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Àŧùl May 2013
Before you criticize me too soon, I think you should spare some seconds and answer a simple question to yourself...

If Shahjahan loved Mumtaz Mahal so much, why he had a harem of wives to use at his own pleasure?

While I agree that the Taj Mahal is arguably the most extraordinarily beautiful monument in the world, I don't agree upon the fact that it was built as a tomb of love. It is just a symbol of madness if you asked me. An emperor's insecure feeling to get his name registered in the history books. While it may be one of the most beautiful architectural monument, it was built by over 20,000 architects, craftsmen, masons and engineers who took over 16 years to build the magnificent building.

He got this apparently high & prestigious monument of love built but everything that the Emperor did was not pleasant at all.

° The lavishly living Mughal Emperor spent all his - his subjects' money into building this monument of love instead of keeping his subjects well-fed.
° Mumtaz Mahal might have been the luckiest woman to have died and got such a marvelous building built as her mausoleum but she died giving birth to her & Shahjahan's 17th offspring and then Shahjahan who had uncountable other wives was inspired by her demise apparently to undertake what is termed as the biggest project in history build the costliest monument proclaiming his rule.
° The arrogant - falsely proud lover - Mughal emperor didn't know that what he thought to be looked at as the greatest symbol of love will be criticized by some poet in his own land nearly 375 years later. The insane Mughal Emperor got all the builders of the Taj Mahal's fingers cut-off of so that there could be no other Taj Mahal.

But Aurangzeb, his & Mumtaz Mahal's son overthrew his power when Shahjahan got older and locked him up in a jail at the other end of Yamuna river where the emperor then died a sad old lovelorn bedlamite person in prison. Aurangzeb was the exact opposite of his dad, he showed religious intolerance and his habits drove the empire towards its doom after his death.

But let me think this way; when I look at any picture of the Taj Mahal, what I get the first thing in mind is this: *Such a CRAZY emperor who got such a beautiful monument of Egotism built!
Sorry Shahjahan's admirers, his love's sympathizers, people with softer views towards such love & romance.
But I believe that such people are just confused in their lives.
My idea of love isn't just that ideal.
My HP Poem #222
©Atul Kaushal
anna  Mar 2019
the rain
anna Mar 2019
Raindrops splattered across the squeaky window as Lily slipped into a world entirely her own. She found out that the slightly dilapidated beige sofa can provide an alarmingly pacifying dark fortress.
It was the storm in her living room which led her to this point.

Her mother was a peculiar human in the aspect of coping methods. Most would turn to alcohol, but Lily's mother turned to books.

One would think a child of such age possessed great privilege, having such a mosaic of resources on literature, words, and literacy.

Every morning, Lily's mother would slip into a world entirely her own. Some days, her face would hold the cover of a Patrick O'Brian and other sleepy days would entail a bit of nineteenth-century British novels. Whatever the cover, the woman's disposition was also affected.

"Lily, listen to this- doesn't it sound blue?" The woman hoarded phrases from each book, and soon, Lily's mother was an endless world of words. Her mother's affinity for quotes turned into a tasteful obsession. Lily was naive to the abnormalities in associating words with colors; such as ‘nebulous' with orange, and 'surreptitious' with purple. To her, language was rich in color and feeling.

One might also surmise a girl with such enlightenment would take after her progenitor. Lily did not. Though, she was above her class in reading comprehension and competency, the very thought of books sent flashes of buried grudges.

"Everyone needs a therapist. The poor girl's been through so much," they say. 'They' being the individuals at church. After service, the doors would open. Lily would do everything in her power to weave around the sea of meaty vociferous faces. She didn't need their pity. Nothing happened.

'Nothing' meaning... perhaps a little something. Her father died. This, (Lily suspected) was the cause of her mother's book addiction. It must be peculiar for the spectator witnessing the situation from above. As we've stated before: most turn to alcohol.

Years elapsed in which an occurrence she termed, "The Rebellion," began her mother’s book exodus. She was never truly present and Lily desired for her to see the world as it was now- not in a novel or in the pages of fantasy.

The piano rang throughout the room every morning and every night for about an hour. Lily often turned to classical Vivaldi, Yiruma, or a dash of Paganini piano covers. She drank music like a shriveled sponge. Of course, her hobbies would be as far away from books as possible since she believed them to be an obligatory evil.

Tunes danced across her soul like the ghost of a memory almost arising. The voice of a piano carried bursts of purples, yellows, and reds. White and black keys proved unchanging and reliable. Lily latched to the idea.

"I'm going to play her out." The mourning doves cooed in the almost-vacant neighborhood, while two girls of the same height and age were ensconced under a magnolia tree near the street, their legs crisscrossed on grass.

"Too much piano?" Haley asked, plucking a dandelion from its roots while squeezing milky sap from the stalk with her fingernails.

"No, I want to." Lily answered.

A thought crossed her mind. Each book infested mother with unique feelings. Then, Lily deduced there is no such thing as too much piano.











It was quiet in the house as Lily had no siblings and the book-trace rendered mother speechless. Tape recorder near the piano, and fingers at the keys, she began playing au fait on her version of Vivaldi's Spring Season. She kept the imagery of wedding cake and rings in her mind. She introduced the song to her hands by means of segmented versions, leading towards the final masterpiece. Her aural senses acute, listening for the best complimentary notes. Soon, her fingers had written poetry. She liked to think that her left and right hand owned different stories to perform, yet once they met on-stage, they heightened the essence of each other's tales.

Lily played verses countless times until she was out of breath. If someone told her piano was a sport, Lily would concur.












The final piece was recorded on an 'old-fashioned' tape. Heart pounding, she tiptoed upstairs to her mother's hiding place.

"...a thin place where tissue paper separates the material from the spiritual.." the woman greeted Lily. She never looked up from her book.

"Listen, it's white,” the woman voiced hazily. Lily shoved the tape in her face. The mother’s hand reached out from behind the book, feeling the air before finally resting her hand on the plastic rectangle, sliding it into the player

and the music journeyed to her ears.

"Hmmm..." she said. And then all was quiet.










"I've got her." Lily declared in the convenience store on a rainy day.

"With a cake?"

"It was her wedding song. You know- the one playing while the bride walks in."

"What'd she say?"

"Nothing."

"Why can't you just wake her up with some coffee?" Haley suggested as a golden aurora arose from behind the clouds.

Most of Lily’s playing sessions caused her to neglect her own physical well-being. So she rinsed a dusty plastic cup from the cupboard and filled it with water. M&Ms were food Lily associated with her sessions and she couldn't play without developing that deep-rooted Pavlovian response. Finally, in an attempt to be healthier, a plastic water cup was to her right, and M&Ms in a bag were to her left on the piano seat.

But first, a small kick in her belly drove her to a slight guilt. See, she believed in music the way some do religion, and thus, she did what others do when confronted with a critical moment in life.

"I'll bring her out," she began, "and I'll play for the rest of my life. If I can't, I'll give up music forever." She placed her fingers on the keys, completing the oath. And this occurred only because she was twelve and incredulously naïve in the field of religious traditions, that she didn't know that most oaths offered to a deity of higher power involved some form of great sacrifice for a desired result. This meant that her risk was greater than others, as it meant winning or losing it all.

Lily drew a deep breath, filling her nose with the memories of coffee. She began playing. An odd little tune traveling from her brain to the keys before her.










"Remember me, when we lived far away, down in the lonely lighthouse..." her mother chanted and Lily only half listening as she painted the cover of a CD containing her finished piano piece: Coffee.

"The sea air- spill in that lighthouse. The comfort we felt in that lighthouse." Her mother continued absorbing the ink on the pages, "Remember me, when I flew away with that chilling, cold sea breeze..."

Lily clicked the clear cover shut, handing it to the "Collective Works of Julie G." Once again, a wandering hand shot out from behind the cover, searching for the CD. Her mother did not look up.

