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 Jun 10 irinia
Agnes de Lods
Osiem metrów wysokości.
Pośrodku szczelina.
Rzeźba dziecka z betonu
obok kontury ciała i pustka
po bezbronnej istocie,
której już nie ma.

Szorstka struktura szarości
rani delikatną skórę.
Głód. Choroby. Samotność.
Świat zapomina o tych,
co nie krzyczą głośno—
o tym co najbardziej boli:
o miażdżonej niewinności,
i olbrzymach pilnujących
orszak przestraszonych wielkich oczu
w małych, wychudzonych ciałach.

Pamięć nie jest wygodna.
Ona fizycznie boli.
Uparte rany nie goją się.
Było.
Jest.
Wije się w sąsiednich otchłaniach Tartaru.

Aksjomat przyjęty przez aklamację:
„Tak ma być!”

Cisza.

Na scenę wychodzi syn ocalałego.
Łamiącym się głosem szepcze:
Tata przeszedł piekło, ale kochał nas.
Przeżył, napisał pamiętniki.
Dał świadectwo.
Rozumiał ten wykolejony świat.


BROKEN HEARTS

Eight meters high.
A crevice in the center.

A concrete sculpture of a child
and the deep void.
Once there was another child,
now gone without a trace…

The rough grey texture
hurts fragile skin.
Hunger. Disease. Loneliness.

The world forgets
those who do not scream
and what hurts the most:
crushed innocence
guarded by the giants
watching the procession
of terrified wide eyes
in small, gaunt bodies.

Memory is not a peaceful place,
it brings physical pain.
It gnaws from underneath.

Stubborn,
festering wounds,
they refuse to heal.

It was.
It is.
It will happen again
by axiom,
accepted without question.

That is how it must be.

Like a venomous snake
slithering near the lands of Tartarus.
Endless sacrifice, leaden silence.

And then, the son of the survivor takes the stage.
He speaks in a whisper:

My Father went through hell, but he loved us.
He wrote it down—
a testimony of a derailed world.

He knew what it meant to be human
when it hurt.

He survived to love and to be loved.
Today, I participated in the commemoration of the children’s labor camp in Łódź, which operated during World War II.
Writing about it isn't easy. Remaining silent is even harder.
I wrote this reflection two hours ago.
It was inspired by the memorial sculpture Pęknięte Serce (Broken Heart), unveiled on June 2nd, 1971, in Łódź.
There is no excuse and there will never be for violence against
the defenseless.
Any system, any religion, any doctrine that does not protect children is
a failure.
 Jun 10 irinia
Agnes de Lods
The chameleon swallowed hard.
Its tongue: hungry and burnt.
Feelings? A privilege of others.

Eyes wide open,
patiently waiting
for the flickering chance.

Who understands nature, unfiltered?
Too painful, without some sweet utopian IF
Nobody understands the vivid mortal chain.

What’s happening in his mind?
The heart - a precise mechanism
clicking down his time to the end.

Changing colors, matching seamlessly—
And what if the only help is calling?
No! Showing his tongue,
he just wants to catch a fly,
sticking her body to his hard palate.
Protein is so good for living.

But she? Her end makes sense
if we observe patterns.
Nobody notices – nobody’s fault.

Can we be a ripe orange
with green leaves untouched?
Or do we become a passing flavor
for other dining creatures chewing us,
without deeper reflection.
 Jun 9 irinia
Asuka
Untitled
 Jun 9 irinia
Asuka
I bloomed quietly,
so the world mistook me for a ****.
"She stands some nights upon the bridge—"
"Not stands—she lingers, watching still."
"They say she hums—"
"She doesn’t hum—she curses."

The wind shifts—barely, lightly, unnoticed, as if eavesdropping.

"She waits for him—"
"She waits for none."
"She never moves—"
"And yet her shadow shifts each dawn."

It bends along the tethered line, a whisper slithering through the air.
It lingers, pressing past the stone, a hush that settles, soft yet bare.

"She waits for him—"
"She waits for none—no lover lost."
"She does not move—"
"She walks the bridge! At dusk, she’s crossed!"

The wind shifts—only slightly, leaning against the hollow arch, curling like an unanswered breath.

"She never speaks—"
"No! She calls—"
"A name—his name, they swear it’s true!"
"Then tell me—what name does she cry?"
"A sailor—"
"No, a poet—"
"No, a fool who left her there to die!"

"That’s a lie—she didn’t wait."
"She killed him!"
"No—she wept!"
"She cursed his name—"
"She called him back—"
"She sent him to the depths!"

"But what was it? The name she hisses?"
"No one knows—no one stays long."
"Not to hear—"
"Not to listen—"
"Not to meet the same unlucky fate."

