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for she
<>
"I choose to love you in silence, for in silence I find no rejection.
I choose to love you in loneliness, for in loneliness no one owns you but me.
I choose to adore you from a distance, for distance will shield me from pain.
I chose to kiss you in the wind, for the wind is gentler than my lips.
I choose to hold you in my dreams, for in my dreams you have no end"

Rumi
<>

writ in a time, for when
there is never enough,
and yet,
always, waves of too much,
needy for
filling feeling fulfilling

We must learn,
be self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

ah the tender time is nonetheless
rightly and wrongly
rightly now,

for I have stumbled,
overheated, sweaty, from the night bed,
at 4.30am into another darkened toom,
and I have smacked~stumbled into
Rumi
and her

our paths continuously intersect,
in the same but
in different cities, continents,
and yet,
diffident, differing,
we silently choose
never to close those lady~last few miles
and tie the knot of
eyes, skin, lips
the instruments
that transmit thousands of
neuronal explosions that
seal the deal

so we write in poetry,
in silence broken by the gentility
of fingertips soundlessly
and yet,
boundlessly rocking,
explosively soundings of
tap tap tapping

my music mocks me,
it is definitively god interfering,
advising, conspiring,
wiring into my brain
better lyrics,
idealized notions,
exactly appropriate
and appreciated

with the lyrics urging me on,
and that we must be
self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

but my heart trembly refuses,
insightful informing
that now,
now! is
the moment to exchange
vows of words,
though un spoke,
they require
written completion
through
& though
apart, alone,
to finally out loud confess
what has always been known, only to each other,
to be
so real

and yet*,

we will never exchange
these sentiments
in out loud words

but though this be lacking,
it will never
diminish
their  ultimate
intimate
truthfulness

and I ask,
is this a poem?

surely
it is that, and
so much more,
an essay, a letter on
invisible NML stationary,
a heart carving in
an oaken barrelling of
ancient vintagery

and that interloper,
Him again,
eavesdropping
on this private communication,
insists that I draw deep
from her favorite
singer~songwriter,
words that say it better,
that for real seal the deal,
in the saddened perfection
of total, enwrapped,
silence:

"Hello darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence"

and
it is time
to finish this task,
it is exactly one hour,
no time at all,
to complete a love poem that
is/was complete,
even before its
composition
and yet,
is never to be be familiar with
the finality of
completion
<>

postscript:

I taste your private shed tears,
hear the howling sigh,
but most of all,
'tis the explosion of
a deep smiling creasing
your lips,
spreading in all directions
saying and stating:

at last, at last!
a lasting, a confessional to you god,
though,
a through and through
silent
jubilation
                                              ­             nml

April 8, 2025
530am
New  York  City
excerpted lyrics from Billy Joel and
Paul Sumon
(A repost from 2019)

My favorite aunt is dying.. cancer, quiet and consuming as a flame..

Seven short weeks ago she was easily doing an hour of step aerobics, unaware of this intruder, this murderer within. Now she's lifted from bed like a rag doll.

She is my mom, well, a near twin—only smaller, funnier, serpent sly, more heavenly childish, sapient with sweet attractive grace and modest pride.

I am in total awe of her. We're kindred spirits, two sillies among the dull and endlessly serious.

I feel her, see her, day by day, slipping away like the hastening angel of heaven foretold.

This is too big for me, too awful and too close.

I am struck helpless, nothing moves, I sit, hardly feeling, and watch her sleep. Death's cruel process suddenly made visible.

I silently rage at the loss of it—my loudest vehemence pointed to this ravenous, lurking enemy pursuing her inwardly like a swarm of deadly hornets accidentally composed.

40 and still stunningly beautiful, she lies surrounded by computers, iPads, phones, faxes, intercoms, notepads, friends and care-givers. Her life reduced to escaping pain and making arrangements for her soon to be orphaned children 4 and 6.

Fentanyl and other pain blockers are her nourishment and seem to work better in the daylight as lawyers garner powers of attorney, bankers conjure trusts and estate planners build foundations to protect small children from a mothers loss.

As if they could replace a single hug
.
.
Songs for this (Gospel music):
Order My Steps by The Brooklyn Tabernacle Choir
Angel by Sarah McLachlan
Jesus Loves Me by Whitney Houston
It's a sad anniversary.
the sea gulls chanting,
the sun rising

shooting fields of fire
dancing across
the rise and fall of the sea.

she is standing by the shore.

the beautiful loser
floating lonely
like a storm cloud
ripped from the night sky.

she smiles the sorrow away
with a beauty so hidden and delicate,
distant eyes as grey as the sea at dawn.

she robs my head
sending my heart

floating
like a feather lifted
by a wayward wind.

she does her sky dance
on the sea shore
jumping
here and there
like sand fleas
across the beach
and wants for nothing more.

beautiful loser,

I see she is crazy.

and I want some of her madness.

her blessed madness.
Absence palpable as
An avocado stone-

Flesh delicious but
Roots are filling a
Far-off Jar-

White filaments lighting
Clear cool water
nobody tells me what to do with longing
unquantifiable as only the sand is
exulted light dives in my hair
my shoulders are amazed like a cactus flower
your blood self-absorbed rehearses abysmal cascades
tigers are still asleep in your dreams
will you chase the moon on my surface, will you, tell me,
leave your silence on a chair
what if love is this cypher for the mystery of time
what if the pulse is a form of photosynthesis
we have to stay away from any fire since
we would exhaust its thirst
a step into a surreal second that augments me
second after second  the one who loves
disturbes time in its mazing grace
the sky this gestational field
the space between each word a cosmos
a white truth will repeat itself
again and again bearing witness to
life hand in hand with death
Your grand memorial, all engraved,
Your history gilded, iniquity paved.
But each new eye who stops to read,
will know the less your wrongful deed.

"Erected here for future’s view,
By friends to make you shine anew."
The weight of grief, the tears once shed,
offset by a plaque that says you are dead.

Still, neath this stone, to make it clear,
Your marker says, “Yep, I was here.”
For all your fear of being erased,
In stone, your ego seems misplaced.
Trying out a little sarcasm. Monuments can often veil wrongdoing in gilded narratives
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