"Music or an experiment?" she asked

"We'll see." Lily answered.

Her mother raised the CD to her player and inserted the disk, pressing play. Her wandering hand felt a small cup of coffee and as the music played, she sipped it slowly- quite peculiar. Her eyes looking up from the pages as though she were staring at something far away and her face, rubescent.

"Where did you learn to play that?" she said, leaning back and closing her eyes.








Haley and Lily entered a quintessential music store. Guitars lined the walls and classic vinyls were stacked on shelves. Small sleek keyboards welcomed guests as they stepped inside, synchronous to the resonance of a sharp bell.

Lily sped towards the CD section nestled near the corner in the store, while Haley flipped through the pages of violin classics.

"Lily, you're missing something." Haley noted from across the room, flippantly exasperated.

"Coffee didn't work." Lily replied in despair. "I thought I had her, but I didn’t."

Haley walked back towards her friend, new sheet music in hand, "Everyone's heart breaks a little differently and that means every cure must be unique. But there's something we all need- to feel safe. You did that for her."

"Then why is she still gone?"

"Because In order to return, she needs to remember what she lost and she needs to want it again... hold on." Haley held out a piano book in her hands. It was a neat white book with dark blue ink. Lily furrowed her brows.

"Just read it, Lily." Haley urged in the most loving way possible.









She still refused to use the book, diverging more from Haley’s instruction, cajoling her mother by use of classical music, modern music, and healing music. But nothing resolved and it seemed as though her oath to the Greater Deity would not fall in her favor.


It took a graying day for Lily to dig in her backpack and pull out the vile book. Inside revealed crisp white music sheets.

She itched to throw it away, however, something caught her eyes:

Kiss the Rain.

Lily stopped and stared out the window, inhaling to smell petrichor.

"Well, okay then." she reasoned. She pulled out  the piano bench and began finding the first few notes. The rest fell into sight reading. Just as the rain trickled down the living room window, the music trickled into the home's inhabitants' ears. Rain engulfed her soul.

The piece finished with a light touch on the last note. It resounded through the cozy expanse.









"I have something for you, mom." Lily proclaimed, placing the CD in her mother's hand, which then traveled to the player.

The woman failed to look up from her book, only staring into the distant pages as the notes tapped inside her ears. Ever so slightly, her eyes began to close and Lily could see the notes dancing behind eyelids.

"It feels like... rain." she commented. And as the last tickling touch of the last raindrop echoed through the dark room, her mother looked up, smiling at the sound, and her eyes met her daughter's.

"Why, Lily," she said, her voice laced with surprise, "look how you've grown.”
Short story!!
Mateuš Conrad Dec 2016
if you can find c. g. jung writing an answer to the biblical Hiob, i can be found writing this... or as the Lad Bible states: be your superficial you... so when she's not her superficial self... you can just play the awkward monotone speaking caveman that you weren't before she played you that superficial card of hers to tone down your interests.

