Night fell on Montmartre and, gazing into my love's eyes
Over a candelit chequered tablecloth,
Beneath my belt lurked rancid lust,
The seams of my ******* oozing desire,
My groin drenched in desire for his wanton ****-flesh.

Streetlight shone through threadbare curtains
Harnessing proudly over my twitching buttocks;
My screamed climaxes echoing
In deepest recesses of Parisian dawnings.
My clear goal: swallow his salty comings.

Morning exposes a sordid scene to chambermaid's gawp:
Spreadeagled cold-as-chilled-salami bozo,
Puny synapses crushed like mashed strawberries
Blasted smithereens of overpowering *******
Like chicken's entrails in an unwashed sink.

A "Memories" poem by the immortal Barry Hodges aka Edna*

Night fell on Montmartre and, gazing into my love's eyes
Over a candelit chequered tablecloth,
Beneath my belt lurked rancid lust,
The seams of my trousers oozing love's sweet song,
My groin lumped in desire for her wanton ****-flesh.

Streetlight shone through threadbare curtains
Harnessing proudly over my pounding buttocks;
Hermione's screamed climaxes echoing
In deepest recesses of her third-rate mind.
My clear goal: swallow my salty comings, cow.

Morning exposes a sordid scene to chambermaid's gawp:
Spreadeagled cold-as-chilled-salami ****,
Puny synapses crushed like mashed strawberries
Blasted smithereens of overpowering *******
Like chicken's entrails in an unwashed sink.

blood stains her canvas
   congealed crusts, fresh streaks
frayed corners and edges
   the tattered toll of pain, loss

how best to depict my love on her
   overlay her with beauty
to develop a patina of care over time
   reduce her suffering to pentimento

her landscape shifts constantly
   with the quality of her light
I must blend to the shade of her mood
   her want...her need

work from the palette of my heart
   in the spectrum of my love
paint her in courted color
   every tone of every hue

brush her being with my caress
   creatively styled to her moment
pastel tenderness...primary strength
   bold strokes of passion...bright splashes of spontaneity

to portray for her a frameless existence
   of unlimited intimacy and peace
but she does not rest on my easel
   and I am merely dreaming of the art of love

Against too many writers of science fiction

Why did you lure us on like this,
Light-year on light-year, through the abyss,
Building (as though we cared for size!)
Empires that cover galaxies
If at the journey's end we find
The same old stuff we left behind,
Well-worn Tellurian stories of
Crooks, spies, conspirators, or love,
Whose setting might as well have been
The Bronx, Montmartre, or Bedinal Green?

Why should I leave this green-floored cell,
Roofed with blue air, in which we dwell,
Unless, outside its guarded gates,
Long, long desired, the Unearthly waits
Strangeness that moves us more than fear,
Beauty that stabs with tingling spear,
Or Wonder, laying on one's heart
That finger-tip at which we start
As if some thought too swift and shy
For reason's grasp had just gone by?

In a strange mood - see/write art



in a strange way, disorganized but straight on,
light tinted magenta, issuing, in frothy large pours, from my mouth,
knowing what to say, and the meaning too,
I can more than walk, can write, on water,
where all can read weeping, Mary-miracles of seeing, living words,
themselves, on light waves lapping in a
shifting rotunda vision, color reorienting spatial senses.^

in a strange, strange stitch, seasonal spirits and witches,
Chagall, Baez, Dylan Thomas, Donovan, Richie Havens
doing their knitting in my brain, from Montmartre to the Midwest to Monterey,
painters and poets in lockstep head-messing with me,
imperfect clarity but still one voice,
see/write art,
so went and caught the wind, going gently into night
to banish the hodgepodge of uncertainty from inside out.

knowing well you don't understand fully, but jumbling tumbling
verses are sliding off my rusted tongue as fiddlers fly above,
roughened words, hewn from a paper cup, spilling diamonds uncut, imported from Sarajevo, Montparnasse, the Lower East Side.
wretched me, in the hour I first believed, this amalgamated conception conceded,
seceded from my mind into your palate for a tasting,
tho neither drugged, nor deaf and dumb, just slammed poetical-like, this write is
all I have to portend is your affections, your attentions, to yours, am beholden.

a *****, well respected man in daylight,
the hidden references accuse,
woke up to see Wednes-day Caesarian born,
askance glanced at the prior passages of the night before,
when my palate clefted,
when eyes chose not to distinguish
between right and lefted,
in the nightlight,
a ***** man disrespects language convection/convention,
and lays before you activating stanzas and his mind, prone,
but always the truth, speaking,
the visions, leaking, mind to eye,
recombinant, into our minds eye.




