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for Karlotti

~
And a flower on the borders of winter.
an unseasoned sign that the singular erupting bud
will lend the lens to see, give the courage to accept
the greatest joy of man will ever be
anticipation

there will be seasons that the singular erupting bud,
be the bitterest truth nail gunned into your temple,
the perversity of a mockery, an uncrossable boundary
a flowering sign of skull & bones meant to teach acceptance
the greatest curse of man will be
the changing seasons

La mayor maldición del hombre,
Las estaciones cambiantes
~

pass him the newborn,
not the first, indeed, the third of five,
almost a regular comet occurrence,
happy poppy,
grizzled veteran of the nine lives foreign wars - then


The Inexplicable  

Yellowstone geyser eruption,
Vesuvius of wet tear ash Pompeiing,
overfilling the overcrowded hospital room,
brilliant flashes of eyes emitting lightening,
tornadoes of an unpredicted hurricane,
that no weather service forecast,
hinted of imminence,
unprepared, thus, for which
they had no name but Baby Girl,
but the older man turned sudden singer had one,


The Inexplicable  

for as sudden as thunder,
the hospital room is an audience,
the old man, a bawling crooner
stunning the assembly into
nervous tittering laughter,
backslapping self-comforting,
so out of character
for the usual so quiet workaholic,
the secret poet whose shoulders
upside U-bent from decades of writing and
recording the momentous, the

endless worrying,
the foolish fleeting scarcity of joys,
the slowing ways of sad aging to wisdom gained,
foreseeing the struggle/joy inequivalent insolvent equation
of love and loss,
the forever pleasure of hopeful rebalancing,
a perpetual motion machine,
the seesaw of torrential ups and downs,
of the yet-to-come
for which he could compose, recite, in formal rhyme,
stanza and line,
chapter and verse,
blessings and unheard of
original poems and curses
and this peculiar blessing


this old man lad could so easy close his eyess,
recalling being
seven years, ageless and sageless,
sure in the ways of a cocky confident boy,
who is now succumbed to


The Inexplicable  

singing - humming - gasping - weeping - wishing true
the oldest rocking, children song in the entire world


"row row your boat,  
gently down the stream,"

but choking on,
unable to release the songs signature line,
from within his body,

then finally,

the truth and the lie,

"life is but a dream"


so the watchers do it for him;
unintended but fully comprehended!
the crazy man formally anoints the child's forehead,
with handy tears on a pointer forefinger,
a salt solution upon a slice of flesh containing
secrets and wisdoms
knowledges of historical continuations

nervously, they ease the babe, prying her
from hands tremblingly, his and theirs,
too late too late!

the secrets and the history personal
has been passed, the bonding genetic certified
the oldest fool in the room,
wise in the ways of the now transferred


The Inexplicable  

*dispatched home,
go, write a poem, they say,
to late too late!
it has been writ,
in a coded inexplicable manner,
that only two humans
can proper read
one more for the great lakes that divide and unite her

all on that day:

1. will be a treaty writ tween me and
the cosmos,
they permit me worship them,
even to join them as another
meaningless gleaming,
if i cease to write -
having used
every word
in my kindness kitbag possess -
twice

2. my trials will be certified as ended,
for the grifting/gifting
ability of a man to
give and dream, to fool himself,
man's obligatory gift, gone
the will to believe in
anticipation

3. a full on peace,
no mere armistice pretense
till the no more next one is the norm
for to the sun, submission,
uttering
a confession
already writ

A generation goes, and a generation comes,
but the earth remains forever.

The sun rises, and the sun goes down,
and hastens to the place where it rises.

The wind blows to the south
and goes around to the north;
around and around goes the wind,
and on its circuits the wind returns.

All streams run to the sea,
but the sea is not full;
to the place where the streams flow,
there they flow again.

All things are full of weariness;
a man cannot utter it;
the eye is not satisfied with seeing,
nor the ear filled with hearing.

What has been is what will be,
and what has been done is what will be done,
and there is nothing new under the sun.

Is there a thing of which it is said,
“See, this is new”?
It has been already
in the ages before us.

There is no remembrance of former things,
nor will there be any remembrance
of later things yet to be among those who come after.*

Ecclesiastes  1:4-11
From mud walled homes
these remnants come, artifacts of shell and bone
leather shoes and deerskin coats
woolen blankets and woven rugs,
baskets for storing grain and corn.

Grinding stones and sun bleached bones
antiquities and memories found in fields of sand,
necklace beads of finest hammered silver
now forgotten and lost, and too the river's water.

Came a sorrowful war with bullet guns
that pierced the heart of every man
no match for shooting arrows.
In the old part of town
There are still cobbled streets
And at one time
These streets were surrounded
By living working mills
Marking the towns heartbeat
Twenty-four hours a day
Seven days a week
The machines hammered the air
As the flying shuttles were cracked
From side to side of the weft
On more than a hundred looms
It sounded like a battlefield
And some would say it was

But that was long ago
And now the mills are dead
The buildings still stand
But inside they are broken
Housing many more
Modern endeavours
And in one of these old buildings
Within the same crusty bricks
There's another world that lives
In the dark hours at least
There's a night club that throbs
To the sound of bands playing
Different rhythms for the town
And the neon lights outside
Shine on the same old cobble stones

                                        By Phil Roberts
As I disheveled my hair, my
scarves were gone...

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