you know why i'm fascinated with schizophrenics?
primarily because they are concerned with
an inorganic medical condition,
there are, absolutely, no reasons to suggests they
are organically prone to premature degeneracy,
they are what the Alzheimer old man calls an angel,
and what the "angel" experiences from time to time...
to cite a non-typical schizoid experience -
a splinter in the mind?
when i wrote my previous poem, i was listening
to the song *the parting glass
throughout,
on and on and on... the rhythm took over...
and when the "poem" was finished i retracted myself
into my room and first played auld lang syne
(with lyrics and English translation)
...
                           and then... the pure instrumental
of knee-deep-bagpie... bagpipes, sure, horrid,
screeching drowning-lungs of magpie
cackling cut short into a carbonated highland water...
     oh don't worry, what this comes down to
is personal experience, such negations of ease
are not like the black plague, or a.i.d.s.,
they don't come into contact with purely-riddle
human incompetence... it takes more than that...
certain conditions are not viral...
you can't interpreted them as political malevolence
akin to a political movement... primarily because
the numbers don't add up...
                    the complexity of thought is
the complexity of regarding the mind as an abstract
of the brain, given the brain has no accuracies
concerning abstraction when stated against being automated
to a pair of kidneys... i too wish for a La La Land sometimes...
but that's not the reason people allow ***** donations...
     but you know, it really gripped me,
i wrote that poem, listening to the parting glass,
and felt nothing, nothing... because i was so
formulated to write what i wrote...
  i wrote the last bit, walked into my room,
and played the second version of auld lang syne...
the royal scots dragoon guards pure instrumental...
   and you get to weep these cold tears
after an insomniac cold shivers getting warmer with whiskey...
              and whimper and bite your bottom lips...
because you're hardly a woman fainting
and the drama isn't in you...
               and it's actual tears...
people laugh and cry saharan tears, meaning: it never
rains over it...   i see Sahara as the ancient version
of the Himalayan mountain range, suddenly reduced
because god is fickle and well, aren't we all?
           if any of us are alive to read or speak such
encodings... there will be a desert made from
the Himalayas that will be called the Himalaya -
but that's really being optimistic.
       there used to be mountains, mountains in
north Africa, Gandalf! but they crumbled in deserts!
where once a mountain range, subsequently a desert...
where now a desert, once a mountain range.
can i please get a taxi to leave this current
history and Darwinistic revisionism of it as telling
us ape Adam had more psychology about him than
Charles XIV? i want to hear the geological version
of Darwinism! but am i hearing any of it? n'ah ah.
       so yes, upon hearing the scotch dragoon guards
pipe a full whiskey sodden breath into the
         bagpi - i heard the word counter to my scrambled
narrative... king... king?!
                   which is what's bewildering about
a medical term deemed premature dementia...
   it's an organic impossibility...
but given society is an inorganic organism
and all our socio-political mechanisms aren't exactly
organic, there might be some sense in this piquant
dabble in an auditory hallucinogenic experience -
which, evidently, people find frightening,
since they occupy defining their thinking with
hearing so much, and when seeing a homeless man
think so little...
                     logic? a particular arrangement of words
that does not provide kind rubrics for the testimony of
the many...
                    i can hallucinate this auditory "addition"
and competently go on my daily business,
or my nightly business finishing a bottle of scottish amber...
some people cannot...
                 what i see it western society predicating
their poor knowledge of Alzheimer's as if searching
for some genius to explain what happens to the abstract
functions of what the brain represents
                 in terms of how the brain and abstraction
can't be cleanly separated, i.e. to treat the degeneracy
of the brain as succumbed to, but not succumbing to
the elaborated foundations of the "brain"
within the trans-physical functions of the "brain"
within a framework of memory, vocabulary, memory.
people first attribute the brain with too much
           concern for abstraction when in fast the driving
force for abstraction is the now-vogue zeitgeist
"psyche does not exist" -
                            and when the brain degenerates like
a heart or a kidney can... people start to freak
out propping out a Frankenstein revival that brain
cannot in-act upon...
                                 they told us the brain is fat...
          then they tell us only 0%, or fat-free yoghurts are
good... isn't the case for the epidemic of dementia
due to the fact that we're censoring fat?
what feeds the brain? fat! what are we censoring from
our diets? fat! fat free ******* yoghurt!
                             where does the modern epidemic
stem from? censoring fat! you anorexic ******* morons!
  you know why i put extra fat in the way i cook
meals, you know what orthodox cooks tend to
like a sizzle of a lump of lard? brain food...
     and yes, some call it eating a lot of nuts...
well then... fry me a ribs-eye steak on a handful of
cashew nuts you crazy *******!
            this is what drives me crazy concerning
auditory hallucinogenic experiences...
there are no drugs that you could ever sell that people
would buy to experience an auditory hallucination...
primarily because people made thought
   an auditory experience...
                  that's the norm, i'm not talking Walt Disney
here... and people enjoy music because it feeds the heart
in a way averse to images that feed the libido
or dreaming...
    the point being, my "hallucinatory" experience lasted
for less than a second... some ***** on l.s.d. trips
for half a day because he finds modern movies boring
and finally gets to appreciate cubist contortion
mechanisations... i can do more damage with a second's
worth of "auditory" hallucination than that little
hippy can do away with 12 hours, and only end up
writing a haiku thinking he can suddenly conjure up
spirits of Shinto like some Gilgamesh *** Bruce Springsteen;
then he shaves his hair and travels to Mongolia
to learn the index against the lips motorboating
harmonica... and i end up saying: thank you;
cos it wouldn't be twangy without that kind of a tranquiliser
to stabilise excitement beyond encoding sounds.
          i can tell you how ******-up my internal
narrative has become, so i'm defeatist,
here's how it looks like when i get agitated...
               writing on a white flag...
      oh look: wavy! wavy! i'm waving it...
going boats full of nuts and bananas!
             you ever hear the story of a psychiatrist
jumping on a table and barking when a conscription
  cadet tried to fake being mad?
      she did what i just wrote and asked H. Clinton
to reiterate on the campaign trail.
                    inauguration 2017:
   i solemnly swear, that H. Clinton barked like a ruffian
poodle on the campaign trail.
  beside the point though, schizophrenia is an inorganic
manifestation of an actual organic degeneracy -
it's a negation-of-ease for dangerous people...
     people who probably have a music taste outside
the top 40 best selling albums (let alone singles)...
                   and they're quick to pick up on this grey area
concerning premature depression...
                it's trendy these days... people who are melancholic
are people who are like Homer, wrote the Odyssey
went blind from making too much heroism from
      the cannibalism at the gates of Troy and couldn't
handle telling a single lie after having written such an epic...
   or as Virgil convened: Paris didn't escape,
Aeneid did... no one knows what happened to Paris,
       probably choked on a raisin or something:
it's ancient history, if you're not going to talk about it
in a callous manner, then be prepared for careless mannerisms:
pout, **** *** cheek, shelfie!
               what i am seeing is this quote:
a butterfly on the Galapagos Islands... a Tornado in
Colorado... the poetics of quantum physics,
or misplaced potentials of counter-quantifiable
simultaneous counter-interpretations...
    the butterfly effect? under the umbrella corporate
otherwise known, from ancient times: a metaphor.
hey, we started reading into hydrocarbons,
there's no way to talk easy for us...
                           for all my love for one inspiration,
i lost my love for him when he said that not tying your
shoelaces (i.e. spelling) was because he thought it was
indoctrination... you know who i mean: Mr. Chow Chewski...
   spelling? that's like tying your shoelaces!
         question is... who would ingest a hallucinogenic
drug that didn't utilise the multi-coloured world to
an excessive amount to be prescribed, say, an U.V.
phosphorescent spectrum of seeing... when, given all
that... sound occupies this realm of b & w?
               who could create an auditory hallucinogenic?
can you imagine it?
                             most people with a weakened cognitive
membrane would go nuts... as the case has been proven
many a times...
        but given the fact that no such hallucinogenic exists,
or that "auditory" / cognitive hallucinations are
disregarded even though Descartes stressed this
   notion of a substance / thought, and an extension /
       sensual disparities with regards to cohesive uniformity,
i.e. regarding over-stressing a particular sense
      and never reaching a former cohesion...
           can only mean a circumstance later described
by Kant within the framework of the noumenon -
    i.e. perhaps you've seen too much, but heard too little...
perhaps you've tasted too much, but had barely a sniff of
                  more...
        the original thought when exposed to a cohesion
of uniformed senses, experiencing a discohesion of
             a presupposed sensual "uniformity",
returns back into a form of thought, i.e. an extension...
                only because the thing in question is a
presupposition, not a supposition that can be countered
with a proposition, i.e. since we all made mistakes
presupposing, we have become prone to propositions to
suppose otherwise... in terse terms: invent politics.
so what i termed "auditory" and "hallucination"
and conflated them in a prefix of cognitive-, in consolidation
i meant to say that: once all presuppositions (thoughts)
disappear by the miraculous ape that man either is
or wishes himself to still be... and we deem to say:
   reality...                 we only have suppositions (extensions)
               that appear...
                         by the miraculous ape that man never
was and wishes himself to nonetheless be:
  in that consolidatory ref. to the last trinity of Cartesian
thought: substance - in the former the formation
of will... in the latter the complete lack of it -
                              to the simpler scenarios,
we already have knowledge of prisons and asylums...
            because internalising such possible scenarios
never leaves the many to be grafting such possibilities
with enough calm as to persevere for the sole purpose
of understanding, as what point can a noumenon-unit
enter the argument if not from a reflex
                       as this continued narration explains...
none of this was reflected upon...
reflection in such circumstances usually means weaving
a machete at your neighbour...
                                  the noumenon-unit
the ping-pong factor in all of this is a reflex action...
         not a reflective action...
               i am no king no more than i am a pauper...
   now imagine if i tripped for 12 hours on l.s.d.,
having extracted so much, from an "auditory" "hallucination",
that, in the realm of the mind, is neither a minute,
nor a second, nor a nanosecond...
               it's unitary equivalent is simply that of: a word.
Aaron McDaniel Oct 2012
I have an army at my sides
Teenage soldiers marching along side making no commotion
Ready to shoot cartridges of heavy emotion
and landmines of loud music
Marines scream their motto ‘Semper Fi’
We reply with an attitude as if we’ll never die
Everyday, unknown soldiers
Our brothers and sisters are dying
in drama filled warfare
Someone tell me these crosses on
Highway sides are okay because
too many populate the green surface they’re held by
I can’t stand hearing how a
14 year old gets shot by a
15 year old now locked up for
16 years all for
17 oz of ****** so now a cop can tell
18 family member some ******* about how kids make ******* decisions because
“We don’t know any better?”
From swing sets and sand boxes to
Slick rides and ****** tension
We’ve been changed from overalls to overrated double standards
As a whole we’ve lost out innocence
We’ve been termed as the lost youth
So let’s get maps to find out way back
3 paces east and 4 to the north
We will end where it all began
Chances are that 90% of people won’t get
our fascination with funny pictures of
Cats on the internet, but that’s because they don’t
understand the generation the 90’s gave birth to
I’m only 16 and growing up scares the **** out of me
I don’t know what one person can do to
stop every disease and flu from passing
through and staying true to humanity
Tom Wargo was quoted as saying;
“Growing old is mandatory;
Growing up is optional”
If this is true then I want to stay
17 on the inside, I’ll be
82 on the swing sets laughing away.
Other parents will whisper and wonder
But I won’t care.
As long as I can stretch my toes
to touch the sky and grab it’s mysteries
I guess that’s why they say plant your foot firmly
in the front door because my toes can’t latch onto nebula's.
So when I fall I’m going to need a platform to land on
If we rely on one another to thrive, strive and survive
Then where will i fall to if my generation single-handedly kills one another till nobody is left?
We live in the moment but the moment has passed
So seize the next moment and live for tomorrow
So when tomorrow becomes today
You’ll be ready.
We
Will be ready
We won’t be killing
We won’t be stealing
We won’t be lying
and most importantly
We won’t
Be
Dying
PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.
Ayad Gharbawi Dec 2009
THE STORY OF SARA