^ http://www.guggenheim.org/new-york/exhibitions/on-view/james-turrell


Rather than write extensive notes on the many references, inspirations in this poem, if there is a line that intrigues, ask me

We met in the Red Square at Midnight. Sitting on the austere steps of the Kremlin We drank Stolichnaya in silence; listened to St. Basil’s Bells stoic ringing until Our sun rose pale over Moscow  

Beauty is created when I press your mulatto skin to mine.
We shift. You move, and as you’re moved you move me.
Our motion akin to your mother’s in a gentle breeze or a dancer;
Some Elise pirouetting et fouetter and falling over graceful infinities.    

I am deliberate during this ballet. Subdominant.
Una corda e sostenuto, and as you request so do you respond; relaxed,
Sustaining single notes; soft into that ethereal Moonlight…
Blurred and blunted, your perfect meter dampened by my learned cadence.
    
As you sound off forte I rock slightly forward, coming into you harder.
We breathe sharp together; my fingertips caressing you legato;
My Ana Magdalena. Andantino; rolling into flurries of crescendos
presto allegro climaxing; Capitulating again before we rest…
Before lento diminuendo.                                                      ­                

We courted at the Konig Von Ungarn in Vienna. It was classical and   romantic. Baroque. We fell in love. At Figaro’s wedding we tasted sangria as the stars Set, pastel, over Seville. Our first kiss was the Holy Roman Empire fading; A footnote under bass cleft.

We were married in the Rhineland, a single Canon announcing our nuptial.
You a Riesling and I your lattice. I stood firm, resolute, as you grew in, around, and from me. But the lords, they taint you, they **** me of your fruits; oblivious, they invoke their subtle prima nocta.                            

From the rooftops and the gutters they hear you. A virtue is lost between us. We shift. They are unwelcome eavesdroppers’ playing ******.  
They come and gather round us and I grow nervous, stiff; sweat falling from my brow to your ebony and ivory.
They move provocative, but they do not care; they do not notice us.                            

I stop as they begin. They’re discourteous during this Can-can. Their  praise and kind words may arouse the pimps and ****** wandering Montmartre into Paris’s red-light,  “Hear,” they fall on deaf ears.
This is no Moulin Rouge. We are not meant to be exhibitionists and yet
we yield to their flat appeals.                                                         ­                           

I put my clothes back on, Rags is all they are, and you, you’ve become stark.
I project my discontent through your string and hammer heart;
I slap your toothy face and stomp your sterling feet without relent.
I-De-tach-My-self-From-You. Staccato. They call me Inventive and as they sip their whiskey, their bourbons and their Texas Tea they tell us that
we have Entertained.        

We build our home from the precious stones of foreign countries.
We traverse ages to reach the mines and the rock fields, finding rough Diamonds and sapphires. Naked, we wash them in ether; they luster.
The noblemen come. They smile and applaud as they peep through the Windows and knock at the doors, but We shall not  be moved.

Paris pines
for us:

...whines for us.

Lurks outside
our window

like a great big
urban puppy.

We're being held
prisoner

( inside our room )

by a vicious sadistic
flu bug

who refuses to
let us go.

We are missing
David Sirosis's

new spoken
word night.

Indeed, all we have seen
of Paris, is:

the inside of
ROOM 411.

ROOM 411
overlooks that famed necropolis

CIMETIÈRE DE MONTMARTRE.

The dead stand
outside

ROOM 411
...and stare.

And...stare.

Envious of even
our flu-ridden life.

They crowd together
in their stone telephone boxes

like fans
at a Dr. Who convention

who have all come
as the Tardis.

"Come...come!"
they cajole.

"Come...join us as
the glorious dead!"
they plead.

See the great
Nijinksy

leap over a moon.

Offenbach, Berlioz et Degas
act a a celebrated Greek Chorus.

The flu grows weary
let's its...grip...slip &

we escape to
a poetry stage &

suddenly it's
PARIS LIT UP &

I'm on
stage.

A bemused amused
Parisian audience

wondering why
the staggery hairy

Irish post stumbles &

wanders in search of
his words &

carrying all of CIMETIÈRE DE MONTMARTRE
about in his ahhhhh...ahhhhh...ahhhhhhhhhh

....shoooooo....head!

I arrive at the barbers
for my weekly, my usual,
and you are there,

sitting in my seat
crying. I lift you up,
cape and all,

take you round the
corner, where you tell
me you are sorry

but we have to go to
Brighton now, even
though it is 6pm on

a Friday and we won’t
be done until 2pm
tomorrow. Is it a ruse?

