
                                 With the divinity of her mortality.

When the moment calms, she will walk solemnly through our shallows.
When my waves pull home at her ankles,
When the crystalline pebble shines brightly in her visage

she will reach with focused surrender through my water for a memento
of the love she feels so presently.

In our slow dance,
of Land and Sea,
               our love bears its fruits in tiny treasures.
In her little pocket,
                             the diamond of our love
will travel further into your heart than my waves ever could.

In this way...
                  you and I grow fonder
                                                             with every passing day.
Tamara Fraser Sep 2016
I’m lying on my side, in bed,
thinking of you.
Spare a thought for me…
But I know you aren’t.

Beat the same tattoo on my skin,
with your invisible caresses, touches;
I’ll never know the patterns and marks are there,
until my fingers start tracing gouges and craters…
I’ll get to think of you every time I touch it,
only making it deeper when you don’t think back to me.
Don’t think about me.
Like I do for you.

I will have my one-sided love affair with your ghost.
Because you left it small and afraid,
in my care,
when you were with me.
As soon as your eyes began to know me.
As soon as your lips got their first prize of many.
It grew to such a true second you.

Because though I may still spare such
thousands of thoughts for you,
I know you removed yourself from thinking about me.
So how about I write this up, and
you can
think of me
now.
Egalad  Apr 2014
Cosmetikos
Egalad Apr 2014
I tried to tint my hair red to light this night
But it is dull and stringing out amidst my plant-stained fingers
I tried to dissolve away the lines upon my skin to glow with luminosity
But they are wedged deep and have left gouges of pin-****** behind
I tried to exhume the dead and the dry from my face to better breathe
But instead it filmed over stinging and suffocates

I tried to forget you in order to be free of this
But I am not cleaned of you so easily.
Madeline Mar 2013
if i wanted to cause you pain i would take a knife
and carve you-shaped gouges out of my life
and throw them into nothing
and burn them
and bury them
and pull their ashes into my lungs
and exhale them
and watch them ******* dissipate.
i could cut you off entirely
with my silence
and the aversion of my eyes
and my hidden hatred
and my scarred and bleeding heart
but i would be cutting something else off entirely then, too,
and i'm not ready to lose everything yet.

i know your pain won't heal mine
so the you-shaped gouges sit with me
and stay with me
like a cancer.
Like Oedipus I am losing my sight.
LIke Judas I have done my wrong.
Their punishment is over;
the shame and disgrace of it
are all used up.
But as for me,
look into my face
and you will know that crimes dropped upon me
as from a high building
and although I cannot speak of them
or explain the degrading details
I have remembered much
about Judas -
about Judas, the old and the famous -
that you overlooked.

The story of his life
is the story of mine.
I have one glass eye.
My nerves push against its painted surface
but the other one
waiting for judgement
continues to see . . .

Of course
the New Testament is very small.
Its mouth opens four times -
as out-of-date as a prehistoric monster,
yet somehow man-made
held together by pullies
like the stone jaw of a back-***.
It gouges out the Judaic ground,
taking its own backyard
like a ****** daughter.

And furthermore how did Judas come into it -
that Judas Iscariot,
belonging to the tribe of Reuben?
He should have tried to lift him up there!
His neck like an iron pole,
hard as Newcastle,
his heart as stiff as beeswax,
his legs swollen and unmarked,
his other limbs still growing.
All of it heavy!
That dead weight that would have been his fault
. He should have known!

In the first place who builds up such ugliness?
I think of this man saying . . .
Look! Here's the price to do it
plus the cost of the raw materials
and if it took him three or four days
to do it, then, they'd understand.
They figured it weighed enough
to support a man. They said,
fifteen stone is the approximate weight
of a thief.

Its ugliness is a matter of custom.
If there was a mistake made
then the Crucifix was constructed wrong . . .
not from the quality of the pine,
not from hanging a mirror,
not from dropping the studding or the drill
but from having an inspriation.
But Judas was not a genius
or under the auspices of an inspiration.

I don't know whether it was gold or silver.
I don't know why he betrayed him
other than his motives,
other than the avaricious and dishonest man.
And then there were the forbidden crimes,
those that were expressly foretold,
and then overlooked
and then forgotten
except by me . . .
Judas had a mother
just as I had a mother.
Oh! Honor and relish the facts!
Do not think of the intense sensation
I have as I tell you this
but think only . . .