OR A REFLECTION ON OURSELVES

Ayad Gharbawi

Chapter 4: THE HALLOWED PURIFICATION PROGRAMME




  One night, Omar began to thunder on:
  "No more of the disgusting concepts and ideas created by the Pigs! We should eliminate from our minds every single Pig that is influencing you, and I must say to you all, that I'm not seeing any progress."
  The audience suddenly went all quiet.
  Our leader was not satisfied with our emotional progress.
  We were not purifying our minds in a manner and speed that was satisfactory to the Great Noble Leader Omar.
  "I am looking at you all. I see you; yes, I, Omar, see each one of you. Your eyeballs seem to me to be unsure of what's behind them – I mean, your brains."
  Omar's voice began to talk in a tone that was almost a whisper, whilst the vast audience strained their ears to catch his every precious word.
  "And inside your brains lies our minds. Well, I'm talking about your minds, my friends. I'm not seeing progress. Yes, you do this riot; you **** this Pig; you burn this Pig school – and all of these acts are crucial to our holy cause. But, what about you yourselves? What about your own minds? Maybe you, too, are tainted with some of the Pig mentality yourselves? Now, how about that? Yes? What do you think?"
  The audience gasped.
  Omar began to raise his voice again.
  He was taunting this audience.
  Mocking them.
  Sarcastic.
  "Why, you really are telling me, that you think and feel and believe, that you have the right to **** Pigs?"
  At this question, Omar stopped.
  The audience gasped louder.
  I knew what they were thinking.
  Is our Great Noble Leader questioning our faith in him and in the cause itself?!
  He screamed, almost blowing away the microphones!
  "Why, who gives you the right to be soldiers in this unforgiving, merciless and ferocious war we are waging every day against vastly superior forces? I'll tell you 'who' gives you that right."
  The audience waited in tense anticipation at our leader's answer.
  It was so silent in this vast stadium, you could hear a pin fall.
  "What gives every man, woman and child the right to be a soldier in this brutal struggle is when that soldier has the purest heart and mind. It's as simple as that. And to be 'pure', my friends tonight, is the one who has not a shred, and does not have one ounce of Pig matter. That's right, you heard. Pig matter. Any dog that has even a fleeting Pig thought, is a Pig him or herself!"
  The audience now began to whisper among themselves.
  They seemed to be receiving the light from the words being delivered by Omar.
  Many were saying among themselves, that, 'Yes, we do have Pig thought and ideas and emotions and feelings in our hearts.'


  Omar continued, in a soft voice, after allowing his audience to digest his last words:
  "Yes, that does come as a surprise to you, doesn't it?"
  "Yes!" roared back the audience who now fully submitted to his question and answer.
  "So, I ask you – who are you?" he screamed!
  And the crowds immediately screamed:
  "Pigs! Pigs! Pigs! We are ***** Pigs!"
  Again and again, the crowd seemed to be going a little bit hysterical.
  Some began tearing off their clothes, as if they were trying to 'cleanse' themselves from their Pig thoughts!
  "That's right!" screamed back Omar, furiously and wildly staring with those maniacal eyeballs, like some trapped, ferocious animal, at his audience:
  "Why you yourselves are Pigs! That's right! Come on now! So, what are going to do about you? If you give yourselves the 'right' to **** Pigs, then why don't I have the same 'right' to order my best elite troops to **** you too?"
  "Save us! Save us!" screamed back the audience.
  "Save yourselves!" Omar screamed right back.
  "We are filthy! We are Pigs!" the audience began to insult themselves in all sorts of words and phrases.
  At this point, Omar was shrieking!
  "That's right! You are filthy Pigs yourselves, aren't you now?”
  The audience continued to scream and you couldn’t understand what they were saying anymore.
  Omar went just as suddenly silent.
  He just looked at his followers, and allowed them the need to express themselves.
  After some twenty minutes o this chaotic screaming, Omar became impatient and quickly motioned his followers to be quiet.
  Silence.
  He continued, with a soft tone:
  “So, I hereby announce the following."
  Once again the entire audience become tense.
  What was Omar going to order now?
  "I hereby allow you all, and I mean all our soldiers and not just those sitting with me here in this stadium; I order all of our soldiers to purify themselves of every Pig matter. You will have three months. And then, after that term ends, we will establish courts, to decide wether you have succeeded in cleaning yourselves from these cancerous and murderous feelings and emotions you have. Our courts and our hallowed judges will next decide, case by case, wether you are clean or not!"


  Later, when it appeared that our mostly pathetic, ***** and sick 'soldiers' were simply unable to cleanse their minds from the Pig establishment in three months – since they had no instructions or guidance - Omar, in his eternal grace, patience and humanity, decided to help them, by allowing classes to be held where one teacher would help each and everyone to 'cleanse' themselves.
  Personally, I thought that our Great Noble Leader was decidedly wrong in being so gracious to these so-called soldiers, because, in my opinion, this lot were not worthy of being in our party, and they ought to have been immediately expelled.
  "But, Sara," Omar would gently explain to me in his humble office, surrounded by his most trusted officers, "if we were to purge every undesirable element in the party, I would be left with practically nobody!"
  I took in his gracious words. and then thought about it.
  Why, he was correct, yet again, in his thinking!
  Indeed, if we did purify our party from the filthy ones, we would be left with little more than a handful of true, faithful and clean combatants and that, obviously, meant our self-destruction!
  "You're right, Sir; as usual, I think too hastily. That's why you are the only leader for us; my God, if I, God forbid, were leader, why I would have destroyed the party and our eternally holy cause years ago!"
  "Indeed, indeed, my dear," Omar softly said, but he seemed to have already forgotten my words, and, he was already somewhere else, thinking deeply about another problem.
  And so I, of course, went silent, so as not to disturb him.


  "You know what?" suddenly he asked me, his eyes sparkling with passion.
  "Yes, Sir?"
  "These 'classes' I was talking about. You've studied psychiatry, and I believe that we must use psychiatric methods to purify my subjects."
  Suddenly a strange feeling overcame me; I found the word describing the party members as 'my subjects' a little bit odd.
  Also, didn't Omar call psychiatry a Pig subject for all those years? Indeed, he said everything they taught us at university was evil, and that even the institutions of universities were dens of evil. And, yet, now, he was asking me to help him using what I was learning from my university days?
  "Yes, I can see the path I am talking about Sara. We need to get psychiatrists, like yourself, to tear out, yes, tear out, the filthiness in our party members."
  Suddenly, he got quite excited by his visions.
  "That's right, my dearest one, Sara. Yes, and I appoint you to supervise this programme of purification. That's right, and I shall call it by its simplest name, the 'Programme of Purification'!"
  Suddenly, I got excited as well, forgetting my previous disturbance.
  "That would be such a heroic move on your part, Sir." I gleefully told Omar.
  I feel that not only was he the saviour for our nation, but that he was also a personal saviour for myself.
  "Yes, I see my vision where it is leading us to. My dear Sara; you will set up these classes and you will bring the psychiatrists and you will purify the ***** elements in our classes."
  I got nervous again, for I just realized the magnitude of the job Saviour Omar was demanding I do for him!
  "And therefore, I Omar call for an immediate ceasefire against all Pigs!"
  Everyone in the office stood there in a state of shock!
  A ceasefire against the damnable Pigs?!
  Holy Omar could, of course, read our faces and smiled.
  "But Holy Sir," one officer softly asked, "how can we have a ceasefire against the most evil forces in the history of our country?"
  "And, Sir," asked another officer, "if we stop our eternally pure and humanistic battle against the disease-ridden pigs, wouldn't the latter take that as a sign of weakness on our part?"
  Next, saviour Omar raised his hand.
  Everyone went silent.
  He looked at us.
  There were no words from his mouth.
  We waited humbly.
  Geniuses take their time to formulate the right structure of words, not because they don't know what to say, but they do so that we fools can understand what they have to say.
  It is out of concern for us.
  Omar finally spoke:
  My clean, pure soldiers. We must declare a ceasefire, for I have no other choice. As a humanist, how can I allow impure elements from our party to fight and **** Pigs, when they themselves are still 'impure'? Where is the morality in that?"
  Suddenly, I couldn't help but feel such fanatical love for this man; I can only describe his man and his words, as pieces of Heaven coming down to us inferior beings, and if we are decent, then we must grab every shred and piece that he utters, so we can, in turn, save our impure souls.
  "Beautiful thoughts indeed, my Gracious Leader!" I said.
  Then I turned to the listeners:
   "What's wrong with the rest of you? If, one of our 'own' party members was impure, then by what right does he and she have to fight and **** Pigs? We must cease all out activities, until we have a purified party! It's simple and obvious!"
  Thereupon followed silence.


