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Alan Maguire  Mar 2013
CROWS
Alan Maguire Mar 2013
She hung simple things from the bare apple tree, things like mirrors, ribbons, bells and bird feeders, things to attract the robins and the finches. But then the crows came scaring the robins and finches away, this annoyed her, this drove her to the verge of insanity.

She had an idea though , a terrible one, but an idea. She decided to hang strips of bacon from the tree , bacon laced with poisons, all sorts of poisons , poisons for rats , for weeds , even the type fit for human consumption. Poisons to make them sick, poisons to make the ******* fall from the tree.But crows are much, more intelligent than the average human ,the crows watched the fat lady, observing her murderous ways.  

But only the finches and the robins fed from the flesh that dangled from the naked apple tree , only the finches and robins fell to the ground, only the finches and the robins died a horrible dragged out death.This pushed her over the edge , now she just sits and squawks to her self day in and day out, hiding from the flock of crows.
Vierra  Feb 2017
A Finches Return
Vierra Feb 2017
I pondered, in reverie, about the endless blue sky
and why the finches never returned for their morning bathe in the sun.
I suspect that is they have found grounds to feed down south but never understood why they left.

It was when the finches arrive back at the fields, that she came to me
asking for meat and bread for her belly.
My senses, finely tuned, remember how lovely she was.
I could taste her in my dreams, smell her in my sheets, and hear her whispers, putting me to bed to dream

Alas, she has left for business and is never to be returning. I send her absolutes through winds that pass through the valley. But she cannot hear the thing that would matter most.

These words that I speak of cannot be just spoken, but has to be noticed
by her and only her eyes for it is the acts of affection that turns the volume up in her mind. It is the acts of the pale moon to see blindly in the darkness.

I'm a ******* coward but so is she. We cannot see the light in a dark corner of the fools mind for he is a fool like I.  I will search for her in every woman I will ever meet and, perhaps, will see a lonesome road and forever think of her, searching for the finches of last fall.

I will spoil the dogs while I wait for her to finish searching for her birds. They will be decent, but I fear for her and her reverie of the birds returning. They are free birds like she and I fear solitude in heavy doses.

Oh, the return.
killing fields poetry
sadness, anger, hope and reverie
Francis Duggan Aug 2010
It's cold in Duhallow this morning and the fields that were green yesterday
Lay chilled to the frost that the night brought a cover of silvery gray
And the little dunnock on bare hedgerow too cold and too hungry to sing
On **** branch he perch sad and silent the hardship that January can bring.

The robins and sparrows by back door like beggars they wait to be fed
In hope that when breakfast is eaten the housewife might throw out some bread
With no thought for song or for nesting their battle is to stay alive
How many will live to see April the Winter so hard to survive?

The first heavy snows of the Winter have fallen on the higher ground
On Clara, Shrone and Caherbarnagh the hills are so white all around
The blackbird and thrush on the bare branch their feathers fluffed against the chill
And hare has come down to the lowland there's nothing to eat on the hill.

But I can remember the bright days when sun shone on the leafy tree
And robins and thrushes and finches piped in the woods of Knocknagree
And to her nest on barn rafters the sparrow brought feathers and hay
And out on the dandelion meadow the pipit sang all through the day.

Young calves and young lambs in green pastures were full of the frolics of Spring
And joy too had come to the river the song of the dipper did ring
And moorhen was out with her babies and she chirped loud if human was near
Her first lesson to them survival to teach them the meaning of fear.

It's cold in Duhallow this morning the thrush silent on the bare tree
And gray on the fields and the hedgerows and gray over all Knocknagree
But I can remember the bright days when nesting birds piped all the day
And hedgerows and woodlands and meadows smelt sweet with the blossoms of May.
Ottar Aug 2013
four feeble pairs of wings
flapping, beaks preening
                                           imaginary things.

mom bird looking old
pop bird real bold
their four offspring
                                are being told

"avoid the black birds
the biggest and the blackest"

they perch on the rooftop
near the gutter, cheeping
                                          loudly all a flutter

even in the bird world
the squeakiest young'un
                                         gets the greasiest grub

diving, landing, more
feeding on demanding,
mom and pop bird are
in charge, "beware of wings
                                               size, LARGE"

finding a wet garden bed,
beaking the broken ground till
tiny pebbles and tiny insects
                                                feed the hunger digest the rest.

