Submit your work, meet writers and drop the ads. Become a member
 Jun 11 Meggi
Nat Lipstadt
Of late:
this "silence" conceptual haunts,
an irregular daily daunt,
coming evenly but oddly timed throughout the 24 hrs.,
writing Psalms and Sonnets demands sacrifice, sweat,
tears, no blood as of yet,
   but who's to say, that it will
not be eventually requisitioned

in my life,
there are long intervals of intramural silences,
when afforded,
the art of contemplation assumes templar control, and my senses
to overdrive go

somber somnolent,
ironic that,
in the periods of deep surficial calm, creation is raging
in the fibered tissue of my neuronic cells, and though,
outwardly still, my heart chest pounding me to emit the
inner contents and context
of the 4 W's  of every moment of my existence

(who, what, when and why)

the quietude of silence
is never whole, notions fly in, runabout, then depart, without a word of farewell, leaving not a trace behind, and the potential poems shrivel into stillborn drivel, leaving only an undisputed but an undistinguished stain, a fact that they was, were, conceived, but the mind's  body was not fertilized sufficiently to see them nurtured to expulsive birth fruition, a less than subtle reminder that even and every state of being is regenerative even unto the very last breath,
when it is no longer...
more April showers, until May 10' 25
 Jun 11 Meggi
Nat Lipstadt
flux.
a word whose very sound connotes its meaning, a sloshing state of change

a liquid moment,
for we solids,
of bone and flesh,

though
we may be islands of stolidity,
entrenched, focused, organized,
when the surround sounds
of change are all about
you too are
fluxed

the serenity of splendid isolation
is not an impervious shell,
close eyes, ears, nostrils, mouth
these liquid times we abode,
inescapable from the roller coaster of
crashing storms of our
environment

try as I might,
cannot recede into a
white sealed envelipe,
cannot secede from
the froth of current events,
in the age of no distances,
and the rotational revolution of
but one lever,
a single beating wing
can disrupt the
the supply and communication
channels of our normative existential machinations

let me retreat unto my poetry trance,
but that choice
is currently unavailable

be wary of the calm of routine,
we live in a time of
the olympics of change,
and we cannot walk
on water,
nor tread forever

flux.

the liquidity curse of our
ever curving intersections
The year of 2025
 Jun 8 Meggi
Nat Lipstadt
humility

comes from odd places,
and so oft unexpected,
a comment leads me to
fine lace, of which I see know
nought and naught, and to Normandy and Northern England,
rafting into history

and what the difference is tween
naught and nought (not much)

and my ignorance is stupendous,
really, I know so little about so much, and it staggers me into
wailful willful

and honest

humility
June 2025
 Jun 5 Meggi
rick
when you trim your ***** and your mustache with the same pair of scissors
when you hand over your entire paycheck to the bartender of doom and glee
when you write a bounced check at the grocery store
when you sleep with a girl who isn’t clean
when you’re young, lost, broken and poor
when your childhood runs hard and your luck runs out
when your best friend is dead and your other friend is ******* your girl
when your dog sleeps in the afternoon and dreams of the neighborhood *****
when your nutrients gets replaced with Xanax bars over the one who just left
when your tired eyes meet the brick & mortar of strenuous labor
when the smile is so fake that it appears genuine
when you go all in on someone you weren’t 100% sure of
when you wait on bleeding knees for the unreliable god
when you bet on the boxer that crashed to the canvas
when the interest is high and the banks are closed and the creditors don’t care about grace periods
when you understand very little and you expel a whole lot
when the cord of anxiety strangles your very essence
when you turn out to be just as everyone expected

don’t worry

it’ll all turn around

and find you again

someway

somehow.
 Jun 5 Meggi
Nat Lipstadt
I approach this subject with expertise,
for the economy of brevity
is not my forte,
indeed my natural tendency
is to never use
one
when three words seem
so more additional  expressive


but,
economy is to my taste
when delving into the emotional,
which as a poet poseur
seems incongruous

but the verbal deliciousness of
a well chosen phrase,
that one can roll on their tongue,
looking for subtle notes like a good wine,
is a sensory delight,
a provoking nugget of
an alliteration of the senses,
that seeps into your interior,
gladdens the soul,
worthy of jig, or even a
hot **** expletive,
demanding many more
sippings

it may require an ooh and an ah,
and the loosening of teary eyed
moisture,
the acceptance of
acceptance?

the  spreading of a satisfactory warmth in-the places that
welcome heat, allowing both
head smacking grinning,
or deep emotive gestures
to form upon your normally repressed status
 May 26 Meggi
badwords
We are not survivors.
we are residue.

the soot that lingers
on collapse's last tongue.

entropy's loiterers—
spiteful, unfinished.
neurons in feedback.
systems with no gods.

the architects left
when the scaffolds imploded.
we cradle their blueprints
like scripture in ash.

rebuild?
with what breath?
with what myth?
our dreams are famine-shaped.

nirvana is a severance package.
emptiness sold
in velvet robes.
a silence that never asked
about wreckage.

so we sharpen our vowels.
scribe ruin in elegy.
chant hymns for dead logics.
leave witness marks
in the marrow of this glitch.

we were not chosen.
we remained.
“Failure Spiral // Witness Marks” is a blistered fragment from the edge of philosophical exhaustion — a poem that resists salvation with surgical precision. Cast in scorched economy, it unspools a mythic post-mortem of civilization, depicting a world not built but inherited — a residual loop of cascading failures mistaken for history.

The voice is not that of a prophet, but of an archivist trapped in recursion — mapping entropy with a cartographer’s detachment and a poet’s poison. In this world, survivors are no more than loiterers of meaning, spectral stewards of systems that have outlived their gods.

There is no crescendo, only a ritual of reckoning. Each line is a witness mark — the scorched etching of presence, absence, and the irreparable fracture in between.
 May 26 Meggi
Nina
If you come
 May 26 Meggi
Nina
I’ll open the door before you knock
barefoot
heart lit
shaking
I’ll kiss your mouth before you speak
not to quiet you
but to show you
what language was always
reaching for
I’m wearing your pants tonight
for the first time
in a long time
& I kissed them
and kissed them
and kissed them
as if they were you
Next page