'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
    in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
    where wave pretends to drench real sky.'

'Well then, if we agree, it is not odd
that one man's devil is another's god
    or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
    is our life's whole nemesis.

So we could rave on, darling, you and I,
until the stars tick out a lullaby
    about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
    implacably from twelve to one.

We raise our arguments like sitting ducks
to knock them down with logic or with luck
    and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
    who insists his playmates run.

Now you, my intellectual leprechaun,
would have me swallow the entire sun
    like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
    should inflame the sleeping town.

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
    caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
    playing his prodigal charades.

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
    blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
    graves all carol in reply.

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
    brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
    while footlights flare and houselights dim.

Tell now, we taunq where black or white begins
and separate the flutes from violins:
    the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
    joins his enemies' recruits.

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
    there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
    an insight like the flight of birds:

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
    some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
    cycling phoenix never stops.

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
    and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
    away our rationed days and weeks.

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
    in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
    the simple sum of heart plus heart.

WOMAN BUTCHERED



Ayad Gharbawi


Child that gathered knowledge
Knowledge frightening to human nature
Girl-child was awakened
Herself she awakened
Saw the glow of eyes buttery
Glow of hatred molten
Glow of **** howling
Child, pretended innocence pretty
Child smiled all along the paths unknown
Yet, her body recognized colours unimaginable in their serenity sublime
Figures in her sleep strange, yet beautiful
Songs of sweet sleep, yet alerting in their soothing abilities
Little girl, who are you?
Why won’t you let us
Define you?
Little girl
Honourable lady woman
Did you grow up at all?
Or did you just die in your infancy?
As so many before you have
Did you come
To feel and understand
Your sensitive dimensions?
We would have made sure that you would be mature
If you were submissive enough for us!
Child girl, laughs uneasily and seriously
Child girl, sees lofty, exalted visions possessive
Visions of history’s episodes are expressed pointedly in your compulsive embraces
The foolish martyred are reading holy sermons for their self remembrance
Soldier unknown unmasking his face mangled to the surprised horror and utter disgust
Of his family, friends and other serious clowns
Singing an anthem of Fate’s real truth and nature and essence
Heroine unnumbered, chained to deformity
And becoming a mirror of what they did chain you to
Child girl scarred and petrified by disturbed scenes committed lovingly and lavishly by Man
Child girl curls, yet anticipates
Listen! The foot-steps frighten you once more
The shrieking manic clown has arrived again, red eyed and even more
Laughing dreary, spitting words jumbled and aloud
Figure of shame stands in front of you
Intents pre-arranged by his late father
Little girl!
Are you a woman yet?
Hearing swirls of delirious, sickening
Madness, uncontrollable panic and deathly angst
Hearing painter’s brush strokes that scream their gasps of breathlessness out
Loudly and chaotically
Hears the anguish of colours’ contrasts and contradict each other to the point of
Serious suicide
Little child! Sees the begging deaf pleading for choirs heavenly to sing seriously
Sees the miserable, emaciated crumbles crumbling,
Yet foolishly searching for a non-existent tenderness in darkness painted by drunken Satans
With the foulest, blackest oil colours in their leprous fingers
They try to paint you; define you
Analyze you; dissect you
Categorize you; classify you
Little girl; woman; ******?
Alone and sincerely and deceptively guided by complicated, intertwining hatreds
That severely despised the existence of each other’s truths and falsities
Feeling sovereignty abused by casual, bored
Unconcerned sub-humans in powerful positions on earth
Pierced in pain
My sweet girl, you are now
Pierced in deathly, unforgiving
Pains and hatreds never forgotten
Sweet Humanity
Sweet Man
Sweet human beings
How sweet you all truly are!

I

In eras weird with old mythology,
As if asleep the fabled country lay:
Her wave-like hills and faerie forests dense,
Her thorny brambles budding curling claws,
And ivy circling all the woodsey way --
The far swan's cry came soft and woke them not.
Forlorn, that selfsame call upon the gates
Did break; those gates of Britain's long-lost keep.
She too slept fast, the weary weathered stones
Of fairest Caerleon. O pulsing stream,
Thou vein of life in woods a-slumber, Usk!
Alone are you in knowing castle's face,
From years of timeless burbling at her feet.
What tales are told by water over stone?
What lark or wren can sing of sadness come?
Aye, answers are the beach-wet sand, yet hark!
Rejoicings spilled, proud hails, from Caerleon:
They cheered the ****-frost's melting with the Spring;
The holy Gwyl Fair y Canhwyllau
Had come at last, in foliage of dawn.

Within, their goblets sailed, wassailed, and crashed
Like growling Jove, their boasts and toasts like wine --
They drank it spiced and over-strong. Indeed,
Some stretched exaggerations: 'twas Sir Bors,
That spotless sheet, who tried to contradict.
He quoted purifying texts and spurned
The wine that nature raised and crafted sweet.
Yet "Loosen up!" uproared the host to him.
"The time has come to celebrate," said Kay,
Beloved knight, step-brother to the King,
"Aloft thy wine, below thy gills! Drink! Laugh!
Your stomach is a falsehood-spewing fool,
It must be drowned for you to feel a lord.
I speak a sooth, you need wine's fleeting bliss!
Know thee that man's tomorrows bleed him dry:
A wade through death and depths as sure as pain
That shall tomorrow light your brow. Laugh! Drink!"
Bold cheering spread with Kay's advice, though yet
To no surprise Bors turned aside the drink,
Unblemished bore, so celebrates alone.
Weep not for him, for soon he'll find a cup
More suited to his strange of chaste and grace.
And none to waste: his share was drunk by all.

Engaged in feast Owain ap Urien,
Engaged in tale now Bedwyr and Kay,
And Lancelot made eyes at Gwenevere.
It was a feast of great success and joy
As fitting of the season's robust gleam,
Yet two there were with shallow-rooted smiles.
Prince Mordred one, though ever-somber he:
Accursed spawn with bone in place of heart
And dreaded incantations for his blood;
His brooding perched like crow on him. Alas:
The other joy-bled man had beard aflame,
A bear-skin drape, and crystal eyes, the Lord
He was of Caerleon and Mordred both.
'Twas not the gleam in lover's gaze that vexed
Though it was seen; he had no heart in him
To chain his Queen as if in dungeon steel,
For Arthur lived believing to be fair
Was paramount, to even paramour.
It wreaked its toll, yet caused small grief this day.
Not even serpent son gave cause to mourn
That greater was than missing nephew's spot
Among the feast. His chair was naked bare
Returned though he should be from faerie quest.
At Calan Gaeaf they expected him
When winter storms had racked their shoddy hall,
Yet since, the months had rolled to Gwyl Fair
The milder season come, but not his kin.
The image of his maiméd corpse did taunt
And haunt the agéd mind of Arthur, King,
His phantom nephew slain anon by knight
That of no flesh was made. In year that died
This green-mailed knight arrived a guest and called
Infernal challenge. Trick it seemed to them
And trick it was, for subsequent the blow,
This seaweed knight did lift his severed head
And from dead lips he cried "Well struck! Now come,
Fulfill me of my game. The year to come
Shall see thee in my home, and as agreed
My turn 'twil be to answer with my axe."