I was speaking the obvious.
  Finally, a voice spoke:
  "So, how exactly are these psychologists going to 'purify' the 'minds' of our party members?"
Good question – one that I had not thought about.
  Indeed, how, and by what means, were we going to purify the undesirables?
  And then, just at the right moment, Omar spoke his words:
  "Yes, that is a great question. There's no use giving orders that no one knows how they are to be carried out. You see, it will not only be the job of psychiatrists who will purify the filthy ones. No, we will force the filthy ones, to ***** out every filthy thought, feeling, and idea; and we shall make sure that all these impure thoughts and feelings and convictions will be screamed out of their minds."
  At that last phrase, once again, I found myself pausing and thinking, what an odd thing to say!
  I got lost in my thinking.
  After all, Omar always, and I mean always choose his words carefully, for he would always make it a point to be so careful with the choice of his words, so that his credibility would never be in doubt and so people do understand that that he means exactly whatever he says.
  I must confess, I was completely confused.
  On the one hand, I had such deep reverence, complete love and a total need for Omar, and then, there was a part of me, that simply didn’t understand what he was talking about!
  I remembered, once more, how everything was so nice and easy and simple with Tony.
  But, I assume, that Tony was a general doctor, whereas Omar was a surgeon, and so, with Omar, we had to face a far more complex situation.
  "What do you mean by that, Sir?" asked one of the officers, waking me up from my thoughts.
  "I mean, it shall be the duty of every party member to purify every other party member. We must all be psychiatrists! This will be done, of course, under the supervision of the leader psychiatrist in each class. He or she will guide you, as to how to get every party member to rip out every Pig attribute in our party members. It's as simple as that."
  At that, Omar gestured to indicate that the meeting was over, and so we left.
  I kept thinking that his idea was, I'm sure, utterly brilliant, but how in practice were going to do this?


  He left his office far too soon.
  We had too many questions to ask, and yet, by leaving us, Omar was, in effect, giving us a 'programme' to do, but without clear, precise orders.
  So, how were we going to carry out his orders?
  What did he mean that 'we must all become psychiatrists'!
  That was absolutely absurd!
  Untrained people cannot simply 'become' psychiatrists, even if they are 'led' by psychiatrists – or to use Omar's words, to be 'guided' by psychiatrists.
  So, Omar's idea seemed to me, to be really a recipe for a catastrophe for our party.
  The more I thought of it, the more I found my mind asking myself the question: why was Omar insisting on this 'purification programme' in the first place?
  Couldn't the party and its members simply continue the struggle, without having to enforce this ridiculous programme?
  And didn't Omar realize that his insistence on us carrying out his orders to do the purification programme, was going to cause absolute chaos, disruption and ultimately mass desertions and expulsions from our party?
  In other words, Omar's sudden 'need' to 'purify' our own members seemed to me to be a self destructive act that would seriously damage the party.


The ceasefire announcement was barely noticed by the Pigs – which came as a shock to many of us.
  The government didn't seem to actually care at our ceasefire announcement.
  Indeed, the Pigs declared that what they termed as the 'social troubles' was, in effect, 'over' and so, therefore, the country could breathe a sigh of relief, and people could now be 'happy'.
  I didn't believe what the government was saying.
  I was of course nauseated by the hypocrisy of the Pig leaders, because, their pronouncements were lies, as usual, and they would of course, continue their merciless war against us, while we had to cease our fire.
  Yes, Leader Omar was probably correct, but I was **** frustrated, because it seemed to me, for the first time since I joined the party, that the Pigs may now well win the struggle.
  It was obvious to me!
  For how on planet earth could we 'win' a war, when we were not allowed to fight, while the same eternal enemy would continue his war against us?!
  Also, to be very honest, I'm not sure that we could 'purify' Pigs in the first place.
  It seemed to me to be a contradiction!
  I would simply have to swallow whatever Leader Omar ordered us to do.
  God knows, he's proven to be correct every time before, and maybe, he will confound us once more with his superior wisdom.
  Have faith, Sara, have faith!
  Never question the Great Leader, for he is superior to all of us; after all, that’s why he’s the ‘Great Leader’ in the first place!
  Keep the faith!
  How can we understand what a su
234

You’re right—”the way is narrow”—
And “difficult the Gate”—
And “few there be”—Correct again—
That “enter in—thereat”—

‘Tis Costly—So are purples!
’Tis just the price of Breath—
With but the “Discount” of the Grave—
Termed by the Brokers—”Death“!

And after that—there’s Heaven—
The Good Man’s—”Dividend“—
And Bad Men—”go to Jail”—
I guess—
I feeleth so anxious as the fleshy winds outside,
Invisible as their turquoise screams, I feeleth like everything is just not right;
Ah, but how if even all later suns shan't be fair,
And t'is passivity shan't ever be bound to fade?
For my soul declares-t'at he, it wants not any more to care;
And about thee only, it wants to be quiet, yet witty still-like yon pale lovesick summer glade;
I want to attach myself to our captivated hours right now;
With thee in my lap, and thy gentle whispers-as today shall be replaced by tomorrow.
I want to dream of thee once more tonight, o sweet Nikolaas;
My darling at present and from the future, whilst my only dearest, from the past.
Ah, sweetheart, why are but our subsequent hours-and perhaps paths, to suffer;
If thou art not by my side, and maketh not all t'is terseness better?
Ah, and wouldst it ever make sense any longer;
To live by him-but without thee, wouldst it but make my wild heart easier?
For censure is to which my answer, and is hatred-for I cannot help loving thee more;
I wanteth to love, and age-by thee, and by thee only, within my most passionate core,
And I wanteth not to understand anything-for comprehension shall but renew our last sorrow;
I wanteth instead-to renew t'is despaired wholeness, and its proven compassion-our love has once made nature show.

I still wanteth to remain quiet; to cherish and glitter within my wholesome devotion;
But which duly keepest me sober, and maketh my doubled heart tremble not;
Calmeth me, calmeth me with thy kisses-so enormous and tasty, like a quiet can of little soda;
Maketh me accursed, petty, and corny-maketh me thy lands' most dreaded infanta.
Tease me like I am a quivering little darling, who cannot but tries shyly still-to sing;
With a coarse voice descended from sunlight, where the worst are joy, and lovingly mean everything.
Maketh me honest, and tempteth me deeper and more;
Until I sighest and flittest myself away, with agility like never before.
Consumeth my greed-and with it, drinkest away its all befallen vitality;
For I knoweth thou shalt restore me, and reneweth all my endeavoured weaponry.
Ah, Nikolaas, how sweet doth feel t'ese blessings, by thy very side!
Nikolaas, Nikolaas, my lover-my sweet husband, from whom my hungry soul canst never hide!
Oh, and darling, Amsterdam might be cold, and plastered with one slippery tantrum;
But thou art still too comely to me-with those familiar eyes like a poem;
A poem t'at my very heart owns, and is graciously fat'd to be thine;
And thine only-for as I danceth later-in my princess' frock, I knoweth t'at thou art mine.
Ah, but fear thou not-for shall I protect thee like t'is;
I shall slander thy rival west and east, I shall degrade t'em all to'a yawning beast!
And upon my victory be I at ease-and finely grateful;
On which truth shall spring, and maketh our love venerated-and more fruitful!
Ah, just like I had b'fore-how canst kissing thee be extremely pleasant,
Even whenst he be t'ere, or perhaps-be the one concerned?
I hath to admit, t'at 'tis thee-and not him, I so dearly want;
Thee who hath painted my love, and made everything cross but all fun;
Thee whose disguise is my airs, and who hath ceaselessly promised to be fair,
Thee whom I'th dreamt of t' be my lifelong prince, with whom I wish to be paired,
Thee whose recitations lift my heart upwards, and my delight proud;
Thee whose poems hath I crafted, and oftentimes recited sensibly, out loud.