Young wings no longer frail,
flight and landings
                               dive and lift, glide
and swoop, and land alight
                                              on the edge of a solo flight
until the three birdboys and one birdgirl
                                                        ­            find a mate, each

(And give mombird and popbird a wel-deserved rest)

                                                          ­                             oh and as for the three bad birds
                                                           ­                            in all black tuxedos, they were chased
                                                          ­                             and they raced away from six fast
                                                            ­                           fearless finches
©DWE082013
SE Reimer  Feb 2018
for the birds
SE Reimer Feb 2018
~

fowl flock to a gathering,
exactly why? no one knows.
an unkindness of ravens,
a ****** of crows;
a siege of blue heron,
gather geese in a horde;
seem to come in their sadness,
but stay for the show.
see swan sail in wedges,
jay scoff in their scold;
assembly, their strength,
nom de plume from of old.

ask me why do they gather?
could it be they’re unhappy?
might we also feel slighted,
a disservice agreed;
if our strength were declared
our insufficiency?
why do finches and
hummingbirds meet in a charm?
penguins, get to huddle,
and in happiness, those larks?

the cranes come in dances,
in company those parrots;
to parliaments owls,
in wisdom who-hoo-ing;
flamingoes to stand,
for an eagle’s convocation?
no, a nye’s not unpleasant,
for a pheasant you see;
and benign is a bevy,
quail flush neath a tree.

but, ’tis a bit scary,
lurking turkey in gangs,
hawk’s shadowy cast;
and warblers in confusion,
with buzzards in wake;
a wisp full of snipe,
whisp’ring, “good night”;
yet glorious are pelicans,
a squadron in flight;

and nothing so stirring, as
a starling’s constellation,
while an asylum’s
assembly for loons,
and a quarrel of sparrows,
are entirely drowned out,
by a drumming of peckers,
the wood kind, that is!

while sticks and stones,
may break all one’s bones;
those labels and words, do
leave a sting and a hurt;
all human, one race,
can unkindness defer,
diffusing by choosing,
our union assert!
but slinging maligning,
and kicking of dirt,
by abusers and losers,
let's leave for the birds!

~

*post script.

numerous fellow poets far more skilled than i, have posted a variety of well-written pieces using fowl flocking terminology. this is intended to be an assembly of the sometimes-silly, often-absurd and mostly-always-humorous assignments of those flocking terms, used in an imagined treatise about the hurtful labels we humans use to judge one another; labels that vilify, rather than unify.  for would not a battle that hasn’t any "winner" be far better fought hand-in-hand, than hand-to-hand?

terms for flocking fowl in order of use
(a few fowl have two flocking terms, and some flocking terms are claimed by two fowls)

an unkindness (ravens)
a ****** (crows)
a siege (herons)
a horde (geese)
a wedge (swans)
a scold (jays)
a charm (hummingbird, finches)
a huddle (penguins)
a happiness (larks)
a dance (cranes)
a company (parrots)
a parliament (owls)
a stand (flamingos)
a convocation (eagles)
a nye (pheasants)
a bevy (quail)
a flush (also quail)
a cast (hawks)
a gang (turkeys)
a wisp (snipes)
a squadron (pelicans)
a confusion (warblers)
a wake (buzzards)
an asylum (loons)
a constellation (starlings)
a quarrel (sparrows)
a drumming (woodpeckers)

oh yes, there are many more.  i'd love to see your favorite(s) left in the comments.
Steve (:
Tom Salter Oct 2020
On Cabbage Mound the birds tweet gold,
So says the porridge eating man,
The spontaneous trek up that grassy reserve
(To see the flocks and frolics of finches conversing)
It’s a matter of season he said,
In joyous spring they produce song of glitter, but
Catch them under the wave of a solemn winter
And you shall only hear a dull twitter.

Often he leaves bowls of porridge upon that place,
Abandoned to absorb the view,
Wilting amoungst the bush and flora,
Like a planted trap for the lurking fauna,
Their ceramic bodies sit unnoticed and unaware,
Soaking in the sunrises and
Mourning the day’s ending
When the sun crawls under the horizon.

Early dawn conversations leak
From the finches’ rookeries,
Where they dwell cooped up
Amoungst feather and trinket,
Their endless nattering awakens the sun,
Coercing it to rise, and
Bleaching the ground in tints of orange.

A breakfast awaits them
Outside their homes
Of woven branches and loose fur;
Berries and scattered delicacies
(From the Sunday morning ramblers),
And perhaps a touch of porridge too.
They bury their beaks into the thick pools
Of weathered oatmeal,
And perpetually pick at plastic wrappings
Until their brandished beaks begin to go blunt and sore,
A monotonous task even for an eager flock,
But they never end their labour without reward.

After breakfast,
The porridge eating man
(With porridge in hand) arrives,
He approaches with a staggered limp,
Perhaps a scar from some late night disagreement,
He approaches holding his lower left limb,
The finches have come to learn his routine.