So rapt in recollecting, Arthur missed
The growing clamor that beset his hall.
His ******* cleared the grief from him with taunt,
To bring him into grief. "What say thee, Dad,"
Dripped venom from his mouth, "No love for us?
Your hail we called, but disapprove your eyes.
Methinks that far away thou seest a dream
That visits oft the elderly: a place
Thou knewst when in thy prime, with love
Now filled to burst. Yet fear us not, away!
To land of youth far more beloved than we
Whose happiness with thine own heart is twined."
"My fellow, soft!" the King began, distressed,
Yet Lancelot rose to his feet and spake
"Blackguard is he who mocks our Lord to face!
Thou palest hide, thou Mordred, sit thee down!
This sniveling craven knight should be replaced."
A sounding of the table met his speech,
Again was hailed his toast, and Arthur glad,
Though burdened to his breaking point, and sad.

"Blackguard is he who mocks our Lord to face,"
Had spake his bravest champion and friend
With no regard to Blackguard wrapped in stealth.
See how his roughspun fingers coil in hers
And how some sweetened whisper 'scapes her lips?
The beams of color-stainéd light slip down
To play upon their blissful sin almost
As if King Arthur's King approved on high.
Sovereignty is ruthless, Arthur thought,
Well-wishings of my God grow ever-faint.
I must believe in good though I am ill,
Just as I find my countrymen displeased
Though I did calculate my every breath
To see that it did stand with God's own will
To help my common people from their murk.
I fear I am not what I wished to be,
And now my only solace peaceful death.
If up to me, I'd wish it in my bed.

What horn's blare? Hark! King Arthur roused from thought.
Court gatekeeper Glewlwyd Gafaelfawr,
Dressed plain in brown, took down the horn from lips
And loud as elk called to the hall "Have cheer!
Sirs, drink another beer and wreath your brow
With springtime blooms, for lost knight fair is found!"
Old Arthur trusted not his feeble ears,
But came a hush and Lancelot confirmed:
"What **," he boomed, "our brother has returned!
'Tis grey Gawaine, aye, Gwalchmai! Drink his hail!"
The uproar was enourmous: "Gwalchmai! Cheers!"
Was like to wake the sleeping wilderness
That hung suspended in the myth and mist.

II

Astonishment had come like breaking wave
Upon the thirsty sands of monarch's face
So long consigned to reap the low-tide's grief.
When Arthur's ursine hand clenched round his cup
And hailed his nephew's presence with a roar
Long lost to hibernation's hoary spell,
The hearts that beat in armor under him
Did swell to find their lord with cheer at last;
The toast they drank so hearty as to give
Sweet Dionysus pause against excess.
Though only two there were who did not drink,
And one of these were Bors, a sadness fell
Once more as tangible as any wrong
That chose to haunt a hall. 'Twas Gwalchmai grey,
The conqueror now home from quest to rest
Who would not lift his eyes to meet the King's.

"Has cheer so fled from you? Your life remains!
What black has inked you in?" the King did ask,
And silence overtook the hall to hear.
How strongly then did Gwalchmai wish to leave,
To blend once more his form to root or branch
Or soaring river. Wind, the songbird's muse,
Had been his fast companion on the road,
For known to him were many things. He was,
They say, some god that stalked the minds of man
In young enchanted places of the world
Though all his magic helped him not at court:
His shyness was a leaf obscured by rain.
Yet even gods of silence know to speak
When words of pain encircle heavy hearts.
He let them fly, birds in the sky, he said
"I failed. My quest was long and arduous,
The seasons changed while I in heather lost,
The moon its phases shed as fen-frogs called,
I floated through the endless cloying mist
That flows, a ghostly sea wrapped round our isle.
The path had nearly drowned me when I found
The chapel green enough to spell my doom.
When entered I, methought "It cannot be!"
So kind and courteous a host met me
That would have been disgrace to call him green.
He feasted me, and warmed my wounded bones,
Yet I betrayed him in the end; I failed.
I stayed his guest, and friend, and swore to him
That for his hospitality I'd share
Each thing I won while underneath his roof.
And all was well -- I'd rest, he'd hunt -- until
His wife played hearts with me. I did refuse,
But by her final trick was tempted and --
So lost all knightly honor and renoun.
Her lusts I spurned three times, but on the third
She offered me that which my heart desired,
Instead of love she begged me take her boon:
A silken girdle sewn with charms, and green,
Deceit I should have seen. She said the spells
Would keep me safe from harm and spare my life...
When on my rugged journey all I'd feared
Was twisting face of death that loomed so near.
I could not help myself, it seemed so tame,
Yet when the time had come I could not share
That gift, or else expose the husband's wife.
Beneath my armor tied when left that place,
My secret wore me down upon the bog.
It seemed the mist grew thicker, wind grew swift,
I now know under spell was I, but then
It seemed some vengence coming to a head.
My tale grows long, and past the point am I.
The Green Knight and my host were one in fraud:
An airy insect's dream. His "wife," a witch,
Had formed him out of acrid moorland soil:
Homunculus to carry out her scheme.
The blow he owed me carried little force,
Though still this scratch is plain upon my nape.
And so you see my folly plain as oak:
For though I kept the life I feared to lose
My lie grows in me like a cancer bloom
That in the span of time shall **** me sure.
I failed; I'm gone; to revelry return."
The silence, vast again, gripped all the knights
And king too dry to cry, who drowned his heart.