Ah, t'at devil-who told us t'at our joys cannot be real;
For they are not at all virtuous-nor by any chance, vigorous?
Ah, fear not those human serpents, darling, whose mouths are moth-like-bloodless but who canst ****;
For to God they are mortal still, and to His eyes whose jokes are not fun, nor humorous;
And thus we shall be together, as we indeed already are;
For our delight is not to be altered-no longer, as dwells already, in our heart;
We shall come back to it soon, as tonight's full moon smilingly starts;
And exalt it as wint'r comes-dear winter, as perhaps only be it, one few months' far;
Ah, and be I then, crush all t'is impatient longing, and sorely missed affection;
And vanquish all the way, t'is all omnipotent sin-of having loved only, a severe affliction;
Oh, but under whose guidance, Amsterdam shall embark again, and smile upon us;
And lift our tosses of joys, into the lapses of its sweet thunders, fast!
Ah, Nikolaas, shall we thus be together, under the wings of Amsterdam's rainbow;
To which endings shan't even once appear; as guilt be then dead-and is not to show;
The only left opus of love be ours to sing, as heaven is-so benevolent;
Betray us not, with fruits of indifference-much less once of one malice, and gay impediment;
And our happiness shall be pure-and entangled, like a pair of newborn twins;
To which our fantasies are finally correct, and thus its affixed lust-shall no more be a sin.

Such love and lust-whose fidelities shall be our abode;
But by whose words-delusions shall never arrive, and thus be put aside;
Novelties shall be fine, and their definitions shall be lovely;
They shall twitch not-for a simple moment of starched felicity!
Oh my darling, I needst to come and visit my wealthy Amsterdam;
With authenticity now I entreat: myself, myself, ah, run there-whenst stop doth time!
For as we embarketh, no more worrisome medleys shall they come again, to bring;
And to no more sonata, shall they retort-nor so adversely, and dishonestly, sing.
Ah, Nikolaas, the stars are now obediently looking down at us;
Jealous of our shimmering love, which is the lush garden's yonder, giddy beaut;
Ah, who is shy to its own mirror, and oft' looks away so fast;
But needst not to swerve, factually, for 'tis, on its really own-has but very much truth!
But still, whose hastiness maketh it succumb-and even more bashful then the sky;
Ah, as if those pastimes of its ****** soul are always about-and be termed but as a single lie!
For it shall never happen, to it-who owns our midnight hours-with one promise to be skirted away too fast;
With not even a single pause, nor a second of rest-while it passes?
Ah love, our very love; its circular stains, nevertheless, as left hurriedly-too massive to resist;
For they giveth taste to our plain moonlight-and thick'ning flavours to our kiss;
So at our first night of gaiety thereof-we won't be hunger for earning too much bliss!
Ah, Nikolaas, all shall be perfect-for felicity is no longer on our part-to miss,
And t'is part of our earthly journey shall feel, defiantly like heaven!
I shall be thine-and claim no more my thine self as his;
In thee doth I find my salvation, my fancy dome-and my most studious cavern!
All which, certainly-is his not; all which shall be ripe, and thus fragrant-like a rose perfume;
And by whose spell-we shall be love itself, and even be loved-within the walls of our private haven;
And even then, we shall love each other more-as be cradled in each other's arms; and lost like this, in such a league of harmonious poems.

Amsterdam shan't be rigorous, it shall be all fair,
Its notions are curious, like these but entrancing summer days;
Thinking of which is but a sweat-but a bead of sweat for which I most care,
Which is neither dreadful nor boastful, as I devour it avidly, amongst t'is poem I'm 'bout to say!
And t' mindfulness of which, I shall no more hastily rid of;
I was too dreary back then, crudely foreshadowed by a crippled love!
'Twas my mistake-my supposedly most punished, punished mistake;
For faking a love I ought not t've ever made, and one I ought not t' ever take!
A mere dream I hath now fiercely pushed away;
And from which I hath now returned, to my most precious loyalty,
As thou knoweth-thou hath never wholly, and so freely-left me,
Thou art all too genuine, and pristine, like yon silvery river-as I oft' picture thee.
Ah, so t'at is all true; t'at thou art my most gracious, and unswept loving angel,
A prince of royalty, and my very, very own nighttime spell.
Just like thou hath done hundreds of time, thou maketh me but delight and mischief;
And notions t'at bubble within my most, giving me charms and comfort-for me to continue to live!
Together, our lips shall be warm-and no more joy shall be left naked;
Soon as there are more tears, we shall throttle and fairly feast on it;
Making it all but remotely conscious, and forcibly-but sensibly, deluded;
Making it writhe away impaired, and its all possible soul awesomely flattened!
Ah, Nikolaas, thou shalt be the mere charm t'at leaves my odes too fabulous-by thy wit,
Oh, my darling, for thou art so sweet; o, Nikolaas, I really hath only my words, to play with!

And guess what, my darling, heaven shall but gift us nobly, all too soon;
An heir shall we claim; as descendeth one day beneath the excited full moon.
For he shall be born into our naughtiest perusal;
And demand our affection excitedly, as time is long, as arrives winter-from last fall!
Soft is his hair, clutched in his skin-so bare and naive;
He shall be our triumph, and a farther everyday desire, to continue to live!
And we shall consider him our undefined, yet a priceless fortune;
Light as the night, at times singular but cheery-like the sketch of a fine moon.
And portray in us both the loveliness of a million words;
He shall be handsome, just like our love-which is damp but funny, in whose two brilliant worlds!
Oh, my darling, I now looketh forward to my heavenly Amsterdam;
Whose prettiness shall be thoughtful, as I thinketh of it-from time to time.
Ah, thus-when all finally happeneth, I shall know thou art worth the whole entity of my thousand longings;
Thou art the miracle t'at I hath decently prayed for-and thus fathomably, the very sweet soul-of my everything.
katewinslet Nov 2015
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I am a poet.
I am an artist.
A lover of words, a shaper of thoughts, a master of feelings;
A player of emotions, a speaker of charms, a thinker of minds.
A giver of taste-and at times, a succulent creator of madness.
Madness outside such lines of timid regularity;
The rules of the common, and the inane believers of sanity.
For to me, sanity is as easy as insanity itself-
On which my life feedeth, and boldly moveth on;
And without insanity, t'ere shan't be either joy-or ecstasy;
As how ecstasy itself, in my mind, is defined by averted uneasiness,
And t'at easiness, reader, is not by any means part of;
And forever detached from, the haunting deities of contemporaneity.
Thus easily, artistry consumeth and spilleth my blood-and my whole entity;
Words floweth in my lungs, mastereth my mind, shapeth my own breath.
And sometimes, I breathest within those words themselves;
And declareth my purity within which, feeleth rejection at whose loss;
Like a princess storming about hysterically at the failure of her roses.
Ah! Poetry! The second lover of my life; the delicacy of my veins.
And I loveth, I doth love-sacredly, intensely, and expressively, all of which;
I loveth poetry as I desire my own breath, and how I loveth the muchness of my fellow nature;
Whose crazes sometimes surroundeth us like our dear lake nearby;
With its souls roaming about with water, t'at chokes and gurgles-
As stray winds collapseth around and strikest a war with which.
And most of the year-I am a star, to my own skies;
But by whose side a moon, to my rainless nights;
On the whole, I am an umbrella to my soul;
So t'at it groweth bitter not, even when t'ere is no imminent rain;
And be its savior, when all is unsaved, and everything else writhest in pain.