First he stops (whether to take in the view
Or to rest from the trudge up Cabbage Mound,
The birds have not yet asked),
Second he takes out a package
From his right pocket,
He undresses the wrapping
And produces a small pad of paper,
A pen follows, signifying
The start of settled concentration:
Strings of ink,
Intertwining lines and shapes,
Letters touching letters,
Forming meaning and breeding words,
A sharp coo startles the man,
Breaking his focus, and anchoring
Him back to sobriety,
Finally he disembarks from Cabbage Mound,
Turning his back to feathered insight
And slowly sinking behind the hill,
A bowl of porridge takes his place,
And so, it shall stay
Until the finches start to natter
And their hunger begins to ache.
Nigel Morgan Nov 2012
We’d been to concert at the Town Hall. It was a Saturday night and still early for a Saturday Night Out. So many people on the streets. The girls barely dressed, the boys bouncing around in t-shirts. Older people threaded along the pavements walking purposefully, but ‘properly’ dressed, and now making their way, as we were, for the station.

I know He noticed her because He stopped, momentarily. We were holding hands. He loves to hold my hand. That evening I remember squeezing his hand firmly as if to say how pleased I was He was here and I was not walking to the station alone. I have done this, walking to the station alone, so often. It is good to have someone close at such times, someone to talk to about the performance, the music, what is going on around us. We walked right past them.

I noticed the man first and then the child. He was very tall, very dark, wearing a black leather jacket I think. He was not scruffy so much as untidy, dark and untidy, with curly hair that did not know a comb. He was busking. He sang an incomprehensible song in a language I didn’t recognize, playing an electric guitar plugged into a small amplifier by his feat. He turned from side to side as he sang as though looking for an audience. I remember his trainers and the soft guitar case open on the pavement with a smattering of coins. Then, this child.

Over the last two days I’ve examined the scene in my memory. I’ve sought to recall as much as I can about this little girl. She was not that little I think for her age, perhaps seven or eight. Stocky. Thick golden brown hair. A sensible skirt covering her knees, a fawn jumper with some sparkly decoration. Tights or long socks perhaps. Proper shoes. I keep examining my mind’s photo. What I recall most vividly was her large smiling eyes and her expression. This is my daddy, it said. He’s singing and I’m here looking after him. I’m his smiley girl here on the city street. It’s late. Other children back home would be in bed, but I’m here smiling at the people passing.

Yesterday we talked about this couple, the little girl mostly. He brought the subject up. He’d been thinking about her too. He’d been puzzling over the two of them. As a pair they seemed so physically different, hardly father and daughter. It was the (possible) daughter’s gaze, her twinkling eyes that had spoken to him - as they had spoken to me. This is my daddy, those eyes and that smiley face had said. And she was holding a bear.

Why did I not mention the bear until now? Of course, she was holding her bear. She had both arms around her bear. She was hugging her bear to herself. It was a mild evening for March – she wore no coat. He looked a good bear, not too old or small, not the kind of bear she’d been given in infancy, perhaps recently acquired but well-loved, well-hugged. A bear that seemed entirely right for her age, for her slightly old fashioned clothes. The sort of clothes I might have worn as a child. I think of a photo of me at that age dressed in a Cloth-Kits dress, with an Alice band, with glasses and lots of curly hair.  

He said ‘I’ve been wondering about the two of them. Did they have a home? Where would they go to when it became late?’ Was there a mother? Was she working somewhere on that Saturday night and the father had to take the girl. Was she wearing her best clothes? She looked OK. A glowing, healthy face, a face that reflected the bright, coloured lights of the city street.’

Suddenly, I realised there were tears in his eyes. I thought, He is imagining a story. He is imagining a story of this seven year old who should have been tucked up in bed with her bear, like my little boy with his blue blanket. He was imagining her life., her past in some Eastern European town, where she went to school, where she had friends and relatives, where she had been born and brought up, and been loved. And now the girl was here in this not so distant city. Perhaps illegally, without the papers, smuggled in as so many are. Her father, swarthy, even a tinge of the Roma perhaps, but she so different. It was the golden brown hair. Thick hair, a ribbon tied in it. A pink ribbon.

He had thought of his little girl, now fifteen, only when she was that age, seven. Oddly similar in some ways, the thick hair, the smiley face, a different but ever present bear, an infant’s bear, not a bear she’d take with her except in a bag. A bear not to be seen with at seven, but loved.

‘I’ll call her Katya,’ He said. The girl, not the bear.