III

"Is there some madness come to roost herein?
Thy folly is ridiculous," said Kay.
"I valued mine own life past honor's flame,
A sin of selfishness, and blame, and wrong.
What of the world, if all would act as such?"
A weeping noise he made, but choked it back
And turned to leave in shame, and might have done
Had not the stout Sir Kay gripped Gwalchmai's arm.
He raised it in the air and shouted thus:
"Percieve our stunning champion stands nigh!
Though of a frail ennobled heart, we know
Thou art absolved. This trinket given free
To aid in quest I wager was for thee.
And as for sacred broken vows, this man --
You said yourself -- was conjured from a bug.
You owe him no alleigance Gwalchmai, sit!
This serious you need to be for wine:
Come sit with brothers now! We drink to thee!"
"Dispel the failure all you can, it stays
As weighty on my brain. It was a sign
To signify the kind of soul I am,
To me it showed my grimy ills and plain
Did tell my shaping, shape, and shape-to-be."
King Arthur to this nephew spake: "My child,
Is there no antidote to questing's woes?
What has become of jousts and silver swords?"
The anguish in the old man's eyes so keen
To those who knew him. Gwalchmai did reply
"Your majesty, there's not a grief can ****
My bird-like love of questing through the trees,
For only questing can redeem my shape."
"Then let us have this quest!" cried Kay beside
Him at the table, deep in drink he swore.
"Come with me, brother-knight, to clear thy mood!
You do you wrong blaspheming at yourself."
The wine was quaffed by Gwalchmai, yet he said
"I first shall stay, I need to rest my ills."
"Your ills are that which keep you ill, good knight.
I bid you come and we shall quest as birds
Who savor springtime berries in the mist."
"I shall not go, I seek my quietude."
"In sunlight you and I must bask. Comply,
Or else I challenge you by burnished blade."
All eyes on Gwalchmai, under pressure cracked
Into a grin and downed his kykeon.
"In stubborness persisting, Kay, you've won,
A river such as I could not keep stead
Against a boulder. When shall we away?
When come the summer blossoms, fair and red?
Or else not til the saps have lost their leaves?
Departure yours to choose, my brother-knight."
Kay beat upon the table and their ears
When called triumphantly "This very day,
This very hour! To help those who need aid
On holy days shall surely fix your heart.
No time to wallow in the swamp that's gone,
We now away, to break our swords with day!"
"You mock me or you heard me not, Sir Kay,
I wish not to away, I wish to rest!"
The fairest Guenevere, like silver bells,
Chimed in "You must forgive your heart's despair,
Or emanations of its guilt will plague
Your mind. I have a lunar garden if
You wish to sit in soothing calm and think."
"My queen is holy," Gwalchmai spoke in grace,
But Kay had cut him off with "Hear her not!
She will ensorce your mind to not explore,
To sit and think and mold with lunacy;
Beneath the sun we'll tred. It's known on quests
I favor Bedwyr, 'tis true, yet you
My fairest Gwalchmai, keep your wits -- and arms --
Two things in need of we shall be.
I mean you no offense, dear Bedwyr,
But I and Gwalchmai share a severed soul
And shall succeed; two sides of selfsame coin.
So come my cousin grey, to right our wrongs
We must away, to break our swords and say
'My heart is glad I did not stay at home!'
Consume your drink! We go," he trumpet-called.
Thus Gwalchmai was convinced, and so was forced
To nod politely to his Queen and stand,
Declaring to the court "I shall away,
This gloomy mood is dried beneath the sun
Though dearly do I wish some lunar grace
To lose myself in mysteries anew.
To bear this flesh is weighty, yet I've found
The strain to be rewarding in its way.
Think nothing of my former woes, they've passed
Like summer storm or wisp of misty cloud."
The hall at large did drink his hail, and then
Did thrice more drink for quest to which they went.
And Mordred scowled and drank the foulest wine
For his monsoon and fog would last his life.

So summoned then Glewlwyd Gafaelfawr
To hearken unto birds, as was his gift.
He said to all, "I shall now call my friends
And see what worthy tales of quests they bring!"
"There may be naught on Gwyl Fair," said Bors,
"A holy day, all wove with peace. Nor Gods
Nor men would stir their strife this day of days."
"We all shall see," the gatekeeper replied.
Beside his King upon the dais came
And played a serenade upon his horn
That rang throughout the keep and lands beyond.
A time did pass with no response recieved --
Slain silent was the raptness of the court --
But then through open pain in stainéd glass
A thrush did bob and weave in melody,
On finger of the Queen he briefly perched
Before he flit away upon the air.
His song so sweet, but then - what fright! No more!
A hawk had entered, just the same, and swooped,
And now the thrush was silent in his claws.
The cabinet of augers all took note
And sketched their calculations into books,
Though none, in this, more wise than Gafaelfawr
To whom the hawk said "Hail, you man of rank
Who speaks the tongue of wing-in-air. Now hark!
'Twas not in hunger slew this thrush, but fear
That what I have to tell might go unheard.
My family, we roost near Cornwall's sea
And late, the noises off the coast grew strange
As if some evil kraken raged at love.
My chicks; my wife and I; we're simple hawks.
We eat and some of us are eaten, yet
Beware the thing that slouched from out the waves.
His shape is something like a boar, but huge,
He dwarfs his kin, and hill, and oak,
This hall is large, yet he'd be stuck inside.
He does not eat what he has killed, instead
He smears the bloodied flesh on stones and trees,
What man could face a fear that bears this face?
If you could hear the rutting squeals he makes!
I swear this sooth by wind and waving plumes:
You men who craft with metal, hark!
Destroy the beast!" And then he flew away
Still calling after him "Destroy the beast!"

The court at large had heard the warbling hawk
But did not know the tongue, so only watched
Glewlwyd's unease upon his face
Until with stiff and rasping voice relayed
The content of the predatory news.
Unease began to show among the knights,
For many there recalled a beast so shaped
And all the blood and guile he took to drown
The first time. Arthur, grim, forbade Sir Kay
And Gwalchmai face these perils by themselves,
But recommended regiment of steel
To bolster ranks against the fearsome boar.
"I know this foe from days of old," he said,
His years of rule etched rough across his face,
"And so do most of you, though many gone
And this monstrosity not even slain."
But Gwalchmai said "'Twas hard indeed to win
Those relics that he bore. Remember I
That Trwyth was the name he chose, and we
Shall best him fair. Though not for trinkets now,
But with the zeal of mother guarding young:
This foe, Twrch Trwyth shall not raze the land
Nor wage a war against some peaceful ilk
While rounded table can beco

Form is emptiness
Emptiness is form

1. Sunyata (Emptiness) is the profound meaning of the Mahayana Teaching.

Two thousand five hundred years ago, the Buddha was able to realise "emptiness" (s. sunyata). By doing so he freed himself from unsatisfactoriness (s. dukkha). From the standpoint of enlightenment, sunyata is the reality of all worldly existences (s. dharma). It is the realisation of Bodhi — Prajna. From the standpoint of liberation, sunyata is the skilful means that disentangle oneself from defilement and unsatisfactoriness. The realisation of sunyata leads one to no attachment and clinging. It is the skilful means towards enlightenment and also the fruit of enlightenment.

There are two ways for us to understand this concept of sunyata in the Mahayana context. One way is to try to understand the explanation about its true nature. The other way is the realisation through practice. What we are going to discuss now is about its true nature.

