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Prabhu Iyer Mar 2015
The door out back from a cosy hamlet
is too a thorny one that is not often tread

Just when all seems certain and settled
life comes knocking and seething.

And you go walking the starry path,
the wayward path, the meandering path
to nine yards of nowhereness.

Questions, some are never settled. Invitations
some are never forever. Rhythms are not
made to last, just like the seasons. Winters
are the longest, deepest and darkest
that etch their cold onto pestles of the heart
that want to pound down memories a tonic.

Emerge, shadowy oars, from mists unraveling
by the shorey oceans lining the soul,

Slow here are the sailboats of hope
that we unfurl in sodden winds
and keep rowing on, on to the shoreless zons.

when the cold gets to the bones, I make a bonfire
of all my pasts, longings and belongings,

oh the late gull that shrieks past the silences.

All, but love. That, I cannot burn,
for that I am, I loved, and will love,
change forms, change norms, but that I will.
Next up in the #Hermit series, dreamy surreal verse, exploring the fragility of hope and the endurance of love.

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Prabhu Iyer Mar 2015
Resume: Jewel de Saex
Address: Lost somewhere up the hills.
                 email: me@yourownrisk.mule
                 Tel: + network not available

Summary

Hire me if: you are looking for an adventure.
Clouds, gorges, and I never disappoint, for we can cry.

Education

Bachelor, Mistress and Widower at the University of Zoya, majoring
in Life Sciences, with a minor in the applications of horseshoe magnets.

Expertise

I know them laws of attraction well +

New languages: both Silicon and Carbon-based ++

Magic, luck and fate.

Experience

For years I steered a boat
riding a rough river that
passed storms every day.

I was the rain-maker, I can
bring tears to any passing cloud
by my mere hand-gesture:
(all the dough-kneading.)

I was also the chief gardener
for Loz, whose farms at
the other end of the Earth
I visited by the switch door
in my old photo-albums each day.

Skills

Jugglery, innovative use of cutlery, reading runes, plucking prunes,
riding boats on dunes, talking by eyes, hearing by sight.

References: Not available even on request.

*NOtes:

+   Turn pages back and you always find, only one person was in love.

++ I can decipher the meanings in the lispings of cherubs and angels.
     I understand the cloud and the river, as of men in any tongue.
Next poem in the #Hermit series: this one is based on the Surrealist 'dream resume' technique. Zoya means life.

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Prabhu Iyer Mar 2015
Evening colours
come crooning to me in the swallows
flying by:

saucers in the sky,

as I wait for the bus

that will go and halt on the wall
in my living room.

The evening is somewhat dull now,
let me hurl a few stars
at the horizon:

I have a dozen in my purse.

All of them gifted by you,
collectibles, kissables.

My tiara princess, the hair-band
is your secret wand.

Ah, my leg, it's
stuck in Grosvenor Road.

So I hurtle back. and loop forward.

Folding memories neatly into my
back-pocket.

There's a Divergence Theorem
gone missing here, volumes
are not going sheet-smart.

I want my nj's.

I could drown in those dimples.
Some nightly absurd verse. Make what you will !

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Prabhu Iyer Mar 2015
Dark, this
restive hour, when
I search for a secret
peace, that lies lurking in the heart,
lost moon,

pre-dawn,
before worry
rises to shine on the furlough
when grey the twilight in furtive
retreat:

this hour,
when winds summon
birds to the distant realms
when little voices rise on beaming
star lakes.
A set of 3 American Cinquains (thanks to inspiration from my new poet friend Robert Okaji http://robertokaji.wordpress.com/)

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Prabhu Iyer Mar 2015
I am the river bleeding rivulets at its mouth,
I am time, many branched.

I was a woman who came of heart, love, hope:
I was thrown out of my hearth.

Alone in this harsh winter, the broken woman works the coal in the shanty town. She is all toil and fate. She is, is but a footnote in our capital culture. She has no wealth and she has lost all.

No education worth a job. No salary worth a home. Age is not on her friendly side. So she goes abandoned by the river, discarded jewel.

She went home, back home to where her father came from. There they called her a foreigner, and said she did not belong. She was western in the east, and an oriental in the west. She did not belong.

She was sent here to these rugged mountains by a twist of fate.  No one told her story. She was forgotten like a grave in the hills. Her wails are the whirlwinds that rise hooding mysteries up the slopes.

Un-clapped cymbal, wind chime, song bowl and ney, unsung songs that compete for attention. Time, many branched.

She won. Brave woman, she won. She fought her fate and said 'I will'. The fire in her eyes stoked people's hearts. They welcomed her home and called her 'Khedi'. She's a guide to adventurers who want to be lost.

I chose this timeline. I jumped in and ran my dinghy down this gorge and emerged into a world of sparkling light.
Next up in the 'Hermit' series: a river narrative, pondering on the possible outcomes of a faux-tragic story, and the ultimate victory of volition and will

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Prabhu Iyer Feb 2015
A puff of cigar in, mist, out
on the street, shrouding the
tracks and missed heart aches;

this morning, time,
is not kept by the ticking clock.

Only one vehicle has crossed the road.

Mellow sun warming up the snow
forever burying the tracks out;

The stubble's scruffy, and heart,
as dishevelled as the sheets;

Empty cups, full of memories -
and stained of the night's wine;

In the corners the embers still crackle:

leaning back on ease chair,
wondering
who it was that left early
this misty morning;
Classic noir: served with morning coffee.

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Prabhu Iyer Feb 2015
Dont talk to me about sense-vense -
do you, or do you not?
tell me this much;

Don't go zig-zag, jibber-jabber,
zither; look I don't care of
money-shoney,

this caste-vaste, mummy-daddy
and the society;

We could might never deny this,
pow-wows cannot measure this,

do you, or do you not?
That is, is all there is.
The Indian girl is talking sense into her beau.

Echo-words such as 'sense-vense' are common in colloquial Indian English

Mixing in English echo-words (jibber-jabber etc) the dreaded double copula (Is-IS) and the double modal (might could), for dramatic effect.

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