The wind bends against the iron frame, meandering through the fractured stone.
It lingers, silently clinging to fractured facades, unseen upon the tethered known.

"Then why does ocean keep his name?"
"What name?"
"The one she cries."
"No one hears it—"
"That’s a lie."

"If she calls, the tide returns—"
"She does not call—"
"Then what is left?"
"No one asks."

"But someone heard it once—"
"A whisper—"
"A breath—"
"No! A cry—"
"And then the storm arrived."

"That’s just the wind—"
"Then why did the waves pull stronger?"
"No one knows—"
"No one stays—"
"No one wants to suffer the same fate."

The wind shifts—steady, bending against the breath of night.

"She waits upon the bridge at dawn—"
"She waits for none—she does not breathe!"
"She lingers still—"
"She does not linger—she does not leave!"
"She never moves—"
"She walks at dusk!"
"She watches close—"
"No! She’s a vampire that feeds!"
"She drowned—"
"She burned—"
"She swayed—"
"She fell—"
"She never died at all!"

It pulls along the weathered stone, a breath that lingers, drawn but slight.
It threads through the iron frame, a breath drawn deep against the night.

"You’re all wrong!"
"I know the truth!"

The wind stills.

"She haunts the bridge—"
"She waits for none—"
"She waits to drown them all!"

"She drowned her love—a poet!"
"He wrote for the moon!"
"He wrote for her—"
"He did not—he saw only the moon!"
"And she was jealous—"
"And she dragged him down!"

"She drowned him, yes!"
"And now she waits—"
"She sees them cross—"
"She sees them happy—"
"And she takes them!"
"She pulls them down!"
"She waits at night!"
"She watches close!"
"And if you cross the bridge—"
"She will drag you into the water!"
"She will drown you too!"

It pulls along the fractured beams, its tether tight, its sorrow bound.
It curls beneath the shuttered doors, a breath now sharp, interrupting the hush profound.

It grips—tenses—knots against the arch, coiled within the hollow halls.
It tightens, pressing through the streets, coils against the stone walls.

Then—

It rises. It bends. It twists. It breaks.

It wails.

"It’s true!"
"It must be!"
"She’s angry!"
"The storm warns us!"
"The wind confirms it!"

The wind lashes out—hard, sharp, reckless— slamming against doors, rattling shutters, clawing at rooftops, howling through the streets.

They scream. They scatter. They run.

It pulls along the broken eaves, a breath too strong, too deep, too wide.
It twists, it surges, then it flees— a hush before the rising tide.

Doors slam. Voices vanish. The streets fall silent.

The wind does not linger any longer.
It turns—sharp, sudden, surging somewhere in the distance.
A voice rises. Yet, a name does not follow. A truth is spoken. And yet, none were ever there at all.

The wind strains. The voices press. The fear remains. But what was called? And what was carried away?

Thus vanishes the fifth echo in 𝑇ℎ𝑒 𝑊𝑖𝑛𝑔𝑠 𝑜𝑓 𝑊𝑎𝑖𝑡𝑖𝑛𝑔.


https://hellopoetry.com/collection/136314/the-wings-of-waiting/
the birds chirp in the distance
the sun glows bright
in the cerulean sky
no clouds in sight
just sunshine
beating down on your skin
sweat trickles down your brow
a slight breeze
sways the grass
around your ankles
cerulean: deep blue in color like a clear sky
 Jun 8 irinia
Damocles
Why has the night become synonymous with all the ways I wish I could paint by numbers,
Cross the stars to trace your face?

Could I be so certain that the dark contrasts that bleed our canvas wasn’t tainted by the depths we’ve dove?

When the ocean of our souls pulls us under, who would light the fire?
As the light faded to a pinhole,
Could we even see the monsters of the deep,
Waiting with open maws to swallow us whole?

No, it’s the night that takes its hold.
As the taillights streak down country roads,
I know you’ll find a way to signal me home.

Be my liberty,
Be my dream.
Find me in your melodies,
a concert of screams.
I want you to know the me,
no one has seen.

Beyond the cusps of our black mirrors. The night has become synonymous with the way we tangle endlessly.
To all the ones who love the night and have your best experiences with your loved ones at night
 Jun 7 irinia
Karen
Gentle was his touch
Silken breeze upon the heart
Whispers of true love
Haiku
 Jun 7 irinia
alia
I named the clouds just to feel known,
told secrets to a skipping stone.
The wind replied with riddles sweet—
I laughed, alone, on crowded streets.
 Jun 7 irinia
JRF
I’m Here
 Jun 7 irinia
JRF
I’m right beside you.
Please do not think that I would
Be anywhere else.
A Haiku to my loved ones
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