Mahayana teachings have always considered that the understanding of sunyata is an attainment which is extremely difficult and extraordinarily profound.

For example, in the Prajna Sutra it says "That which is profound, has sunyata and non-attachment as its significance. No form nor deeds, no rising nor falling, are its implications."

Again in the Dvadasanikaya Sastra (composed by Nagarjuna, translated to Chinese by Kumarajiva A.D. 408) it says: "The greatest wisdom is the so-called sunyata."

This sunyata, no creation, calmness and extinction (s. nirvana) is of a profound significance in the Mahayana teachings. Why do we see it as the most profound teaching? This is because there is no worldly knowledge, be it general studies, science or philosophy, that can lead to the attainment of the state of sunyata. The only path to its realisation is via the supreme wisdom of an impassionate and discriminating mind. It is beyond the common worldly understanding.

2. The Significance of Sunyata and Cessation

The Buddha always used the terms void, no rising and falling, calmness and extinction to explain the profound meaning of sunyata and cessation. The teachings of the Buddha that were described in words are generally common to worldly understandings. If one interprets the teachings superficially from the words and languages used, one will only gain worldly knowledge and not the deeper implication of the teachings. The teachings of the Buddha have their supra-mundane contexts that are beyond the worldly knowledge.

For example, sunyata and the state of nirvana where there is no rising nor falling, are interpreted by most people as a state of non-existence and gloom. They fail to realise that quite the opposite, sunyata is of substantial and positive significance.

The sutras often use the word "great void" to explain the significance of sunyata. In general, we understand the "great void" as something that contains absolutely nothing. However, from a Buddhist perspective, the nature of the "great void" implies something which does not obstruct other things, in which all matters perform their own functions. Materials are form, which by their nature, imply obstruction. The special characteristic of the "great void" is non-obstruction. The "great void" therefore, does not serve as an obstacle to them. Since the "great void" exhibits no obstructive tendencies, it serves as the foundation for matter to function. In other words, if there was no "great void" nor characteristic of non-obstruction, it would be impossible for the material world to exist and function.

The "great void" is not separated from the material world. The latter depends on the former. We can state that the profound significance of sunyata and the nature of sunyata in Buddhism highlights the "great void’s" non-obstructive nature.

Sunyata does not imply the "great void". Instead, it is the foundation of all phenomena (form and mind). It is the true nature of all phenomena, and it is the basic principle of all existence. In other words, if the universe’s existence was not empty nor impermanent, then all resulting phenomena could not have arisen due to the co-existence of various causes and there would be no rising nor falling. The nature of sunyata is of positive significance!

Calmness and extinction are the opposite of rising and falling. They are another way to express that there is no rising and falling. Rising and falling are the common characteristics of worldly existence. All phenomena are always in the cycle of rising and falling. However, most people concentrate on living (rising). They think that the universe and life are the reality of a continuous existence.

Buddhism on the other hand, promotes the value of a continuous cessation (falling). This cessation does not imply that it ceases to exist altogether. Instead, it is just a state in the continuous process of phenomena. In this material world, or what we may call this "state of existence", everything eventually ceases to exist. Cessation is definitely the home of all existences. Since cessation is the calm state of existence and the eventual refuge of all phenomena, it is also the foundation for all activities and functions.

The Amitabha Buddha who was, and is, revered and praised by Buddhists around the world, radiates indefinite light and life from this "state of cessation". This state is a continuous process of calmness. It will be the eventual refuge for us all. If we think carefully about the definitions of calmness and extinction, then we can deduce that they are the true natural end-points of rising and falling. The true nature of the cycle of rising and falling is calmness and extinction. Because of this nature, all chaos and conflicts in the state of rising and falling will eventually cease. This is attainable by the realisation of prajna.

3. Contemplating the Implications of Sunyata and Stillness (Nirvana) by Observing Worldly Phenomena

All existences exhibit void-nature and nirvana-nature. These natures are the reality of all existence. To realise the truth, we have to contemplate and observe our worldly existence. We cannot realise the former without observing the latter. Consider this Heart Sutra extract, "Only when Avalokitesvara Bodhisattva practised the deep course of wisdom of Prajna Paramita did he come to realise that the five skandhas (aggregates, and material and mental objects) were void."

Profound wisdom leads us to the realisation that all existences are of void-nature. The sutras demonstrate that the profound principle can be understood by contemplating and observing the five skandhas. We cannot realise the truth by seeking something beyond the material and mental world. The Buddha, using his perfect wisdom, observed worldly existence from various implications and aspects, and came to understand all existences.

In summary, there are three paths to this observation:

a) We should observe the preceding state and the current state of conditions. i.e., Observation according to the concept of time.

b) We should observe existences according to their interrelationships. i.e., Observation via the concept of space (either two or three-dimensions).

c) We should observe the true nature of all myriad beings. This is like observing the worldly existences of a point, a line and an area. Those with supreme wisdom understand the true nature of all worldly existences by observing vertically the relationships between the preceding and current conditions, and horizontally the interrelationships. Then we can understand the true meaning of void-nature and nirvana-nature.

3.1 By observing the preceding-stage and the current-stage conditions, we can verify the Law of Impermanence of all worldly existences. All existences, be they material or mental, be they the material world, or the physical or mental states of sentient beings, are subject to continuous change.

The world may have certain states of beings where they stay static or are in equilibrium on a temporary basis (for example hibernation). But when we observe them with supreme wisdom, we will find that not only do they keep changing on a yearly basis, but also that this change applies to even every briefest moment. After the current state of conditions have ceased to exist, the newly-formed state materialises. This is the state of rising and falling. The rising and falling of each small moment reveals that all existences are ever-moving and ever-changing.

Conventional scholars have a very good explanation of these ever-changing worldly conditions. However they, including the practitioners of dharma, try to make sense of the reality from the ever-changing worldly existences. That is, they are fooled by the material existences and are not able to understand the deeper truth of all existences.

Only those with the supreme wisdom of the Buddha and Mahabodhisattvas realise and understand that all existences are illusions. They understand that existences are not real from the observation of the flow of changing existences. The numerous illusionary existences may well be diverse and confusing, arising and decaying. But when we look into their true nature, we will find them void and of nirvana-nature.

On the other hand, since all existences are of nirvana-nature, they appear from the perspective of time, to be ever-changing. They never stay the same even for the briefest moment. Impermanence implies existences do not have a permanent entity. This is another implication of the nature of sunyata and stillness.