And later He did. Every few days He would mention her – just in passing. ‘Do you think Katya’s  at school today?’ ‘I was in the city this afternoon, but I didn’t see Katya.’

He wrote about her and her father. A little story. I haven’t read it. He just told me He’d written it; He’d thought of following them in his imagination. He was a little embarrassed telling me this, and He didn’t offer to show me the story, which is unusual because when He mentions He’s written something He usually does. And so I wonder. I wonder how long this memory will stay with him and whether He will follow this couple (and her bear) into the future, create a story for them to live in.

Perhaps it will bring him the peace He does not have. The peace I try to give him when He is with me at home and we sit in my little house, at my table eating toast with Marmite after I’ve been out late whilst He’s sat on my settee and read – in peace at being in my home. I know He feels cast adrift from his family and He can’t be part of mine, yet a while. Perhaps it’s like being in another country. Perhaps He thinks, at least that busker had his child with him, his shining star, his ever-smiley girl.

Yet He is thinking of his smiley girl, smiley still at fifteen, still loving her dad despite what He’s done, despite the fact that she sees him so seldom. Despite the fact that He is only occasionally with her, and she knowing I, his lover, his young woman, his companion and friend, has captured his heart and thoughts.

I think of Katya too. I think of my older girl, so loved and circled about with love and admiration by her respective families and our friends. She is so special and so beautiful, as I was special at eleven, as I think I was beautiful at eleven, just on the brink of that transformation that will take her towards becoming a teenager – and the rest.  

We were lying in bed the Saturday morning before seeing Katya and I was telling him about my childhood. He’d asked me about zebra finches. Walking in his nearby park He had admired their bright red beaks in the park’s newly-restored aviary. I told him about a parrot in a park close to my childhood home, a parrot I passed as I went to school. I described for him my walk to school, meeting up with my friends, passing the parrot. I know how happy it made him to hear me talk about such things. He said so later, embracing me in the kitchen. ’I so love to hear you talk about your childhood.’ I could feel he was moved to say this. It was important. I realised then just how deeply he loved me. That it was important. That he imagined me as a child. That He wanted to know that part of me. He’s rarely asked about the stuff in between. Of my former lovers I’ve said a little. He has said a little about his past liaisons and affaires, but knows I am uncomfortable when he does. So we leave this. But childhood, That’s so different, because it is that precious, precious time of shelter and care: when we begin to discover who we are and who and what we love.

Where is Katya now? In a messy room she shares with her parents in a house shared with economic migrants, where she has a few belongings in three plastic bags. In one, her best clothes she wears to stand on the city street on a Saturday night with her daddy. In another a jumble of not so clean clothes she rotates each day. She has her sleeping bag, her bear, her warm coat and gloves. There’s a few magazines she’s found about the house. English is puzzling. She learnt a little at school back home, and from the TV of course, those American soaps. If she was here in my house I would stand her in the shower, wash her thick hair, put her clothes in the machine, sit her on my bed in my daughter’s clothes with some picture books, introduce her to my cats, we would bake some buns. I would give her a small gift of my love to take away with her and she would look on me with her smiley face, her sparkling eyes and let me hold her bear.

And later when I saw him I would tell him that Katya had been with me for a little, and tears would fall, mine and his, knowing that only in our dreams could we make this so.
Natasha Mar 2014
The birdies bumping in my chest
are restlessly, fluttering
right to left
left to right
scurry birdies, take flight
I am impervious to your
songs tonight
Mateuš Conrad Mar 2017
or simply sitting on a windowsill
in an akimbo pose -
looking at the garden -
    watching a pair of finches (n.b.)
(black and white head, yellow breast -
  mighty algorithm! reveal their genus
to me!)
looking for materials
          to build their nest -
            whether in this garden with
the gamble of having two cats stalking
the ground below -
        or elsewhere:
      two finches looking for a place to build
           their nest:
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - (n.b. build-up
that migrated all the way from nepal.        (confusion over finches)

- n.b. - they're not finches after all... but try
looking serious calling them the great ****... ?!
    (and the ****** expression equal to those
symbols without any words prior) -
so these little ******* flew all the way from nepal
to take roost in england?!
                                        ****! and i thought
        attempting to track geese migrating
was fascinating.
         over there they're called: khaire chichilkote;
i suppose the first word defines them as
   passing via egypt, notably cairo.
Sharon Talbot Aug 2018
The frost is still there,
Throttling the rhododendron leaf,
And ice stalls the dissolve
Of the stone-like snow,
Yet I am happy.

The sun-rays are almost Etruscan,
Filtered low through lace and blind,
Like that ***** of sunset on Irene’s hair
Sad “couleur de feuille-morte”.
Yet it is sultry.