Thus I loveth poetry as well as I loveth my dreams;
I am a painter of such scenic phrases, whose miracles bloometh
Next to thunderstorms, and yon subsequent spirited moonbeam.
And t'eir fate is awesome and elegant within my hands;
They oft' sleep placidly against my thumbs;
Asking me, with soft-and decorous breath;
To be stroked by my enigmatic fingers;
And to calm t'eir underestimated literariness, by such ungodly beings, out t'ere.
Ah, poor-poor creatures-what a fiend wouldst but do t'is to aggravate 'em!
As above all, I feeleth but extremely eager about miracles themselves;
and duly witness, my reader-t'at t'is very eagerness shall never be corrupted;
Just as how I am a pure enthusiast of love;
And in my enthusiasm, I shareth love of both men and nature;
And dark sorrows and tears t'at oft' shadowest t'eir decent composures.
When I thirstest for touches, I simply writest 'em down;
When I am hungry for caresses, I tendeth to think them out;
I detailest everything auspiciously, until my surprised conscience cannot help but feeling tired;
But still, the love of thee, poetry, shall outwit me, and despise me deeply-
Should I find not the root, within myself, to challenge and accomplish it, accordingly.
I shall be my own jealousy, and my own failure;
Who to whose private breath feeleth even unsure.
I shall feel scarce, and altogether empty;
I shall have no more essence to be admired;
For everything shall wither within me, and leave me to no energy;
And with my conscience betrayed, I shall face my demise with a heart so despaired.
Ah, my poetry is but my everything!
'Tis my undying wave; and the casual, though perhaps unnatural;
the brother of my own soul, on whose shoulders I placeth my longings;
And on whose mouths I lieth my long-lost kisses!
Ah, how I loveth poetry hideously, but awesomely, thereof!
I loveth poetry greatly-within and outside of my own roof;
And I carest not for others' mock idyll, and adamant reproof;
For I loveth poetry as how as I respectest, and idoliseth love itself;
And when I idoliseth affection, perhaps I shall grow, briefly, into a normal human being-
A real, real human being with curdling weights of unpoetic feelings;
I shall whisper into my ears every intractable falsehood, but the customary normalcy-of creation;
And brash, brash emptiness whom my creative brains canst no longer bear!
Ah, dearest, loveliest poetry, but shall I love him?
Ah-the one whose sighs and shortcomings oft' startlest my dreams;
The one whom I oft' pictureth, and craftest like an insolent statue-
Within my morning colours, and about my petulant midnight hue?
Or, poetry, and tellest me, tellest me-whether needst I to love him more-
The one whose vice was my past-but now wishes to be my virtue,
And t'is time an amiably sober virtue-with eyes so blue and sparkling smiles so true?
Ah, poetry, tellest me, tellest me here-without delay!
In my oneness, thou shalt be my triumph, and everlasting astonishment;
Worthy of my praise and established tightness of endorsement;
But in any doubleness of my life-thou shalt be my saviour, and prompt avidity-
When all but strugglest against their trances, or even falleth silent.
Ah, poetry, thou art the symbol of my virtue thyself;
And thy little soul is my tongue;
A midnight read I hath been composing dearly all along;
My morn play, anecdote, and yet my most captivating song.

I thirstest for thee regularly, and longeth for thee every single day;
I am dead when I hath not words, nor any glittering odes in my mouth to say.
Thou art my immensity, in which everything is gullible, but truth;
And all remarks are bright-though with multiple souls, and roots;
Ah, poetry, in every summer, thou art the adored timeless foliage;
With humorous beauty, and a most intensive sacrifice no other trees canst take!
O poetry, and thy absence-I shall be dead like those others;
I shall be robbed, I shall be like a walking ghost;
I hath no more cores, nor cheers-within me, and shall wander about aimlessly, and feel lost;
Everything shall be blackened, and seen with malicious degrees of absurdity;
I shall be like those who, as days pass, bloometh with no advanced profusion,
And entertaineth their sad souls with no abundant intention!
How precarious, and notorious-shall I look, indeed!
For I shall hath no gravity-nor any sense of, or taste-for glory;
My mind shall be its own corpse, and look but grey;
Grey as if paled seriously by the passage of time;
Grey as if turned mercilessly so-by nothing sublime;
Ah, but in truth-grey over its stolen life, over its stolen breath!
I shall become such greyness, o poetry, over the loss of thee;
And treadeth around like them, whose minds are blocked-by monetary thickness;
A desire for meaningless muchness, and pretentious satire exchanged '**** 'emselves;
I shall be like 'em-who are blind to even t'eir own brutal longings!
Ah, t'ose, whose paths are threatened by avid seriousness;
And adverse tides of ambition, and incomprehensible austerity;
Ah, for to me glory is not eternal, glory is not superb;
For eternity is what matterest most, and t'at relieth not within any absence of serenity.
Ah, but sadly they realiseth, realiseth it not!
For they are never alive themselves, nor prone-to any living realisation;
And termed only by the solemnity of desire, wealthiness, and hovering accusations;
For they breathe within their private-ye' voluptuous, malice, and unabashed prejudice,
For they hath no comprehension; as they hath not even the most barren bliss!
And I wantest not to be any of them, for being such is entirely gruesome;
And I shall die of loneliness, I shall die of feasting on no mindly outcome;
For nothing more shall be fragrant within my torpid soul;
And hath courage not shall I, to fight against any fishy and foul.
My fate is tranquil, and 'tis, indeed-to be a poet;
A poet whenst society is mute, I shall speak out loud;
And whenst humanity is asleep, I wake 't with my shouts;
Ah, poetry! Thy ****** little soul is but everything to me;
And even in my future wifery, I shall still care for, and recur to thee;
And I shall devote myself to thee, and cherish thee more;
Thou hath captured me with love; and such a love is, indeed, like never before.

But too I loveth him still, as every day rises-
When the sun reappeareth, and hazy clouds are again woken so they canst praise the skies.
I loveth him, as sunrays alight our country suburbs;
With a love so wondrous; a love but at times-too ardent and superb.
Ah, and thus tellest me-tellest me once more!
To whose heart shall I benignly succumb, and trust my maidenhood?
To whose soul shall I courteously bow, and be tied-at th' end of my womanhood?
Ah, poetry, I am but now clueless, and thoroughly speechless-about my own love!
Ah, dearest-t'is time but be friendly to me, and award to me a clue!
Lendeth to me thy very genial comprehension, and merit;
Openeth my heart with thy grace, and unmistakable wit!
Drowneth me once more into thy reveries of dreams;
And finally, just finally-burstest my eyes now open, maketh me with clarity see him!

Ah, poetry, t'ose rainbows of thine-are definitely too remarkable;
As how t'ose red lips of thine adore me, and termeth me kindly, as reliable;
And thus I shall rely all my reality on thy very shoulder;
Bless me with the holiness confidentiality, and untamed ****** intelligence;
Maketh me enliven my words with love, and the healthiest, and loveliest, of allegiance.
Bless me with the flavoured showers of thy heart;
So everything foreign canst but be comely-and familiar;
And from whose verdure, and growth-I shall ne'er be apart!
And as t'is happens, holdest my hand tightly-and clutchest at my heart dearly;
Keepest me but safe here, and reachest my breath, securely!
Ah, poetry-be with me, be with me always!
Maketh me even lovelier, and loyal-to my religion;
In my daily taste-and hastes, and all these supreme oddities and evenness of life;
Maketh me but thoughtful, cheerful, and naive;
And in silence maketh me stay civil-but for my years to come;
and similarly helpeth my devotion, taste, and creativity, remain alive.