3.2 From observations of existence via inter-relationships, we can conclude that nothing is independent of the Law of Causation, and that everything is without ego. For example, the Buddha explains that the individual sentient being is composed of physical, physiological and psychological phenomena. The so called ego is a deluded illusion which does not exist in reality. Its existence depends on the combination of both physical and mental factors. It is a union of organic phenomena. Thus we call it the empirical ego. It is a mistake to cling to it as an infatuated ego.

The Indian concept of the supreme spirit implies someone who rules. The spirit is the ruler who is independent of is self-dependent and all causes. In other words, the spirit is the one who is free from all primary and secondary causes (for physical and mental aspects). The spirit is the one who has the soul of his own body and mind. This is the ego or supreme spirit that the theologists cling to. From their view point, the only way to avoid physical and mental decay is to be self-determined and self-sovereign. In this way, the supreme being can stay permanent in the cycle of reincarnation, and return to the absolute reality by liberating himself from life and death.

But from the profound contemplation and wisdom of the Buddha and Mahabodhisattvas, we know there is no such reality. Instead, egolessness (non-self) is the only path to understand the reality of the deluded life. All existences are subject to the Law of Causes and Conditions. These include the smallest particles, the relationship between the particles, the planets, and the relationship between them, up to and including the whole universe! From the smallest particles to the biggest matter, there exists no absolute independent identity.

Egolessness (non-self) implies the void characteristics of all existence. Egolessness (non-self) signifies the non-existence of permanent identity for self and existence (Dharma). Sunyata stresses the voidness characteristic of self and existence (Dharma). Sunyata and egolessness possess similar attributes. As we have discussed before, we can observe the profound significance of sunyata from the perspective of inter-dependent relationships. Considering dharma-nature and the condition of nirvana, all existences are immaterial and of a void-nature. Then we see each existence as independent of each other. But then we cannot find any material that does exist independent of everything else. So egolessness also implies void-nature!

3.3 From the observation of all existences, we can infer the theory of nirvana and the complete cessation of all phenomena. From the viewpoint of phenomena, all existences are so different from each other, that they may contradict each other. They are so chaotic. In reality, their existence is illusionary and arises from conditional causation. They seem to exist on one hand, and yet do not exist on the other. They seem to be united, but yet they are so different to one another. They seem to exist and yet they do cease! Ultimately everything will return to harmony and complete calmness. This is the nature of all existence. It is the final resting place for all. If we can understand this reality and remove our illusions, we can find this state of harmony and complete calmness.

All our contradictions, impediments and confusion will be converted to equanimity. Free from illusion, complete calmness will be the result of attaining nirvana. The Buddha emphasised the significance of this attainment and encouraged the direct and profound contemplation on void-nature. He said, "Since there is no absolute self-nature thus every existence exhibits void-nature. Because it is void, there is no rising nor falling. Since there is no rising nor falling, thus everything was originally in complete calmness. Its self-nature is nirvana."

From the viewpoint of time and space, we can surmise that all existences are impermanent, all existences have no permanent self, and nirvana is the result of the cessation of all existences - the Three Universal Characteristics. But there are not three different truths. Instead, they are the characteristics of the only absolute truth and the ultimate reality. This is the explanation of Dharma-nature and the condition of nirvana. The three characteristics are the one characteristic, and vice versa!

We may cultivate our meditation, contemplating the impersonality of all existences. This will lead us to enlightenment via the path of voidness. Contemplating nirvana and complete calmness leads to enlightenment by the path of immaterial form. Contemplating the impermanence of all existences, leads us to enlightenment by the path of inactivity (no desire).

The Three Universal Characteristics are the other implications of Dharma-nature and nirvana. The paths to enlightenment are also the same cause of absolute reality. All of them return to the Dharma-nature and the condition of nirvana. In short, the teachings of the Buddha start from the observation and contemplation of all worldly phenomena. They are like thousands of streams of water competing with each other, and flowing from the top of the mountains to the bottom. Eventually, all of them return to the ocean of voidness and nirvana.

4. Sunyata and Cessation is the Truth (Nature) of All Existences.

All existences that are recognised by worldly understanding, whether materially, spiritually or intellectually, have always been misunderstood by us. We cling to them as real, physically existing and permanent. Actually, they are only unreal names.

The more precise meaning of the term "unreal name" is "assumption" or "hypothesis". It is an empirical name. It is formed by the combination of various causes and effects. (These include the effects of mental consciousness.) It does not exist by itself. Everything exists relatively. Thus, what is the ultimate truth? If we investigate existence further, we realise that all existences are empty. This is the fundamental characteristic and reality of all existence. It is ultimate and absolute. But we should not think that empty means nothing. It implies the disentanglement from the worldly misunderstanding of the existence of self, identity, and the realisation of the absolute.

In the Sutras and Abhidharma, the worldly understandings are sometimes referred to as all phenomena (Dharma). Sunyata is referred to as "Dharma-nature", and hence there is a distinction between "phenomena" and "Dhamma-nature". However, this is only an expedient explanation that helps us to realise the truth of sunyata through the phenomena of all existences.

We should not think that "existence" and "nature"; or the "phenomena of Dharma" and "Dharma-nature" are something contradictory. They are just concepts needed to understand the implication of sunyata.

We may analyse the exp

It seemed the space between us became torn and
Profoundly distanced....................

Jamming bony knuckles and spread eagled fingers,
Lying their mapped out journey.....direction on point patrol....
Adorned by silver decoration, delighting in their skinned habitat
Shafted, deceit punching the recipient of the poison digits
Prodding and pushing their intent....dare you contradict
The intended carved out dose of punishment, Risk and
Safety......not yours and never would be; stooped
Down under the assailing bony palmed attachements
That delivered penetrating power, cupped around
Your arm til it became discoloured, pressure points
Backed you into a corner, up against the grain of the
Brick wall, cold and damp, the odour reaching
And scolding your nostrils with its stale internal vows
Refuse, stretching and protruding its foul remnents
An earlier life, when you were not under threat fades
Your very existance in jeopardy, your eyes pleaded for
Normality, willing someone to hear your silence, grip you
Tightly, not with malice, but with bravery and valour
Right now you need that shining knight, that white
Horse galloping down the blind alleyway, yet you
Know that won't happen for you're already sinking
To the floor, the blow comes sharp and stings, warmth
Exudes and trickles a path downwards, leaving your
Body, finding the cold concrete beneath you, travelling
Outwards................