I can open a window
And breathe the warming air
Finches flock close, careless,
Now desperate for food
And pluck menescent fruit
Off an ice-bound branch.
In the distance, a cardinal sings.

Thick drapes are drawn aside
And geraniums strain toward the light.
In a nook outside the door,
An old cat basks on a corner of sun.
He yawns, seeing me, and strolls across the snow.

All nature seems to wait, but poised,
For the final unfettered token.
Will it be a sudden, favonian breeze?
Or the robin’s unrelenting noise?
Telling us, “Winter is broken”?
This is pretty obvious: it was one of those days in winter which seem so close to spring.
In the mustardseed sun,
By full tilt river and switchback sea
  Where the cormorants scud,
In his house on stilts high among beaks
  And palavers of birds
This sandgrain day in the bent bay's grave
  He celebrates and spurns
His driftwood thirty-fifth wind turned age;
  Herons spire and spear.

  Under and round him go
Flounders, gulls, on their cold, dying trails,
  Doing what they are told,
Curlews aloud in the congered waves
  Work at their ways to death,
And the rhymer in the long tongued room,
  Who tolls his birthday bell,
Toils towards the ambush of his wounds;
  Herons, steeple stemmed, bless.

  In the thistledown fall,
He sings towards anguish; finches fly
  In the claw tracks of hawks
On a seizing sky; small fishes glide
  Through wynds and shells of drowned
Ship towns to pastures of otters. He
  In his slant, racking house
And the hewn coils of his trade perceives
  Herons walk in their shroud,

  The livelong river's robe
Of minnows wreathing around their prayer;
  And far at sea he knows,
Who slaves to his crouched, eternal end
  Under a serpent cloud,
Dolphins dive in their turnturtle dust,
  The rippled seals streak down
To **** and their own tide daubing blood
  Slides good in the sleek mouth.

  In a cavernous, swung
Wave's silence, wept white angelus knells.
  Thirty-five bells sing struck
On skull and scar where his loves lie wrecked,
  Steered by the falling stars.
And to-morrow weeps in a blind cage
  Terror will rage apart
Before chains break to a hammer flame
  And love unbolts the dark

  And freely he goes lost
In the unknown, famous light of great
  And fabulous, dear God.
Dark is a way and light is a place,
  Heaven that never was
Nor will be ever is always true,
  And, in that brambled void,
Plenty as blackberries in the woods
  The dead grow for His joy.

  There he might wander bare
With the spirits of the horseshoe bay
  Or the stars' seashore dead,
Marrow of eagles, the roots of whales
  And wishbones of wild geese,
With blessed, unborn God and His Ghost,
  And every soul His priest,
Gulled and chanter in young Heaven's fold
  Be at cloud quaking peace,

  But dark is a long way.
He, on the earth of the night, alone
  With all the living, prays,
Who knows the rocketing wind will blow
  The bones out of the hills,
And the scythed boulders bleed, and the last
  Rage shattered waters kick
Masts and fishes to the still quick starts,
  Faithlessly unto Him

  Who is the light of old
And air shaped Heaven where souls grow wild
  As horses in the foam:
Oh, let me midlife mourn by the shrined
  And druid herons' vows
The voyage to ruin I must run,
  Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
  Count my blessings aloud:

  Four elements and five
Senses, and man a spirit in love
  Tangling through this spun slime
To his nimbus bell cool kingdom come
  And the lost, moonshine domes,
And the sea that hides his secret selves
  Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
  And this last blessing most,

  That the closer I move
To death, one man through his sundered hulks,
  The louder the sun blooms
And the tusked, ramshackling sea exults;
  And every wave of the way
And gale I tackle, the whole world then,
  With more triumphant faith
That ever was since the world was said,
  Spins its morning of praise,

  I hear the bouncing hills
Grow larked and greener at berry brown
  Fall and the dew larks sing
Taller this thunderclap spring, and how
  More spanned with angles ride
The mansouled fiery islands! Oh,
  Holier then their eyes,
And my shining men no more alone
  As I sail out to die.
Judi Romaine Jul 2012
A ****** of crows, an ostentation of peacocks,
a parliament of owls, a knot of frogs,

a skulk of foxes, a siege of herons,
a paddling of ducks, a charm of finches.

This bevy of birds is a vocabulary find,
But what can it all mean,
In the world of human being?

A troop of toddlers, a slurry of students,
a gaggle of gentry, a bevy of boys.

I am of a mind that in naming of kind
Human being is best defined.
I can see a kids book with watercolored pictures.

— The End —