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 Jun 8 Meggi
Nat Lipstadt
humility

comes from odd places,
and so oft unexpected,
a comment leads me to
fine lace, of which I see know
nought and naught, and to Normandy and Northern England,
rafting into history

and what the difference is tween
naught and nought (not much)

and my ignorance is stupendous,
really, I know so little about so much, and it staggers me into
wailful willful

and honest

humility
June 2025
 Jun 5 Meggi
rick
when you trim your ***** and your mustache with the same pair of scissors
when you hand over your entire paycheck to the bartender of doom and glee
when you write a bounced check at the grocery store
when you sleep with a girl who isn’t clean
when you’re young, lost, broken and poor
when your childhood runs hard and your luck runs out
when your best friend is dead and your other friend is ******* your girl
when your dog sleeps in the afternoon and dreams of the neighborhood *****
when your nutrients gets replaced with Xanax bars over the one who just left
when your tired eyes meet the brick & mortar of strenuous labor
when the smile is so fake that it appears genuine
when you go all in on someone you weren’t 100% sure of
when you wait on bleeding knees for the unreliable god
when you bet on the boxer that crashed to the canvas
when the interest is high and the banks are closed and the creditors don’t care about grace periods
when you understand very little and you expel a whole lot
when the cord of anxiety strangles your very essence
when you turn out to be just as everyone expected

don’t worry

it’ll all turn around

and find you again

someway

somehow.
 Jun 5 Meggi
Nat Lipstadt
I approach this subject with expertise,
for the economy of brevity
is not my forte,
indeed my natural tendency
is to never use
one
when three words seem
so more additional  expressive


but,
economy is to my taste
when delving into the emotional,
which as a poet poseur
seems incongruous

but the verbal deliciousness of
a well chosen phrase,
that one can roll on their tongue,
looking for subtle notes like a good wine,
is a sensory delight,
a provoking nugget of
an alliteration of the senses,
that seeps into your interior,
gladdens the soul,
worthy of jig, or even a
hot **** expletive,
demanding many more
sippings

it may require an ooh and an ah,
and the loosening of teary eyed
moisture,
the acceptance of
acceptance?

the  spreading of a satisfactory warmth in-the places that
welcome heat, allowing both
head smacking grinning,
or deep emotive gestures
to form upon your normally repressed status
 May 26 Meggi
badwords
We are not survivors.
we are residue.

the soot that lingers
on collapse's last tongue.

entropy's loiterers—
spiteful, unfinished.
neurons in feedback.
systems with no gods.

the architects left
when the scaffolds imploded.
we cradle their blueprints
like scripture in ash.

rebuild?
with what breath?
with what myth?
our dreams are famine-shaped.

nirvana is a severance package.
emptiness sold
in velvet robes.
a silence that never asked
about wreckage.

so we sharpen our vowels.
scribe ruin in elegy.
chant hymns for dead logics.
leave witness marks
in the marrow of this glitch.

we were not chosen.
we remained.
“Failure Spiral // Witness Marks” is a blistered fragment from the edge of philosophical exhaustion — a poem that resists salvation with surgical precision. Cast in scorched economy, it unspools a mythic post-mortem of civilization, depicting a world not built but inherited — a residual loop of cascading failures mistaken for history.

The voice is not that of a prophet, but of an archivist trapped in recursion — mapping entropy with a cartographer’s detachment and a poet’s poison. In this world, survivors are no more than loiterers of meaning, spectral stewards of systems that have outlived their gods.

There is no crescendo, only a ritual of reckoning. Each line is a witness mark — the scorched etching of presence, absence, and the irreparable fracture in between.
 May 26 Meggi
Nina
If you come
 May 26 Meggi
Nina
I’ll open the door before you knock
barefoot
heart lit
shaking
I’ll kiss your mouth before you speak
not to quiet you
but to show you
what language was always
reaching for
I’m wearing your pants tonight
for the first time
in a long time
& I kissed them
and kissed them
and kissed them
as if they were you
"𝘠𝘰𝘶 𝘩𝘶𝘨 𝘩𝘦𝘳 𝘭𝘪𝘬𝘦 𝘩𝘰𝘯𝘦𝘺.
𝗦𝗵𝗲 𝗹𝗼𝘃𝗲𝘀 𝘆𝗼𝘂 𝗹𝗶𝗸𝗲 𝗹𝗲𝗺𝗼𝗻.


𝘠𝘰𝘶 𝘭𝘪𝘯𝘨𝘦𝘳 𝘭𝘪𝘬𝘦 𝘨𝘪𝘯𝘨𝘦𝘳.
𝗦𝗵𝗲'𝘀 𝗵𝗼𝘁 𝘄𝗶𝘁𝗵 𝗲𝘅𝗽𝗿𝗲𝘀𝘀𝗶𝗼𝗻.


𝘠𝘰𝘶 𝘬𝘪𝘴𝘴 𝘵𝘩𝘦 𝘬𝘦𝘵𝘵𝘭𝘦.
𝗦𝗵𝗲 𝘀𝘁𝗶𝗿𝘀 𝘂𝗽 𝘁𝗵𝗲 𝗲𝘀𝘀𝗲𝗻𝗰𝗲.


𝘠𝘰𝘶 𝘵𝘪𝘱 𝘵𝘩𝘦 𝘵𝘦𝘢𝘱𝘰𝘵.
& 𝘀𝗵𝗲 𝘀𝗶𝗽𝘀 𝘁𝗵𝗲 𝗾𝘂𝗲𝘀𝘁𝗶𝗼𝗻."


꧁꧂

mica light • poetry
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