There is one thing that ought to be taught in all the colleges,
Which is that people ought to be taught not to go around always making apologies.
I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet,
Because I think that is sort of sweet;
No, I object to one kind of apology alone,
Which is when people spend their time and yours apologizing for everything they own.
You go to their house for a meal,
And they apologize because the anchovies aren't caviar or the partridge is veal;
They apologize privately for the crudeness of the other guests,
And they apologize publicly for their wife's housekeeping or their husband's jests;
If they give you a book by Dickens they apologize because it isn't by Scott,
And if they take you to the theater, they apologize for the acting and the dialogue and the plot;
They contain more milk of human kindness than the most capacious diary can,
But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American.
I dread these apologizers even as I am depicting them,
I shudder as I think of the hours that must be spend in contradicting them,
Because you are very rude if you let them emerge from an argument victorious,
And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious,
And what particularly bores me with them,
Is that half the time you have to politely contradict them when you rudely agree with them,
So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf,
Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.

I went to church today
I don't know what I was trying to find
Hopes? Dreams? A figure to follow and some worthy morals?
I wanted advice, I wanted to feel alive

I left there with these words resonating in my head
"Homosexuality and suicide are abominable"
a short phrase that sums the fancy and elaborated speech of the preacher
Only the sinful suffer, and I guess that's why I am troubled.

I've thought of suicide jokingly and seductively
more times that I could possibly count
I have kissed girls and I am openly attracted to them
I am not afraid of saying it and with respect, showing it.

According to the bible;
Lesbians and gays was a punishment for not obeying God
Suicide is a way of controlling your faith
And the only one that has power over you is the Lord.

God gives you what he thinks you deserve
He knows you since before you where born
and because of that he is more responsible of yourself
than yourself itself.

Your brains are too small
how dare you to contradict the all powerful one with such disturbing thoughts?
He created all and everything, all and nothing
He knows what he is doing, and in no way you can try to question him

I felt more small and insignificant than ever,
How did a invisible figure matter more than my logical arguments?
Can't I decide what I want? Isn't it my body and my emotions the one in play?
There's other 8 billion people and you try to guilt trip me because I want to end it all?

Sinners will suffer only the prayer can save you, you can't save yourself, God will save you.
Isn't it better to try to put myself together? Wouldn't I be learning more with that experience?
Instead of repeating words of prayers, shouldn't It try to save myself or solve the problems?
How dare you to contradict the all powerful one with such disturbing thoughts!

If God chooses to give you what he believes is right
Then why am I the one in so much pain?
Why good things doesn't happen to good people and to the bad ones bad things?
Is it because the bad ones will always pray?

I went to church today
I tried to find support,
I wanted to confess
"Hey, I want to **** myself"

I thought that well...
If so many people could feel happy by worshiping
I didn't loose anything by trying
I instead ended up gaining: guilt, trouble, and a feeling that I will burn in hell

First, let me begin by assuring you that the feelings indeed are mutual.
I just can’t be with you.
Here are the reasons why.

1. Your hands feel like they were molded perfectly for me. Our bodies fit so well together. Your lips taste like honey. Your skin reminds me of the scent of the sea. Your eyes, they hypnotize. When I am with you, I lose myself. I can’t have that again. I just got myself back.

2. I can listen to you speak for hours on end. Your voice, smooth like silk. You could read the dictionary for me and I’d be turned on. That scares me. I may forget the sound of my own voice and only hear yours.

3. You’re well read. You can quote Derrida at a drop of a hat. You read Foucault for fun. Yet it is the classics that make your heartbeat. I feel stupid around you for not being as smart. You never used that against me.

4. You laugh at my jokes. You’re even cornier than I am. That is never a good sign.

5. You are idealistic. You want the family with big house that smells like chocolate chip cookies as soon as you open the door, filled with noisy kids, surrounded by a white picket fence. You want the carpool to soccer practice and the after school arts and crafts and the weekend piano and cello lessons. I want it too. I just can’t. I have a tendency to run away from it.

6. You understand my tendency to run away. You love me still even if. Love is such a broad term. Love scares me. I. Love. You. Love. We. Love.

7. You remind me so much of him. The one that I lost. The one I got cold feet with. The one I regret not taking the leap for. I don’t want to regret you.

8. I am broken. I carry so much baggage with me. It doesn’t help that doctors agree that I am crazy. I need to fix myself first. I don’t want to give you less than what you deserve.

9. You are way too good for me. Your heart is so generous and loving. I can’t match that. It’s unfair for you. You already know I’m not good for you. I am dangerous for your soul.

10. I don’t want to be just another warm body in your bed for those nights when you are cold and lonely. I don’t want to be just another experience for you. A way to fill your time. I knew from the moment that you held me close that I wanted us to be permanent. I want us to work.

There’s no need for us to hurry, lover. Hold me close and let the cadence of our hearts beat as one.

Actually… please. don’t. I need room to grow. I need space to breathe. I know I contradict myself all the time and you are so patient with me but… no.

he who i hated.
he who i despised.
he who i abhor.
he who i loathe.
he who i detest.
he who i abominate

noetheless,

i fall.
i fell.
i was pulled down
hard,
from where i used to be.

i've love.
i have loved.
i have love him
despite of those.

it's contradict
i've never expected it.

I was born a sickly, screeching baby, two months earlier than expected. The doctor and midwife did everything they could to keep my little limbs moving and to keep my tiny heart beating, fluttering like the wings of butterfly.
“Is it a boy?” my mother whispered through her pale lips, as they bathed my naked body in hot water.
“No, ma’am, it’s a girl” The midwife struggled to add on something that would make the wailing creature seem more desirable. “With exquisitely shaped feet, so perfectly miniature”
She let out a croak of conflicting emotions: the joy and pride of a newly-founded motherly love, the fear of presenting a girl as a first-born, the relief that the hours of agony in childbirth were over and the dread of facing her husband once he found out about me.

My mother was not healthy after my birth for a long time; and when I was only one and two months old she fell dangerously ill, and the house whispered footsteps running to her room late at night and muffled voices of different doctors. Mercifully, she survived but was left barren and forever unfertile.
I can not imagine my father’s fury. He believed in having sons to carry on his old last name of thirty-one generations; it was his religion and had I been a son, I would have been worshipped as a god. I can imagine how my mother prayed and thanked her ancestors that her dowry was of a large one.

He could barely tolerate being in the same room as me during my toddler years. Every time he entered a room I was playing in, nurse would sweep me to our garden out side; answering to my startled queries, “Be an obedient daughter, don’t bother your father and don’t ask questions”
My body had been born frail, but my natural spirit was as healthy as could be, full of inquiries, wonders of the world around me and everyday I would learn something new just wandering around the neighborhood observing things, with my nurse trailing with a worried eye behind me muttering, “Girls are not supposed to be exposed to this” she spoke the words as if they were sour, “you should be sitting at home and accompanying your mother.”