Ah, poetry, thus I shall be awake in both thy daylight, and slumbers;
And as thou shineth, I knoweth that my dreams shall never fade away;
Once more, I might have gone mad, but still-all the way better;
And whenst I am once more conscious; thou shalt be my darling;
who firmly and genuinely beggeth me t' keep writing, and in the end, beggeth me t' stay.
Leave me not, even whenst days grew dark-and lighted were only my abyss;
Invite my joy, and devour every bit of it-as one thou should neither ignore, or miss.
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
SE Reimer Jan 2014
NEW YEAR INTROSPECTION PART FOUR

the air of maturity 
is breathed today
with such rarity 
that what is termed 
the age of majority, *<

is in reality not, 
it instead being 
a place of minority; 
it's occupants being 
the selfless lot who 
give freely of their proffering, 
offering themselves an offering 
and considering themselves 
adequately advantaged 
as they willingly 
position becoming likely 
to be taken advantage 
and taken for granted
hearts ready for breaking 
yet give, love, share
heal, they do, 
and freely so; 
therein standing 
in stark contrast to 
the narcissistic hoards
who protect, 
with pirouetting steps, 
their barren nests, 
empty hearts,
and meager pockets, 
ever failing to realize 
that nature’s law 
bestows abundance best 
at the selfless giver’s behest.
Post script.

< http://en.m.wikipedia.org/wiki/Age_of_majority

a lament on the lines of: “ http://hellopoetry.com/poem/when-is-one-grown-up/  for we must give ourselves away to receive the best of life.
Mateuš Conrad Sep 2016
they (yeah, the paranoid pronoun, esp. in how it's used for abstract coordinates, concretely? conformists) decided it was easier to fill a psychiatrist's gob with my presence, and for psychiatrists to pay the mortgage with someone who they termed schizophrenic, forgetting the fact that the person in question was bilingual - odd how humanists confuse bilingualism with schizophrenia, maybe a coin flip later and we'd get biphrenic? that's pushing it, but it just might work to describe an atom evolved into a human form... basically in two places at the same time: confederacy of archaeological theology - and by being in two places, behaving differently in each stated sphere of observation... that's it though! theology translates as archaeology in science, excavating the designation of the argument of the spider and the spiderweb, the perfect yoga instructor, one position fits all... because scientific positivism is dead... it's dead... we're experiencing a transition into scientific negativism, mainly because there's a plumber's conundrum of a blocked fact-machine... which turned out to be a fat-machine... we're just hearing the same ****, over and over again.

i never knew it, but when humanism was born
it came across the challenges of
Darwinism (Aristotle's footnote),
with all due respect for humanism
though,
             humanism gave us
the most apathetic formulation of
any faith at all...
and do you see a rebellion happening
anywhere concerning this?
i see a bunch of ****-naked Amazonian
nomads singing the huh? huh?! song...
esp. when they see safety-hats and
tractors... me? i live in the
outer suburbs of a Greek city-state...
when you're walking down the
street and see a bare chested driver
of a tractor, and a loser (me) drinking beer
while the police pass by in their cruiser
and don't give a ****... well...
welcome to the Fe (iron) Fe Fe feral land...
(almost a sneeze, but not quiet)
metro-****** pinkies anywhere?
no... root that **** into your brains
you urban wankers... stay there,
rot... keep up the debauchery of
Beckton's recycling centre...
oh sure, keep the theatres open,
with Simon & Garfunkel applause of song...
like ballerinas and fat operas needed
an exercise regime...
Darwinism is brutal enough,
it's brutal, it's not pretty,
looking at it from a creationist perspective
you'll only get brutality from it,
only an Zimbabwe born englishman would
care to champion it... oh look!
a monkey ******* a ferret!
i cried today... my female cat was inspired
when a squirrel started doing gymnastics
on my garden fence, one paw tucked against
its chest... i haven't seen a squirrel in my
garden for a while, i've shown her a hedgehog
once, but a squirrel? try catching a squirrel!
it's like catching the ******* of a mosquito
wearing boxing gloves... or Zeno...
i cried my eyes out, by a squirrel...
acrobatic rats that hate throngs...
the simplest of things bring the greatest of joys,
and a consistency in thinking about
death make the simple assurances of mortality
so much more appreciated...
of course i think about death... why wouldn't
i? so this homeless man has a tent...
they're dragging them in, he says:
i haven't done anything wrong...
the military-industrial complex isn't secular at all...
psychiatrists are the complex's priests...
they're looking for subjects to ensure they earn
while giving oral *** to pharmaceutical companies...
and that's the *cul de sac
truth -
no, wait... humanism's religious doctrine is
Darwinism, can't deviate from that,
keep a kettle and a sun on the same timescale,
i'm Caribbean lazy though...
you with beer and joint, me with beer and another
and another beer and an Apache echo impression
of echoing-yawn,
we have evolved past mating calls of animals...
all we have are warring calls... la la la for simplicity...
or in verse of new Zealander Haka:
                           ****, have no funny lyrics...
where was Darwinism when mating calls became
subtle and we exchanged mating calls for warring chants?
where was Darwinism then?
you telling me i have to own a watch, a mansion,
a nice car and enough money for a child's private
education to make one at all? pretty subtle
and all the more less colourful... you can ask me:
where was god when the Holocaust happened...
i'd reply: where was a decent joke?
apparently Moses died from laughter...
now i'm stuck with having to proof read
the first print of my book... that's going to be
agonising... i hate rereading my work...
and aren't we in a standing still position,
on an escalator, or the journalists are gullible,
i mean they're worse than pigs, they're eating
regurgitated facts... they're the ones that always
end up saying: if it ain't broken, break it...
that's their magnum opus fixation, and
the recycling bin... that's what they're there for,
i bet you a hundred quid that Putin's tears
would have turned into diamonds if they fell
on St. Basil's onion domes...
all these ****-incubating-real-emotion
calculators of the English parliament are worth
a psychiatric sketch show... punchline?
you ain't ever ever getting out, ha ha!
Darwinism is cruel, and people sort of like
the whips of a static history, sometimes they come back
to the 17th century and make a television program,
sometimes they have a chance encounter
to cite something from the only century that can
be experienced with anatomical dissection skill:
namely the 20th, or to be accurate, the 2nd half
of the 20th century... most of the time they haven't
the foggiest about history these days,
they're either electron-clouds of electron-orbits,
ping-pong between these two conceptions...
they're always pro-neutral (proton-neutron
centre) - and indeed the tetragrammaton invested
in Ke$ha... ka-ching! sz sh sharpener of wit...
got to love tactical pop, or the caveman ontological
obituary of buying alkaline batteries...
i bought alkaline batteries last year,
which technically makes me a caveman...
compact disks make me a caveman...
books make me a caveman... i'm a ******* caveman!
drag my woman by her hair...
what a great Darwinism provides,
we're all comparatively stone-age...
i love how we just made all history between that
into cf. snippets, and how the caveman attitude
is supposedly a ****** pill to supercharge our
attitudes into beastly thumps and gurgles and
elbows up the **** thrills...
Darwinism is cruel, Darwinism is currently the
theology of humanism... but once upon a time
the religious aspect (or in humanism's behaviour prescription)
was ascribed to one hour on Sunday...
now we're sorta stuck in a church, 24 / 7...
now we're all our own ritual makers...
we have the holy communions of buying a certain
type of coffee in a shop, or it's called curry Friday
and Saturday takeaway randomisation,
gathering the ready-meals Sunday to Thursday...
everyone having the busiest of lives...
if religion is dead, then i must be a nun.
i don't think Darwinism actually attacked theology...
some people are proper pranksters with
the notion that Darwinism attacked theology,
some get to play Jesus in some biblical theme park...
what i think Darwinism damaged, primarily,
is history... if journalists keep spanning
historical references from here & now and
that greatest ontological excuse: caveman once,
Chanel model no. 2, we'll surely sell many
more shaving equipment tools and sanity pills as we go
along into 24h / insomnia society...
me? i'm out... i'll be keeping my imagination
honed toward the Faroe Islands, along with my sanity.

— The End —