Judas had a mother.
His mother had a dream.
Because of this dream
he was altogether managed by fate
and thus he ***** her.
As a crime we hear little of this.
Also he sold his God.
zebra  Aug 2018
Nausea News
zebra Aug 2018
REPUBLICANS
Former South Carolina GOP leader
kills dog to please God
Rob Beschizza

GERMANY
Germany's top domestic spy advised far right xenophobic political party on how to avoid being billed as "extremists"
Cory Doctorow

RUSSIA
Guy who pretends to ****** people for a living named Russian Goodwill ambassador
Seamus Bellamy  

BUSINESS
We're going to be eating bugs really soon now, again
Cory Doctorow


POLICE
Surveillance camera shows off-duty NYPD cop dropping a weapon near man he shot in the face
Rob Beschizza

SCHOLARSHIP
When should the press pay attention to trolls, lies and disinformation?
Cory Doctoro

CORRUPTION
Wells Fargo: we stole houses and we're being investigated for ***** low-income housing credits
Cory Doctorow


LATE STAGE CAPITALISM
How Jpay gouges prisoners' families for "digital postage stamps"
Cory Doctorow

ALEX JONES
Alex Jones is suing the parents of a Sandy Hook victim for $100,000
Gina Loukareas


***
:(
an appropriation
Mikaila  Nov 2018
This Big Hush
Mikaila Nov 2018
There is no cure for my self.
I will sit up nights
And read poetry aloud
And cry harsh tears as my words fall away into the darkness.
It is my nature.
A voice of sorrow lives in me
And it speaks, always.
It murmurs beneath everything like a brook.
It sweetens my days
And swallows my nights.
It is not without its merits
But it is
Painful.
I am a sad person
Always have been.
I ache, and always will.
Love soothes and frightens me
But beneath it grief runs steady
The only thing
That is always there
Heedless of any other turmoil.
It presses into me-
A small trickle, less than rainwater-
But it has carved me deep over years
Deep, deep,
It has cut caves into me.
It is the heart of me, the softness of the stone
It is my weakness and the source of my life
And I have hated it for as long as I have known it was there
But it
Doesn’t care:
It only knows how to continue
Not how to feel.
It doesn’t stop for love
Or for anger
Or for joy.
It gouges a path through all of them,
A deep, steady drumbeat
A persistent crawl
And I am witness to its slow erosion of me.
I watch with apprehension
An unwilling subject
A reluctant vessel-
For I know that as gentle as it seems
It has stripped away all this so far
And will go on
Until nothing remains.
Title is a reference to the poem Elm by Sylvia Plath.
Auntie Hosebag Feb 2011
Bernie frames the TV
between his feet--
left hand remote,
beer bottle balanced
by his right—
clicks through half-time shows,
clicks like shooting a gun, a Fazer,
a death-ray secret weapon,
clicks just to do it, an idiot’s
smile faint on his face.

he sees only noise

Emma tends her stamps,
perched on the plain board chair
she upholstered herself—
its arms worn, warm,
warmly welcoming—
her back to her husband,
her life as wife and mother
coming to a languid close.

she tastes some regret--
yet spicy with passion--
where life has had its way with her.

The rug’s bright stew of colors
can’t hide everything
children spilled
when they were young--
juices, milk, soup, sauce, tears;
little dreams,
tiny heartbreaks,
minor crises
ground into the weave;
all the gooey pastries, cookie crumbs,
blood and sweat and nightmares congealed
into solemn patina--
I see protects it from time.

These solid objects—
stout, no-nonsense chair
wearing gouges, marks,
discolorations of use
and years like badges;
fat, chunky, cigarette-burned
BarcaLounger, drunk
from drink spilled
on every surface,
handle supple
as a young girl’s wrist,
swirling a territorial aura
around its microscopic
sphere of the universe;
and the rug…
unassuming, proletarian,
handmade and honest,
each scrap of fabric
chosen by the weaver’s hand,
now useful again,
reveling in redemption—
these solid objects
invade,
infuse,
invigorate
otherwise empty space,
squeeze meaning from the world
around them,
same as the hand of the artist
sculpts love from her heart
to give them life.

The children have moved away
Old friends are dying every day
Stamps no longer can be licked
There is no way to interdict

The Jets are losing again
This is an example of ekphrasis (look it up on Wikipedia).  The artwork this is drawn from was done by a UAS student--don't know who--and consisted of exactly that: two chairs and a rug, no title, about 1/3 size.

— The End —