Every day at dinner, the two females of the house, me and my mother, were silent while my father ranted on and on. My appetite being very delicate, I often just sat there as still as I possibly could and listened to my father talking about politics, jobs, money. Things he called ‘men business’. I longed to ask questions about these ‘men business’, especially ‘university’ for I had an inquisitive sort-of nature but was refrained with a sharp, piercing look from my mother every time I opened my mouth and sometimes, she pinched me under the table leaving purple splotches which flashed, “Don’t question your father”
Sometimes, he would talk about the future he had decided for me, “You will marry off, sixteen at the latest, to some one rich and beneficial to our family. You will do as I say till I marry you off, and then you will do as your husband tells you.”
“Yes father, for I should repay everything you have done for me” I replied as sweetly as I could.
“Yes, you’re a good daughter. Bear lots of sons for him and your house will be one of happiness.”
I was proud that he had given me a compliment. “Yes father, for it will make you joyful as I always wish to make you so”
My childish heart did not understand why my mother turned her head down while her left eyebrow twitched, and why that night, as she tucked me into bed, I thought I saw a tear roll down her cheek and why as she kissed me that night she whispered, “Do not love me so; love your father. The men in your life are your gods.”

My physical health would constantly limit the desires of my free spirit. I could not to do what others who were as free of spirit as I was could do, and couldn’t socialize with them and the rest of the children in my neighborhood had their siblings to mingle with, causing me to become the pitiful outcast.
I saw children around my age, around seven or eight, climbing trees and wanted to do so as well, but my white feet did not have grip enough to grasp onto the fat branches.
Father caught me once trying to propel myself up a tree and his expression was both of a resigned anger and sadness before he turned him and his face away and back into the house without a word.
That night, mother told me not to climb trees ever again. I noticed a faint bruise on her cheek bone that had been covered with white powder.

When I was eleven or twelve, and was allowed to wander further out into the neighborhood with my nurse I saw the boys fishing in the nearby pond and wanted to do so as well. Starting that day, every week I pocketed the three coins mother gave me until I could buy the best fishing rod in the little store and ran as fast as my skinny, weak legs could carry me to the pond. I mimicked the way the boys flung the fishing rod out over the water but the metal pole was too heavy for my pale, shaking arms. I tried over and over again as my nurse watched, biting her lip in anxiety. I held the fishing rod with trembling sore arms till  I felt a bite; I pumped my small arms to reel it in, but they were so tired and I was far too slow, losing the fish I had spent half the day trying to catch. “Ah, just bad luck, don’t worry! It was a smart fish, I tell you!” nurse exclaimed, though her eyes flashed a look of pity and I knew she knew it wasn’t just bad luck or a smart fish.
In anger, I sold the fishing rod to one of the boys for two-thirds of the price I had bought it for. He was delighted with the bargain and I watched with a lump in my throat as he caught three fish with the tug of his healthy, muscular arm within fifteen minutes. “This is a beautiful rod, and the pond is just filled with fish today, Little Sister!”
Wanting to spend the money jingling inside my pocket, money that to me was just a reminder of a painful memory, I headed off to the collection of little shops close to my house where I was guaranteed distraction. Nurse, sweating and complaining of the heat, followed me.
An ageing man with a bunch of filthy hair working away on a piece of thick, rough paper with wondrous colors inside a shop caught my eye as I peered inside the window. He turned the picture upside down and continued blending in the dark colors of the shape to create a shadow along the curve of it. I entered the shop. “What is that?” I asked of him.
“A face” he replied back absentmindedly.
“Doesn’t look like one to me” I confessed with my honesty.
He looked up at me, “No, it does not to you, and maybe, neither will it at the end. To me, it looks like an angle of a faded face. But slowly, with time, it will become clearer and clearer, yet only to me, and as it does, I will be able to choose more colors to make it yet more beautiful. The outcome of this painting is entirely up to me.”
I felt my challenging self rising up. “But what if you imagined a certain color in your head but couldn’t find it or be able to mix it to your mind’s perfection?”
“Then I would create my own paint color.”
“You know how?”
“No, but if I could not find the paint color already made I would make it myself, and no matter what, would learn how to. So far I have always been able to compromise and mix different colors to please me.”
“You do an awful lot of shadowing light colors with dark colors”
“Why do you think I do so?” he questioned me this time, with bright eyes.
I pondered for a moment to give as good an answer as he had given me and then told him my answer.
He nodded with impress, “Yes, yes, absolutely right. I never thought I’d hear that from a child” and looked at me with his head cocked in curiosity.
“What would you like to buy from here, Little Sister?”
Still deeply interested in our conversation I pulled out the coins I had in my pocket. “How much stuff can I buy with all this money? I’d like those crayons, I’ve tried them once before and they are so creamy and smooth.”
“Oil pastels?” he asked, a little confusedly.
Feeling ashamed of my ignorance, I nodded. The tutor father hired evidently bent to father’s strict rules of what should be taught and what would not be taught. Father disapproved of women painting, and would’ve dismissed nurse had he known that instead of taking me out for a little walk to smell the blooming daffodils, she in fact let me explore the environment around me to the best of my ability even in disgruntle.
The man gave my red-patched cheeks and undeveloped translucent frame a sympathetic look and when he spoke, his voice was gentle. “Little Sister, I’ve a whole basket of oil paints that I’ve used but rarely and so are still in perfect condition. Would you like to carry the whole basket home for all the money you have in your pockets?”
I handed him all my golden coins, “But first I must see if I like it.”
“You won’t be disappointed” he chuckled and walked with an imbalanced limp to the back of the store. I noticed a wooden stump protruding from the bottom of his long, black pants. My heart throbbed achingly; he was ****** limited too. I turned to his painting and smiled from deep inside, a smile I rarely wore.
He came back tugging a huge brown basket filled to the brim with sticks of oil pastels, some longer or thicker than others. He lifted an orange one up and showed the tip of it to me, which was stained with a black mark. “Sometimes when you blend colors this will happen, but it’s easy to rid off. Just softly, and patiently rub it off on a cloth until it disappears.” He demonstrated upon his black pants.
“Thank you. It’s kind of you. But...I can’t carry this home myself. It’s heavy.”
I turned to nurse and smiled my best pleading smile.