I think so, because
suddenly we are in a
part of London that

looks like Montmartre
(or it could be Richmond
masquerading as Venice)

and we meet a man
called Tricks who says
he’s the new chief now

because he knows the
location of all the bones.
And then there are

scanners at airports,
walk-in health centres,
families in North Carolina

with names like Kayleigh
and Shauna. And when
we are done meeting

them we are back, you
in the chair, glowing blue
under barbicide lights.

Soon after the sky had cast off
The tattered cloak of night,
And the midnight sun had set,
Helios himself climbed above the trees.
Dancing across the tops of dueling oaks,
Those primordial brothers between the ponds
Who, over time, grew up and into each other,
He sat spinning madly.

Shedding his golden rays,
As a lab shakes and sheds the water from his back,
They fell deliberately onto
And through my open blinds.
And I, stirred by the small streams of light
Cutting through the dark as if empty space,
I opened my eyes, only to close them again.

Lying, silently, I wait,
Tracing shadows as they slowly shift,
Dancing across the dull, white walls.
Fetid clothes lay protecting the floorboards.

The stale smell of smoke lingers,
Trapped in the soft cottons and polyesters
Of the cream throw pillows,
The blue waves of comforter,
The vast canyons of the corduroy futon.

Wine, fresh on my tongue,
Tells tales of the evening,
Lost of late in a world so distant.
My memories slip away like slack tide
Beneath rotten planks of a dock.

Twin cities, London and Paris,
A cold Christmas morning in Montmartre,
The warmth of the café we shared,
All hung up neatly on the wall.
Maps of emotions I never knew I had.

Only the breeze may speak here,
Whistling through the fissures in the wall.

I’ll find my way back to you in Montmartre’s cobblestone streets.
Imagine Hemingway right next to us, rambling on about his moveable feast.
Like free-spirited birds, I’ll race you to the top of Sacré-Cœur.
Before you can catch your breath,
I promise the view would steal it once more.

I want to see every inch of the Louvre, we’d probably get lost for days;
But we’re smiling like fools, I bet it would put Mona Lisa to shame.
We can stroll along the Seine, and haggle with bouqinistes near Notre Dame.
I’ll ask an artist to paint you,
But first show me how a monsieur should love a madam.

I utter a prayer in Sainte-Chapelle as I immortalize you in stained glass.
Maybe as we wander aimlessly in Champs-Elysées, Degas would teach us how to dance.
I’ll tell you all my secrets, the way kings and queens did once.
Even Rodin would call it treason not to cast these two lost souls in bronze.

Pick me flowers from Tuileries, like the ones Monet had in his mind.
I’ll make a wish before they wilt; Don’t we all hope for the best before we die?
And right here in the in-betweens, we have love to keep us alive,
As foolish and as innocent as the way Picasso painted like a child.

Winter slowly turned into spring, and soon we’ll say goodbye.
The Tour Eiffel glistened in all its glory as darkness fell on the city of lights.
Paris, it has been an honor to love and be loved by you.
In a few years or maybe in a heartbeat—
I’ll come home to you soon.

Disini aku masih di bawah langit milik bumiku
Tapi berbeda tempat dan aroma tanah
Aku merasa di atmosfer era abad pertengahan
Melihat banyak kastil dengan arsitektur tua
Pemandangan yang indah di Montmartre, sebuah kerajaan seni
yang siap memanjakan mataku seketika

Musim gugur menciptakan lukisan indah secara alami
Tempat itu seperti kanvas
Diciptakan oleh kuas ajaib anugrah yang kuasa
Meski Claude Monete dan Renoir sudah tidak ada lagi
Aku bisa melihat perpaduan warna cantik di musim gugur dengan mata telanjang
kuning, oranye, merah dan coklat
Lukisan yang begitu indah

Biarkan aku memakai jaket hari ini
Sebab udara membuatku cukup dingin
Aku berjalan-jalan di pedesaan Prancis
Pohon-pohon gugur di sepanjang jalan
ditemani oleh nyanyian burung yang menyemarakan hariku
Ini sudah waktunya panen
Aku menyukai labu di ladang
Memilih apel dan pir di kebun dekat benteng Talcy

Prancis seperti harta karun emas
Paris di musim gugur bulan ini
Menara Eiffel sudah menungguku
kali ini aku berjalan di atas dedaunan
Begitu renyah di bawah kakiku
Pohon maple di atas saya memayungi meski hari tak hujan
Daunnya yang tersentuh angin berputar-putar
Mengirim mereka untuk menari di udara
Sangat romantis
Aku sedang duduk di bangku kayu
Ah jika September tiba...