Submit your work, meet writers and drop the ads. Become a member
 
I open a
box of insecurities and
add one
more.
The sound of my voice.
The boys in their Vans
have them fully-formed by now,
chests heaving, with splotches of hair
and the usual marks of transition.
I don’t, I can’t have those
things. I meet the requirements:
I am a boy, I’ve tried it all.

But in my bed at night, sometimes,
the ocean hums its wavelength
of monsters screaming, howling
for a rise up, to see more light.
a cloud formation gargles and spits out thunders.
A shiver reaction. Muffled. Loud. The strike
cracks the lips of our skies,
and it confesses some secrets about
its own insecurities; that there is no more
wonder in silence, that there is constant
stimulation and reduced pondering,
that there is a need to get rid
of the bad feeling.

It says,
when the thunder strikes, listen
up and listen long and hard,
because there is plenty of
chaos from your own making, but I offer
you unannounced, unpredictable,
disjointed disruptions of comfort, and it is
I who make you scared of uncertainty. It is I
who make you jealous about my loud voice,
my formed voice, my raspy, powerful voice,
not the boys in their Vans.
 Oct 2017 Rhys Michael
S Olson
words are dying
painfully
in a hairy storm
of electric eruptions

beckoning winter’s
deathly tempest
rampart
like an iceberg fist—

—My fires have been talking
far too closely with my waters

of how our love
could be a rock elephant—
a temple, whole, or magnificent
like an incantation
on a balanced leg;
but you, scissor-cat
of forget-me-nots;
but you—favorite
flower eating our paper mouse:
pining affection is thin
and imbalanced inertia
in love is a bolted door.
 Oct 2017 Rhys Michael
Graff1980
What does it mean to be

inhaling oxygen
breathing life
into my weary being,

culpable to my constant
throbbing consciousness
as intricate webs
that were once woven
into my mind
crumble to
the onslaught of time?

What stories could be told
about the needle in
the metal garbage bin
in the gas station bathroom,

about the thin
brown skinned
woman
rolling up slow
as I ride my bike
while getting soaked
in the pouring rain
after eleven P.M.,

about the misconception,
the keys clutched in my
tense hands,
a heart of suspicion
that never becomes reality,

about the uncertainty,
if I should be at ease
or stand tightly on guard
while strangers watch
and walk around me,

about the social programming
that even though I know exists
still affects the way I react
more frequently
then I care to admit?
Memory flashed like strobe
lights and illuminated paths of
tangled legs; only the moon
watched us weave intricate
patterns of impassioned sighs
and scattered black lace.

Shadows settle with the
musing silence of the
immediate past: two bodies
in love with childhood naivety,
the dash of what could be.
What could be?

Predawn whispers shatter
the fragile ivory walls of
my chest, unveiling a chasm
that is yearning to feel again.
I'm not like them,
I don't drink, smoke, or **** like them.
I'm not that girl,
I don't look, dream, or think like her.
I'm not like him, or her, or them.
I'm not any of this, so why am I here?
 Aug 2015 Rhys Michael
Lord Byron
When we two parted
In silence and tears,
Half broken-hearted,
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sank chill on my brow—
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o’er me—
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:—
Long, long shall I rue thee
Too deeply to tell.

In secret we met—
In silence I grieve
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?—
With silence and tears.
Earth, earth,
riding your merry-go-round
toward extinction,
right to the roots,
thickening the oceans like gravy,
festering in your caves,
you are becoming a latrine.
Your trees are twisted chairs.
Your flowers moan at their mirrors,
and cry for a sun that doesn't wear a mask.

Your clouds wear white,
trying to become nuns
and say novenas to the sky.
The sky is yellow with its jaundice,
and its veins spill into the rivers
where the fish kneel down
to swallow hair and goat's eyes.

All in all, I'd say,
the world is strangling.
And I, in my bed each night,
listen to my twenty shoes
converse about it.
And the moon,
under its dark hood,
falls out of the sky each night,
with its hungry red mouth
to **** at my scars.
 Aug 2015 Rhys Michael
Madds
Insanity is such a playful word
I want to extract each of your teeth
To play the most iconic drum beats of all time.
Make snarled rhythm out of your body
One.    Last.    Time.
Underneath the howling moonlight
We made love to.  
And you sat shivering.
Insanity holds such ambiguity that it's ready to burst.
So intense as it sits stinging you like bees
Watching you H. U. R. T.
Or leaving you laughing at strange.

I guess what we have is insanity
That it is driving me off the edge
And keeping me together all the same.
????? Snarled was supposed to say senseless but autocorrect got in the way and I like it better.
Next page