The basket was toiled up as nurse undressed me from my shower and father and mother were otherwise occupied. That night, with my precious basket safely under my bed, I cleaned all the multi-colored oil pastels on an old shirt, and as soon as the house was ringing with silence, I locked my door and flicked on the lamp light, and started pressing the smooth colors into the paper to blend and make a picture of kissing colors on a relatively large piece of white paper. A thrill ran from my finger tips and along my arm, and made my palms tingle as I held the colorful sticks in my hand to the paper. I hid it underneath my bed just as a rosy sun was rising.
*
I was sixteen, and I was thought beautiful: for now, at this age, it was considered beautiful to be so pale of skin, so small of feet and hands, graceful to have tiny limbs and charming to have little strength for it was now considered ‘feminine’.
It was three weeks after I had turned sixteen and for dinner, father had brought over an ugly man with a bulging waist and shiny bald head who continually made ****** jokes at the dinner table while he believed I did not understand them. He was infamous for the two wives he had had (before they died from sickness), and how he not only hit them but kept other lovers too. Yet he was desirable for his vast richness. He leered at me obnoxiously, in an attempt to smile.
Father caught him looking at me, “She’s incredibly silent, never says a word of defiance and will be a most dutiful wife.”
“Yes, she is beautiful”
My heart froze and my brain was stimulated to work twice as fast. Him?! Him?! The man who’s wives were killed through an illness called ‘abuse, neglect and disloyalty?!’
I cast my eyelashes down in order to appear a calm, modest young lady while my heart hammered in fury, disgust and a rising hysterical panic. I shot a look at my mother whose left eyebrow was twitching as she stared down at her dinner plate, and I knew she was having the same thoughts as I.
“I would be glad to have you as my son-in-law. You would have no trouble with her, and would be embraced with open arms into our family.”
They continued this path of talk through dinner while he eyeballed me in a way that made me cringe. I felt his foot nudge mine under the table and in haste tucked it under the chair with a little gasp. His eyes glittered at my gasp and I was furious with myself for letting him feel a rotten triumph. Though I had always felt an extremely strong dislike towards him from what I knew of him and sometimes saw of him with an immoral lady, something pushed in the pit of my tummy, and I knew it was pure hatred.
When mother tucked me in she was being strange. On closing my door she whispered, “I love you… so I wish you to know… don’t ever contradict men”

As I was secretly drawing a picture as I did every night till dawn, I heard my father’s voice roar in the dead of the night. In a sudden, I shoved my portrait under the bed and threw all my oil pastels into the basket, hid it, and switched the light off. I heard his voice roar again, accompanied by a thud. I was wild with fear as I crept to my door and pressed my ear against it, barely even shocked at my own daringness as my instinct, love, took over- my instinct of must knowing what was happening to my mother.
“How dare you say I’m wrong!?” there was another thud, and this time I heard a soft whimper. “She is worthless to me, not a son. And I will marry her off to a rich man who can actually benefit this family.” He roared.
There was a whisper which I strained to hear, “He will **** her”
“From the moment she was born she wasn’t made to live!” he yelled.
A hiss escaped my tongue and I coiled like a serpent, flinching as a thud was heard yet again and an immediate cry of pain escaped from both my lips and my mothers’.
A fire awoke inside me, burning my temples and my whole body and my eyes stung with hot tears; tears that burned my face as they splashed down. My whole body was shaking and my tightly squeezed eyes were going through spasms. I was no longer wild with fear, but with anger.
I turned my light back on and tugged my basket of oil pastels out. I yanked my portrait off from a thick of pile of different pictures I had drawn.
My breath was coming in quick short breaths as I finished my portrait to the utmost perfection, using every oil pastel in the basket. Every time I heard a thud, I colored with more fiery… shadowing my jaw line with the fat black oil pastel, in the crook of my ear, the corner of my mouth… where the light shone upon my fore head, how it reflected in the color of my eye and glowed on my cheeks.
When I was finished, the house was deadly quiet again and dawn was breaking. I looked down upon it and realized something that changed my life.
In frenzy I swatted out all the things I had ever drawn and stared at them in an awakening.
The colors on them were the events of my life, the things that characterized it, the decisions. They were beautiful for they had been chosen and controlled by me … I had chosen the colors I wanted and thought best for my pictures; and spent thought over how to blend different colors to the color I wanted.
And everyday, as I worked into the drawings with time, they became clearer and clearer on what was the right thing to do, and how it should possibly look like in the next stage.
I leaned over and kissed the thin lips of my portrait that didn’t look exactly like me for not even the most skilled artists have complete control over what they draw.

Then I remembered what I had told the one-legged man in the shop a few years go:
“Lights not only illuminate, they also cast shadows. The contrast makes you able to appreciate the power of both.”
Now it was time to truly let the light illuminate my life, and let the shadows let me appreciate the light that shines upon me; I color my own life, and choose my own colors.

To pull out the colors underneath the darkness of my bed…
And spill it to the world outside.

cellphone to heart, mobile to immobile, electric dead to living

you know that sleep and I are but passing acquaintances,
when it drops in, to heavy my lids, it is through a cracked window slivered, just enough for a Pan boy to grab me and away me to Almost Neverland

when the alarms sound that it’s sleepy time,
(quite like that quiet verse)
no time to delist the “those pre-shluffy to do things,”
cell drop upon my chest, like an open mic,
then the raging observatory tapestry begins!

the cell lies directly above my ventricular chamber,
and communication is live, the brain cutoff switch, well, cutoff

all manner of imps, devils, rejected poems, angels and
Greek gods and some Indian as well, stand in line for to make
free calls via a beating human message call center, utilizing my friends and family verizon plan to register complaints,
close out unfinished biz, or just contact, friends, family or other
mischievous imps or even you, in other time zone worlds

though my brain may not interfere, like the CIA, it records all
conversations and give me a list of new poem titles, notions, stories glories and wrenching heartbreaking heartbreak,
requiring “fleshing out” when I awake from my three fingers
of scotch, glass eye tears drops made me drunk,

damning this transmigration chorus of voices that offer up a treasure of divine humankind’s hopes and travails,
and the occasional call on the divine’s 1-800 confession line,
hear it all, my chewing out by one particular god of mine who does not suffer my criticisms well of his ungodly actions, nope not sweetly and

when else would he dare contact me, except when no edgewise
words of mine can appear to contradict his mealy mouth excuses

did you musty misty mistake  my poems  as the product of
the miracle water wages of my imaginary inspiration,
no, not, from the replaying of your desperate exclamations,
the cancerous shrieks of loss and prickly investiture of the aesthetics of soft whispers and solitary foot treads,
that is where my insanity is bred, and tumbling s-words, sworn

don’t consider it eavesdropping as there is no signed rental agreement, consider this unfair warning, if you should secret use my cellular line, your everything is now ******,
your genetic material is materialistic mine and my poems yours,
this bittersweet sentiment is a measure of our bloods commingling,
your tears and impish silliness, are shiny hidden within mine

somehow I feel compelled to state this unique statistic:

I love you

4:47pm on 3/11

who writes poems like this?
silly old boys with gray hair, standing on one left leg.  but you knew that, right?